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On My Way
Songs like
On My Way
by
Måns Zelmerlöw
Based on a tempo of (+/- 10%) and a similar genre
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Christel Alsos
The Losing Kind
98 bpm • G# Maj • 03:11 • -5.04db
14% Popularity • 60% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Rebecka Karlsson
Who I Am
98 bpm • G# Maj • 02:59 • -6.17db
25% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Ronan Keating
Little Thing Called Love - Single Mix
98 bpm • F# Maj • 03:03 • -7.6db
36% Popularity • 65% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Måns Zelmerlöw
On My Way
98 bpm • G Maj • 03:01 • -9.25db
32% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Brother Leo
Hallelujah
98 bpm • C Maj • 03:53 • -5db
28% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Klara Hammarström
Beat Of Broken Hearts
98 bpm • E min • 03:02 • -4db
40% Popularity • 55% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Pernilla Wahlgren
Come Inside My World
98 bpm • G Maj • 03:02 • -4db
14% Popularity • 57% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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KAMARA
20 Something
98 bpm • A Maj • 03:17 • -7.83db
16% Popularity • 56% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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LIAMOO
Walk on Water
99 bpm • G# Maj • 02:50 • -11db
22% Popularity • 72% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Måns Zelmerlöw
Grow Up To Be You
99 bpm • G Maj • 03:27 • -8db
25% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Malou Prytz
Dumb Love
99 bpm • B Maj • 03:00 • -5.8db
9% Popularity • 69% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Nea
Drunk Enough To
99 bpm • F Maj • 03:18 • -6.21db
30% Popularity • 73% Danceability • 58% Energy • 63% Liveness
0% Instrumentalness • 57% Positiveness
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Andreas Weise
My Love Runs Deep
97 bpm • D# min • 03:31 • -7db
22% Popularity • 71% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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KEiiNO
Praying
97 bpm • F min • 03:11 • -6.35db
31% Popularity • 74% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Victor Leksell
Klär av dig
97 bpm • C# Maj • 03:22 • -12db
51% Popularity • 77% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Martin Almgren
Safe Again
97 bpm • C# Maj • 02:58 • -11db
17% Popularity • 59% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Rymdpojken
Glömma dig
97 bpm • D Maj • 02:42 • -9db
35% Popularity • 58% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Ellen Krauss
On The Bus
99 bpm • F Maj • 02:46 • -6.85db
43% Popularity • 67% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Sval
(I Can’t Be Your) Medicine
100 bpm • A Maj • 03:09 • -9.4db
11% Popularity • 45% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Newkid
Kanske var vi rätt bra ändå
100 bpm • D Maj • 02:33 • -8.12db
47% Popularity • 53% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Klara Hammarström
Nobody
100 bpm • A# min • 02:59 • -4db
35% Popularity • 43% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Madden
So Happy
100 bpm • F Maj • 03:25 • -6.5db
21% Popularity • 66% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The Mamas
You Got Me
100 bpm • C min • 03:28 • -6db
33% Popularity • 64% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 22% Positiveness
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Robin Bengtsson
HONEY I'M HOME
100 bpm • G Maj • 03:08 • -9.15db
12% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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John De Sohn
Just Like You
100 bpm • G# Maj • 02:47 • -5.78db
18% Popularity • 67% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Rhys
Starfish
100 bpm • E Maj • 03:23 • -6.37db
24% Popularity • 60% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Klara Hammarström
DNA
96 bpm • G Maj • 03:25 • -4.94db
17% Popularity • 41% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Felicia Olsson
Break That Chain
100 bpm • E min • 03:01 • -4.73db
14% Popularity • 68% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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The Mamas
In The Middle
100 bpm • C# Maj • 03:03 • -5.86db
38% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Raylee
Don't Wanna Let It Go
100 bpm • F# Maj • 02:58 • -4.97db
23% Popularity • 70% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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John De Sohn
I Met Somebody
100 bpm • D Maj • 03:04 • -5db
33% Popularity • 73% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Mohombi
Winners
100 bpm • B min • 03:05 • -5.13db
30% Popularity • 60% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Jan Johansen
Let Your Spirit Fly
100 bpm • A Maj • 02:54 • -4db
