Songs like Old Friends by Jasmine Thompson
Based on a tempo of (+/- 10%) and a similar genre
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jasmine Thompson
Old Friends
133 bpm • D# Maj • 03:33 • -6.48db
41% Popularity • 43% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 43% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Shawn Hook
Reminding Me
133 bpm • A min • 03:29 • -4.86db
46% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Bailey Jehl
These Days
134 bpm • C Maj • 02:31 • -13.34db
45% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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P!nk
But We Lost It
134 bpm • A# Maj • 03:27 • -5.84db
46% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Kari Kimmel
Nothing Left to Lose
134 bpm • D Maj • 03:38 • -15.68db
30% Popularity • 63% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
30% Popularity • 63% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Alex & Sierra
Back to You
134 bpm • F Maj • 03:52 • -9db
31% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Jasmine Thompson
Let Her Go
133 bpm • D# Maj • 02:52 • -6.86db
60% Popularity • 50% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
60% Popularity • 50% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Anne-Marie
Alarm - Acoustic Version
134 bpm • C Maj • 03:08 • -8.8db
30% Popularity • 58% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 58% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Erik Jonasson
Like a Funeral
132 bpm • E Maj • 03:51 • -11db
36% Popularity • 32% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 32% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Neele Ternes
Dad - #heimkommen
132 bpm • A# Maj • 03:28 • -11.82db
35% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Rachel Platten
Collide
132 bpm • F# min • 03:25 • -3.97db
51% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
51% Popularity • 57% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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P!nk
90 Days
132 bpm • G min • 03:50 • -5.38db
51% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Aron Wright
In the Sun
132 bpm • G Maj • 04:28 • -16db
38% Popularity • 37% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 37% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Anne-Marie
Peak - Stripped
134 bpm • G min • 03:46 • -10db
35% Popularity • 51% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 51% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Ella Henderson
Missed
135 bpm • F Maj • 03:14 • -9.13db
37% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 40% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Missy & Blonde
Swalla - Acoustic Version
135 bpm • C# min • 03:37 • -9db
42% Popularity • 54% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 54% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Shannon Purser
Sunflower - Movie Version
131 bpm • C Maj • 01:48 • -14db
49% Popularity • 69% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 69% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Joy Williams
Don't Let Me Down
131 bpm • B Maj • 03:00 • -14.9db
49% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 71% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jasmine Thompson
Say Something
135 bpm • D Maj • 03:38 • -9.06db
36% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Leona Lewis
Thick Skin
135 bpm • D min • 02:58 • -5.01db
34% Popularity • 41% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 41% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Sigma
Find Me - Acoustic
131 bpm • F min • 03:07 • -6.14db
32% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Yuna
All I Do
135 bpm • F Maj • 03:36 • -10db
33% Popularity • 61% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 61% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Jebase
I See Fire
131 bpm • A# min • 04:11 • -12.11db
25% Popularity • 53% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 53% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Mary Lambert
When You Sleep
135 bpm • F# Maj • 03:47 • -12db
35% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jasmine Thompson
Sign of the Times
131 bpm • F Maj • 04:13 • -12.91db
41% Popularity • 52% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 52% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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P!nk
Wild Hearts Can't Be Broken
131 bpm • C Maj • 03:21 • -6.3db
48% Popularity • 38% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 38% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Paul McDonald
First Loves (Demo)
136 bpm • C Maj • 03:33 • -10db
23% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Dia Frampton
Out of the Dark - Acoustic
136 bpm • F# Maj • 03:30 • -10db
21% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 59% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Michael Schulte
Thoughts
136 bpm • G# min • 03:47 • -12.1db
28% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Sam Smith
No Peace
136 bpm • E min • 04:43 • -8.11db
58% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
58% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Julia Ross
You're Not Mine
130 bpm • C Maj • 02:52 • -16db
23% Popularity • 66% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 66% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Sweeplings
Chains
130 bpm • E min • 03:20 • -8.08db
37% Popularity • 55% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 55% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Alex & Sierra
Say My Name
130 bpm • G# Maj • 03:29 • -6.47db
36% Popularity • 76% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 76% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Jasmine Thompson
Fix Me
130 bpm • C min • 03:34 • -6.48db
19% Popularity • 60% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 60% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Missy & Blonde
OTW - Acoustic Version
130 bpm • G# min • 03:21 • -8.91db
37% Popularity • 59% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 59% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Mako
Smoke Filled Room - Acoustic Session
130 bpm • A Maj • 03:09 • -9.53db
37% Popularity • 74% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 74% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Elms District
Journey On
130 bpm • C Maj • 05:17 • -7db
30% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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The Sweeplings
Hold Me
136 bpm • G Maj • 04:04 • -10.92db
40% Popularity • 55% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 55% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Lady Gaga
Million Reasons
130 bpm • C Maj • 03:25 • -8.01db
77% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
77% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jaclyn Davies
Stitches
130 bpm • C Maj • 04:06 • -9.38db
49% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Julia Michaels
Don't Wanna Think
130 bpm • C Maj • 02:59 • -6.52db
37% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Tim Chadwick
Belong
137 bpm • C# Maj • 03:45 • -9db
22% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 43% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Sam Smith
One Day At A Time
129 bpm • C# Maj • 03:29 • -7.95db
48% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 50% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jacob Whitesides
Rules of Beautiful
137 bpm • E Maj • 03:58 • -9.07db
12% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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MILCK
Quiet - Stripped
137 bpm • C Maj • 03:28 • -10.11db
33% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Us The Duo
Already Mine
129 bpm • G# Maj • 04:33 • -12db
38% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Thomas Daniel
Scared To Be Lonely - Acoustic
138 bpm • A min • 03:20 • -7.71db
44% Popularity • 59% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 59% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Dean Lewis
Need You Now - Acoustic
138 bpm • A# Maj • 03:23 • -8.95db
57% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Smith
Drowning Shadows
138 bpm • G Maj • 04:13 • -8.03db
47% Popularity • 36% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 36% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Emily James
If Walls Could Talk
128 bpm • B Maj • 04:12 • -6.64db
18% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Maggie Lindemann
Couple of Kids
128 bpm • E Maj • 03:42 • -4.53db
49% Popularity • 62% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 62% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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Haley Reinhart
Can't Help Falling in Love
138 bpm • C Maj • 02:53 • -13.92db
73% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jasmine Thompson
Pompeii
128 bpm • A Maj • 02:59 • -8.83db
49% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 48% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Martin Garrix
Scared to Be Lonely - Acoustic Version
128 bpm • E Maj • 04:17 • -10.97db
54% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Robin Schulz
Sun Goes Down - Tocadisco Remix
128 bpm • G# min • 05:54 • -7.04db
7% Popularity • 63% Danceability • 89% Energy • 10% Liveness
26% Instrumentalness • 5% Positiveness
7% Popularity • 63% Danceability • 89% Energy • 10% Liveness
26% Instrumentalness • 5% Positiveness
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Dean Lewis
Lose My Mind
128 bpm • G# Maj • 03:20 • -6.64db
55% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 55% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Belle
In My Veins - Erin Mccarley
128 bpm • C Maj • 05:18 • -7.84db
60% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Declan J Donovan
Human Way
128 bpm • D Maj • 03:36 • -7.03db
32% Popularity • 45% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 45% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jeffrey James
Waiting for the Breakdown - Piano Versio...
138 bpm • C Maj • 03:37 • -8.76db
8% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Claire Guerreso
Skipping Stones
128 bpm • G Maj • 03:52 • -9.48db
38% Popularity • 50% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 44% Positiveness
38% Popularity • 50% Danceability • 44% Energy • 36% Liveness
1% Instrumentalness • 44% Positiveness
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Lewis Capaldi
Fade
138 bpm • G Maj • 04:06 • -8db
54% Popularity • 41% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 41% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Meadowlark
About You Now
127 bpm • E Maj • 03:47 • -9.26db
40% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 58% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Simon Samaeng
Cold
128 bpm • A min • 03:25 • -9.76db
47% Popularity • 61% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 61% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Sam Smith
The Thrill Of It All
127 bpm • A# Maj • 03:28 • -9.18db
48% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
48% Popularity • 50% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Jason Mraz
More Than Friends
139 bpm • D Maj • 03:01 • -6.98db
52% Popularity • 45% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 45% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Ashley Tisdale
Still into You
127 bpm • B Maj • 03:52 • -11.66db
41% Popularity • 75% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 75% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Rhys Lewis
Reason To Hate You
127 bpm • C# min • 03:58 • -9.78db
32% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 62% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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MILCK
Quiet
140 bpm • C Maj • 03:22 • -7.56db
38% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 47% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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James Blunt
Don't Give Me Those Eyes
139 bpm • C# Maj • 04:04 • -8.12db
49% Popularity • 48% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 48% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Jasmine Thompson
I Will Follow You Into the Dark
140 bpm • C Maj • 03:24 • -10.94db
39% Popularity • 54% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 54% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sam Smith
Lay Me Down
127 bpm • E Maj • 03:39 • -10.86db
69% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
69% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Freya Ridings
Blackout
140 bpm • F# Maj • 02:54 • -8.75db
47% Popularity • 32% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
47% Popularity • 32% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Kodaline
Shed a Tear
140 bpm • B Maj • 03:55 • -2.7db
42% Popularity • 46% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 46% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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CLOVES
Frail Love
126 bpm • A Maj • 03:25 • -6db
36% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 51% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Dean Lewis
Be Alright
126 bpm • B Maj • 03:16 • -7.6db
78% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
78% Popularity • 55% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Jasmine Thompson
Almost Lover
127 bpm • C Maj • 04:22 • -10.03db
42% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Colbie Caillat
Try
140 bpm • C# Maj • 03:44 • -9.77db
63% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
63% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Elijah Jamal
Stand Up
140 bpm • G# min • 04:00 • -7.59db
12% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Blame Jones
Dusk Till Dawn - Acoustic
126 bpm • C Maj • 02:47 • -8.06db
38% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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HUGEL
Where We Belong - Nico de Andrea Remix
126 bpm • F# min • 05:12 • -5.43db
7% Popularity • 78% Danceability • 95% Energy • 4% Liveness
5% Instrumentalness • 44% Positiveness
7% Popularity • 78% Danceability • 95% Energy • 4% Liveness
5% Instrumentalness • 44% Positiveness
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Dean Lewis
Be Alright - Acoustic
126 bpm • A Maj • 03:17 • -9.02db
58% Popularity • 68% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 68% Danceability • 34% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Frida Sundemo
Keep An Eye On Me
126 bpm • E min • 03:30 • -11.54db
26% Popularity • 47% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 47% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Jasmine Thompson
Run
140 bpm • D# Maj • 03:43 • -7.31db
21% Popularity • 57% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 57% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Ella Eyre
Even If
126 bpm • F Maj • 04:02 • -7.09db
34% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 55% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Lea Michele
Run to You
126 bpm • F# Maj • 03:37 • -8.37db
54% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Niall Horan
Too Much To Ask - Acoustic
125 bpm • C Maj • 03:41 • -7.38db
52% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Lewis Capaldi
Lost On You
126 bpm • A# Maj • 03:17 • -8.23db
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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A Great Big World
Say Something
141 bpm • D Maj • 03:49 • -8.82db
71% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
71% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Daniel
What About Us - Acoustic
125 bpm • E Maj • 04:15 • -12db
57% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Alex & Sierra
Say Something
141 bpm • D Maj • 03:26 • -12.3db
49% Popularity • 37% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 37% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Ella Henderson
Yours
125 bpm • C Maj • 02:48 • -10.41db
48% Popularity • 58% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
48% Popularity • 58% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Emily Hearn
Worth Fighting For
142 bpm • D Maj • 04:09 • -6.3db
23% Popularity • 47% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 47% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Julia Michaels
Anxiety
142 bpm • G Maj • 03:30 • -6.52db
53% Popularity • 80% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 80% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Danny Padilla
Ally
125 bpm • E Maj • 04:07 • -10.27db
15% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 49% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Etham
Better Now - Acoustic
125 bpm • D# Maj • 04:00 • -5.44db
37% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Allman Brown
Between the Wars
124 bpm • A min • 04:17 • -14.55db
37% Popularity • 47% Danceability • 29% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
37% Popularity • 47% Danceability • 29% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Hearts & Colors
Lego House
142 bpm • B Maj • 03:31 • -13db
44% Popularity • 69% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 69% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
