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Om Shanti
Songs like
Om Shanti
by
Janice Giteck
Based on a tempo of (+/- 10%) and a similar genre
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Janice Giteck
Om Shanti
88 bpm • E min • 19:31 • -24.19db
4% Popularity • 18% Danceability • 7% Energy • 11% Liveness
46% Instrumentalness • 4% Positiveness
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Thomas Adès
Arcadiana, Op. 12: 6. O Albion (Arr. Cle...
88 bpm • F Maj • 02:47 • -28db
26% Popularity • 16% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 4% Positiveness
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Steve Reich
Different Trains: III. After the War
88 bpm • C# Maj • 10:35 • -21db
11% Popularity • 27% Danceability • 13% Energy • 9% Liveness
69% Instrumentalness • 35% Positiveness
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Terry Riley
One Earth, One People, One Love
88 bpm • G Maj • 09:00 • -23.24db
22% Popularity • 12% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Kronos Quartet
Another Long Evening
88 bpm • C min • 01:56 • -14db
22% Popularity • 23% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Ben Frost
Reyja
88 bpm • C# min • 05:05 • -25.08db
23% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Nils Frahm
Ross's Harmonium
88 bpm • C min • 03:51 • -26.25db
22% Popularity • 16% Danceability • 1% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Violin Sonata No. 2 in A Minor, BWV 1003...
88 bpm • A min • 05:04 • -17.3db
8% Popularity • 24% Danceability • 9% Energy • 4% Liveness
34% Instrumentalness • 71% Positiveness
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Henryk Górecki
II. Largo, Cantabile
88 bpm • C min • 10:59 • -35db
8% Popularity • 9% Danceability • 1% Energy • 10% Liveness
69% Instrumentalness • 3% Positiveness
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Michael Vincent Waller
Lines
87 bpm • C Maj • 09:38 • -29db
16% Popularity • 21% Danceability • 2% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
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Ólafur Arnalds
3326 - Remastered 10th Anniversary Editi...
88 bpm • D min • 03:38 • -19.38db
14% Popularity • 27% Danceability • 5% Energy • 18% Liveness
52% Instrumentalness • 20% Positiveness
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Bryce Dessner
Little Blue Something
89 bpm • D# Maj • 07:56 • -14db
13% Popularity • 26% Danceability • 15% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
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Osvaldo Golijov
Tenebrae: 2.
87 bpm • C Maj • 06:46 • -27db
11% Popularity • 17% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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John Zorn
Kol Nidre
87 bpm • E Maj • 05:52 • -25db
17% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
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Max Richter
Three Worlds: Music from Woolf Works / M...
89 bpm • G# Maj • 01:02 • -20.24db
20% Popularity • 58% Danceability • 27% Energy • 14% Liveness
1% Instrumentalness • 8% Positiveness
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Dustin O'Halloran
Quartet N3
87 bpm • G min • 03:23 • -16.16db
13% Popularity • 9% Danceability • 28% Energy • 27% Liveness
41% Instrumentalness • 4% Positiveness
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Lou Harrison
Suite for Symphonic Strings: 2. Chorale ...
87 bpm • B min • 05:51 • -33db
20% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Balanescu Quartet
Seduction
87 bpm • A min • 01:46 • -25.72db
38% Popularity • 10% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Vladimir Martynov
Ritual #1
89 bpm • F Maj • 07:33 • -16.59db
11% Popularity • 21% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Library Tapes
Introduction II
87 bpm • A Maj • 02:16 • -18.06db
30% Popularity • 9% Danceability • 14% Energy • 35% Liveness
93% Instrumentalness • 4% Positiveness
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Samuel Barber
String Quartet, Op. 11: II. Molto adagio
90 bpm • A# min • 06:52 • -26.61db
27% Popularity • 10% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
90 bpm • D Maj • 05:05 • -10db
13% Popularity • 22% Danceability • 44% Energy • 88% Liveness
92% Instrumentalness • 18% Positiveness
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Dobrinka Tabakova
Insight
86 bpm • D min • 09:35 • -15.44db
11% Popularity • 17% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Dmitry Evgrafov
Sway
86 bpm • G# Maj • 02:36 • -22db
36% Popularity • 43% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Max Richter
Europe, After the Rain
86 bpm • C Maj • 06:13 • -28.42db
25% Popularity • 15% Danceability • 5% Energy • 37% Liveness
89% Instrumentalness • 4% Positiveness
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Hilary Hahn
Bounce Bounce
90 bpm • G Maj • 02:25 • -11.21db
15% Popularity • 76% Danceability • 71% Energy • 5% Liveness
92% Instrumentalness • 96% Positiveness
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Paul Dresher
Channels Passing
90 bpm • A# Maj • 09:51 • -20.42db
8% Popularity • 43% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 18% Positiveness
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David Lang
Amjad Sleeping Panorama
90 bpm • A min • 04:42 • -20.01db
32% Popularity • 35% Danceability • 10% Energy • 7% Liveness
83% Instrumentalness • 8% Positiveness
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Meredith Monk
Dark/Light 1
86 bpm • F min • 04:27 • -24.18db
13% Popularity • 21% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Library Tapes
Fragment VIII
90 bpm • C# Maj • 03:33 • -19.63db
22% Popularity • 19% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Bing & Ruth
And Then It Rained
86 bpm • F Maj • 04:51 • -23.71db
14% Popularity • 9% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Quartet N.2
86 bpm • F# min • 03:13 • -15.09db
29% Popularity • 11% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Dobrinka Tabakova
Concerto For Violoncello And Strings: II...
