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Old Man of the Sea
Songs like
Old Man of the Sea
by
The Lost Trades
Based on a tempo of (+/- 10%) and a similar genre
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Moss Meredith
She Built Us a Home
170 bpm • G Maj • 03:51 • -11.42db
11% Popularity • 31% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jambrains
Land Of The Weary
170 bpm • G Maj • 03:40 • -9.74db
14% Popularity • 41% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Aire & Sol
Sum Of Me
170 bpm • D# Maj • 04:05 • -9.59db
9% Popularity • 26% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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The Low Lonesome Sound
Cortland County Line
170 bpm • C Maj • 03:48 • -9.55db
23% Popularity • 53% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Lost Trades
Old Man of the Sea
171 bpm • G min • 04:05 • -10.29db
13% Popularity • 37% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Esterita Vanin
Hold me
168 bpm • G Maj • 03:58 • -6.85db
26% Popularity • 42% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Sofyan Helms
Step
168 bpm • C Maj • 03:27 • -13.96db
13% Popularity • 51% Danceability • 35% Energy • 10% Liveness
73% Instrumentalness • 73% Positiveness
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Braidwood
Familiar Voices
168 bpm • G Maj • 03:08 • -5db
18% Popularity • 39% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Conrad Galsworthy
What I Learned from You
172 bpm • G# Maj • 04:38 • -11.6db
19% Popularity • 39% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Alexander Meadows
Cherry Tree
168 bpm • C Maj • 03:51 • -17db
8% Popularity • 52% Danceability • 25% Energy • 8% Liveness
55% Instrumentalness • 33% Positiveness
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The Lost Trades
Daffodils (Prohibition Studio) [Live]
168 bpm • F Maj • 04:14 • -9.72db
12% Popularity • 47% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Mark V Bisson
On the Path of the Totality
172 bpm • G Maj • 03:09 • -6.51db
25% Popularity • 33% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Andy Robbins
End of The Line 13
172 bpm • C# min • 02:46 • -6.83db
10% Popularity • 64% Danceability • 69% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
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Barnyard Tea
Louisiana Sky
173 bpm • D Maj • 03:21 • -9.3db
9% Popularity • 25% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
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Tracie Deagler
Introverted Farmer
172 bpm • A Maj • 05:12 • -17.36db
26% Popularity • 43% Danceability • 28% Energy • 13% Liveness
63% Instrumentalness • 26% Positiveness
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Luke Francis
Go Home
173 bpm • F Maj • 03:19 • -16.61db
15% Popularity • 56% Danceability • 29% Energy • 10% Liveness
4% Instrumentalness • 69% Positiveness
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The Lost Trades
Kingdom Falls
172 bpm • G Maj • 05:06 • -11.57db
5% Popularity • 41% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Bull and the Bear
Is It Over Yet?
167 bpm • B Maj • 02:34 • -11.04db
7% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jefferson Berry & the UAC
First Purple Light
174 bpm • G Maj • 03:51 • -11.31db
16% Popularity • 44% Danceability • 39% Energy • 7% Liveness
14% Instrumentalness • 32% Positiveness
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Hello London
Always
174 bpm • F Maj • 03:57 • -7.64db
11% Popularity • 52% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Eric Aites
Broken Hearts
174 bpm • F Maj • 02:56 • -11.01db
9% Popularity • 38% Danceability • 57% Energy • 62% Liveness
0% Instrumentalness • 28% Positiveness
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Victoria Liedtke
The Fire That Keeps You Warm
174 bpm • G# Maj • 02:54 • -11.88db
10% Popularity • 33% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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The Lost Trades
Petrichor
168 bpm • A Maj • 03:38 • -9.54db
12% Popularity • 41% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Dawn Landes
Liberation, Now! (1970)
166 bpm • D Maj • 01:53 • -11.7db
13% Popularity • 43% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ed Blunt
Here We Go Again
166 bpm • D Maj • 03:38 • -8.53db
15% Popularity • 43% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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KK
Love
174 bpm • F Maj • 02:35 • -15.33db
12% Popularity • 57% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Mary Saunders
Refuge
175 bpm • A Maj • 03:45 • -12.92db
23% Popularity • 48% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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The Fugitives
Ash
176 bpm • D Maj • 03:31 • -12.97db
7% Popularity • 50% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 24% Positiveness
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The Lost Trades
Daffodils
172 bpm • F Maj • 04:05 • -8.23db
13% Popularity • 41% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Daniel Raymond
Magic Show (4pm)
176 bpm • E Maj • 04:07 • -14.38db
1% Popularity • 37% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Eric Devries
Soften the Ground
164 bpm • C Maj • 03:47 • -14.21db
15% Popularity • 32% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The No Solos
