Songs like old fast by maxime.
Based on a tempo of (+/- 10%) and a similar genre
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Huron John
Butter
110 bpm • D# min • 03:25 • -4.86db
20% Popularity • 69% Danceability • 74% Energy • 77% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 69% Danceability • 74% Energy • 77% Liveness
0% Instrumentalness • 61% Positiveness
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maxime.
‎old ‎fast
110 bpm • B min • 02:04 • -10db
25% Popularity • 92% Danceability • 37% Energy • 8% Liveness
37% Instrumentalness • 37% Positiveness
25% Popularity • 92% Danceability • 37% Energy • 8% Liveness
37% Instrumentalness • 37% Positiveness
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Ohsolow
Automatic
110 bpm • C min • 02:39 • -13.83db
19% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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D33J
Nothing Left
110 bpm • A Maj • 03:29 • -8db
28% Popularity • 84% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 84% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Eryn Martin
America
110 bpm • E Maj • 02:38 • -9.6db
12% Popularity • 61% Danceability • 61% Energy • 16% Liveness
52% Instrumentalness • 10% Positiveness
12% Popularity • 61% Danceability • 61% Energy • 16% Liveness
52% Instrumentalness • 10% Positiveness
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Brevin Kim
somebody, some body
110 bpm • C# min • 02:13 • -5.88db
35% Popularity • 71% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 71% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Melo Makes Music
Murphy's Law
111 bpm • G# Maj • 04:10 • -8db
23% Popularity • 68% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 68% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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maxime.
‎friends /‎ wasted
110 bpm • D Maj • 02:32 • -8.02db
20% Popularity • 75% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 75% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Tycho Jones
Scrolling
112 bpm • E min • 02:35 • -6.23db
9% Popularity • 74% Danceability • 68% Energy • 7% Liveness
58% Instrumentalness • 23% Positiveness
9% Popularity • 74% Danceability • 68% Energy • 7% Liveness
58% Instrumentalness • 23% Positiveness
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Internet Girl
Leaving Again
112 bpm • G min • 03:03 • -8.1db
10% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 68% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Billy Lemos
Here I Found / No Self Control
112 bpm • D Maj • 03:01 • -5.76db
26% Popularity • 44% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
26% Popularity • 44% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
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Tommy Newport
Someone Like Me
112 bpm • F# Maj • 02:46 • -9.01db
22% Popularity • 96% Danceability • 41% Energy • 13% Liveness
22% Instrumentalness • 75% Positiveness
22% Popularity • 96% Danceability • 41% Energy • 13% Liveness
22% Instrumentalness • 75% Positiveness
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Vasser
Blind Faith Talking
107 bpm • C min • 03:36 • -8db
19% Popularity • 38% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 38% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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maxime.
‎osaka
110 bpm • B min • 01:39 • -13.59db
11% Popularity • 68% Danceability • 51% Energy • 12% Liveness
94% Instrumentalness • 53% Positiveness
11% Popularity • 68% Danceability • 51% Energy • 12% Liveness
94% Instrumentalness • 53% Positiveness
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LORD$OFDOGTOWN
EYE$
113 bpm • C# Maj • 02:11 • -7.41db
23% Popularity • 68% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 68% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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DROELOE
I CAN'T WAIT - Flaws Cover
113 bpm • C# Maj • 02:22 • -13.09db
24% Popularity • 68% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
24% Popularity • 68% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
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Huron John
Maple Syrup Tears
113 bpm • E Maj • 03:13 • -5.03db
45% Popularity • 70% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 70% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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Marius
IDNTWNTU
107 bpm • B Maj • 03:14 • -11.54db
30% Popularity • 70% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 70% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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rozey
aftertaste
107 bpm • C# Maj • 02:00 • -10.85db
16% Popularity • 64% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 64% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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maxime.
‎rubber ‎checks
110 bpm • A Maj • 01:58 • -10.33db
31% Popularity • 81% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 81% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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pluko
his perspective
107 bpm • F min • 02:13 • -10.65db
12% Popularity • 42% Danceability • 41% Energy • 11% Liveness
10% Instrumentalness • 6% Positiveness
12% Popularity • 42% Danceability • 41% Energy • 11% Liveness
10% Instrumentalness • 6% Positiveness
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SEBASTIAN PAUL
ON SOME HIGH
114 bpm • E Maj • 03:59 • -9.63db
53% Popularity • 41% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 41% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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Jaxxon D. Silva
There's No Antidote For Love
114 bpm • A Maj • 02:32 • -7.21db
24% Popularity • 84% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 84% Danceability • 43% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Worry Club
Vince Vaughn
114 bpm • B Maj • 02:54 • -9.2db
17% Popularity • 84% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 84% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Hudi
Tempo
114 bpm • B Maj • 03:30 • -10.76db
28% Popularity • 82% Danceability • 43% Energy • 10% Liveness
41% Instrumentalness • 58% Positiveness
28% Popularity • 82% Danceability • 43% Energy • 10% Liveness
41% Instrumentalness • 58% Positiveness
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maxime.