85 bpm • F Maj • 08:42 • -19db
29% Popularity • 14% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Vladimir Martynov
Vladimir Martynov: Schubert-Quintet (Unf...
85 bpm • A Maj • 11:07 • -30.95db
10% Popularity • 9% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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John Adams
Adams: Shaker Loops: III. Loops and Vers...
85 bpm • G min • 06:54 • -21.92db
13% Popularity • 20% Danceability • 17% Energy • 8% Liveness
57% Instrumentalness • 16% Positiveness
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Max Richter
Infra 2
85 bpm • D min • 04:27 • -18.36db
19% Popularity • 14% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Joep Franssens
Harmony of the Spheres: I. First Movemen...
85 bpm • D Maj • 10:10 • -23.48db
8% Popularity • 12% Danceability • 6% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Ólafur Arnalds
Raddir
85 bpm • B min • 04:13 • -17db
32% Popularity • 9% Danceability • 24% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Jennifer Higdon
String poetic: II. Nocturne
91 bpm • C Maj • 04:46 • -24db
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
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Zoë Keating
Hello Night
85 bpm • A min • 04:28 • -19.01db
25% Popularity • 22% Danceability • 2% Energy • 8% Liveness
57% Instrumentalness • 8% Positiveness
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Masayoshi Fujita
Moonlight
85 bpm • F min • 04:57 • -15db
14% Popularity • 23% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Max Richter
Mercy
91 bpm • A# min • 05:31 • -23db
32% Popularity • 16% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
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Floraleda Sacchi
Helen's Tune - Cue 2
92 bpm • C min • 01:00 • -26.54db
13% Popularity • 50% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 88% Positiveness
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Vladimir Martynov
The Beatitudes
92 bpm • A# Maj • 05:15 • -32.19db
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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John Luther Adams
Canticles of the Sky: I. Sky with Four S...
92 bpm • G Maj • 04:24 • -15.68db
12% Popularity • 10% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 3% Positiveness
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Christopher Warren-Green
Façades
84 bpm • A# Maj • 07:52 • -23.94db
23% Popularity • 15% Danceability • 7% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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John Adams
Adams: Grand Pianola Music: On the Domin...
84 bpm • D# Maj • 07:54 • -16.59db
12% Popularity • 18% Danceability • 25% Energy • 7% Liveness
80% Instrumentalness • 4% Positiveness
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Anton Batagov
Lullaby
84 bpm • F min • 07:31 • -29.09db
17% Popularity • 26% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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John Zorn
Kol Nidre
84 bpm • A Maj • 07:00 • -29db
8% Popularity • 8% Danceability • 2% Energy • 18% Liveness
81% Instrumentalness • 3% Positiveness
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Nico Muhly
A Hudson Cycle
92 bpm • A# min • 02:54 • -27.86db
12% Popularity • 39% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Ingram Marshall
Entrada: At The River
84 bpm • C min • 05:06 • -18.5db
11% Popularity • 10% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
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Max Richter
Quartet Fragment (1908)
84 bpm • E min • 03:08 • -32.46db
15% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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John Tavener
The Protecting Veil: The Dormition of th...
84 bpm • G Maj • 07:09 • -30.57db
10% Popularity • 15% Danceability • 1% Energy • 19% Liveness
29% Instrumentalness • 4% Positiveness
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Julia Kent
Barajas
83 bpm • C min • 04:16 • -14.53db
16% Popularity • 18% Danceability • 26% Energy • 11% Liveness
67% Instrumentalness • 28% Positiveness
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Jane Antonia Cornish
Nocturne I
84 bpm • G min • 08:06 • -24.43db
10% Popularity • 9% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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John Adams
Shaker Loops (version for string orchest...
83 bpm • A Maj • 05:31 • -43db
13% Popularity • 8% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Ingram Marshall
Fog Tropes
84 bpm • A# Maj • 09:56 • -33db
14% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
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Henryk Górecki
Concerto-Notturno: I. Lento
83 bpm • C Maj • 04:24 • -20db
9% Popularity • 10% Danceability • 13% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Meredith Monk
Earth Seen from Above
83 bpm • G# Maj • 07:13 • -35db
15% Popularity • 8% Danceability • 1% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
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Terry Riley
G Song (arr. Keisuke Nakagoshi for piano...
93 bpm • G min • 09:30 • -24db
16% Popularity • 26% Danceability • 13% Energy • 19% Liveness
89% Instrumentalness • 16% Positiveness
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Ernst Reijseger
Deep Cave
83 bpm • C Maj • 03:37 • -26.02db
16% Popularity • 20% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Kevin Volans
IV. White Man Sleeps
83 bpm • E min • 06:20 • -40.07db
11% Popularity • 18% Danceability • 0% Energy • 8% Liveness
34% Instrumentalness • 20% Positiveness
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Morton Feldman
Something Wild in the City: Mary Ann's T...
94 bpm • A Maj • 03:07 • -43db
29% Popularity • 11% Danceability • 0% Energy • 7% Liveness
89% Instrumentalness • 7% Positiveness
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Esmerine
Lullaby for Nola
83 bpm • C Maj • 02:34 • -22.45db
30% Popularity • 24% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Sarah Kirkland Snider
Penelope: Nausicaa
83 bpm • D# Maj • 02:57 • -11.54db
9% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Fulvio Caldini
Clockwork Toccata, Op. 68
94 bpm • G min • 03:59 • -21.27db
16% Popularity • 48% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 64% Positiveness
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Manuel de Falla
Nana
94 bpm • A min • 02:32 • -23.61db
28% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 10% Positiveness
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Richard Skelton
Noon Hill Wood
94 bpm • G min • 08:26 • -12.41db
20% Popularity • 14% Danceability • 26% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Roger Goula
Pale Blue Dot
94 bpm • G min • 08:23 • -20db
31% Popularity • 21% Danceability • 25% Energy • 9% Liveness
35% Instrumentalness • 6% Positiveness
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David Hykes
Ascending and Descending
82 bpm • E Maj • 04:26 • -22.73db
15% Popularity • 14% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Ólafur Arnalds
Written In Stone
82 bpm • E min • 03:27 • -16db
32% Popularity • 20% Danceability • 23% Energy • 34% Liveness
82% Instrumentalness • 3% Positiveness
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Janice Giteck
Breathing Songs from a Turning Sky: VIII...
94 bpm • B min • 02:07 • -23.09db
0% Popularity • 49% Danceability • 34% Energy • 13% Liveness
16% Instrumentalness • 11% Positiveness
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Brian Eno
Emerald and Stone (Arr. Knoth)
82 bpm • B Maj • 02:25 • -14.89db
27% Popularity • 8% Danceability • 25% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Giovanni Sollima
Suite Case per due violini: Wood (Modera...
82 bpm • F# Maj • 02:02 • -26.2db
9% Popularity • 42% Danceability • 5% Energy • 9% Liveness
11% Instrumentalness • 33% Positiveness
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György Ligeti
Cello Sonata: I. Dialogo
94 bpm • F Maj • 03:58 • -24db
25% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Johann Paul Von Westhoff
Sonata For Violin And Continuo III: Imit...
