Songs like Old Country Fairytale by Mark O'Connor
Based on a tempo of (+/- 10%) and a similar genre
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Giacomo Puccini
Gianni Schicchi: O mio babbino caro (Arr...
121 bpm • C# Maj • 03:24 • -18.04db
25% Popularity • 23% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
25% Popularity • 23% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Concerto in G Minor for 2 Cellos, String...
121 bpm • F# min • 03:19 • -20db
33% Popularity • 44% Danceability • 22% Energy • 40% Liveness
84% Instrumentalness • 55% Positiveness
33% Popularity • 44% Danceability • 22% Energy • 40% Liveness
84% Instrumentalness • 55% Positiveness
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Astor Piazzolla
Tango Remembrances
121 bpm • E min • 06:19 • -13.99db
10% Popularity • 48% Danceability • 15% Energy • 14% Liveness
16% Instrumentalness • 37% Positiveness
10% Popularity • 48% Danceability • 15% Energy • 14% Liveness
16% Instrumentalness • 37% Positiveness
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Vijay Iyer
Playlist For An Extreme Occasion: Part Z...
121 bpm • G Maj • 01:32 • -16db
20% Popularity • 62% Danceability • 39% Energy • 13% Liveness
88% Instrumentalness • 90% Positiveness
20% Popularity • 62% Danceability • 39% Energy • 13% Liveness
88% Instrumentalness • 90% Positiveness
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Mark O'Connor
Old Country Fairytale
121 bpm • A Maj • 08:25 • -22.22db
13% Popularity • 35% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
13% Popularity • 35% Danceability • 13% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Ele...
121 bpm • A# Maj • 01:22 • -35.44db
33% Popularity • 50% Danceability • 1% Energy • 16% Liveness
88% Instrumentalness • 17% Positiveness
33% Popularity • 50% Danceability • 1% Energy • 16% Liveness
88% Instrumentalness • 17% Positiveness
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Johannes Brahms
Cello Sonata No. 1 in E Minor, Op. 38: I...
120 bpm • C Maj • 14:48 • -27.29db
5% Popularity • 23% Danceability • 3% Energy • 10% Liveness
67% Instrumentalness • 7% Positiveness
5% Popularity • 23% Danceability • 3% Energy • 10% Liveness
67% Instrumentalness • 7% Positiveness
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Mike Marshall
Seesaw - Instrumental
120 bpm • C Maj • 03:00 • -18.7db
23% Popularity • 43% Danceability • 31% Energy • 16% Liveness
95% Instrumentalness • 35% Positiveness
23% Popularity • 43% Danceability • 31% Energy • 16% Liveness
95% Instrumentalness • 35% Positiveness
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Traditional
Easter Sunday - Polsk after Rasmus Storm
122 bpm • G Maj • 04:23 • -20.19db
14% Popularity • 31% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 31% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Oliver Davis
Spiral, for Violin, Piano and Strings: I...
120 bpm • A Maj • 02:41 • -13.53db
16% Popularity • 72% Danceability • 35% Energy • 6% Liveness
92% Instrumentalness • 19% Positiveness
16% Popularity • 72% Danceability • 35% Energy • 6% Liveness
92% Instrumentalness • 19% Positiveness
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Andrew York
The Pachelbel "Loose" Canon (after J. Pa...
120 bpm • D Maj • 06:27 • -19.33db
17% Popularity • 46% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 59% Positiveness
17% Popularity • 46% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 59% Positiveness
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Franz Schubert
Arpeggione Sonata in A Minor, D. 821: I....
122 bpm • D min • 11:11 • -26.34db
9% Popularity • 30% Danceability • 5% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
9% Popularity • 30% Danceability • 5% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Tan Dun
Crouching Tiger, Hidden Dragon
122 bpm • G Maj • 03:20 • -26.38db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 10% Positiveness
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John Williams
Becoming a Geisha
120 bpm • A min • 04:52 • -17.49db
37% Popularity • 33% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
37% Popularity • 33% Danceability • 39% Energy • 12% Liveness
91% Instrumentalness • 37% Positiveness
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Traditional
The Green Groves of Erin / The Flowers o...