geometry
110 bpm • C Maj • 02:10 • -9.12db
11% Popularity • 82% Danceability • 54% Energy • 10% Liveness
14% Instrumentalness • 48% Positiveness
11% Popularity • 82% Danceability • 54% Energy • 10% Liveness
14% Instrumentalness • 48% Positiveness
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pluko
isittoogoodtobetrue?
114 bpm • G Maj • 05:26 • -10.01db
14% Popularity • 36% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 36% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Max Leone
First Grade
114 bpm • C# Maj • 02:32 • -7.34db
20% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Jon Wiilde
Casey
115 bpm • F# min • 04:39 • -10.65db
19% Popularity • 68% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
19% Popularity • 68% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 14% Positiveness
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Pell
Pass By
115 bpm • C# min • 03:40 • -8.25db
29% Popularity • 78% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 78% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Billy Lemos
Stuck
115 bpm • D min • 02:07 • -7db
20% Popularity • 60% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 60% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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maxime.
​stare
111 bpm • F# Maj • 01:59 • -14.67db
15% Popularity • 72% Danceability • 25% Energy • 10% Liveness
41% Instrumentalness • 18% Positiveness
15% Popularity • 72% Danceability • 25% Energy • 10% Liveness
41% Instrumentalness • 18% Positiveness
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Reaper
VERTIGO
115 bpm • F# min • 03:45 • -9.19db
32% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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LESANE
Pink Umbrella
115 bpm • B min • 02:32 • -10db
28% Popularity • 87% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 87% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Maasho
SAD MACHINE
115 bpm • F# min • 02:58 • -12.15db
20% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 62% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Rocci
Blank Stare
105 bpm • A# min • 02:23 • -7.44db
13% Popularity • 75% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 75% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Lemos
Wait
115 bpm • G Maj • 03:02 • -11db
40% Popularity • 49% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 38% Positiveness
40% Popularity • 49% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 38% Positiveness
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maxime.
‎temperature
115 bpm • A Maj • 02:50 • -10.93db
26% Popularity • 81% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 81% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Reaper
AS YOU SOW
115 bpm • G min • 03:39 • -7.99db
33% Popularity • 65% Danceability • 39% Energy • 22% Liveness
4% Instrumentalness • 31% Positiveness
33% Popularity • 65% Danceability • 39% Energy • 22% Liveness
4% Instrumentalness • 31% Positiveness
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Elroy
TALKIN IN MY SLEEP
105 bpm • C min • 02:58 • 0.65db
23% Popularity • 74% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 74% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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STEPHAN
DANCE AROUND THE ROOM
105 bpm • F# Maj • 02:23 • -6.65db
18% Popularity • 70% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 70% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Jason Channel
Wavelength
105 bpm • G Maj • 02:37 • -12.46db
20% Popularity • 96% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 96% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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BabyJake
MadHappySad
105 bpm • C# min • 02:48 • -8db
37% Popularity • 94% Danceability • 45% Energy • 36% Liveness
11% Instrumentalness • 76% Positiveness
37% Popularity • 94% Danceability • 45% Energy • 36% Liveness
11% Instrumentalness • 76% Positiveness
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maxime.
universal
107 bpm • D Maj • 01:15 • -6.96db
9% Popularity • 77% Danceability • 72% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
9% Popularity • 77% Danceability • 72% Energy • 9% Liveness
89% Instrumentalness • 44% Positiveness
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Reaper
HEADY
115 bpm • C# Maj • 03:31 • -6.63db
55% Popularity • 65% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 65% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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changing cleo
monday blues
105 bpm • G Maj • 02:56 • -8.17db
13% Popularity • 67% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 67% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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On Planets
Sticks
116 bpm • F Maj • 03:36 • -9.13db
23% Popularity • 48% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
23% Popularity • 48% Danceability • 49% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
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Zaia
BLUE
116 bpm • G# Maj • 02:17 • -4.19db
38% Popularity • 83% Danceability • 81% Energy • 12% Liveness
6% Instrumentalness • 93% Positiveness
38% Popularity • 83% Danceability • 81% Energy • 12% Liveness
6% Instrumentalness • 93% Positiveness
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KennyHoopla
lost cause//
116 bpm • E min • 03:15 • -10.14db
35% Popularity • 83% Danceability • 55% Energy • 15% Liveness
16% Instrumentalness • 51% Positiveness
35% Popularity • 83% Danceability • 55% Energy • 15% Liveness
16% Instrumentalness • 51% Positiveness
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maxime.
