Songs like On My Radio - '96 EP Version by The Selecter
Based on a tempo of (+/- 10%) and a similar genre
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The Meow Meows
Siberian Soup
141 bpm • G# Maj • 03:47 • -5.52db
27% Popularity • 62% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 62% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Selecter
On My Radio - '96 EP Version
141 bpm • G Maj • 03:06 • -4.91db
35% Popularity • 77% Danceability • 81% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 81% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
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The Boomtown Rats
Rat Trap
141 bpm • E min • 05:10 • -5db
45% Popularity • 50% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 50% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 63% Positiveness
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Symarip
These Boots Are Made for Walking
142 bpm • D# Maj • 02:54 • -10.21db
24% Popularity • 84% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 84% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Sham 69
If The Kids Are United
142 bpm • D Maj • 03:37 • -10.37db
37% Popularity • 44% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 44% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Adam & The Ants
Stand and Deliver
142 bpm • A Maj • 03:35 • -10db
45% Popularity • 55% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 55% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Hepcat
No Worries
140 bpm • C Maj • 03:39 • -6.93db
35% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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The Selecter
On My Radio
142 bpm • D Maj • 03:05 • -9.45db
38% Popularity • 87% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 87% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Elvis Costello & The Attractions
I Can't Stand Up For Falling Down
142 bpm • F Maj • 02:06 • -7.7db
42% Popularity • 60% Danceability • 72% Energy • 9% Liveness
72% Instrumentalness • 98% Positiveness
42% Popularity • 60% Danceability • 72% Energy • 9% Liveness
72% Instrumentalness • 98% Positiveness
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![(Get A) Grip [on Yourself] - 1996 Remaster cover art](https://i.scdn.co/image/ab67616d00001e0271bc09bffecbaa3ce3c8f8bd)
The Stranglers
(Get A) Grip [on Yourself] - 1996 Remast...
142 bpm • G Maj • 03:59 • -9db
39% Popularity • 52% Danceability • 85% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
39% Popularity • 52% Danceability • 85% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
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Death Of Guitar Pop
Rickety Old Train
140 bpm • A Maj • 04:12 • -7.17db
29% Popularity • 34% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
29% Popularity • 34% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Hotknives
Don't Go Away
140 bpm • D Maj • 03:49 • -9.16db
23% Popularity • 68% Danceability • 70% Energy • 23% Liveness
5% Instrumentalness • 96% Positiveness
23% Popularity • 68% Danceability • 70% Energy • 23% Liveness
5% Instrumentalness • 96% Positiveness
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Neville Staple
Time Longer Than Rope
140 bpm • C Maj • 02:38 • -7.49db
12% Popularity • 75% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 83% Positiveness
12% Popularity • 75% Danceability • 74% Energy • 16% Liveness
3% Instrumentalness • 83% Positiveness
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The Selecter
On My Radio '91 - Single Mix
142 bpm • G Maj • 03:29 • -10.95db
31% Popularity • 69% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 69% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Arthur Kay's Originals
Play My Record
140 bpm • G Maj • 02:45 • -9.28db
15% Popularity • 68% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 68% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Blue Rondo á la Turk
Klactoveesedstein
140 bpm • A Maj • 03:49 • -9.64db
17% Popularity • 73% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 73% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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The Stranglers
Go Buddy Go - 1996 Remaster
142 bpm • B min • 03:56 • -7.49db
26% Popularity • 36% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 36% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Pigbag
Papas Got a Brand New Pigbag - 7" Versio...
140 bpm • G Maj • 03:35 • -11.15db
39% Popularity • 51% Danceability • 87% Energy • 55% Liveness
79% Instrumentalness • 89% Positiveness
39% Popularity • 51% Danceability • 87% Energy • 55% Liveness
79% Instrumentalness • 89% Positiveness
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Linton Kwesi Johnson
Forces Of Viktry
140 bpm • D Maj • 04:54 • -14.67db
20% Popularity • 82% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 82% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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The Selecter
The Avengers Theme
140 bpm • C Maj • 02:38 • -4.38db
10% Popularity • 61% Danceability • 84% Energy • 7% Liveness
71% Instrumentalness • 72% Positiveness
10% Popularity • 61% Danceability • 84% Energy • 7% Liveness
71% Instrumentalness • 72% Positiveness
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Splodgenessabounds
Two Pints Of Lager And A Packet Of Crisp...
143 bpm • B min • 01:54 • -7.28db
24% Popularity • 46% Danceability • 93% Energy • 52% Liveness
1% Instrumentalness • 56% Positiveness
24% Popularity • 46% Danceability • 93% Energy • 52% Liveness
1% Instrumentalness • 56% Positiveness
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Spandau Ballet
To Cut a Long Story Short - 2010 Remaste...
