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On Course
Songs like
On Course
by
Johan Söderqvist
Based on a tempo of (+/- 10%) and a similar genre
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Martin Phipps
First Hurdle Down
108 bpm • G# min • 02:01 • -20.43db
10% Popularity • 74% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Philip Glass
Raising the Sail
108 bpm • G min • 02:15 • -30db
39% Popularity • 35% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Bear McCreary
Lucrezia Donati
108 bpm • E min • 04:53 • -25db
24% Popularity • 22% Danceability • 3% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Giacchino
Closure
108 bpm • C Maj • 08:09 • -24.97db
15% Popularity • 16% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Johan Söderqvist
On Course
108 bpm • G min • 03:06 • -20db
14% Popularity • 16% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Blake Neely
I’ll Always Be Looking For You
109 bpm • D# Maj • 01:17 • -32.37db
34% Popularity • 16% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Midnight in the Garden
107 bpm • F Maj • 02:15 • -22db
31% Popularity • 28% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Max Richter
Prelude - Testament of Youth
107 bpm • D Maj • 01:54 • -17db
20% Popularity • 51% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 4% Positiveness
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Amelia Warner
King's Cross
109 bpm • D min • 01:26 • -16.57db
30% Popularity • 23% Danceability • 26% Energy • 6% Liveness
95% Instrumentalness • 8% Positiveness
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Mark Isham
The Longest Ride
107 bpm • E Maj • 01:03 • -26.3db
24% Popularity • 34% Danceability • 2% Energy • 10% Liveness
98% Instrumentalness • 9% Positiveness
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The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Jeff Beal
Losing Rachel
110 bpm • G# Maj • 02:26 • -17db
33% Popularity • 34% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Marc Streitenfeld
Creatures
110 bpm • A min • 02:09 • -16.29db
46% Popularity • 34% Danceability • 37% Energy • 25% Liveness
56% Instrumentalness • 6% Positiveness
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Laura Rossi
Into Battle
110 bpm • G# Maj • 03:12 • -15.22db
7% Popularity • 34% Danceability • 18% Energy • 11% Liveness
80% Instrumentalness • 16% Positiveness
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Amelia Warner
Lost In Darkness And Distance
106 bpm • F Maj • 00:59 • -14.68db
41% Popularity • 19% Danceability • 26% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Howard Shore
The Globe Newsroom
106 bpm • G Maj • 02:02 • -30.09db
44% Popularity • 36% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Johan Söderqvist
Flight School
106 bpm • B min • 03:07 • -11.64db
33% Popularity • 51% Danceability • 57% Energy • 15% Liveness
92% Instrumentalness • 50% Positiveness
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Burkhard Dallwitz
Interrogation
105 bpm • D Maj • 03:36 • -26db
9% Popularity • 30% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
The Stairs - Finding Neverland/Soundtrac...
105 bpm • F Maj • 02:14 • -21.81db
20% Popularity • 24% Danceability • 7% Energy • 9% Liveness
21% Instrumentalness • 3% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
105 bpm • D# Maj • 04:25 • -21.54db
29% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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JoaquÃn Rodrigo
Concierto de Aranjuez: II. Adagio
111 bpm • B min • 10:26 • -22db
23% Popularity • 31% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Peter Gregson
The Task Ahead
111 bpm • G# Maj • 01:34 • -25.35db
20% Popularity • 23% Danceability • 7% Energy • 84% Liveness
86% Instrumentalness • 4% Positiveness
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Anne Dudley
Two Brothers
112 bpm • E min • 02:55 • -22db
31% Popularity • 17% Danceability • 8% Energy • 31% Liveness
56% Instrumentalness • 6% Positiveness
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Clint Mansell
The Spirit of the Creator Moved Upon the...
112 bpm • A# Maj • 02:59 • -11.37db
12% Popularity • 26% Danceability • 20% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40
112 bpm • G min • 07:08 • -21.22db
35% Popularity • 34% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Steven Price
The Blue Whale
112 bpm • F# min • 05:12 • -16db
38% Popularity • 17% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Howard Shore
The Story Breaks
112 bpm • A min • 01:56 • -21.88db
38% Popularity • 27% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Carter Burwell
Toys and Stars
113 bpm • F Maj • 01:23 • -18.88db
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Johan Söderqvist
Kon-Tiki (End Credits)
102 bpm • A min • 05:05 • -15db
13% Popularity • 14% Danceability • 33% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Stephen Rennicks
End
114 bpm • E Maj • 01:31 • -14.89db
18% Popularity • 45% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 15% Positiveness
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Max Richter
Memory Lane
114 bpm • B Maj • 02:55 • -22.54db
16% Popularity • 40% Danceability • 12% Energy • 14% Liveness
95% Instrumentalness • 27% Positiveness
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Adam Peters
Whatever Happened To Paradise?
102 bpm • A# Maj • 02:19 • -18.76db
8% Popularity • 19% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Howard Shore
Legacy
113 bpm • G Maj • 01:28 • -24.09db
30% Popularity • 31% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Coby Brown
Colors You Cannot See
101 bpm • A min • 02:57 • -30.14db
9% Popularity • 21% Danceability • 2% Energy • 15% Liveness
97% Instrumentalness • 3% Positiveness
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Johan Söderqvist
To Peru
102 bpm • F min • 00:56 • -15.18db
15% Popularity • 47% Danceability • 52% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Anne Dudley
Daring to Hope
116 bpm • C# min • 01:38 • -18.26db
30% Popularity • 22% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Peter - Finding Neverland/Soundtrack Ver...
100 bpm • C Maj • 02:20 • -21db
48% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Howard Shore
The Thief
113 bpm • B min • 04:20 • -21.24db
30% Popularity • 25% Danceability • 11% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
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Kevin Smuts
Craving The Cold
100 bpm • B min • 01:56 • -30.07db
37% Popularity • 32% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Johan Söderqvist
Norway
115 bpm • D Maj • 03:55 • -20db
31% Popularity • 17% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Christophe Beck
Theme From "We Are Marshall"
100 bpm • D Maj • 03:14 • -19.82db
19% Popularity • 16% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Giacchino
Exodus Wounds
100 bpm • G min • 04:22 • -19db
33% Popularity • 21% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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John Debney
Eliza's Theme
100 bpm • C min • 01:31 • -21.11db
29% Popularity • 15% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Howard Shore
A Conspiracy of Good
114 bpm • G min • 01:57 • -37.21db
20% Popularity • 25% Danceability • 0% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
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Jeff Beal
Forward March
117 bpm • C Maj • 02:02 • -17.37db
34% Popularity • 65% Danceability • 30% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Johan Söderqvist
Under No Flag
100 bpm • G Maj • 03:36 • -15.92db
39% Popularity • 14% Danceability • 17% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Clinton Shorter
What I Really Wanted
117 bpm • G Maj • 02:38 • -21.75db
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Daisy, Daisy
118 bpm • A min • 02:21 • -21.73db
41% Popularity • 29% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Klaus Badelt
Godspeed
118 bpm • A min • 05:19 • -14db
42% Popularity • 22% Danceability • 14% Energy • 8% Liveness
31% Instrumentalness • 12% Positiveness
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Howard Shore
Delivering the News
117 bpm • A min • 03:40 • -23.58db
28% Popularity • 38% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Junkie XL
Many Mothers
99 bpm • A min • 05:15 • -15db
27% Popularity • 13% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Gallipoli
100 bpm • B Maj • 01:49 • -21db
31% Popularity • 35% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Michael Giacchino
Apes Together Strong
118 bpm • E min • 07:12 • -23.2db
20% Popularity • 24% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
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Max Richter
Realities
118 bpm • E Maj • 01:08 • -20.4db
17% Popularity • 49% Danceability • 10% Energy • 9% Liveness
98% Instrumentalness • 5% Positiveness
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John Powell
Thinking Of Marie
99 bpm • C# min • 03:51 • -29.51db
24% Popularity • 13% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Klaus Badelt
Layla
118 bpm • D Maj • 02:32 • -28.54db
18% Popularity • 23% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Stephen Warbeck
The World in the Room
99 bpm • A# Maj • 01:37 • -22.65db
41% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Black Bess
100 bpm • G# min • 02:35 • -21.03db
30% Popularity • 23% Danceability • 22% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
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Maurizio Malagnini
The Final Kiss
98 bpm • A Maj • 02:44 • -16.87db
12% Popularity • 14% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Max Richter
Never did run smooth
98 bpm • D# min • 01:40 • -25.4db
14% Popularity • 56% Danceability • 10% Energy • 25% Liveness
84% Instrumentalness • 4% Positiveness
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Nick Glennie-Smith
Look Around You
119 bpm • F min • 08:45 • -19.88db
29% Popularity • 17% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 2% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Mark Isham
Daniel and Ruth
120 bpm • G Maj • 02:10 • -21.71db
34% Popularity • 19% Danceability • 7% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Johan Söderqvist
The Swindle
100 bpm • E min • 03:24 • -16db
30% Popularity • 39% Danceability • 32% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Nick Urata
What Maisie Knew
119 bpm • F# Maj • 02:32 • -19.27db
12% Popularity • 36% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Giuseppe Verdi