spooktober
105 bpm • A Maj • 02:39 • -11.98db
24% Popularity • 81% Danceability • 44% Energy • 13% Liveness
17% Instrumentalness • 29% Positiveness
24% Popularity • 81% Danceability • 44% Energy • 13% Liveness
17% Instrumentalness • 29% Positiveness
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WebsterX
No End
116 bpm • C Maj • 03:41 • -8.78db
20% Popularity • 67% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 67% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Aries
GENIE
116 bpm • E Maj • 03:14 • -2.92db
39% Popularity • 68% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 68% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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LAN Party
Some People
116 bpm • A Maj • 02:48 • -8.64db
16% Popularity • 49% Danceability • 57% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
16% Popularity • 49% Danceability • 57% Energy • 11% Liveness
5% Instrumentalness • 5% Positiveness
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Aahhhli!
Oh Hi
116 bpm • A# min • 03:17 • -8.53db
23% Popularity • 80% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 80% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Isolated
Summer Dropout
116 bpm • C Maj • 04:00 • -12.07db
11% Popularity • 74% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 74% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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maxime.
‎mile ‎end
105 bpm • B Maj • 03:12 • -8.41db
24% Popularity • 67% Danceability • 79% Energy • 25% Liveness
28% Instrumentalness • 29% Positiveness
24% Popularity • 67% Danceability • 79% Energy • 25% Liveness
28% Instrumentalness • 29% Positiveness
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Oliver Malcolm
Helen
104 bpm • G Maj • 02:37 • -7db
30% Popularity • 84% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 84% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Seers
For Sure
104 bpm • D Maj • 03:04 • -6.4db
21% Popularity • 89% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 89% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Tommy Newport
Holy Water
104 bpm • E min • 03:16 • -5.37db
30% Popularity • 94% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
30% Popularity • 94% Danceability • 48% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
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Luke Wild
Easier To Lie
117 bpm • C Maj • 02:38 • -5.65db
37% Popularity • 79% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 79% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Kamiyada+
3 AM
104 bpm • G# Maj • 03:24 • -9.7db
37% Popularity • 77% Danceability • 40% Energy • 10% Liveness
13% Instrumentalness • 18% Positiveness
37% Popularity • 77% Danceability • 40% Energy • 10% Liveness
13% Instrumentalness • 18% Positiveness
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maxime.
quitting time
116 bpm • F# Maj • 02:18 • -10.03db
29% Popularity • 78% Danceability • 36% Energy • 13% Liveness
57% Instrumentalness • 49% Positiveness
29% Popularity • 78% Danceability • 36% Energy • 13% Liveness
57% Instrumentalness • 49% Positiveness
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Aries
RACECAR
117 bpm • G# Maj • 02:37 • -7.62db
49% Popularity • 71% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 71% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Simon Sea
Broke Boi
117 bpm • A Maj • 01:51 • -7.03db
12% Popularity • 74% Danceability • 48% Energy • 10% Liveness
22% Instrumentalness • 48% Positiveness
12% Popularity • 74% Danceability • 48% Energy • 10% Liveness
22% Instrumentalness • 48% Positiveness
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Zaia
VERY ALONE
103 bpm • D Maj • 02:11 • -12.16db
43% Popularity • 93% Danceability • 56% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
43% Popularity • 93% Danceability • 56% Energy • 10% Liveness
4% Instrumentalness • 96% Positiveness
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Luke Wild
Drop Me Off In The Sky
117 bpm • E min • 03:19 • -6db
27% Popularity • 84% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 84% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Aquinas
Bonsai.
118 bpm • C# min • 02:26 • -11.29db
9% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 74% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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maxime.
pneumonia
104 bpm • A# min • 02:28 • -9db
14% Popularity • 76% Danceability • 36% Energy • 17% Liveness
4% Instrumentalness • 56% Positiveness
14% Popularity • 76% Danceability • 36% Energy • 17% Liveness
4% Instrumentalness • 56% Positiveness
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Angelo Mota
90210
102 bpm • G Maj • 02:56 • -10db
19% Popularity • 73% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 73% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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prettyboys
U N I
102 bpm • F# min • 03:28 • -6.71db
10% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 82% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Brevin Kim
the wedding!