122 bpm • D Maj • 03:04 • -21.7db
18% Popularity • 46% Danceability • 20% Energy • 11% Liveness
34% Instrumentalness • 64% Positiveness
18% Popularity • 46% Danceability • 20% Energy • 11% Liveness
34% Instrumentalness • 64% Positiveness
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Mike Marshall
Barnyard Disturbance - Instrumental
119 bpm • A Maj • 03:41 • -16.97db
12% Popularity • 74% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 48% Positiveness
12% Popularity • 74% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 48% Positiveness
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Mark O'Connor
Jerusalem's Ridge
123 bpm • E min • 03:27 • -15.29db
16% Popularity • 53% Danceability • 44% Energy • 27% Liveness
90% Instrumentalness • 81% Positiveness
16% Popularity • 53% Danceability • 44% Energy • 27% Liveness
90% Instrumentalness • 81% Positiveness
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Philip Aaberg
Prelude In F Minor From The Well-Tempere...
123 bpm • F min • 05:08 • -22.92db
7% Popularity • 37% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
7% Popularity • 37% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Béla Fleck
Up And Around The Bend
119 bpm • A Maj • 03:34 • -13.03db
26% Popularity • 53% Danceability • 66% Energy • 4% Liveness
78% Instrumentalness • 91% Positiveness
26% Popularity • 53% Danceability • 66% Energy • 4% Liveness
78% Instrumentalness • 91% Positiveness
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George Winston
Corrina, Corrina
119 bpm • C# Maj • 04:23 • -17.12db
28% Popularity • 43% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 36% Positiveness
28% Popularity • 43% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 36% Positiveness
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Traditional
Speed the Plow Medley
119 bpm • B min • 01:57 • -22.99db
11% Popularity • 53% Danceability • 27% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
11% Popularity • 53% Danceability • 27% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
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Stuart Duncan
Here and Heaven - Live
124 bpm • D Maj • 03:35 • -13.82db
8% Popularity • 52% Danceability • 30% Energy • 64% Liveness
2% Instrumentalness • 14% Positiveness
8% Popularity • 52% Danceability • 30% Energy • 64% Liveness
2% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Trio Sonata No. 6 in G Major, BWV 530: I...
119 bpm • G Maj • 03:12 • -22.24db
24% Popularity • 59% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
24% Popularity • 59% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
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Edgar Meyer
Duet for Cello and Bass
118 bpm • B min • 05:48 • -24.01db
11% Popularity • 21% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
11% Popularity • 21% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Ottorino Respighi
The Birds, P. 154: V. The Cuckoo (Il cuc...
118 bpm • A Maj • 04:17 • -24.23db
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
35% Popularity • 31% Danceability • 3% Energy • 28% Liveness
13% Instrumentalness • 10% Positiveness
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John Williams
Sayuri's Theme and End Credits
124 bpm • C min • 05:06 • -17db
33% Popularity • 29% Danceability • 24% Energy • 62% Liveness
88% Instrumentalness • 16% Positiveness
33% Popularity • 29% Danceability • 24% Energy • 62% Liveness
88% Instrumentalness • 16% Positiveness
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Stuart Duncan
Hill Justice
118 bpm • B min • 04:29 • -11.85db
25% Popularity • 49% Danceability • 41% Energy • 7% Liveness
45% Instrumentalness • 62% Positiveness
25% Popularity • 49% Danceability • 41% Energy • 7% Liveness
45% Instrumentalness • 62% Positiveness
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Kittel & Co.
Pando
124 bpm • A Maj • 05:27 • -13.89db
13% Popularity • 55% Danceability • 40% Energy • 13% Liveness
52% Instrumentalness • 69% Positiveness
13% Popularity • 55% Danceability • 40% Energy • 13% Liveness
52% Instrumentalness • 69% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major (K. 159, L. 1...
118 bpm • A Maj • 02:15 • -17.21db
16% Popularity • 47% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 96% Positiveness
16% Popularity • 47% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 96% Positiveness
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David Grisman
Mando-bass Sonata
117 bpm • G Maj • 02:59 • -17.06db
13% Popularity • 53% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 80% Positiveness
13% Popularity • 53% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 80% Positiveness
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Kruger Brothers
Slow Clouds
125 bpm • D Maj • 05:34 • -16.68db
17% Popularity • 74% Danceability • 16% Energy • 12% Liveness
79% Instrumentalness • 28% Positiveness
17% Popularity • 74% Danceability • 16% Energy • 12% Liveness
79% Instrumentalness • 28% Positiveness
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Chris Thile
I'll Remember for You
117 bpm • G Maj • 04:41 • -35.24db
12% Popularity • 40% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
12% Popularity • 40% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
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Jay Ungar
Give Me Your Hand
117 bpm • G Maj • 03:05 • -17.82db
18% Popularity • 29% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
18% Popularity • 29% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 33% Positiveness
