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On Oath
Songs like
On Oath
by
Andy Stott
Based on a tempo of (+/- 10%) and a similar genre
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Tzusing
Frankincense and Myrrh
115 bpm • C# Maj • 05:25 • -4.45db
20% Popularity • 61% Danceability • 79% Energy • 9% Liveness
83% Instrumentalness • 55% Positiveness
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Andy Stott
On Oath
115 bpm • F min • 08:08 • -11.39db
23% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Murcof
Memoria
115 bpm • G# Maj • 05:58 • -15.99db
23% Popularity • 74% Danceability • 62% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
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Raime
The Last Foundry
115 bpm • C# Maj • 05:52 • -18.9db
23% Popularity • 71% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Varg²™
Red Line (114 Östermalmstorg - 127 Vår...
115 bpm • G Maj • 07:17 • -13.91db
12% Popularity • 52% Danceability • 62% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Patricia
Liminal States
115 bpm • F Maj • 05:03 • -12.15db
25% Popularity • 66% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Huerco S.
Plucked from the Ground, Towards the Sun
116 bpm • C# Maj • 06:49 • -16.53db
11% Popularity • 56% Danceability • 41% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
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Tim Hecker
The Piano Drop
114 bpm • C# min • 02:53 • -12db
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Pole
Ãœberfahrt
116 bpm • G Maj • 08:04 • -17.85db
11% Popularity • 76% Danceability • 42% Energy • 8% Liveness
79% Instrumentalness • 51% Positiveness
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Blanck Mass
Please
116 bpm • F# min • 07:28 • -7.33db
25% Popularity • 25% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 5% Positiveness
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Ryuichi Sakamoto
async - ARCA Remix
116 bpm • F Maj • 03:44 • -10.34db
22% Popularity • 32% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 12% Positiveness
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Andy Stott
Choke
116 bpm • A# min • 05:19 • -10.74db
9% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Croatian Amor
Sister
116 bpm • A# Maj • 06:47 • -8.96db
8% Popularity • 37% Danceability • 42% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Mount Kimbie
You Took Your Time - Lee Gamble Remix
114 bpm • D# min • 05:56 • -16.33db
14% Popularity • 62% Danceability • 46% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Huerco S.
On The Embankment
117 bpm • C# Maj • 05:56 • -22.35db
20% Popularity • 82% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 70% Positiveness
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Basic Channel
Remake Basic Reshape
114 bpm • F# min • 06:07 • -23.05db
16% Popularity • 76% Danceability • 37% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Eartheater
Trespasses
117 bpm • F# min • 04:55 • -16.78db
16% Popularity • 39% Danceability • 42% Energy • 6% Liveness
87% Instrumentalness • 13% Positiveness
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Four Tet
Ringer
113 bpm • F# min • 10:00 • -11.6db
16% Popularity • 33% Danceability • 76% Energy • 29% Liveness
59% Instrumentalness • 29% Positiveness
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James Holden
The Inheritors
117 bpm • G Maj • 04:54 • -10.04db
11% Popularity • 39% Danceability • 87% Energy • 9% Liveness
74% Instrumentalness • 22% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
34% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Burial
Young Death
118 bpm • C# Maj • 05:49 • -14.49db
21% Popularity • 32% Danceability • 52% Energy • 38% Liveness
22% Instrumentalness • 20% Positiveness
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Tricky
Valentine - Andy Stott Remix
112 bpm • E min • 06:36 • -12.41db
7% Popularity • 46% Danceability • 68% Energy • 21% Liveness
36% Instrumentalness • 10% Positiveness
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Holly Herndon
Unequal
118 bpm • A min • 05:11 • -12.44db
10% Popularity • 28% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Susumu Yokota
Kodomotachi
118 bpm • C# min • 04:06 • -9.65db
37% Popularity • 69% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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James Holden
Blackpool Late Eighties
113 bpm • G Maj • 08:38 • -10.15db
29% Popularity • 67% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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Emptyset
Beyond
118 bpm • A# min • 05:57 • -13.03db
8% Popularity • 81% Danceability • 59% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Demdike Stare
Bardo Thodol
112 bpm • E min • 05:35 • -12.18db
13% Popularity • 60% Danceability • 56% Energy • 19% Liveness
87% Instrumentalness • 9% Positiveness
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Mark Pritchard
Parkstone Melody II
119 bpm • F Maj • 03:04 • -23.57db
