Songs like Old Dogs, Children And Watermelon Wine by Tom T. Hall
Based on a tempo of (+/- 10%) and a similar genre
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Crystal Gayle
I'll Get Over You - Remastered
110 bpm • G# Maj • 03:31 • -12.55db
40% Popularity • 57% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 57% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny Duncan
She Can Put Her Shoes Under My Bed (Anyt...
110 bpm • F Maj • 02:53 • -12db
30% Popularity • 65% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 65% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Tom T. Hall
That's How I Got To Memphis
110 bpm • E Maj • 03:02 • -13.43db
57% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 71% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Vern Gosdin
I Can Tell by the Way You Dance (You're ...
110 bpm • E Maj • 02:40 • -10.09db
44% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 76% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Dick Curless
A Tombstone Every Mile
110 bpm • C Maj • 03:03 • -10db
37% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Merle Haggard & The Strangers
Sing Me Back Home - 2001 Remaster
110 bpm • A Maj • 02:51 • -11db
40% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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C.W. McCall
Old Home Filler-Up An' Keep On A-Truckin...
110 bpm • F# Maj • 02:57 • -16db
35% Popularity • 58% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 58% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Kitty Wells
Password
110 bpm • G Maj • 02:35 • -11.72db
25% Popularity • 59% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 59% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Tom T. Hall
Old Dogs, Children And Watermelon Wine
110 bpm • F Maj • 04:11 • -15.99db
49% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 53% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Charley Pride
Just Between You and Me
110 bpm • F# Maj • 02:15 • -16.46db
40% Popularity • 54% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 54% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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The Browns
I Heard the Bluebirds Sing
109 bpm • E Maj • 02:36 • -4.63db
29% Popularity • 72% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 72% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Hank Locklin
Galway Bay
110 bpm • E Maj • 02:42 • -11db
23% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Gary Stewart
She's Actin' Single (I'm Drinkin' Double...
109 bpm • F# Maj • 02:48 • -11.02db
57% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
57% Popularity • 70% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Alabama
Old Flame
111 bpm • F Maj • 03:11 • -8.29db
44% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Tom T. Hall
Hello, We're Lonely
110 bpm • F# Maj • 03:12 • -15.14db
22% Popularity • 52% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 52% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Barbara Mandrell
Tonight My Baby's Coming Home
109 bpm • B Maj • 02:03 • -8db
28% Popularity • 55% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 55% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Don Williams
It Must Be Love
111 bpm • F Maj • 02:31 • -12db
56% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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John Anderson
Would You Catch a Falling Star
109 bpm • C# Maj • 02:56 • -15db
39% Popularity • 73% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 73% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Bobby Bare
500 Miles Away from Home
109 bpm • G Maj • 02:42 • -10.8db
47% Popularity • 50% Danceability • 43% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 50% Danceability • 43% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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Johnny Rodriguez
Foolin'
108 bpm • A Maj • 02:45 • -11.76db
27% Popularity • 51% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 51% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Tom T. Hall
The Old Side of Town
109 bpm • A Maj • 03:04 • -9.62db
35% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 58% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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The Highwaymen
The Road Goes On Forever
112 bpm • D Maj • 04:41 • -10db
54% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Red Simpson
Roll, Truck, Roll
112 bpm • D Maj • 02:50 • -11.58db
27% Popularity • 69% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 69% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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C.W. McCall
Convoy
112 bpm • F Maj • 03:50 • -14.88db
61% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
61% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Gary Stewart
Out of Hand
112 bpm • G Maj • 03:01 • -10.48db
38% Popularity • 70% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 70% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Johnny Rodriguez
You Always Come Back (To Hurting Me)
109 bpm • G Maj • 02:20 • -10.56db
36% Popularity • 53% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 53% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Patsy Cline
I Fall To Pieces - Single Version
112 bpm • A# Maj • 02:51 • -20.51db
63% Popularity • 54% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
63% Popularity • 54% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Tom T. Hall
I Washed My Face In The Morning Dew - Si...
111 bpm • G Maj • 02:44 • -12db
40% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Randy Travis
1982
108 bpm • A Maj • 02:59 • -8db
53% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 61% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Josh Graves
Fireball Mail
112 bpm • D Maj • 03:44 • -9.49db
6% Popularity • 64% Danceability • 60% Energy • 20% Liveness
18% Instrumentalness • 96% Positiveness
6% Popularity • 64% Danceability • 60% Energy • 20% Liveness
18% Instrumentalness • 96% Positiveness
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Hank Locklin
Please Help Me I'm Falling
108 bpm • G Maj • 02:24 • -9db
45% Popularity • 56% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Dan Seals
Everything That Glitters (Is Not Gold)
112 bpm • E Maj • 04:52 • -16.73db
51% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Ernest Tubb
Drivin' Nails In My Coffin - Single Vers...