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Ludwig van Beethoven
7 Variations on "Bei Männern, welche Li...
125 bpm • D# Maj • 09:42 • -32.93db
9% Popularity • 36% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
9% Popularity • 36% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
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Traditional
Chief Sitting in the Rain
125 bpm • C Maj • 02:01 • -26.3db
15% Popularity • 56% Danceability • 14% Energy • 15% Liveness
4% Instrumentalness • 80% Positiveness
15% Popularity • 56% Danceability • 14% Energy • 15% Liveness
4% Instrumentalness • 80% Positiveness
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Frédéric Chopin
Piano Trio in G Minor, Op. 8: I. Allegro...
125 bpm • C min • 08:16 • -23.54db
2% Popularity • 27% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
2% Popularity • 27% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Franz Schubert
Arpeggione Sonata in A Minor, D. 821: II...
125 bpm • E Maj • 08:55 • -27.19db
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Imani Winds
Coleman: Umoja
117 bpm • D Maj • 02:56 • -18.07db
12% Popularity • 36% Danceability • 15% Energy • 7% Liveness
56% Instrumentalness • 42% Positiveness
12% Popularity • 36% Danceability • 15% Energy • 7% Liveness
56% Instrumentalness • 42% Positiveness
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Giovanni Bottesini
Concerto No. 2 in B Minor for Double Bas...
126 bpm • E min • 04:54 • -23.78db
11% Popularity • 37% Danceability • 11% Energy • 35% Liveness
87% Instrumentalness • 23% Positiveness
11% Popularity • 37% Danceability • 11% Energy • 35% Liveness
87% Instrumentalness • 23% Positiveness
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Ludwig van Beethoven
Symphony No. 6 in F Major, Op. 68, "Past...
117 bpm • F Maj • 11:51 • -23.05db
51% Popularity • 37% Danceability • 6% Energy • 13% Liveness
70% Instrumentalness • 28% Positiveness
51% Popularity • 37% Danceability • 6% Energy • 13% Liveness
70% Instrumentalness • 28% Positiveness
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Edgar Meyer
Concert Duo, The Prequel - Instrumental
126 bpm • B Maj • 03:42 • -15.93db
7% Popularity • 47% Danceability • 24% Energy • 9% Liveness
78% Instrumentalness • 40% Positiveness
7% Popularity • 47% Danceability • 24% Energy • 9% Liveness
78% Instrumentalness • 40% Positiveness
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Jay Ungar
The Harvest Home Suite: Summer (Wind Tha...
116 bpm • D Maj • 04:48 • -11.24db
16% Popularity • 44% Danceability • 34% Energy • 8% Liveness
12% Instrumentalness • 66% Positiveness
16% Popularity • 44% Danceability • 34% Energy • 8% Liveness
12% Instrumentalness • 66% Positiveness
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Johannes Brahms
Cello Sonata No. 1 in E Minor, Op. 38: I...
126 bpm • A min • 05:49 • -28.1db
11% Popularity • 35% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
11% Popularity • 35% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
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Yo-Yo Ma
Jungle Gymnopedie No. 1
126 bpm • A min • 02:42 • -19.46db
29% Popularity • 71% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
29% Popularity • 71% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Stuart Duncan
We Were Animals
116 bpm • C Maj • 05:22 • -17.95db
19% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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吳彤
Rain Falling from the Roof
126 bpm • B min • 05:27 • -33.26db
19% Popularity • 33% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
19% Popularity • 33% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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Turtle Island String Quartet
BACH¦S LUNCH
116 bpm • C min • 02:55 • -13.92db
11% Popularity • 63% Danceability • 46% Energy • 66% Liveness
10% Instrumentalness • 69% Positiveness
11% Popularity • 63% Danceability • 46% Energy • 66% Liveness
10% Instrumentalness • 69% Positiveness
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Aaron Copland
Appalachian Spring: IV. Quite Fast
127 bpm • E Maj • 03:34 • -15db
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
28% Popularity • 37% Danceability • 27% Energy • 24% Liveness
93% Instrumentalness • 26% Positiveness
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Antonín Dvořák
Klid, Op. 68 No. 5, B. 182 (Silent Woods...