We Go It Alone
177 bpm • C min • 04:53 • -9.86db
8% Popularity • 50% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 46% Positiveness
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John Tiller
Last Goodbye
178 bpm • C Maj • 03:20 • -11.57db
32% Popularity • 52% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Roseanne Reid
Made Just For You
162 bpm • D min • 03:54 • -11.76db
12% Popularity • 40% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Lost Trades
This Dark Forest
176 bpm • E min • 04:12 • -11.35db
13% Popularity • 32% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Kristen Grainger & True North
Stop Me If I Told You This Before
162 bpm • D Maj • 03:07 • -13.35db
10% Popularity • 52% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Burgeon
Shivers in the Rain
162 bpm • B Maj • 02:46 • -11.9db
20% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Charlie Rowe
Autumn Song
161 bpm • A Maj • 03:41 • -12.61db
19% Popularity • 35% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Doug Jaymes Friedman
The Sky Is Falling
178 bpm • G Maj • 03:51 • -6.8db
11% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Reg Meuross
The Hands of a Woman
161 bpm • C Maj • 03:32 • -11.45db
11% Popularity • 47% Danceability • 15% Energy • 11% Liveness
10% Instrumentalness • 38% Positiveness
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Denise Glover
Elijah
179 bpm • A min • 03:54 • -12.51db
19% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Allan Taylor
When Billy Plays the Banjo
161 bpm • G Maj • 05:45 • -14.64db
19% Popularity • 42% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Sara Hammarbäck
Worst Thing - Acoustic Version
180 bpm • C Maj • 03:50 • -10.96db
11% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Maggie's Wake
Bridget O'Brien
180 bpm • G Maj • 04:01 • -7.23db
6% Popularity • 45% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Wellens
Turning Grey
180 bpm • D Maj • 02:35 • -6.89db
17% Popularity • 50% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Arturnium
Crushin Hard
180 bpm • D Maj • 04:37 • -10.67db
10% Popularity • 58% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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chris collinsworth
Please Please, come on back to me
181 bpm • G Maj • 03:07 • -9.32db
18% Popularity • 31% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 28% Positiveness
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Jason Lenyer Buchanan
The Path
160 bpm • B Maj • 03:32 • -6.34db
10% Popularity • 54% Danceability • 47% Energy • 10% Liveness
27% Instrumentalness • 65% Positiveness
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James Ross
ebb and flow
160 bpm • F Maj • 04:13 • -13.51db
14% Popularity • 51% Danceability • 45% Energy • 9% Liveness
76% Instrumentalness • 38% Positiveness
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Emily McLoud
Furies & Angels
160 bpm • A Maj • 02:42 • -11.81db
15% Popularity • 63% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Tom Scully
We'll Do Right
160 bpm • F# Maj • 03:06 • -10.53db
13% Popularity • 63% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Nursery Rhymes A to Z
Little Miss Muffet
160 bpm • C Maj • 01:18 • -9.85db
20% Popularity • 44% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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David Perry
There Aren't Enough Reasons to Stay
181 bpm • A Maj • 02:54 • -8.95db
15% Popularity • 28% Danceability • 56% Energy • 12% Liveness
58% Instrumentalness • 45% Positiveness
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Monalisa Twins
Catch the Wind
159 bpm • A Maj • 03:18 • -10.65db
12% Popularity • 48% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Tim Isberg
Fire Canoe
159 bpm • C Maj • 04:07 • -12.88db
17% Popularity • 52% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
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Dallet Band
Someday
182 bpm • C Maj • 02:21 • -11.3db
18% Popularity • 33% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Caroline Cotter
The Year of the Wrecking Ball
182 bpm • C# Maj • 03:37 • -8.97db
28% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Daniel's Den
Gloria
159 bpm • B Maj • 06:09 • -8.18db
17% Popularity • 53% Danceability • 67% Energy • 6% Liveness
2% Instrumentalness • 76% Positiveness
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Susan Werner
Outside Billy Bob's (Drunk Girl)
182 bpm • F Maj • 03:23 • -7.3db
10% Popularity • 28% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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James Dunderman
Out Of Cradle
158 bpm • C Maj • 02:24 • -11.09db
8% Popularity • 67% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Monalisa Twins
Teach Your Children
158 bpm • D Maj • 02:54 • -7.8db
13% Popularity • 42% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas DeSha
If I Were A
158 bpm • F# Maj • 03:55 • -12.57db
22% Popularity • 36% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Rachel Sumner
3000 Miles
158 bpm • C Maj • 04:18 • -14db
11% Popularity • 59% Danceability • 35% Energy • 11% Liveness
64% Instrumentalness • 58% Positiveness
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Vanessa Forero
Critters & Kings
184 bpm • G Maj • 03:18 • -14.56db
8% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Wyatt Edmondson
Sooner Or Later
185 bpm • G Maj • 03:45 • -7.98db
22% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Ben de la Cour
Numbers Game
156 bpm • G Maj • 02:59 • -11db
10% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Kat & Zach
Cut the Wires
157 bpm • C Maj • 04:11 • -8.81db
7% Popularity • 57% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Martin Kuiper
You & I
156 bpm • A# Maj • 03:04 • -7.5db
12% Popularity • 48% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Mic Clark
CASTLES
156 bpm • C Maj • 04:16 • -9.56db
11% Popularity • 53% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Tom McLoughlin
Wait On Me
156 bpm • B min • 05:27 • -8.89db
6% Popularity • 56% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
The Ben Poore Project
Level Up
155 bpm • G Maj • 04:43 • -8.93db
9% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Moss Meredith
Planting Seed
155 bpm • C Maj • 04:45 • -10db
23% Popularity • 64% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Andy Robbins
It Was Them
186 bpm • G# Maj • 03:52 • -6.58db
10% Popularity • 28% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Crediton
Stay a While
155 bpm • A Maj • 03:28 • -5.4db
21% Popularity • 44% Danceability • 91% Energy • 29% Liveness
1% Instrumentalness • 58% Positiveness
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Matthew And The Atlas
Blackwater Valley
155 bpm • F# Maj • 03:04 • -9.55db
33% Popularity • 59% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Trevor Leonard
Second Chances
155 bpm • E Maj • 03:45 • -13.16db
15% Popularity • 56% Danceability • 34% Energy • 12% Liveness
14% Instrumentalness • 18% Positiveness
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James Ross
Kryptonite
154 bpm • D Maj • 04:36 • -14.48db
22% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Prone to Fracture
Distant Day
154 bpm • D Maj • 03:33 • -9.58db
11% Popularity • 36% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Hannah White
Mother You Are
155 bpm • A Maj • 03:40 • -12.98db
13% Popularity • 30% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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This Morning
Don't Tell Me Why
188 bpm • A Maj • 03:26 • -9.52db
13% Popularity • 41% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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The Lost Trades
Road of Solid Gold
188 bpm • A min • 04:14 • -8.62db
10% Popularity • 35% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Terra Spencer
Saudade
154 bpm • G Maj • 04:18 • -12.92db
10% Popularity • 50% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Dan Radin
Anchor You - Acoustic Version
152 bpm • E Maj • 03:45 • -9.26db
19% Popularity • 49% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Jake W. Styles
Never Like That Again
154 bpm • E Maj • 02:52 • -8.62db
14% Popularity • 42% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Tom Neven & the Side Effect
Hostile Heart
152 bpm • C Maj • 03:51 • -5.49db
11% Popularity • 28% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Mary Saunders
It Should Be
152 bpm • D Maj • 03:54 • -11.98db
23% Popularity • 52% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Seth Lakeman
The Giant
151 bpm • A# Maj • 03:32 • -8.35db
8% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Electric Blue Yonder
Letters to Sadako
152 bpm • A min • 04:09 • -9.77db
16% Popularity • 42% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Daniel's Den
Holiday
151 bpm • A# Maj • 04:48 • -10.39db
17% Popularity • 54% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
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Ryan Wayne
No Easy Way Out
151 bpm • E Maj • 03:50 • -7.14db
24% Popularity • 47% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Daniel Raymond
FInd The Place - Radio Edit
151 bpm • D Maj • 03:48 • -12.24db
1% Popularity • 71% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 39% Positiveness
► Preview
nowayhozay
Lost In The Moment With You
151 bpm • F Maj • 02:58 • -14.91db
15% Popularity • 53% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Dan Browning
My Sweet Evangeline
151 bpm • G Maj • 03:00 • -9.22db
17% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Electric Blue Yonder
Heart Shaped Box
151 bpm • A Maj • 03:34 • -9.82db
19% Popularity • 48% Danceability • 20% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Melia
Run with the Wind
151 bpm • G Maj • 03:26 • -11.56db
11% Popularity • 46% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Miles and the Chain Gang
Raining Cats and Dogs
150 bpm • C Maj • 02:07 • -9.24db
20% Popularity • 33% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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James Ross
Angelina
150 bpm • C Maj • 03:50 • -14.79db
12% Popularity • 58% Danceability • 30% Energy • 32% Liveness
5% Instrumentalness • 73% Positiveness
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Dave Sutherland
From the Vauxhall Tavern to the Deptford...
150 bpm • E Maj • 04:33 • -9.23db
13% Popularity • 65% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Tori Miller
Cotton Lace
149 bpm • D Maj • 02:45 • -8.54db
9% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Peter Deaves
Liverpool
194 bpm • G Maj • 02:33 • -19.55db
12% Popularity • 33% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Old Man of the Sea