41% Popularity • 65% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Nordman
Glöm Det Som Var
96 bpm • A# Maj • 04:00 • -10.56db
26% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Samir & Viktor
Kemi
96 bpm • D Maj • 02:43 • -4.26db
22% Popularity • 66% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Måns Zelmerlöw
Time
96 bpm • C Maj • 00:54 • -25.83db
9% Popularity • 38% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 38% Positiveness
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Patrik Jean
Tears Run Dry
100 bpm • B Maj • 02:57 • -6.88db
31% Popularity • 48% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Wiktoria
Come to Me (64567)
100 bpm • C# min • 02:57 • -4db
7% Popularity • 69% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Alvaro Estrella
Bailá Bailá
100 bpm • C# Maj • 02:53 • -3db
45% Popularity • 68% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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LIAMOO
Nothing Here
100 bpm • B Maj • 02:37 • -6db
27% Popularity • 56% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Benjamin Ingrosso
I Wouldn't Know
101 bpm • F Maj • 02:56 • -8db
37% Popularity • 61% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Jessica Andersson
Horizon
95 bpm • D Maj • 03:03 • -3.89db
29% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Kläfford
Lost Someone
95 bpm • D Maj • 03:45 • -7.22db
33% Popularity • 39% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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BootyBuilder
Booty
95 bpm • C Maj • 02:54 • -1.93db
16% Popularity • 78% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Magnus Carlsson
Day And Night
95 bpm • G# Maj • 02:59 • -6.75db
20% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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KEiiNO
Would I Lie
95 bpm • F# min • 03:15 • -6.16db
30% Popularity • 65% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Ollhage
Let Me Go
95 bpm • B Maj • 03:10 • -5.12db
9% Popularity • 55% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Nea
TG4M - Spotify Studios Recording
95 bpm • F Maj • 02:23 • -8db
22% Popularity • 76% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Victor Crone
Rains
95 bpm • F min • 02:47 • -6.18db
21% Popularity • 52% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Laleh
Vatten
95 bpm • C Maj • 03:00 • -4.29db
38% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Georgia Box
Coca
102 bpm • C# min • 03:05 • -7db
31% Popularity • 71% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Darin
Finns inga ord
102 bpm • B min • 02:39 • -6.03db
39% Popularity • 62% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Raylee
Unspoken
102 bpm • C Maj • 03:20 • -7.2db
18% Popularity • 59% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Peg Parnevik
Not Gonna Be There
102 bpm • C min • 02:49 • -6.34db
23% Popularity • 78% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Alexandra Joner
Like Beyoncé
102 bpm • G# Maj • 02:39 • -4.58db
12% Popularity • 79% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Davai
Broken Hearts
102 bpm • B min • 02:30 • -4.74db
30% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Lena Philipsson
En stilla depression
102 bpm • C# Maj • 03:07 • -5.3db
33% Popularity • 75% Danceability • 68% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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ohFrank
Millennial
94 bpm • D Maj • 03:04 • -5.75db
13% Popularity • 67% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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JUNG
Nobody Knows
94 bpm • C# min • 02:34 • -7.7db
27% Popularity • 86% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Wiktoria
OMG
94 bpm • B Maj • 03:09 • -5.63db
25% Popularity • 69% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Madden
Move On
94 bpm • C min • 03:13 • -7.03db
25% Popularity • 50% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Bergendahl
Made of You
94 bpm • D# Maj • 03:14 • -6.57db
22% Popularity • 52% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Måns Zelmerlöw
Wrong Decision
102 bpm • G Maj • 04:18 • -6.38db
26% Popularity • 36% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Susanne Louise
By Your Side
103 bpm • C# Maj • 03:34 • -4.37db
17% Popularity • 46% Danceability • 72% Energy • 61% Liveness
0% Instrumentalness • 61% Positiveness
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Malou Prytz
Ballerina
94 bpm • A min • 03:02 • -8db
34% Popularity • 47% Danceability • 61% Energy • 22% Liveness
1% Instrumentalness • 31% Positiveness
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Jill Johnson
My Remedy - Radio Mix
94 bpm • F# min • 03:28 • -4.71db
18% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Molly Hammar
Words
103 bpm • C Maj • 02:57 • -9db
32% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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KONO