82 bpm • A min • 02:23 • -23.09db
30% Popularity • 43% Danceability • 7% Energy • 18% Liveness
72% Instrumentalness • 18% Positiveness
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Robert Moran
Trinity Requiem: In paradisum
82 bpm • G# Maj • 04:44 • -25.92db
10% Popularity • 9% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Peter Broderick
Violin Solo No. 1
95 bpm • G min • 03:21 • -19.51db
16% Popularity • 23% Danceability • 8% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
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Sō Percussion
Water
95 bpm • C# min • 07:00 • -8.98db
7% Popularity • 60% Danceability • 46% Energy • 13% Liveness
21% Instrumentalness • 32% Positiveness
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Zoë Keating
Lost
81 bpm • E min • 06:10 • -15db
26% Popularity • 37% Danceability • 8% Energy • 19% Liveness
94% Instrumentalness • 7% Positiveness
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Eleni Karaindrou
Ulysses' Gaze: 17. Ulysses' Theme - Var....
81 bpm • D min • 01:31 • -23db
19% Popularity • 18% Danceability • 2% Energy • 7% Liveness
13% Instrumentalness • 14% Positiveness
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Ólafur Arnalds
Dalur - Island Songs V
81 bpm • F Maj • 04:02 • -23.77db
43% Popularity • 22% Danceability • 7% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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John Tavener
Tavener: Funeral Canticle
81 bpm • F min • 05:13 • -38.75db
32% Popularity • 11% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 5% Positiveness
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Janice Giteck
Breathing Songs from a Turning Sky: V. �...
96 bpm • E min • 05:10 • -23.46db
0% Popularity • 55% Danceability • 31% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Cello Octet Amsterdam
Missa Brevis - II. Sanctus
96 bpm • C Maj • 01:29 • -21.49db
24% Popularity • 20% Danceability • 2% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: V. Louange...
81 bpm • E Maj • 09:03 • -31.19db
21% Popularity • 13% Danceability • 0% Energy • 7% Liveness
62% Instrumentalness • 2% Positiveness
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Karsten Gundermann
Faust / Episode 2: Nachspiel
81 bpm • C Maj • 03:47 • -27.58db
12% Popularity • 18% Danceability • 1% Energy • 9% Liveness
16% Instrumentalness • 4% Positiveness
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Lubomyr Melnyk
Le miroir d'amour
81 bpm • C min • 09:25 • -16.47db
15% Popularity • 11% Danceability • 16% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
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Daniel Lentz
Canard Apicius..........
81 bpm • E min • 03:13 • -23.39db
13% Popularity • 19% Danceability • 7% Energy • 18% Liveness
80% Instrumentalness • 4% Positiveness
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John Tavener
The Lamb
81 bpm • E min • 03:22 • -19.62db
13% Popularity • 8% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Luciano Berio
6 Encores: No. 3, Wasserklavier
81 bpm • A# min • 02:10 • -31db
22% Popularity • 31% Danceability • 3% Energy • 15% Liveness
87% Instrumentalness • 12% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 2. Titanic H...
81 bpm • G# Maj • 05:09 • -37db
17% Popularity • 18% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Julia Kent
Salute
81 bpm • A min • 04:28 • -19.65db
10% Popularity • 9% Danceability • 9% Energy • 17% Liveness
76% Instrumentalness • 4% Positiveness
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Terry Riley
The Heaven Ladder, Book 7: Simone's Lull...
96 bpm • B min • 05:43 • -39.06db
29% Popularity • 37% Danceability • 0% Energy • 7% Liveness
55% Instrumentalness • 13% Positiveness
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Cello Octet Amsterdam
Pari Intervallo
80 bpm • E min • 06:49 • -44db
14% Popularity • 7% Danceability • 0% Energy • 19% Liveness
22% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
I Call To You
96 bpm • E min • 08:56 • -18.16db
8% Popularity • 22% Danceability • 23% Energy • 28% Liveness
87% Instrumentalness • 5% Positiveness
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Meredith Monk
Winter Variation
96 bpm • A min • 01:51 • -32db
36% Popularity • 14% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 16% Positiveness
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Nils Frahm
Merry
97 bpm • C Maj • 04:08 • -33.36db
26% Popularity • 32% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Julia Kent
Arlanda
96 bpm • G Maj • 04:04 • -14db
25% Popularity • 52% Danceability • 6% Energy • 8% Liveness
54% Instrumentalness • 33% Positiveness
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Dustin O'Halloran
A Great Divide
80 bpm • D min • 06:18 • -16.15db
22% Popularity • 12% Danceability • 22% Energy • 7% Liveness
86% Instrumentalness • 7% Positiveness
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Om Shanti