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Omar Sharif
Songs like
Omar Sharif
by
Katrina Lenk
Based on a tempo of (+/- 10%) and a similar genre
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Alan Cumming
If You Could See Her
143 bpm • F# Maj • 03:40 • -12.71db
28% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Katrina Lenk
Omar Sharif
143 bpm • B min • 03:24 • -10.5db
31% Popularity • 33% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Rosalie Craig
Company
144 bpm • D Maj • 05:08 • -11.65db
29% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Cristin Milioti
The Hill
144 bpm • G# min • 04:28 • -20.65db
27% Popularity • 36% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Adam Guettel
Hero and Leander
142 bpm • G min • 03:16 • -17.93db
17% Popularity • 29% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Sherie Rene Scott
A Part of That
142 bpm • F min • 04:01 • -11.22db
28% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Laura Osnes
"In My Own Little Corner"
142 bpm • F Maj • 03:17 • -8.78db
38% Popularity • 48% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Mykal Kilgore
Flying Home
144 bpm • B Maj • 05:21 • -6.64db
20% Popularity • 28% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
50% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Jessica Molaskey
Just One Step
141 bpm • B min • 04:05 • -12.88db
18% Popularity • 55% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Steven Pasquale
The Streets of Dublin
141 bpm • E Maj • 03:25 • -9db
25% Popularity • 48% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Billy Porter
Not My Father's Son
141 bpm • A Maj • 05:57 • -13.62db
33% Popularity • 45% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
38% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Jake Gyllenhaal
Finishing the Hat
141 bpm • F# Maj • 03:33 • -10.95db
28% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Stephanie J. Block
I'm Breaking Down
141 bpm • A Maj • 04:48 • -7.7db
45% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Matthew Morrison
Love to Me
146 bpm • D Maj • 02:15 • -21.87db
22% Popularity • 27% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Laura Osnes
How 'Bout a Dance (Reprise)
146 bpm • G Maj • 01:39 • -16.39db
25% Popularity • 18% Danceability • 17% Energy • 12% Liveness
48% Instrumentalness • 8% Positiveness
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'Come From Away' Band
Screech Out
146 bpm • D Maj • 01:44 • -5db
37% Popularity • 58% Danceability • 87% Energy • 33% Liveness
75% Instrumentalness • 96% Positiveness
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Original Cast of Hadestown
Mitchell: Doubt Comes In (Live)
146 bpm • D min • 03:33 • -7.13db
28% Popularity • 35% Danceability • 42% Energy • 62% Liveness
0% Instrumentalness • 23% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
30% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Matthew James Thomas
With You
140 bpm • B Maj • 05:39 • -8.87db
31% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Uzo Aduba
By My Side
140 bpm • A Maj • 03:40 • -13.73db
30% Popularity • 53% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Kasie Gasparini
Two Little Lines
140 bpm • F Maj • 04:40 • -7.15db
22% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Mary Elizabeth Mastrantonio
Aldonza
146 bpm • A# min • 03:20 • -8.86db
24% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Anna Kendrick
A Part of That
140 bpm • F min • 04:00 • -8db
38% Popularity • 39% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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SMASH Cast
Let Me Be Your Star (SMASH Cast Version)...
147 bpm • B Maj • 03:43 • -7.97db
38% Popularity • 34% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Patina Miller
On the Right Track
146 bpm • D# min • 03:54 • -8db
34% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Caitlin Kinnunen
Unruly Heart
139 bpm • F Maj • 03:57 • -7.77db
34% Popularity • 41% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
47% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Mandy Patinkin
Sunday
139 bpm • G Maj • 04:31 • -13db
27% Popularity • 24% Danceability • 28% Energy • 14% Liveness
9% Instrumentalness • 8% Positiveness
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Molly Gordon
Winter Blooms
139 bpm • G Maj • 02:59 • -8.95db
31% Popularity • 56% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Hedwig And The Angry Inch - Original Broadway Cast
Midnight Radio
148 bpm • C Maj • 05:30 • -5.13db
21% Popularity • 35% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Danny Burstein
To Life
138 bpm • C min • 05:34 • -7db
28% Popularity • 55% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Stephen Schwartz
Thank Goodness
148 bpm • D# Maj • 06:23 • -9.41db
37% Popularity • 40% Danceability • 33% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
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Heidi Blickenstaff
After All of This and Everything
149 bpm • G# Maj • 03:22 • -12db
30% Popularity • 35% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Molly Gordon
Afternoon
138 bpm • A Maj • 03:49 • -13db
35% Popularity • 37% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
30% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Mike Faist
Disappear
137 bpm • G# Maj • 04:35 • -6.65db
51% Popularity • 45% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
31% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
38% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Anna Kendrick
Climbing Uphill
136 bpm • E min • 03:29 • -8db
35% Popularity • 55% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Jenn Colella
Me And The Sky
136 bpm • C# Maj • 04:36 • -7.15db
49% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Lucy, Jekyll
Dangerous Game
136 bpm • E min • 03:34 • -11.02db
31% Popularity • 34% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Lucas Steele
The Duel
151 bpm • F# Maj • 07:31 • -9.19db
36% Popularity • 48% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Cast Of The Motion Picture Rent
La Vie Boheme
135 bpm • G# Maj • 06:59 • -5db
48% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Lindsay Mendez
Prelude: Take Me Back
151 bpm • G Maj • 02:02 • -10db
27% Popularity • 23% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
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36 Questions
Hear Me Out
135 bpm • A Maj • 03:35 • -9db
33% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Sherie Rene Scott
A Summer in Ohio
135 bpm • A# Maj • 03:57 • -11db
28% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Reeve Carney
Epic II
135 bpm • F Maj • 02:26 • -6.83db
49% Popularity • 50% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
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Lucy
A New Life
135 bpm • E Maj • 04:40 • -12db
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
42% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Band's Visit Original Broadway Band
Afifi
153 bpm • A# Maj • 02:22 • -16.65db
17% Popularity • 61% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Damon Daunno
Oklahoma
134 bpm • D Maj • 03:30 • -9db
16% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Billy Porter
Everybody Say Yeah
134 bpm • D Maj • 04:19 • -6.19db
32% Popularity • 63% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Laura Osnes
How 'Bout a Dance?