127 bpm • C# Maj • 06:19 • -29.58db
15% Popularity • 17% Danceability • 4% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Chris Thile
Jessamyn's Reel
115 bpm • G Maj • 01:54 • -13.87db
34% Popularity • 76% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 98% Positiveness
34% Popularity • 76% Danceability • 30% Energy • 10% Liveness
85% Instrumentalness • 98% Positiveness
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Stuart Duncan
Attaboy
126 bpm • A Maj • 05:42 • -11db
40% Popularity • 46% Danceability • 38% Energy • 18% Liveness
77% Instrumentalness • 62% Positiveness
40% Popularity • 46% Danceability • 38% Energy • 18% Liveness
77% Instrumentalness • 62% Positiveness
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Alan Hovhaness
4 Bagatelles, Op. 30: No. 1. —
115 bpm • A min • 02:04 • -26.85db
17% Popularity • 23% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
17% Popularity • 23% Danceability • 10% Energy • 10% Liveness
82% Instrumentalness • 29% Positiveness
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Nickel Creek
First And Last Waltz
115 bpm • D Maj • 01:53 • -17db
36% Popularity • 31% Danceability • 26% Energy • 25% Liveness
90% Instrumentalness • 25% Positiveness
36% Popularity • 31% Danceability • 26% Energy • 25% Liveness
90% Instrumentalness • 25% Positiveness
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Aaron Copland
Rodeo: No. 5, Hoe-Down
127 bpm • D Maj • 04:08 • -19.31db
32% Popularity • 44% Danceability • 24% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
32% Popularity • 44% Danceability • 24% Energy • 7% Liveness
94% Instrumentalness • 24% Positiveness
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Luigi Boccherini
Concerto in B-Flat Major for Cello & Orc...
127 bpm • D Maj • 04:08 • -30.79db
5% Popularity • 18% Danceability • 3% Energy • 11% Liveness
57% Instrumentalness • 6% Positiveness
5% Popularity • 18% Danceability • 3% Energy • 11% Liveness
57% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Concerto in B-flat Major for Cello, Stri...
114 bpm • A Maj • 03:28 • -21.58db
39% Popularity • 44% Danceability • 17% Energy • 31% Liveness
21% Instrumentalness • 58% Positiveness
39% Popularity • 44% Danceability • 17% Energy • 31% Liveness
21% Instrumentalness • 58% Positiveness
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Edgar Meyer
Druid Fluid
114 bpm • E Maj • 06:30 • -20.45db
14% Popularity • 34% Danceability • 23% Energy • 11% Liveness
21% Instrumentalness • 20% Positiveness
14% Popularity • 34% Danceability • 23% Energy • 11% Liveness
21% Instrumentalness • 20% Positiveness
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John Williams
3 Pieces for Solo Cello: No. 2, Pickin'
115 bpm • D min • 02:35 • -27.16db
6% Popularity • 48% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
6% Popularity • 48% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
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Robert Schumann
Cello Concerto in A Minor, Op. 129: III....
128 bpm • C Maj • 08:06 • -25.26db
16% Popularity • 33% Danceability • 8% Energy • 17% Liveness
88% Instrumentalness • 35% Positiveness
16% Popularity • 33% Danceability • 8% Energy • 17% Liveness
88% Instrumentalness • 35% Positiveness
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Mike Marshall
Big Country - Instrumental
114 bpm • E Maj • 04:00 • -16db
40% Popularity • 32% Danceability • 41% Energy • 14% Liveness
96% Instrumentalness • 31% Positiveness
40% Popularity • 32% Danceability • 41% Energy • 14% Liveness
96% Instrumentalness • 31% Positiveness
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Chris Thile
The Auld Beagle
114 bpm • A Maj • 04:03 • -29db
15% Popularity • 62% Danceability • 4% Energy • 8% Liveness
64% Instrumentalness • 22% Positiveness
15% Popularity • 62% Danceability • 4% Energy • 8% Liveness
64% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Ich ruf zu dir, Herr Jesu Christ, BWV 63...
128 bpm • F min • 02:28 • -31.07db
34% Popularity • 22% Danceability • 2% Energy • 32% Liveness
84% Instrumentalness • 25% Positiveness
34% Popularity • 22% Danceability • 2% Energy • 32% Liveness
84% Instrumentalness • 25% Positiveness
► Preview
Nickel Creek
Elsie
114 bpm • E Maj • 02:32 • -10db
38% Popularity • 58% Danceability • 45% Energy • 14% Liveness
61% Instrumentalness • 46% Positiveness
38% Popularity • 58% Danceability • 45% Energy • 14% Liveness
61% Instrumentalness • 46% Positiveness
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Ennio Morricone
Giuseppe Tornatore Suite: Nostalgia from...
129 bpm • A# Maj • 01:58 • -13.4db
40% Popularity • 23% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
40% Popularity • 23% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Béla Fleck
"Night Flight Over Water" Quintet For Ba...
114 bpm • G Maj • 05:26 • -20.68db
8% Popularity • 43% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 22% Positiveness
8% Popularity • 43% Danceability • 9% Energy • 9% Liveness
45% Instrumentalness • 22% Positiveness
► Preview
Niccolò Paganini
Caprice No. 17
114 bpm • D# Maj • 04:01 • -20.33db
25% Popularity • 50% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 44% Positiveness
25% Popularity • 50% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 44% Positiveness
► Preview
Frédéric Chopin
Introduction et Polonaise brillante in C...
114 bpm • C Maj • 09:13 • -22.29db
13% Popularity • 30% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
13% Popularity • 30% Danceability • 13% Energy • 8% Liveness
91% Instrumentalness • 21% Positiveness
► Preview
Johannes Brahms
Piano Trio No. 2 in C Major, Op. 87: All...
129 bpm • C Maj • 09:50 • -21.22db
19% Popularity • 26% Danceability • 8% Energy • 9% Liveness
24% Instrumentalness • 8% Positiveness
19% Popularity • 26% Danceability • 8% Energy • 9% Liveness
24% Instrumentalness • 8% Positiveness
► Preview
Aaron Copland
Rodeo: No. 2, Corral Nocturne
129 bpm • C Maj • 04:00 • -32.75db
11% Popularity • 16% Danceability • 0% Energy • 7% Liveness
52% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 0% Energy • 7% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Song Without Words, Op. 109
130 bpm • D Maj • 04:05 • -24.99db
7% Popularity • 20% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
7% Popularity • 20% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Mark O'Connor
Butterfly's Day Out
113 bpm • G Maj • 04:42 • -21.74db
21% Popularity • 39% Danceability • 10% Energy • 7% Liveness
62% Instrumentalness • 35% Positiveness
21% Popularity • 39% Danceability • 10% Energy • 7% Liveness
62% Instrumentalness • 35% Positiveness
► Preview
Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 645
129 bpm • G# Maj • 04:42 • -33db
29% Popularity • 59% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
29% Popularity • 59% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
► Preview
Traditional
Soldier's Joy
130 bpm • D Maj • 04:05 • -13.7db
10% Popularity • 55% Danceability • 46% Energy • 30% Liveness
24% Instrumentalness • 86% Positiveness
10% Popularity • 55% Danceability • 46% Energy • 30% Liveness
24% Instrumentalness • 86% Positiveness
► Preview
Antonín Dvořák
String Quartet No. 12 in F major, Op. 96...
113 bpm • F Maj • 09:28 • -22db
24% Popularity • 27% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
24% Popularity • 27% Danceability • 7% Energy • 9% Liveness
53% Instrumentalness • 9% Positiveness
► Preview
Stuart Duncan
Goat Rodeo
112 bpm • C Maj • 04:18 • -14.05db
24% Popularity • 66% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 32% Positiveness
24% Popularity • 66% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 32% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in D minor (K. 213, L. 1...
130 bpm • G min • 03:12 • -19.6db
9% Popularity • 56% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 70% Positiveness
9% Popularity • 56% Danceability • 26% Energy • 8% Liveness
85% Instrumentalness • 70% Positiveness
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Kozaburo Hirai
Nara-Yama - Instrumental
112 bpm • D# min • 05:01 • -20.41db
10% Popularity • 27% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
10% Popularity • 27% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Cello Suite No. 1 in G Major, BWV 1007: ...
112 bpm • G Maj • 02:25 • -19db
42% Popularity • 40% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
42% Popularity • 40% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
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Zhao Ji-Ping
Sacred Cloud Music
112 bpm • B min • 05:24 • -30.19db
4% Popularity • 39% Danceability • 0% Energy • 6% Liveness
47% Instrumentalness • 12% Positiveness
4% Popularity • 39% Danceability • 0% Energy • 6% Liveness
47% Instrumentalness • 12% Positiveness
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Traditional
College Hornpipe
131 bpm • A# Maj • 03:14 • -25.43db
12% Popularity • 44% Danceability • 26% Energy • 13% Liveness
78% Instrumentalness • 81% Positiveness
12% Popularity • 44% Danceability • 26% Energy • 13% Liveness
78% Instrumentalness • 81% Positiveness
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Sarah Jarosz
Mansinneedof
131 bpm • G Maj • 02:51 • -8.17db
31% Popularity • 60% Danceability • 42% Energy • 11% Liveness
47% Instrumentalness • 61% Positiveness
31% Popularity • 60% Danceability • 42% Energy • 11% Liveness
47% Instrumentalness • 61% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Concerto for Flute and Harp in C Major, ...