142 bpm • D Maj • 03:19 • -5.11db
49% Popularity • 58% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 86% Positiveness
49% Popularity • 58% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 86% Positiveness
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The Bodysnatchers
Easy Life - Film Soundtrack Version
143 bpm • G Maj • 02:54 • -6.22db
16% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Symarip
Must Catch a Train
143 bpm • B Maj • 02:58 • -7.44db
21% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 68% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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The Damned
Eloise
143 bpm • B Maj • 05:08 • -10.18db
40% Popularity • 27% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 27% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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The Selecter
Taking Back Control
140 bpm • G Maj • 03:17 • -4.58db
9% Popularity • 78% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 78% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Phoenix City All-Stars
Paint it Black
139 bpm • D Maj • 02:52 • -4db
11% Popularity • 52% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 52% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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Neville Staple
Play a Song for Me
139 bpm • G Maj • 03:15 • -7.04db
10% Popularity • 76% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 76% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Elvis Costello & The Attractions
Pump It Up - 2021 Remaster
139 bpm • B Maj • 03:16 • -6.12db
60% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
60% Popularity • 64% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Blondie
Denis - Remastered
139 bpm • C Maj • 02:19 • -5.88db
46% Popularity • 56% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 56% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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The Untouchables
I Spy (For The F.B.I.)
143 bpm • D Maj • 03:26 • -11.53db
21% Popularity • 64% Danceability • 81% Energy • 7% Liveness
65% Instrumentalness • 90% Positiveness
21% Popularity • 64% Danceability • 81% Energy • 7% Liveness
65% Instrumentalness • 90% Positiveness
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The Selecter
London's Burning
140 bpm • D min • 03:33 • -4.04db
9% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
9% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Byron Lee
Elizabethan Reggae
139 bpm • F Maj • 02:33 • -17.21db
33% Popularity • 83% Danceability • 34% Energy • 9% Liveness
82% Instrumentalness • 92% Positiveness
33% Popularity • 83% Danceability • 34% Energy • 9% Liveness
82% Instrumentalness • 92% Positiveness
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Bad Manners
Walking in the Sunshine
143 bpm • G Maj • 03:30 • -7.91db
37% Popularity • 61% Danceability • 55% Energy • 6% Liveness
12% Instrumentalness • 83% Positiveness
37% Popularity • 61% Danceability • 55% Energy • 6% Liveness
12% Instrumentalness • 83% Positiveness
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Elvis Costello & The Attractions
Oliver's Army
143 bpm • E Maj • 03:00 • -9.41db
49% Popularity • 53% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
49% Popularity • 53% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Linton Kwesi Johnson
Sonny's Lettah (Anti-Sus Poem)
144 bpm • A min • 03:52 • -18.24db
32% Popularity • 74% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 74% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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Skids
Masquerade
139 bpm • C Maj • 02:46 • -7db
29% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 53% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Selecter
Washed up and Left for Dead
142 bpm • G# Maj • 03:55 • -14.68db
14% Popularity • 72% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 72% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Lloyd Cole and the Commotions
Lost Weekend
138 bpm • A Maj • 03:15 • -10.17db
50% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
50% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Bad Manners
Ne-Ne, Na-Na, Na-Na, Nu-Nu
144 bpm • C min • 02:37 • -10.2db
33% Popularity • 70% Danceability • 75% Energy • 19% Liveness
18% Instrumentalness • 94% Positiveness
33% Popularity • 70% Danceability • 75% Energy • 19% Liveness
18% Instrumentalness • 94% Positiveness
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Haircut 100
Favourite Shirts (Boy Meets Girl)
144 bpm • G# min • 03:05 • -14.65db
41% Popularity • 64% Danceability • 62% Energy • 20% Liveness
4% Instrumentalness • 91% Positiveness
41% Popularity • 64% Danceability • 62% Energy • 20% Liveness
4% Instrumentalness • 91% Positiveness
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Symarip
These Boots Are Made for Walking
144 bpm • B Maj • 02:52 • -7.85db
34% Popularity • 81% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 81% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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The Lambrettas
Poison Ivy
138 bpm • A Maj • 02:41 • -5.41db
18% Popularity • 70% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 70% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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The Selecter
On My Radio
142 bpm • G Maj • 03:17 • -8.66db
9% Popularity • 86% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 86% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Squeeze
Cool For Cats
144 bpm • C Maj • 03:39 • -15.37db
52% Popularity • 79% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
52% Popularity • 79% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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The Ruts
In A Rut - Single Version
138 bpm • A Maj • 03:40 • -14.85db
29% Popularity • 57% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 57% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
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Linton Kwesi Johnson
Inglan Is A Bitch
138 bpm • G Maj • 05:26 • -15.75db