Drunk Last Night
103 bpm • C Maj • 03:36 • -3db
26% Popularity • 75% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Mamas
Move
103 bpm • A Maj • 02:48 • -3db
44% Popularity • 46% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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John De Sohn
Got Damn! (W.O.M.A.N)
103 bpm • B Maj • 02:55 • -7db
27% Popularity • 66% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Måns Zelmerlöw
Live While We're Alive
103 bpm • A Maj • 03:00 • -5.09db
21% Popularity • 53% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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Benjamin Ingrosso
Shampoo
103 bpm • B min • 02:58 • -10.82db
23% Popularity • 74% Danceability • 54% Energy • 20% Liveness
4% Instrumentalness • 65% Positiveness
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Aron Blom
Low Low Low
103 bpm • F min • 02:49 • -5db
14% Popularity • 69% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Tusse
Crash
103 bpm • G# min • 03:02 • -6.55db
25% Popularity • 65% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Ina Wroldsen
Haloes
103 bpm • D# Maj • 02:51 • -4.05db
38% Popularity • 70% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Jubël
Someone
103 bpm • D Maj • 03:01 • -4.03db
49% Popularity • 70% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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LIAMOO
Lonely
103 bpm • A min • 03:01 • -4db
29% Popularity • 64% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Malou Prytz
I Do Me
103 bpm • C# Maj • 02:43 • -3db
34% Popularity • 64% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 34% Positiveness
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Tone Damli
If I Can't Have You
93 bpm • F# Maj • 03:14 • -7.35db
24% Popularity • 62% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Martin Stenmarck
LÃ¥t skiten brinna
93 bpm • A min • 03:05 • -7db
23% Popularity • 59% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Ina Wroldsen
Body Parts
93 bpm • A Maj • 03:38 • -4.36db
35% Popularity • 63% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Stina Talling
Elevate
93 bpm • B min • 03:04 • -7.39db
27% Popularity • 60% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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TIX
Fallen Angel
93 bpm • C# Maj • 02:53 • -4.97db
36% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Anna Bergendahl
Vera
104 bpm • C# Maj • 02:47 • -7db
22% Popularity • 60% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Robin Bengtsson
Walk on by
93 bpm • F# Maj • 03:44 • -13db
12% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Donkeyboy
Think You Should
104 bpm • G min • 03:01 • -4.02db
36% Popularity • 67% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
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Matoma
WOW
104 bpm • E min • 03:13 • -4.52db
41% Popularity • 78% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Wiktoria
We Don't Talk
104 bpm • F# Maj • 02:58 • -7db
10% Popularity • 81% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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FELIX SANDMAN
SOMETHING RIGHT
104 bpm • B Maj • 02:05 • -6.3db
29% Popularity • 93% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Anna Bergendahl
Together In The Dark
104 bpm • C Maj • 03:02 • -6.6db
17% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Per Gessle
Name You Beautiful
104 bpm • B min • 03:54 • -4.68db
30% Popularity • 53% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
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Donkeyboy
Kentucky
104 bpm • A Maj • 02:43 • -3.24db
35% Popularity • 54% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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John Lundvik
Too Late For Love
104 bpm • C Maj • 02:58 • -4.16db
48% Popularity • 40% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Sabina Ddumba
Forgotten Ones
92 bpm • F Maj • 02:41 • -8db
16% Popularity • 78% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Malou Prytz
Left & Right
92 bpm • B min • 02:49 • -4.79db
24% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Patrik Isaksson
Behöver inte dig mer
92 bpm • F# Maj • 03:03 • -5.37db
23% Popularity • 69% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Efraim Leo
Best of Me
105 bpm • C Maj • 02:58 • -7.2db
31% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Øystein Hegvik
Before I Go
105 bpm • A Maj • 02:55 • -8db
35% Popularity • 48% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Jill Johnson
Aqualung
105 bpm • F min • 03:08 • -5.98db
21% Popularity • 59% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
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The Mamas
Tomorrow Is Waiting
105 bpm • F Maj • 03:21 • -4.76db
11% Popularity • 67% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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On My Way