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Om shri sai nathaya namah
Songs like
Om shri sai nathaya namah
by
Ravindra Bijur
Based on a tempo of (+/- 10%) and a similar genre
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Ravindra Bijur
Om Namha Shivay Mf
139 bpm • F Maj • 02:23 • -9.6db
1% Popularity • 26% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Mangesh Borgaonkar
Subrahmanya Shakti Stuti 11 Times
140 bpm • D Maj • 05:08 • -16.69db
14% Popularity • 49% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Indian Catholic Worship Hymns
Naman Tula Mariya Mate
140 bpm • F# Maj • 02:50 • -5.67db
14% Popularity • 59% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Shraddha Jain
Maa Laxmi Chalisa
140 bpm • C Maj • 04:37 • -6db
18% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Kinjal Parmar
Om Han Hanumate Namo Namah
140 bpm • C# Maj • 10:29 • -9.38db
8% Popularity • 71% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Ananya Basu
Nilanjana Samabhasam - Shani Mantra
140 bpm • C# Maj • 04:50 • -7db
12% Popularity • 62% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Ravindra Bijur
Mruntunjay M
140 bpm • C# Maj • 02:19 • -15.14db
2% Popularity • 65% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Narendra Seth
Jahi Vidhi Rakhe Raam Tahi Vidhi Rahiye ...
140 bpm • G# min • 07:02 • -5.82db
11% Popularity • 57% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Sarita Joshi
Jhulna Mein Jhule
140 bpm • C# Maj • 05:27 • -10.6db
9% Popularity • 58% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Shraddha Jain
Maa Saraswati Chalisa
140 bpm • D# Maj • 04:44 • -5.39db
23% Popularity • 76% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Om Voices
Ram Raksha Stotra
140 bpm • D Maj • 12:28 • -7.25db
7% Popularity • 71% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Baps Swaminarayan Sanstha
Swaminarayan Dhun - Bhoopali
138 bpm • C# Maj • 08:05 • -7.93db
21% Popularity • 56% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Mangesh Borgaonkar
Kumara Mangala Stotram
140 bpm • F# min • 04:55 • -15.48db
10% Popularity • 59% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Rekha Rao
प्रभु चरित्र स�...
138 bpm • C# min • 02:07 • -1.83db
20% Popularity • 46% Danceability • 86% Energy • 41% Liveness
0% Instrumentalness • 78% Positiveness
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Bhanumathi Narasimhan
gurustotram
138 bpm • F min • 05:11 • -16db
8% Popularity • 46% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Shraddha Jain
Maa Santoshi Chalisa
140 bpm • D Maj • 04:35 • -4db
22% Popularity • 78% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Tejaswini Ingale
Anusuya Atri Sukumara Shreepad Vallabh D...
140 bpm • F min • 03:00 • -7.14db
15% Popularity • 68% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Vajrang Aphale
Shree Ganesh Sankat Nashan Strotram
138 bpm • A# Maj • 02:00 • -15.99db
23% Popularity • 47% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Susmirata Dawalkar
Sharada Bhujangam
141 bpm • F# min • 03:59 • -12db
33% Popularity • 63% Danceability • 17% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Mangesh Borgaonkar
Ek Shloki Navagraha Stotra
137 bpm • C min • 07:36 • -12.47db
10% Popularity • 56% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Rekha Manvatkar
Prabhuji Nav Kinare Lagao - Shrikrishn B...