21% Popularity • 20% Danceability • 12% Energy • 29% Liveness
92% Instrumentalness • 4% Positiveness
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Holly Herndon
Fade
118 bpm • A# min • 06:28 • -13.18db
10% Popularity • 61% Danceability • 60% Energy • 8% Liveness
69% Instrumentalness • 39% Positiveness
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The Black Dog
Sleep Deprivation 1
112 bpm • G# Maj • 04:53 • -29.62db
30% Popularity • 35% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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efdemin
Oh, Lovely Appearance of Death
119 bpm • D Maj • 05:13 • -22.15db
24% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Against All Logic
If You Can't Do It Good, Do It Hard
111 bpm • C# min • 03:57 • -5db
27% Popularity • 75% Danceability • 79% Energy • 49% Liveness
0% Instrumentalness • 4% Positiveness
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The Field
Arpeggiated Love
119 bpm • F# min • 10:51 • -13.29db
19% Popularity • 62% Danceability • 53% Energy • 9% Liveness
81% Instrumentalness • 23% Positiveness
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Susumu Yokota
Gekkoh
111 bpm • A# Maj • 04:59 • -11db
28% Popularity • 65% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Kassem Mosse
Flowers in May
111 bpm • F min • 09:42 • -13db
10% Popularity • 87% Danceability • 44% Energy • 10% Liveness
10% Instrumentalness • 59% Positiveness
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GAS
Pop 4
119 bpm • G# Maj • 09:51 • -15db
35% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
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Lanark Artefax
Flickering Debris
111 bpm • F# Maj • 02:17 • -7.78db
19% Popularity • 34% Danceability • 96% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
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Boards of Canada
Pete Standing Alone
110 bpm • C# Maj • 06:07 • -14db
39% Popularity • 78% Danceability • 56% Energy • 13% Liveness
90% Instrumentalness • 41% Positiveness
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Tim Hecker
Obsidian Counterpoint
120 bpm • A min • 04:55 • -15.01db
16% Popularity • 39% Danceability • 37% Energy • 15% Liveness
60% Instrumentalness • 14% Positiveness
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Objekt
Lost and Found (Lost Mix)
120 bpm • F# Maj • 02:32 • -12.34db
16% Popularity • 39% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Telefon Tel Aviv
standing at the bottom of the ocean;
120 bpm • A Maj • 05:36 • -15db
15% Popularity • 32% Danceability • 7% Energy • 36% Liveness
44% Instrumentalness • 4% Positiveness
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Aïsha Devi
DNA ☤ ∞
120 bpm • G min • 05:00 • -15.09db
7% Popularity • 27% Danceability • 26% Energy • 8% Liveness
53% Instrumentalness • 6% Positiveness
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Caterina Barbieri
Scratches on the Readable Surface
120 bpm • C# min • 05:56 • -10.26db
21% Popularity • 49% Danceability • 99% Energy • 11% Liveness
80% Instrumentalness • 81% Positiveness
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Against All Logic
Faith
120 bpm • C min • 06:59 • -8db
23% Popularity • 62% Danceability • 59% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
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Eartheater
Inclined
120 bpm • E min • 02:32 • -12.29db
27% Popularity • 65% Danceability • 77% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Seefeel
Fracture
120 bpm • B min • 05:54 • -11db
18% Popularity • 58% Danceability • 95% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Kelly Lee Owens
Anxi.
120 bpm • F Maj • 03:47 • -15.73db
27% Popularity • 61% Danceability • 52% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Shackleton
Death Is Not Final
120 bpm • A# min • 08:37 • -14db
20% Popularity • 75% Danceability • 63% Energy • 14% Liveness
88% Instrumentalness • 33% Positiveness
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Jan Jelinek
Rock In The Video Age
120 bpm • F# min • 08:03 • -13db
31% Popularity • 67% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Mark Pritchard
Infrared
120 bpm • D Maj • 02:40 • -17.09db
11% Popularity • 76% Danceability • 72% Energy • 38% Liveness
91% Instrumentalness • 4% Positiveness
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Eartheater
If it in yin
120 bpm • A min • 06:52 • -16.4db
20% Popularity • 55% Danceability • 46% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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James Holden
Renata
120 bpm • G# Maj • 05:57 • -11db
25% Popularity • 58% Danceability • 74% Energy • 13% Liveness
91% Instrumentalness • 16% Positiveness
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Susumu Yokota
Genshi
120 bpm • F Maj • 04:57 • -17.47db
32% Popularity • 44% Danceability • 57% Energy • 7% Liveness
93% Instrumentalness • 21% Positiveness
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Kaitlyn Aurelia Smith
I Will Make Room for You - Four Tet Remi...