102 bpm • C Maj • 02:16 • -3.17db
22% Popularity • 36% Danceability • 78% Energy • 65% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 36% Danceability • 78% Energy • 65% Liveness
0% Instrumentalness • 34% Positiveness
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Oliver Malcolm
Kevin
102 bpm • G min • 03:19 • -9.08db
36% Popularity • 68% Danceability • 35% Energy • 11% Liveness
6% Instrumentalness • 54% Positiveness
36% Popularity • 68% Danceability • 35% Energy • 11% Liveness
6% Instrumentalness • 54% Positiveness
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Maasho
BIG SHOT!
119 bpm • C min • 03:35 • -5.3db
23% Popularity • 69% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 69% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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maxime.
‎u and ‎everyone ‎u ‎know !
103 bpm • B min • 03:35 • -8.24db
29% Popularity • 62% Danceability • 59% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 62% Danceability • 59% Energy • 56% Liveness
0% Instrumentalness • 27% Positiveness
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Oshi
my girl
119 bpm • G# Maj • 03:35 • -8.05db
20% Popularity • 37% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 37% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Doze
Uppercut
101 bpm • C min • 02:14 • -8.27db
9% Popularity • 82% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 82% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Brevin Kim
Dance
119 bpm • A Maj • 03:24 • -11.96db
13% Popularity • 34% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 34% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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6host
Play-Doh
120 bpm • A# Maj • 03:20 • -5db
28% Popularity • 61% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 61% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Hadji Gaviota
GUIDO/MISS KARMA
120 bpm • A Maj • 02:52 • -6.71db
8% Popularity • 64% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 43% Positiveness
8% Popularity • 64% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 43% Positiveness
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maxime.
‎maybe, ‎i ‎said
102 bpm • F min • 02:12 • -7.66db
14% Popularity • 88% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
14% Popularity • 88% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 68% Positiveness
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Jon Wiilde
Pardon Me
120 bpm • C Maj • 04:17 • -11.47db
11% Popularity • 58% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 58% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Doze
Get Over It
101 bpm • C# min • 02:55 • -9db
29% Popularity • 86% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 86% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Eric Reprid
Nights
101 bpm • A Maj • 03:07 • -11.38db
27% Popularity • 63% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 63% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Busu
Hate bein sober
101 bpm • D Maj • 03:38 • -6.03db
15% Popularity • 64% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 64% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Uncle Bendr
6 Feet Apart
120 bpm • E Maj • 03:10 • -15.14db
14% Popularity • 83% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 83% Danceability • 23% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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maxime.
armpit
120 bpm • E Maj • 00:56 • -13.57db
12% Popularity • 67% Danceability • 30% Energy • 6% Liveness
65% Instrumentalness • 49% Positiveness
12% Popularity • 67% Danceability • 30% Energy • 6% Liveness
65% Instrumentalness • 49% Positiveness
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Jelani Aryeh
Destinesia II
120 bpm • C Maj • 02:48 • -5.96db
15% Popularity • 75% Danceability • 79% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
15% Popularity • 75% Danceability • 79% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
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young friend
done w u
120 bpm • A# min • 02:45 • -10.53db
8% Popularity • 89% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 89% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Lucy Fer
Alcoholic
120 bpm • A min • 04:06 • -7db
31% Popularity • 92% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
31% Popularity • 92% Danceability • 72% Energy • 10% Liveness
2% Instrumentalness • 30% Positiveness
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LORD$OFDOGTOWN
AUTUMN
120 bpm • G min • 02:58 • -7db
30% Popularity • 57% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 57% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Orrin
Great Escape
120 bpm • E min • 03:04 • -18.36db
24% Popularity • 71% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 71% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Yxngxr1
Let's Shake
120 bpm • C# Maj • 02:32 • -9db
35% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Last Artful, Dodgr
Better Safe Than Social
120 bpm • A Maj • 05:03 • -9db
25% Popularity • 73% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 73% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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maxime.
‎mads ‎mikkelsen
120 bpm • F# min • 03:48 • -8.61db
19% Popularity • 59% Danceability • 66% Energy • 12% Liveness
38% Instrumentalness • 33% Positiveness
19% Popularity • 59% Danceability • 66% Energy • 12% Liveness
38% Instrumentalness • 33% Positiveness
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Elroy
ICE
120 bpm • G Maj • 02:50 • 0.1db
18% Popularity • 75% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 75% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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LORD$OFDOGTOWN
REAL
120 bpm • G# Maj • 01:59 • -7.81db
21% Popularity • 76% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 76% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Jaxxon D. Silva
Hell Of A Heart
120 bpm • F# min • 03:38 • -8.56db
15% Popularity • 62% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 62% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Healy
Second Wind
120 bpm • F Maj • 03:30 • -8.01db
30% Popularity • 94% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 94% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