134 bpm • G# Maj • 02:54 • -11.41db
37% Popularity • 34% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Capathia Jenkins
That's Rich
134 bpm • F Maj • 02:32 • -10.26db
41% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Anna Kendrick
A Summer in Ohio
134 bpm • C min • 04:05 • -7.32db
39% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Beautiful Ensemble
1650 Broadway Medley
153 bpm • C# Maj • 02:00 • -4db
30% Popularity • 57% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 95% Positiveness
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Damon Daunno
The Surrey With The Fringe On Top
133 bpm • A Maj • 05:18 • -11.9db
24% Popularity • 52% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
32% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Richard Gere
All I Care About
133 bpm • F# Maj • 03:48 • -8.87db
30% Popularity • 43% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Caissie Levy
Easy to Be Hard
155 bpm • F# Maj • 03:04 • -11.3db
25% Popularity • 45% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Sherie Rene Scott
Still Hurting
133 bpm • C Maj • 05:01 • -13.04db
34% Popularity • 34% Danceability • 16% Energy • 42% Liveness
0% Instrumentalness • 7% Positiveness
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Crazy Ex-Girlfriend Cast
Settle For Me
155 bpm • C Maj • 03:11 • -5.6db
36% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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John Gallagher Jr.
Don't Do Sadness/Blue Wind - Original Br...
132 bpm • F Maj • 05:05 • -8.67db
39% Popularity • 45% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Laura Osnes
Dyin' Ain't so Bad
131 bpm • C Maj • 03:30 • -14db
35% Popularity • 37% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
42% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Kristin Chenoweth
The Girl in 14-G* - Vocal
131 bpm • A min • 04:02 • -6.78db
25% Popularity • 53% Danceability • 33% Energy • 46% Liveness
0% Instrumentalness • 35% Positiveness
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Brian Stokes Mitchell
Dulcinea
131 bpm • C Maj • 03:11 • -11.4db
28% Popularity • 40% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Heather Headley
Dance Of The Robe
131 bpm • C# Maj • 04:05 • -8.3db
30% Popularity • 46% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Amber Gray
Our Lady of the Underground
131 bpm • B min • 05:24 • -6.74db
29% Popularity • 53% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Damon Daunno
People Will Say We're In Love
131 bpm • E Maj • 04:19 • -11db
28% Popularity • 43% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Megan McGinnis
The Color of Your Eyes
131 bpm • F Maj • 03:01 • -10db
26% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Lucy
Someone Like You
131 bpm • F Maj • 03:46 • -11db
37% Popularity • 28% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Tim Rice
A New Argentina - Original Cast Recordin...
131 bpm • E min • 07:02 • -16.65db
25% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Shoshana Bean
Stars and the Moon
156 bpm • D Maj • 04:45 • -9.02db
28% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Pinto
Balaga
157 bpm • A min • 02:39 • -6.47db
35% Popularity • 65% Danceability • 84% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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Katrina Lenk
Welcome to Nowhere
157 bpm • G# Maj • 02:16 • -8db
26% Popularity • 78% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Gregg Edelman
Funny
157 bpm • G# Maj • 02:09 • -11.12db
22% Popularity • 43% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Hedwig And The Angry Inch - Original Broadway Cast
Wig In A Box
130 bpm • A Maj • 05:07 • -7.64db
27% Popularity • 47% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Brian Johnson
Touch Me - Original Broadway Cast Record...
130 bpm • D Maj • 04:31 • -9.76db
41% Popularity • 49% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Whitney Bashor
Another Life
130 bpm • D Maj • 05:17 • -10db
27% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Stephanie D'Abruzzo
There's a Fine, Fine Line
129 bpm • G Maj • 02:39 • -9.98db
28% Popularity • 52% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Etai Benson
Papi Hears the Ocean
130 bpm • C Maj • 02:59 • -11db
22% Popularity • 90% Danceability • 39% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
The Abduction
158 bpm • C# Maj • 07:30 • -8.41db
35% Popularity • 38% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Alice By Heart Original Cast Recording Company
Down the Hole
129 bpm • A Maj • 03:41 • -8db
23% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Jonathan Groff
Totally Fucked - Original Broadway Cast ...
129 bpm • A# Maj • 03:18 • -7.23db
41% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Laura Osnes
Welcome Home (Finale)
129 bpm • C Maj • 03:34 • -6.7db
25% Popularity • 49% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Cristin Milioti
If You Want Me
159 bpm • F# min • 03:46 • -16.12db
29% Popularity • 30% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
The Band's Visit Original Broadway Band
Soraya
158 bpm • G Maj • 01:11 • -14.2db
20% Popularity • 49% Danceability • 21% Energy • 9% Liveness
79% Instrumentalness • 88% Positiveness
► Preview
Lindsay Mendez
Bless the Lord
128 bpm • D Maj • 03:05 • -8db
32% Popularity • 42% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Omar Sharif