111 bpm • F Maj • 07:32 • -22db
43% Popularity • 33% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
43% Popularity • 33% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Chris Thile
Golden Pond
131 bpm • D Maj • 03:12 • -13.94db
38% Popularity • 57% Danceability • 29% Energy • 14% Liveness
93% Instrumentalness • 26% Positiveness
38% Popularity • 57% Danceability • 29% Energy • 14% Liveness
93% Instrumentalness • 26% Positiveness
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Sergei Prokofiev
Romeo and Juliet Suite No. 3, Op. 101: A...
132 bpm • E Maj • 02:40 • -38.71db
23% Popularity • 41% Danceability • 1% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
23% Popularity • 41% Danceability • 1% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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John Field
Irish dance "Go to the Devil"
111 bpm • C Maj • 04:30 • -26db
10% Popularity • 46% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 63% Positiveness
10% Popularity • 46% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 63% Positiveness
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W.M. Stepp
Bonaparte's Retreat/Hoedown
132 bpm • D Maj • 05:10 • -13.9db
23% Popularity • 50% Danceability • 35% Energy • 28% Liveness
94% Instrumentalness • 76% Positiveness
23% Popularity • 50% Danceability • 35% Energy • 28% Liveness
94% Instrumentalness • 76% Positiveness
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Florence Beatrice Price
Symphony No. 1 in E Minor: III. Juba Dan...
111 bpm • F Maj • 03:40 • -21.63db
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
19% Popularity • 47% Danceability • 19% Energy • 25% Liveness
88% Instrumentalness • 24% Positiveness
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Traditional
Sekstur from Vendsyssel - The Peat Dance
132 bpm • A Maj • 04:01 • -16.87db
24% Popularity • 45% Danceability • 21% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness
24% Popularity • 45% Danceability • 21% Energy • 5% Liveness
1% Instrumentalness • 63% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589: No. 3, Laudam...
111 bpm • F# Maj • 02:22 • -22.76db
15% Popularity • 46% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 64% Positiveness
15% Popularity • 46% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 64% Positiveness
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David Bruce
Cut The Rug: Drag The Goat
132 bpm • G Maj • 05:13 • -14.1db
7% Popularity • 47% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 47% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Cesar Camargo Mariano
Cristal
111 bpm • G min • 02:50 • -17.56db
18% Popularity • 48% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
18% Popularity • 48% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Johann Sebastian Bach
Art of the Fugue, BWV 1080: Contrapunctu...
132 bpm • D min • 02:19 • -25.14db
20% Popularity • 53% Danceability • 10% Energy • 12% Liveness
80% Instrumentalness • 67% Positiveness
20% Popularity • 53% Danceability • 10% Energy • 12% Liveness
80% Instrumentalness • 67% Positiveness
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Zhao Ji-Ping
Summer in the High Grassland
132 bpm • A min • 04:36 • -26.91db
6% Popularity • 24% Danceability • 7% Energy • 6% Liveness
36% Instrumentalness • 5% Positiveness
6% Popularity • 24% Danceability • 7% Energy • 6% Liveness
36% Instrumentalness • 5% Positiveness
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Julian Lage & Chris Eldridge
Greener Grass
110 bpm • A min • 03:02 • -13.27db
37% Popularity • 50% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 73% Positiveness
37% Popularity • 50% Danceability • 38% Energy • 9% Liveness
94% Instrumentalness • 73% Positiveness
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Edgar Meyer
By The River - Instrumental
133 bpm • A# Maj • 03:22 • -21db
25% Popularity • 56% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
25% Popularity • 56% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Jay Ungar
Thanksgiving Waltz
110 bpm • D Maj • 03:46 • -18.17db
27% Popularity • 36% Danceability • 8% Energy • 14% Liveness
59% Instrumentalness • 30% Positiveness
27% Popularity • 36% Danceability • 8% Energy • 14% Liveness
59% Instrumentalness • 30% Positiveness