120 bpm • F# Maj • 08:17 • -10db
32% Popularity • 66% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 73% Positiveness
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Sky H1
Hybrid
120 bpm • G Maj • 03:18 • -10.44db
13% Popularity • 36% Danceability • 57% Energy • 23% Liveness
72% Instrumentalness • 36% Positiveness
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Croatian Amor
Power Corrupts
120 bpm • F min • 04:21 • -5.39db
17% Popularity • 58% Danceability • 93% Energy • 18% Liveness
56% Instrumentalness • 53% Positiveness
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Andy Stott
Florence
120 bpm • G# Maj • 04:25 • -16.53db
16% Popularity • 78% Danceability • 53% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Thom Yorke
Cymbal Rush - The Field Late Night Essen...
120 bpm • A# min • 08:06 • -16.64db
20% Popularity • 66% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Smerz
Craig
120 bpm • C# Maj • 05:16 • -13.53db
22% Popularity • 77% Danceability • 37% Energy • 69% Liveness
80% Instrumentalness • 35% Positiveness
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Telefon Tel Aviv
Your Face Reminds Me of When I Was Old
120 bpm • E min • 06:55 • -10.9db
16% Popularity • 70% Danceability • 46% Energy • 37% Liveness
51% Instrumentalness • 7% Positiveness
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Jan Jelinek
My Favorite Shop
120 bpm • A Maj • 04:54 • -11.9db
18% Popularity • 69% Danceability • 57% Energy • 11% Liveness
85% Instrumentalness • 20% Positiveness
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Koreless
Never
120 bpm • B min • 04:48 • -11db
20% Popularity • 44% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Malibu
Held
120 bpm • E min • 06:21 • -22.23db
30% Popularity • 26% Danceability • 28% Energy • 10% Liveness
9% Instrumentalness • 7% Positiveness
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Andy Stott
Never the right time
120 bpm • G# Maj • 04:56 • -12.38db
23% Popularity • 66% Danceability • 71% Energy • 10% Liveness
86% Instrumentalness • 47% Positiveness
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Holy Other
Past Tension
120 bpm • C min • 02:56 • -7.84db
15% Popularity • 30% Danceability • 75% Energy • 14% Liveness
93% Instrumentalness • 25% Positiveness
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Telefon Tel Aviv
a younger version of myself,
110 bpm • F# min • 05:15 • -11.85db
16% Popularity • 51% Danceability • 43% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Huerco S.
'Iiå„zhiid
120 bpm • C# Maj • 03:48 • -12.16db
14% Popularity • 82% Danceability • 50% Energy • 14% Liveness
81% Instrumentalness • 9% Positiveness
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Kelly Lee Owens
Throwing Lines
110 bpm • G Maj • 03:07 • -12db
40% Popularity • 64% Danceability • 56% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Bola
Forcasa 3
110 bpm • C min • 05:24 • -15.39db
20% Popularity • 55% Danceability • 72% Energy • 11% Liveness
82% Instrumentalness • 66% Positiveness
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Steve Hauschildt
Polyhymnia
120 bpm • F# min • 03:00 • -6.84db
23% Popularity • 56% Danceability • 63% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
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Objekt
Secret Snake
110 bpm • F# Maj • 05:58 • -12.03db
9% Popularity • 52% Danceability • 48% Energy • 33% Liveness
82% Instrumentalness • 4% Positiveness
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Telefon Tel Aviv
I Made a Tree on the Wold
110 bpm • D Maj • 04:39 • -14db
19% Popularity • 32% Danceability • 42% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
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Forest Swords
Friend, You Will Never Learn
110 bpm • A min • 08:12 • -12db
27% Popularity • 35% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Kelly Lee Owens
Bird
110 bpm • A# Maj • 05:15 • -13db
36% Popularity • 66% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Andy Stott
How It Was
110 bpm • A# min • 06:09 • -10.77db
22% Popularity • 77% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 23% Positiveness
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Oneohtrix Point Never
Zones Without People
120 bpm • C# min • 03:59 • -7.07db