137 bpm • C# Maj • 06:00 • -4.74db
9% Popularity • 41% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Shraddha Jain
Karpur Gauram Karunavtaram Mantra
140 bpm • A Maj • 04:32 • -12.57db
22% Popularity • 62% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Sarita Joshi
Shiv Panchakshar Stotram
141 bpm • F min • 02:28 • -7.19db
19% Popularity • 60% Danceability • 75% Energy • 55% Liveness
0% Instrumentalness • 67% Positiveness
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Ravindra Bijur
Sanaicha Sur Kasa Varyane Dharla
141 bpm • F Maj • 04:18 • -8.09db
0% Popularity • 73% Danceability • 69% Energy • 41% Liveness
1% Instrumentalness • 96% Positiveness
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Narendrapur University Artist
Khandon Bhabo Bandana, Pt. 1
141 bpm • C# Maj • 09:37 • -11.01db
23% Popularity • 33% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Shrirang Bhave
Bhagavad Gita - Adhyay 15
137 bpm • D# Maj • 06:45 • -15db
20% Popularity • 69% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Sunil Dhyani
108 Names of Maa Durga
136 bpm • B Maj • 06:03 • -9.3db
20% Popularity • 46% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Hiren Khakhi
Sudarshan Kavach
142 bpm • C Maj • 09:49 • -9.76db
19% Popularity • 51% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Mishra Bandhu
Ganesh Amritwani
142 bpm • F min • 05:37 • -3.86db
2% Popularity • 67% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Vajrang Aphale
Sakalche Shlok
136 bpm • G# Maj • 08:26 • -8.04db
21% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Nuqta
Izhaar
143 bpm • E Maj • 06:18 • -16.05db
22% Popularity • 49% Danceability • 34% Energy • 30% Liveness
63% Instrumentalness • 34% Positiveness
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Kanu Patel
Mari Mahisagar Ni Aare
142 bpm • A# min • 01:20 • -12.24db
16% Popularity • 36% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Aarti Singh
Om Gan Ganpate Namo Namah 108 times
135 bpm • A Maj • 04:45 • -6.8db
15% Popularity • 67% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Smitha, Nihal
Guru Paaduka Stotram
135 bpm • A Maj • 09:19 • -8.74db
10% Popularity • 62% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 43% Positiveness
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J. Bhakatavatsalam
Sri Amrutha Sanjeevana Dhanvantari Stoth...
143 bpm • C Maj • 09:22 • -3.97db
12% Popularity • 63% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Vishnubuva Wavanjekar
Dhanya Dhanya Nivruttiraya
135 bpm • E min • 06:18 • -9.36db
12% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ravindra Bijur
Akhand M
143 bpm • C Maj • 02:12 • -10.97db
1% Popularity • 32% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ritesh Mishra
Ram Mahimn Shlok & Nirvan Mantra - 432 H...
135 bpm • A# Maj • 04:38 • -6.81db
12% Popularity • 21% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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T. S. Aswini Sastry
Stothra Kadambam
134 bpm • F Maj • 03:28 • -5.61db
14% Popularity • 63% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Indresh Upadhyay
Radha Sarveshwari
144 bpm • F# Maj • 06:02 • -10.87db
21% Popularity • 63% Danceability • 57% Energy • 64% Liveness
0% Instrumentalness • 84% Positiveness
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Arohi Anil Agarkar
Bhakti Bekarar Hai
144 bpm • F Maj • 04:49 • -9.34db
25% Popularity • 60% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Chetna
Bageshwar Dham Mantra
134 bpm • D Maj • 04:02 • -10.03db
13% Popularity • 70% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Hari cassettes
સાંઈ ચાલીસા | saicha...
134 bpm • D# Maj • 05:06 • -10.73db
12% Popularity • 73% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Soumya Manoj
Ramachandra Prabho Pahimam Pahimam
134 bpm • A Maj • 02:09 • -4.88db
17% Popularity • 45% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Shrirang Bhave
Bhagavad Gita Adhyay 12
134 bpm • G min • 06:28 • -14.8db
15% Popularity • 69% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Vishal Khera
Om Namah Shivaya 108 Kirtan Chants Dhun ...
145 bpm • A Maj • 07:28 • -5.65db
13% Popularity • 48% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 32% Positiveness
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Mukund Phansalkar
Krishna Govind Gopal Gau Challa
133 bpm • F# Maj • 09:08 • -12.71db
11% Popularity • 71% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Kedar Pandit
Jai Ganesh Deva Aarti
146 bpm • F Maj • 01:14 • -8.55db
22% Popularity • 57% Danceability • 43% Energy • 73% Liveness
0% Instrumentalness • 84% Positiveness
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Amma
Bolo Bolo Gokula Bala
132 bpm • C# Maj • 05:52 • -9.78db
10% Popularity • 41% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Sriraman
Dhanvanthri Mantra
132 bpm • C Maj • 06:49 • -8.37db
15% Popularity • 44% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Rekha Manvatkar
Bhakti Premavina Dnyan Nako Deva
132 bpm • C# Maj • 04:58 • -7.48db
14% Popularity • 40% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Antara Chowdhury, Various Child
Tumi Nirmal Koro
132 bpm • E min • 04:07 • -12.63db
23% Popularity • 54% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Vishal Khera
Ganesh Mantra Dhun Chant
146 bpm • D# Maj • 01:48 • -10.75db
33% Popularity • 69% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Ravindra Bijur
Bhakat aise jana jo dehi udas
132 bpm • G Maj • 04:45 • -13.56db
0% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Ritesh Mishra
Nahi Chaiye Dil Dukhana Kisi Ka
132 bpm • G# Maj • 05:45 • -4.41db
14% Popularity • 60% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Debjani Bhattacharjee
Chokher Aloye
132 bpm • G Maj • 03:21 • -7.62db
10% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Chandan Nallal
Atharva Sheersham
146 bpm • A# Maj • 07:56 • -0.5db
10% Popularity • 48% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Vanara Sena
Nadiya Godrume
146 bpm • E min • 04:06 • -2.7db
11% Popularity • 44% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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SHRI PREM PRAKASH DUBEY
Durga Saptshati Trayodash Adhyaya
146 bpm • F# min • 05:18 • -8.7db
20% Popularity • 56% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 35% Positiveness
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Aditya G Nair
Jhoom Ke Nache Bajrang Bali
132 bpm • A# Maj • 04:43 • -7.88db
26% Popularity • 71% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Susmirata Dawalkar
Pasaydan
132 bpm • G# Maj • 03:34 • -19.26db
12% Popularity • 52% Danceability • 1% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Abhigyan
Ekhon Aar Deri Noy
132 bpm • C Maj • 01:05 • -7.49db
19% Popularity • 48% Danceability • 46% Energy • 75% Liveness
0% Instrumentalness • 78% Positiveness
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Bangalore Sisters
Santana Prapaitti Vigneshwara Stotram
147 bpm • F Maj • 02:28 • -11.5db
19% Popularity • 62% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Ravindra Bijur
Gurubramha M
132 bpm • C Maj • 02:05 • -12.53db
0% Popularity • 33% Danceability • 15% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Hari cassettes
Sai Bavani | સાંઈ બાવન�...
131 bpm • D# min • 06:52 • -14.53db
10% Popularity • 45% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Isha Sharma
Laxmi Kuber Mantra
131 bpm • C Maj • 02:12 • -3.63db
11% Popularity • 59% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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C.P.Gangwar
Bal Kand -2
131 bpm • D min • 05:00 • -10.95db
8% Popularity • 36% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Avijit Das
Maa Mahagauri Aarti
148 bpm • G Maj • 03:11 • -7.82db
16% Popularity • 72% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Kamal Nayan Dabral
Badri Vishaal Teri
148 bpm • G# min • 06:54 • -13.94db
14% Popularity • 61% Danceability • 43% Energy • 10% Liveness
14% Instrumentalness • 95% Positiveness
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Ravindra Bijur
Om Gurudevay Mf
131 bpm • F Maj • 02:11 • -14.07db
1% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Sonia Arora
Mere Guru Ji
148 bpm • E Maj • 06:28 • -6.19db
10% Popularity • 23% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Anoopam Mission
Bolya Shree Hari Re
130 bpm • D# min • 04:55 • -9.38db
12% Popularity • 66% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Vikrant Warde