112 bpm • C Maj • 02:53 • -11.37db
42% Popularity • 68% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 68% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Tom T. Hall
I Care
109 bpm • C Maj • 02:03 • -16.32db
24% Popularity • 63% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 63% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Webb Pierce
Back Street Affair
112 bpm • G Maj • 02:48 • -10.32db
16% Popularity • 65% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 65% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
112 bpm • A Maj • 02:14 • -11.49db
34% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 75% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Marty Stuart
This One's Gonna Hurt You (For A Long, L...
108 bpm • G# Maj • 03:28 • -10.49db
45% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Tex Ritter
Just Beyond the Moon
113 bpm • G Maj • 02:58 • -13.32db
31% Popularity • 61% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 61% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Jeannie C. Riley
Country Girl
113 bpm • C Maj • 02:39 • -11.86db
30% Popularity • 65% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 65% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Tom T. Hall
Everything From Jesus To Jack Daniels - ...
111 bpm • A Maj • 02:57 • -15.86db
18% Popularity • 65% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 65% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Jim Reeves
Yonder Comes a Sucker
113 bpm • D Maj • 02:34 • -10.88db
24% Popularity • 69% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 69% Danceability • 46% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Larry Gatlin & The Gatlin Brothers
All the Gold In California
113 bpm • D Maj • 02:39 • -8db
27% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Ferlin Husky
Timber I'm Falling
113 bpm • E Maj • 02:32 • -7.35db
34% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Claude Gray
I'll Just Have A Cup Of Coffee (Then I'l...
113 bpm • A# Maj • 02:11 • -17db
24% Popularity • 69% Danceability • 37% Energy • 36% Liveness
9% Instrumentalness • 70% Positiveness
24% Popularity • 69% Danceability • 37% Energy • 36% Liveness
9% Instrumentalness • 70% Positiveness
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Bob Wills
San Antonio Rose
107 bpm • D# Maj • 03:10 • -12.75db
29% Popularity • 65% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
29% Popularity • 65% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
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Tom T. Hall
It Sure Can Get Cold In Des Moines
111 bpm • D Maj • 02:54 • -10.67db
20% Popularity • 51% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 51% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Gene Watson
Love In The Hot Afternoon
113 bpm • E Maj • 03:19 • -8.27db
45% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Mel McDaniel
Baby's Got Her Blue Jeans On
107 bpm • A# Maj • 02:59 • -6db
62% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Larry Gatlin & The Gatlin Brothers
All the Gold In California
113 bpm • D Maj • 02:37 • -12.06db
48% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Johny Hortin
Horse Is Brave
113 bpm • C Maj • 03:10 • -15.54db
17% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 72% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Jean Shepard
Slippin' Away
113 bpm • F Maj • 02:29 • -8.39db
40% Popularity • 74% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 74% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Nitty Gritty Dirt Band
Will The Circle Be Unbroken
107 bpm • A Maj • 05:38 • -15.22db
40% Popularity • 45% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 45% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Tom T. Hall
One Hundred Children - Single Version
114 bpm • A# Maj • 02:33 • -12.86db
20% Popularity • 60% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 60% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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The Browns
The Three Bells (Les Trois Cloches)
106 bpm • G Maj • 02:53 • -10db
39% Popularity • 46% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 46% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Carl Butler
Don't Let Me Cross Over
114 bpm • G Maj • 02:57 • -12.25db
38% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 59% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ronnie Milsap
I Wouldn't Have Missed It For The World
114 bpm • G Maj • 03:37 • -10.84db
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Roy Acuff
Tennessee Waltz
114 bpm • C Maj • 02:54 • -10.26db
32% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 56% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Red Foley
Too Old To Cut The Mustard
106 bpm • D Maj • 02:52 • -11.19db
37% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 82% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Charlie Rich
I Take It On Home
114 bpm • F Maj • 02:50 • -14.89db
30% Popularity • 48% Danceability • 21% Energy • 17% Liveness
46% Instrumentalness • 42% Positiveness
30% Popularity • 48% Danceability • 21% Energy • 17% Liveness
46% Instrumentalness • 42% Positiveness
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Bob Wills
Stay All Night (Stay A Little Longer)
114 bpm • G Maj • 03:06 • -11.16db
36% Popularity • 83% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
36% Popularity • 83% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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Tom T. Hall
A Week In A Country Jail
114 bpm • A Maj • 03:03 • -13db
43% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Larry Gatlin & The Gatlin Brothers
All The Gold In California
106 bpm • G Maj • 02:50 • -10.88db
32% Popularity • 65% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 65% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Mel Tillis
Ode To The Little Brown Shack Out Back
114 bpm • D Maj • 02:59 • -12.39db
17% Popularity • 54% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 54% Danceability • 55% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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MEL STREET
Smokey Mountain Memories
114 bpm • F Maj • 03:02 • -8db
31% Popularity • 57% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 57% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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The Highwaymen
Live Forever
106 bpm • G Maj • 02:47 • -11.25db
56% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 65% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Mickey Gilley