25% Popularity • 78% Danceability • 96% Energy • 86% Liveness
92% Instrumentalness • 98% Positiveness
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Jan Jelinek
Do Dekor
120 bpm • G Maj • 05:34 • -18.68db
28% Popularity • 41% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Croatian Amor
Any Life You Want
120 bpm • F Maj • 03:32 • -15.42db
8% Popularity • 46% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Amnesia Scanner
AS Daemon
109 bpm • D min • 03:09 • -11.29db
15% Popularity • 65% Danceability • 21% Energy • 10% Liveness
85% Instrumentalness • 8% Positiveness
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Kelly Lee Owens
Arthur
110 bpm • E min • 04:05 • -14.68db
24% Popularity • 61% Danceability • 55% Energy • 39% Liveness
94% Instrumentalness • 6% Positiveness
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Pole
Heim (Four Tet Remix)
121 bpm • G# Maj • 07:19 • -9db
22% Popularity • 56% Danceability • 46% Energy • 5% Liveness
93% Instrumentalness • 6% Positiveness
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The Field
It´s Up There
121 bpm • G Maj • 09:18 • -10.28db
23% Popularity • 62% Danceability • 56% Energy • 29% Liveness
86% Instrumentalness • 40% Positiveness
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Jan Jelinek
Drift
121 bpm • F# min • 05:09 • -18.07db
24% Popularity • 86% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Ben Frost
We Love You Michael Gira
109 bpm • C Maj • 07:49 • -11.38db
13% Popularity • 53% Danceability • 6% Energy • 13% Liveness
85% Instrumentalness • 3% Positiveness
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Huerco S.
Cubist Camouflage
121 bpm • F# Maj • 02:40 • -17.93db
33% Popularity • 44% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
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Telefon Tel Aviv
arms aloft,
122 bpm • B Maj • 07:43 • -13.73db
13% Popularity • 36% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Holly Herndon
Godmother
122 bpm • C# Maj • 02:30 • -10.78db
13% Popularity • 80% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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The Field
Burned Out
109 bpm • G# min • 07:33 • -10.72db
19% Popularity • 46% Danceability • 89% Energy • 25% Liveness
95% Instrumentalness • 60% Positiveness
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Vessel
Vizar
122 bpm • C# Maj • 01:56 • -11.72db
13% Popularity • 17% Danceability • 38% Energy • 14% Liveness
96% Instrumentalness • 11% Positiveness
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Ryuichi Sakamoto
solari - Fennesz Remix
109 bpm • F Maj • 04:11 • -12.17db
11% Popularity • 18% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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GAS
Königsforst 1
122 bpm • C Maj • 09:38 • -18db
26% Popularity • 40% Danceability • 51% Energy • 18% Liveness
97% Instrumentalness • 18% Positiveness
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Vladislav Delay
Hetkonen
122 bpm • C# Maj • 09:40 • -16db
9% Popularity • 45% Danceability • 44% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Holly Herndon
Chorus
122 bpm • G Maj • 05:54 • -15.68db
20% Popularity • 65% Danceability • 40% Energy • 14% Liveness
84% Instrumentalness • 24% Positiveness
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Raime
Dead Heat
122 bpm • D Maj • 04:35 • -15.49db
16% Popularity • 66% Danceability • 27% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Andy Stott
Bad Landing
122 bpm • F min • 06:10 • -17.71db
11% Popularity • 76% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Amnesia Scanner
AS Brieth
122 bpm • B Maj • 03:18 • -6.57db
9% Popularity • 76% Danceability • 73% Energy • 40% Liveness
11% Instrumentalness • 41% Positiveness
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GAS
Zauberberg 4
122 bpm • C# Maj • 05:53 • -19.58db
21% Popularity • 42% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Demdike Stare
Curzon
122 bpm • C# Maj • 05:21 • -8db
19% Popularity • 48% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Holly Herndon
Fear, Uncertainty, Doubt
122 bpm • D# min • 03:11 • -13.39db
23% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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On Oath