Tuzya Namacha Gajar
130 bpm • C min • 05:04 • -6.56db
11% Popularity • 65% Danceability • 56% Energy • 59% Liveness
0% Instrumentalness • 50% Positiveness
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Shri Shri Thakur Balak Brahmachari Maharaj
Ram Narayan Ram
130 bpm • F Maj • 07:27 • -6db
8% Popularity • 54% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Anju Sharma
Gan Ganti Namo Namh
130 bpm • D# Maj • 05:05 • -13.56db
20% Popularity • 80% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Ravindra Bijur
Ridhi Sidhi Mf
130 bpm • G min • 02:27 • -9.7db
0% Popularity • 69% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Pramita Mallick
Phire Chol Matir Taney
130 bpm • G# Maj • 02:28 • -8.3db
8% Popularity • 66% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Hiren Khakhi
Govind Damodar
130 bpm • F Maj • 05:44 • -13.4db
10% Popularity • 70% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Dinesh Kumar Dube
Hanuman Bahuk
130 bpm • F Maj • 01:36 • -13.92db
11% Popularity • 69% Danceability • 40% Energy • 40% Liveness
0% Instrumentalness • 87% Positiveness
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Mangesh Borgaonkar
Narad Stuti 11 Times
130 bpm • D# Maj • 06:50 • -13.28db
15% Popularity • 50% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Shradhey Ajay Bhai Ji
Sukhi Base Sansar Sab
130 bpm • E Maj • 04:57 • -5.64db
11% Popularity • 72% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Harikrishna Patel
Pratham Shree Hari Ne - Fast
130 bpm • F Maj • 09:34 • -9.74db
10% Popularity • 79% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Divya Jyoti Jagrati Sansthan
Guru Mantra
130 bpm • G# Maj • 02:25 • -15.25db
21% Popularity • 35% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Hiren Khakhi
Gopendrashtakam
130 bpm • F Maj • 03:52 • -9.24db
11% Popularity • 70% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Ravindra Bijur
Govind Bolo M
130 bpm • F Maj • 02:16 • -7.6db
0% Popularity • 76% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Shankar Sahney
Hay Ram
130 bpm • D Maj • 11:06 • -8.94db
19% Popularity • 56% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Soumya Manoj
Vandhanam
130 bpm • A Maj • 03:45 • -4.07db
8% Popularity • 45% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Dinesh Uniyal
Bhakt Tera Bhawan Ayaan
149 bpm • G# min • 08:19 • -13.04db
12% Popularity • 55% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Sri Sathya Sai Official
Shivopasana Mantra Nidhana Pataye Namaha
129 bpm • C# Maj • 04:24 • -10.69db
7% Popularity • 68% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Hiren Khakhi
Shri Yamuna Kavacham
130 bpm • D# Maj • 05:35 • -10.55db
14% Popularity • 69% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Susmirata Dawalkar
Tulsi Stuti
150 bpm • D# Maj • 03:07 • -13db
29% Popularity • 64% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Shraddha Jain
Shendur Laal Chadhaayo Achchha Gajamukha...
150 bpm • A# Maj • 01:50 • -5db
33% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Mangesh Borgaonkar
Pitru Stotra
150 bpm • C# Maj • 03:24 • -10.27db
20% Popularity • 82% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Abhay Gupta
Karpuragauram Karunavtaaram
129 bpm • F# Maj • 01:34 • -8.87db
17% Popularity • 54% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Shrirang Bhave
Pradnya Vivardhan Stotra
150 bpm • D# Maj • 02:40 • -8.89db
28% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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SOHIL MANCHEKAR
ABHYUDAYA NAGARCHYA RAJACHI SWARI (Swapn...
150 bpm • F Maj • 06:58 • -7.01db
9% Popularity • 49% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Susmirata Dawalkar
Rinamochaka Mangal Stotra
150 bpm • F min • 03:28 • -10.53db
26% Popularity • 77% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Aanjaneya Sharma
Naanya Spraha Raghupate
128 bpm • D Maj • 01:19 • -10.27db
15% Popularity • 39% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Mangesh Borgaonkar
Naag Shanti Stotram
150 bpm • F min • 06:02 • -12.53db
17% Popularity • 71% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Ajeet Kumar Kadkade
Tarakmantra
128 bpm • A# Maj • 03:16 • -6.9db
8% Popularity • 64% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Om shri sai nathaya namah