41% Popularity • 88% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 88% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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The Clash
Ghetto Defendant - Remastered
137 bpm • A min • 04:43 • -9.8db
36% Popularity • 70% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 70% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Fun Boy Three
Going Home
145 bpm • G# min • 03:35 • -10db
24% Popularity • 65% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 65% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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The Selecter
Carry Go Bring Home
143 bpm • B Maj • 02:57 • -12.57db
23% Popularity • 88% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
23% Popularity • 88% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Squeeze
Cool For Cats
144 bpm • C Maj • 03:14 • -10db
43% Popularity • 78% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 78% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Boomtown Rats
Like Clockwork
145 bpm • A min • 03:43 • -4.53db
30% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Skids
Into The Valley
145 bpm • G Maj • 03:19 • -12.7db
44% Popularity • 33% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
44% Popularity • 33% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Furniture
Brilliant Mind
137 bpm • A min • 03:44 • -11.65db
38% Popularity • 53% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 53% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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The Lambrettas
Poison Ivy
137 bpm • G# Maj • 02:43 • -8db
19% Popularity • 70% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
19% Popularity • 70% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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The Selecter
Too Much Pressure - B-Side Version
139 bpm • D Maj • 02:50 • -7.05db
13% Popularity • 92% Danceability • 81% Energy • 32% Liveness
14% Instrumentalness • 97% Positiveness
13% Popularity • 92% Danceability • 81% Energy • 32% Liveness
14% Instrumentalness • 97% Positiveness
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Secret Affair
Going To A Go-Go
145 bpm • C Maj • 03:02 • -5.96db
16% Popularity • 55% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 55% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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The Clash
Clampdown - Remastered
145 bpm • D Maj • 03:49 • -7.61db
48% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
48% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Susan Cadogan
Hurt so Good
145 bpm • A# Maj • 03:05 • -6.37db
43% Popularity • 80% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 80% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Blondie
Atomic
137 bpm • E min • 03:50 • -5db
47% Popularity • 53% Danceability • 82% Energy • 33% Liveness
27% Instrumentalness • 74% Positiveness
47% Popularity • 53% Danceability • 82% Energy • 33% Liveness
27% Instrumentalness • 74% Positiveness
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Bad Manners
Lip up Fatty
146 bpm • A Maj • 02:48 • -9.83db
49% Popularity • 72% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
49% Popularity • 72% Danceability • 87% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
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The Selecter
Missing Words - '96 EP Version
139 bpm • D min • 03:52 • -6.78db
4% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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The Stranglers
Something Better Change - 1996 Remaster
136 bpm • B Maj • 03:34 • -7db
37% Popularity • 53% Danceability • 85% Energy • 28% Liveness
57% Instrumentalness • 75% Positiveness
37% Popularity • 53% Danceability • 85% Energy • 28% Liveness
57% Instrumentalness • 75% Positiveness
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Death Of Guitar Pop
Bosh!
146 bpm • G# min • 03:34 • -6.59db
18% Popularity • 67% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 67% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Symarip
Try Me Best
136 bpm • B Maj • 02:51 • -8.05db
24% Popularity • 82% Danceability • 61% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
24% Popularity • 82% Danceability • 61% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
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Blondie
Sunday Girl - Remastered 2001
146 bpm • A Maj • 03:05 • -7db
49% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Desmond Dekker & The Aces
(Poor Mi) Israelites
146 bpm • A# Maj • 02:36 • -9.33db
59% Popularity • 80% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 80% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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The Selecter
Missing Words
139 bpm • D# Maj • 03:24 • -11.95db
39% Popularity • 61% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 61% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
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Amy Winehouse
Monkey Man
147 bpm • A# Maj • 02:56 • -3db
50% Popularity • 61% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
50% Popularity • 61% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Death Of Guitar Pop
Just Another Pub Band
146 bpm • D Maj • 03:44 • -5.69db
12% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Dexys Midnight Runners
Jackie Wilson Said (I'm In Heaven When Y...
147 bpm • D Maj • 03:04 • -5db
45% Popularity • 37% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 37% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Tim Armstrong
Into Action
147 bpm • F Maj • 03:41 • -3.84db
40% Popularity • 73% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
40% Popularity • 73% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Ian Dury
Blockheads
147 bpm • A Maj • 03:31 • -9.59db
28% Popularity • 59% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 59% Danceability • 91% Energy • 70% Liveness
0% Instrumentalness • 85% Positiveness
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The Selecter
Carry Go Bring Home - John Peel Session,...