Verdi: La traviata, Act 1: Prelude
120 bpm • B Maj • 03:50 • -34.45db
33% Popularity • 22% Danceability • 2% Energy • 28% Liveness
16% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
It's a Life
120 bpm • E Maj • 01:29 • -22db
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
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Guy Farley
Family
120 bpm • A min • 01:47 • -17.68db
49% Popularity • 40% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Miriam Cutler
Ethel Main Title
120 bpm • F Maj • 03:16 • -21.88db
16% Popularity • 43% Danceability • 7% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Knights Of The Sky
100 bpm • E min • 03:24 • -15db
32% Popularity • 44% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Carlos Rafael Rivera
The Green Pills
120 bpm • C min • 01:30 • -31.61db
46% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Howard Shore
Summer Investigation
120 bpm • A min • 02:00 • -21.54db
30% Popularity • 52% Danceability • 29% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
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Theodore Shapiro
Introducing Howard Inlet
120 bpm • D Maj • 01:04 • -30.78db
24% Popularity • 63% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 15% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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Stephen J. Anderson
Right Choices
120 bpm • F# Maj • 01:08 • -40.53db
8% Popularity • 36% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Epilogue
117 bpm • D min • 05:16 • -20.85db
14% Popularity • 18% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Steve Jablonsky
The Island Awaits You
120 bpm • A min • 02:21 • -19.1db
35% Popularity • 18% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Howard Shore
The Message
120 bpm • B min • 04:36 • -27.74db
20% Popularity • 22% Danceability • 3% Energy • 11% Liveness
79% Instrumentalness • 11% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
51% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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Nicholas Britell
Finding Home
97 bpm • F min • 02:22 • -32.83db
11% Popularity • 21% Danceability • 2% Energy • 33% Liveness
92% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Thor's Failure
118 bpm • G min • 00:52 • -24.54db
10% Popularity • 58% Danceability • 12% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
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Amelia Warner
The Book
120 bpm • A min • 03:24 • -15db
20% Popularity • 18% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Howard Shore
The Eagles
97 bpm • C Maj • 02:23 • -25.37db
48% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Burkhard Dallwitz
Lake Baikal
97 bpm • E min • 03:35 • -16db
11% Popularity • 12% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Anne Nikitin
The First Taste Of Salmon
96 bpm • G Maj • 01:44 • -15.78db
38% Popularity • 38% Danceability • 30% Energy • 26% Liveness
91% Instrumentalness • 26% Positiveness
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Johan Söderqvist
Tirailleur
120 bpm • D min • 02:38 • -16.18db
35% Popularity • 29% Danceability • 26% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness
► Preview
Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
53% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
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Martin Phipps
I Lived Here
96 bpm • A min • 01:49 • -16.32db
37% Popularity • 12% Danceability • 10% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Alexander Glazunov
Glazunov: Suite from Raymonda, Op. 57a: ...
122 bpm • A Maj • 00:49 • -19.14db
7% Popularity • 33% Danceability • 25% Energy • 54% Liveness
73% Instrumentalness • 48% Positiveness
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Christian Henson
Maria's Room
122 bpm • B Maj • 01:30 • -21.13db
50% Popularity • 17% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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William Ross
We'll Be #1
122 bpm • A# Maj • 01:52 • -22db
37% Popularity • 34% Danceability • 8% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Into Space
120 bpm • G Maj • 02:18 • -16.75db
17% Popularity • 18% Danceability • 20% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Jeff Beal
Dave McGillivray
96 bpm • C Maj • 01:58 • -24db
13% Popularity • 12% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Atli Örvarsson
The Last Confederate - Main Title
122 bpm • D min • 01:26 • -19db
26% Popularity • 22% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Nicholas Britell
Opening Music
123 bpm • A min • 03:04 • -23.12db
16% Popularity • 38% Danceability • 13% Energy • 12% Liveness
71% Instrumentalness • 5% Positiveness
► Preview
Carl Davis
Pride and Prejudice Suite: I. Meet the F...
123 bpm • D# Maj • 03:38 • -15.79db
25% Popularity • 29% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 36% Positiveness
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Jóhann Jóhannsson
A Brief History of Time
94 bpm • D Maj • 02:02 • -25db
48% Popularity • 39% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 28% Positiveness
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On Course