Room Full of Roses
106 bpm • C Maj • 02:47 • -12db
33% Popularity • 59% Danceability • 36% Energy • 20% Liveness
13% Instrumentalness • 44% Positiveness
33% Popularity • 59% Danceability • 36% Energy • 20% Liveness
13% Instrumentalness • 44% Positiveness
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Tom T. Hall
Ballad Of Forty Dollars
114 bpm • D Maj • 03:01 • -16db
48% Popularity • 56% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 56% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Dan Seals
God Must Be A Cowboy
115 bpm • G# Maj • 03:05 • -11db
49% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Dick Curless
Big Wheel Cannonball
114 bpm • G Maj • 02:32 • -10.22db
35% Popularity • 71% Danceability • 65% Energy • 12% Liveness
43% Instrumentalness • 96% Positiveness
35% Popularity • 71% Danceability • 65% Energy • 12% Liveness
43% Instrumentalness • 96% Positiveness
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David Allan Coe
Tennessee Whiskey
105 bpm • D Maj • 02:58 • -11.12db
46% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 67% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Merle Haggard & The Strangers
Silver Wings
105 bpm • E Maj • 02:45 • -14.57db
50% Popularity • 54% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 54% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Earl Thomas Conley
Fire and Smoke
115 bpm • G Maj • 03:13 • -10db
42% Popularity • 72% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 72% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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George Jones
She Thinks I Still Care
115 bpm • B Maj • 02:34 • -8.51db
53% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Ferlin Husky
Please Help Me I'm Falling
115 bpm • G Maj • 02:13 • -10.26db
25% Popularity • 66% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 66% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Roy Drusky
Yes Mr. Peters
105 bpm • A Maj • 02:33 • -14.06db
37% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
37% Popularity • 69% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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David Allan Coe
You Never Even Called Me by My Name
105 bpm • G Maj • 05:16 • -8db
60% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
60% Popularity • 63% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Shelly West
Jose Cuervo
115 bpm • G Maj • 02:40 • -9db
49% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Tom T. Hall
Faster Horses (The Cowboy And The Poet)
115 bpm • G Maj • 02:52 • -13db
50% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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MEL STREET
Borrowed Angel
105 bpm • E Maj • 03:13 • -13db
32% Popularity • 46% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 46% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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The Oak Ridge Boys
I'm Settin' Fancy Free - Single Version
115 bpm • D Maj • 03:45 • -19db
40% Popularity • 63% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 63% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Earl Scruggs
The Engineers Don't Wave from the Trains...
115 bpm • C Maj • 02:30 • -8.43db
23% Popularity • 57% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 57% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Hawkshaw Hawkins
Lonesome 7-7203
115 bpm • A Maj • 02:43 • -14.69db
38% Popularity • 78% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 78% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Eddie Rabbitt
Do You Right Tonight - 2008 Remaster
105 bpm • G Maj • 02:32 • -14db
32% Popularity • 67% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 67% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Tom T. Hall
The Little Lady Preacher
105 bpm • D# Maj • 02:58 • -9.99db
30% Popularity • 64% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 64% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Tanya Tucker
San Antonio Stroll
116 bpm • A Maj • 02:50 • -16.82db
48% Popularity • 66% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 66% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Don Williams
Tulsa Time
104 bpm • E Maj • 03:15 • -13.01db
65% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 92% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Little Jimmy Dickens
May the Bird of Paradise Fly up Your Nos...
104 bpm • E Maj • 02:31 • -8db
39% Popularity • 66% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
39% Popularity • 66% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 87% Positiveness
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Webb Pierce
There Stands the Glass
116 bpm • D# Maj • 02:26 • -10.59db
35% Popularity • 55% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 55% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Bare
The Streets of Baltimore
116 bpm • E Maj • 02:37 • -14db
43% Popularity • 58% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 58% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Tom T. Hall
Who's Gonna Feed Them Hogs
105 bpm • G Maj • 02:36 • -11db
37% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 56% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Rodriguez
How Could I Love Her So Much
104 bpm • D Maj • 03:14 • -13db
33% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Kitty Wells
How Far Is Heaven
116 bpm • F# Maj • 03:08 • -11db
29% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 62% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Lorrie Morgan
'Til a Tear Becomes a Rose
104 bpm • F Maj • 03:32 • -12db
41% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Charley Pride
Is Anybody Goin' to San Antone
116 bpm • D Maj • 02:13 • -12db
56% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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The Bellamy Brothers
Old Hippie
104 bpm • B Maj • 04:05 • -13.25db
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 69% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Tom T. Hall
Spokane Motel Blues - Single Version
104 bpm • C Maj • 02:42 • -12.94db
26% Popularity • 56% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 56% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Gary Stewart
Drinkin' Thing
104 bpm • F Maj • 02:59 • -13.38db
46% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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George Hamilton IV
Truck Driving Man
104 bpm • E Maj • 02:28 • -10.54db
27% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