138 bpm • B Maj • 03:05 • -11.87db
15% Popularity • 78% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 99% Positiveness
15% Popularity • 78% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 99% Positiveness
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Millie Small
Tom Hark
147 bpm • G Maj • 01:40 • -8.43db
24% Popularity • 64% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 90% Positiveness
24% Popularity • 64% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 90% Positiveness
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Desmond Decker
The Israelites
147 bpm • A# Maj • 02:41 • -12.51db
35% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
35% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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The Members
Stand Up And Spit
135 bpm • A Maj • 03:40 • -8.96db
10% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 73% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Sunny Coast Rude Boys
Feels Good
135 bpm • F Maj • 03:59 • -7.17db
29% Popularity • 73% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 73% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Billy Bragg
Sexuality
135 bpm • G Maj • 03:48 • -4db
36% Popularity • 59% Danceability • 93% Energy • 13% Liveness
9% Instrumentalness • 93% Positiveness
36% Popularity • 59% Danceability • 93% Energy • 13% Liveness
9% Instrumentalness • 93% Positiveness
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The Selecter
Pressure Drop '72
138 bpm • G Maj • 02:24 • -4.81db
10% Popularity • 67% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 67% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Bad Manners
Lip Up Fatty
147 bpm • A Maj • 02:46 • -5.96db
33% Popularity • 72% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
33% Popularity • 72% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 98% Positiveness
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Rhoda Dakar
Let's Do Rocksteady
135 bpm • F Maj • 02:48 • -9.04db
11% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 69% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Mark Foggo's Skasters
Fat Girl
148 bpm • A Maj • 04:53 • -6.1db
8% Popularity • 64% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 64% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lloyd and Claudette
Queen of the World
135 bpm • A# Maj • 02:16 • -7.16db
28% Popularity • 85% Danceability • 68% Energy • 23% Liveness
12% Instrumentalness • 96% Positiveness
28% Popularity • 85% Danceability • 68% Energy • 23% Liveness
12% Instrumentalness • 96% Positiveness
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Symarip
Skinhead Girl
135 bpm • F# min • 02:26 • -7.28db
35% Popularity • 90% Danceability • 56% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
35% Popularity • 90% Danceability • 56% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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The Selecter
Remember Me
138 bpm • F# min • 04:32 • -4.64db
9% Popularity • 72% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 72% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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Bad Manners
Just a Feeling
135 bpm • F# Maj • 03:15 • -8.61db
33% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 69% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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The Beat
Too Nice to Talk to - 2012 Remaster
135 bpm • B min • 03:07 • -9.42db
36% Popularity • 61% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 83% Positiveness
36% Popularity • 61% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 83% Positiveness
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Al Wilson
The Snake
148 bpm • A min • 03:23 • -14db
39% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
39% Popularity • 55% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Neville Staple
Rude Boys Outa Jail - Single Version
148 bpm • C Maj • 04:06 • -6.78db
17% Popularity • 37% Danceability • 89% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 37% Danceability • 89% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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Bananarama
Really Sayin' Something
134 bpm • F min • 02:42 • -6db
33% Popularity • 70% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 70% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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The Selecter
Cool Blue Lady
138 bpm • D Maj • 03:31 • -13.42db
9% Popularity • 60% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 60% Danceability • 52% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Redskins
Let's Make It Work
134 bpm • D Maj • 03:25 • -5.33db
9% Popularity • 65% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 65% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Dexys Midnight Runners
There There My Dear - 2000 Remaster
148 bpm • D Maj • 03:32 • -9db
31% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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The Untouchables
Wild Child
148 bpm • G Maj • 04:52 • -13.45db
17% Popularity • 75% Danceability • 65% Energy • 12% Liveness
53% Instrumentalness • 96% Positiveness
17% Popularity • 75% Danceability • 65% Energy • 12% Liveness
53% Instrumentalness • 96% Positiveness
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Tenpole Tudor
Wünderbar
134 bpm • A# Maj • 02:59 • -7.7db
32% Popularity • 44% Danceability • 74% Energy • 9% Liveness
15% Instrumentalness • 89% Positiveness
32% Popularity • 44% Danceability • 74% Energy • 9% Liveness
15% Instrumentalness • 89% Positiveness
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The Ruts
S.U.S.
134 bpm • D Maj • 03:49 • -10.59db
17% Popularity • 57% Danceability • 77% Energy • 5% Liveness
11% Instrumentalness • 94% Positiveness
17% Popularity • 57% Danceability • 77% Energy • 5% Liveness
11% Instrumentalness • 94% Positiveness
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The Selecter
Danger
145 bpm • A Maj • 02:40 • -11.12db
24% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness