Songs like On the Circle Line Around My Life by Alberto Moggi
Based on a tempo of (+/- 10%) and a similar genre
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Robert Haig Coxon
Generating Numbers
102 bpm • D min • 01:14 • -31.3db
14% Popularity • 43% Danceability • 5% Energy • 28% Liveness
89% Instrumentalness • 3% Positiveness
14% Popularity • 43% Danceability • 5% Energy • 28% Liveness
89% Instrumentalness • 3% Positiveness
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Pianza
Passacaglia - Slowed
102 bpm • D# min • 02:18 • -19.22db
20% Popularity • 53% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 27% Positiveness
20% Popularity • 53% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 27% Positiveness
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Elena Pianova
Dark Hedges
102 bpm • A# Maj • 01:01 • -21.25db
27% Popularity • 23% Danceability • 11% Energy • 32% Liveness
92% Instrumentalness • 5% Positiveness
27% Popularity • 23% Danceability • 11% Energy • 32% Liveness
92% Instrumentalness • 5% Positiveness
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Chiara Brittanni
Remember My Time
103 bpm • E Maj • 03:10 • -23.74db
10% Popularity • 16% Danceability • 9% Energy • 18% Liveness
90% Instrumentalness • 20% Positiveness
10% Popularity • 16% Danceability • 9% Energy • 18% Liveness
90% Instrumentalness • 20% Positiveness
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Las Guerreras
Subiendo Las Temperaturas
101 bpm • A min • 02:21 • -15.79db
12% Popularity • 14% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
12% Popularity • 14% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Paolo MIllon
Heart and Songs
103 bpm • A Maj • 02:42 • -14.29db
12% Popularity • 17% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
12% Popularity • 17% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
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Sibille Crawford
Shade of Classic
103 bpm • A# Maj • 02:28 • -15.62db
8% Popularity • 14% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
8% Popularity • 14% Danceability • 19% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
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Marco Betta
Sottovento
100 bpm • E min • 02:19 • -17.25db
8% Popularity • 42% Danceability • 18% Energy • 10% Liveness
81% Instrumentalness • 13% Positiveness
8% Popularity • 42% Danceability • 18% Energy • 10% Liveness
81% Instrumentalness • 13% Positiveness
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David Vallerey
Strangers To Me
100 bpm • D min • 02:51 • -17.01db
13% Popularity • 26% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 26% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Alberto Moggi
Hurt by My Luck
100 bpm • F Maj • 02:27 • -18db
7% Popularity • 48% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
7% Popularity • 48% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
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Marcel Barsotti
La Línea
100 bpm • A min • 02:27 • -17.22db
9% Popularity • 44% Danceability • 23% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
9% Popularity • 44% Danceability • 23% Energy • 17% Liveness
99% Instrumentalness • 4% Positiveness
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Valentina Rozgova
Harmonies in Bloom
104 bpm • A min • 02:09 • -37.54db
16% Popularity • 37% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
16% Popularity • 37% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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Sibille Crawford
The Girl of Imagination
104 bpm • B Maj • 02:37 • -7.58db
7% Popularity • 16% Danceability • 42% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 42% Energy • 15% Liveness
87% Instrumentalness • 4% Positiveness
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Ernesto Vallini
She Thinks That I Can Do
100 bpm • F# min • 02:52 • -21.68db
7% Popularity • 55% Danceability • 17% Energy • 21% Liveness
96% Instrumentalness • 26% Positiveness
7% Popularity • 55% Danceability • 17% Energy • 21% Liveness
96% Instrumentalness • 26% Positiveness
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Shaffler Highschool
Inner Peace
100 bpm • B min • 02:24 • -22.03db
11% Popularity • 38% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 17% Positiveness
11% Popularity • 38% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 17% Positiveness
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Alberto Moggi
Afternoon of Nuance
100 bpm • C Maj • 02:20 • -14.34db
6% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
6% Popularity • 60% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Ian Caine
cold dawing
100 bpm • B Maj • 01:27 • -18.56db
8% Popularity • 17% Danceability • 16% Energy • 11% Liveness
12% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 16% Energy • 11% Liveness
12% Instrumentalness • 6% Positiveness
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Marcel Barsotti
The Sect
100 bpm • C Maj • 01:25 • -19.08db
11% Popularity • 54% Danceability • 8% Energy • 17% Liveness
90% Instrumentalness • 28% Positiveness
11% Popularity • 54% Danceability • 8% Energy • 17% Liveness
90% Instrumentalness • 28% Positiveness
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Anselm Kreuzer
Life Is Not Forever
99 bpm • F Maj • 01:19 • -13.82db
14% Popularity • 40% Danceability • 15% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 40% Danceability • 15% Energy • 19% Liveness
90% Instrumentalness • 4% Positiveness
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Ernesto Vallini
Night of Feelings
100 bpm • F Maj • 02:19 • -17.82db
16% Popularity • 28% Danceability • 19% Energy • 9% Liveness
98% Instrumentalness • 11% Positiveness
16% Popularity • 28% Danceability • 19% Energy • 9% Liveness
98% Instrumentalness • 11% Positiveness
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Corpus Dominix
Degna Sepoltura
105 bpm • C# Maj • 02:29 • -22.13db
11% Popularity • 37% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
11% Popularity • 37% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Alberto Moggi
Driving My Hat
100 bpm • G# Maj • 02:24 • -15.05db
7% Popularity • 28% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
7% Popularity • 28% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 53% Positiveness
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张镒麟
初见（《人世间》电视剧配乐�...
99 bpm • D min • 01:13 • -17.91db
20% Popularity • 31% Danceability • 19% Energy • 18% Liveness
95% Instrumentalness • 30% Positiveness
20% Popularity • 31% Danceability • 19% Energy • 18% Liveness
95% Instrumentalness • 30% Positiveness
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王君韓
靈動
99 bpm • E min • 01:06 • -19.27db
8% Popularity • 31% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
8% Popularity • 31% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Theonlyone
In Th End
98 bpm • A Maj • 01:00 • -31.25db
21% Popularity • 42% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
21% Popularity • 42% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Nelievi
Red
107 bpm • C# min • 01:09 • -13.1db
9% Popularity • 23% Danceability • 23% Energy • 17% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 23% Energy • 17% Liveness
94% Instrumentalness • 7% Positiveness
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Rafael Krux
Fantasy for 2 Flutes
97 bpm • D min • 02:26 • -19.94db
21% Popularity • 17% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 27% Positiveness
21% Popularity • 17% Danceability • 9% Energy • 15% Liveness
86% Instrumentalness • 27% Positiveness
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Paolo MIllon
Interlude of Steps
97 bpm • G min • 02:19 • -26.09db
10% Popularity • 13% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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John Lewis
Awareness
107 bpm • D# Maj • 01:06 • -17.93db
9% Popularity • 32% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
9% Popularity • 32% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Lyregard
The Market
108 bpm • F Maj • 02:30 • -21.74db
10% Popularity • 33% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
10% Popularity • 33% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Giuseppe Brittanni
Dance Chances
97 bpm • C# Maj • 03:26 • -13.08db
5% Popularity • 12% Danceability • 21% Energy • 10% Liveness
61% Instrumentalness • 8% Positiveness
5% Popularity • 12% Danceability • 21% Energy • 10% Liveness
61% Instrumentalness • 8% Positiveness
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Chiara Brittanni
I Love My Heart
108 bpm • D# Maj • 02:57 • -12.9db
12% Popularity • 56% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
12% Popularity • 56% Danceability • 34% Energy • 10% Liveness
88% Instrumentalness • 43% Positiveness
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Oli Baunt
Honey World
108 bpm • F# Maj • 02:54 • -21.78db
21% Popularity • 20% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
21% Popularity • 20% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Marco Lem
Bells
108 bpm • A Maj • 02:30 • -16.78db
21% Popularity • 22% Danceability • 16% Energy • 7% Liveness
97% Instrumentalness • 9% Positiveness
21% Popularity • 22% Danceability • 16% Energy • 7% Liveness
97% Instrumentalness • 9% Positiveness
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Aurelius
Aurelius
95 bpm • G# Maj • 02:12 • -15.67db
9% Popularity • 16% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Alberto Moggi
Hollywood Through the Streets of Famous ...
96 bpm • E min • 02:34 • -9.94db
7% Popularity • 20% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
7% Popularity • 20% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Giuseppe Brittanni
Thoughts Are Getting Old.
96 bpm • C# Maj • 03:03 • -11.4db
6% Popularity • 16% Danceability • 28% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
6% Popularity • 16% Danceability • 28% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
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Dominik Broun
Credo
109 bpm • F# min • 01:23 • -10.99db
12% Popularity • 27% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
12% Popularity • 27% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Sansjens
I'm not here
109 bpm • C Maj • 03:38 • -12.28db
15% Popularity • 16% Danceability • 21% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 21% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
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Timo Jagersberger
The Moths are gone
95 bpm • G# Maj • 04:48 • -23.04db
14% Popularity • 19% Danceability • 5% Energy • 15% Liveness
84% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 15% Liveness
84% Instrumentalness • 3% Positiveness
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Mystical Aura Meditation
Sacral Sensual Rhythm
95 bpm • C# Maj • 02:13 • -23.67db
8% Popularity • 30% Danceability • 9% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 9% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Alberto Moggi
Reach for My Name
109 bpm • D# min • 02:24 • -20.34db
10% Popularity • 39% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 24% Positiveness
10% Popularity • 39% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 24% Positiveness
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Giuseppe Brittanni
He Hopes He Needs You
110 bpm • E min • 02:44 • -12.81db
8% Popularity • 26% Danceability • 21% Energy • 11% Liveness
81% Instrumentalness • 31% Positiveness
8% Popularity • 26% Danceability • 21% Energy • 11% Liveness
81% Instrumentalness • 31% Positiveness
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Andreas Huber
Beautiful Lie - Cello
95 bpm • A Maj • 02:20 • -12.29db
13% Popularity • 16% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
13% Popularity • 16% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
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Emanuela Dellana
Juegos
95 bpm • A min • 02:25 • -16db
12% Popularity • 22% Danceability • 15% Energy • 13% Liveness
75% Instrumentalness • 3% Positiveness
12% Popularity • 22% Danceability • 15% Energy • 13% Liveness
75% Instrumentalness • 3% Positiveness
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Timo Jagersberger
Darkness can be beautiful
95 bpm • G# Maj • 03:25 • -28.42db
14% Popularity • 34% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Oli Baunt
Wide Horizon
110 bpm • D# Maj • 03:27 • -20.64db
21% Popularity • 39% Danceability • 9% Energy • 11% Liveness
76% Instrumentalness • 21% Positiveness
21% Popularity • 39% Danceability • 9% Energy • 11% Liveness
76% Instrumentalness • 21% Positiveness
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Alberto Moggi
A Thing of Pure Bliss
110 bpm • D min • 02:25 • -21.72db
10% Popularity • 29% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 40% Positiveness
10% Popularity • 29% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 40% Positiveness
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Sibille Crawford
Piece of a Chance
110 bpm • C Maj • 02:10 • -16.99db
13% Popularity • 42% Danceability • 21% Energy • 14% Liveness
64% Instrumentalness • 38% Positiveness
13% Popularity • 42% Danceability • 21% Energy • 14% Liveness
64% Instrumentalness • 38% Positiveness
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Ernesto Vallini
Respect of Nuance
110 bpm • F# min • 02:41 • -20.37db
9% Popularity • 57% Danceability • 9% Energy • 12% Liveness
65% Instrumentalness • 11% Positiveness
9% Popularity • 57% Danceability • 9% Energy • 12% Liveness
65% Instrumentalness • 11% Positiveness
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EDO ZENITH
Equa Divisione
110 bpm • E Maj • 02:12 • -19.81db
13% Popularity • 39% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
13% Popularity • 39% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Relaxed Dog NGO
Safe Space
110 bpm • C Maj • 00:58 • -25.12db
24% Popularity • 50% Danceability • 4% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
24% Popularity • 50% Danceability • 4% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
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Oli Baunt
Dinner
110 bpm • F# Maj • 03:28 • -19.34db
19% Popularity • 35% Danceability • 22% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
19% Popularity • 35% Danceability • 22% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Alberto Moggi
New Kind of Heaven
110 bpm • D Maj • 02:25 • -13.52db
7% Popularity • 33% Danceability • 34% Energy • 18% Liveness
55% Instrumentalness • 38% Positiveness
7% Popularity • 33% Danceability • 34% Energy • 18% Liveness
55% Instrumentalness • 38% Positiveness
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Snowfall
Soothing Starlight (Chill and Sleep)
110 bpm • F# min • 01:19 • -21.79db
13% Popularity • 50% Danceability • 17% Energy • 12% Liveness
81% Instrumentalness • 44% Positiveness
13% Popularity • 50% Danceability • 17% Energy • 12% Liveness
81% Instrumentalness • 44% Positiveness
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Sibille Crawford
New Kind of Silence
94 bpm • D min • 02:32 • -19.26db
12% Popularity • 12% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
12% Popularity • 12% Danceability • 13% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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EDO ZENITH
Riscontri Immediati
110 bpm • E Maj • 02:12 • -19.81db
13% Popularity • 39% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
13% Popularity • 39% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Engentar
Mindscape
111 bpm • A Maj • 03:50 • -23.32db
16% Popularity • 24% Danceability • 15% Energy • 8% Liveness
76% Instrumentalness • 10% Positiveness
16% Popularity • 24% Danceability • 15% Energy • 8% Liveness
76% Instrumentalness • 10% Positiveness
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Xejet
Sparkle
111 bpm • C# min • 02:16 • -29.65db
10% Popularity • 32% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 58% Positiveness
10% Popularity • 32% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 58% Positiveness
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Alberto Moggi
Road for an Angel
110 bpm • G# Maj • 02:21 • -23.14db
7% Popularity • 52% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 19% Positiveness
7% Popularity • 52% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 19% Positiveness
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Vintage Realm
Weep Not
112 bpm • C# min • 02:49 • -16.11db
13% Popularity • 21% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 4% Positiveness
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Rockabye Lullabies
A Song To Sleep
111 bpm • D# Maj • 01:21 • -18.8db
10% Popularity • 16% Danceability • 5% Energy • 21% Liveness
80% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 5% Energy • 21% Liveness
80% Instrumentalness • 4% Positiveness
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Timo Jagersberger
Parashroom Thicket
112 bpm • A# Maj • 02:23 • -25.6db
14% Popularity • 52% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
14% Popularity • 52% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
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Engentar
Entering The Portal
93 bpm • D Maj • 03:45 • -25.1db
13% Popularity • 11% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
13% Popularity • 11% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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kailon
Shalom Olam
113 bpm • F min • 02:13 • -30.34db
31% Popularity • 17% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
31% Popularity • 17% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Alberto Moggi
History of Her Song
110 bpm • G Maj • 02:23 • -20.54db
8% Popularity • 63% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 60% Positiveness
8% Popularity • 63% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 60% Positiveness
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Giuseppe Brittanni
Paradise of Childhood
92 bpm • A# min • 02:35 • -16.5db
4% Popularity • 36% Danceability • 23% Energy • 11% Liveness
99% Instrumentalness • 14% Positiveness
4% Popularity • 36% Danceability • 23% Energy • 11% Liveness
99% Instrumentalness • 14% Positiveness
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Rap Pa Tu Mai
Good People
92 bpm • F# Maj • 01:32 • -15.45db
11% Popularity • 26% Danceability • 20% Energy • 30% Liveness
90% Instrumentalness • 22% Positiveness
11% Popularity • 26% Danceability • 20% Energy • 30% Liveness
90% Instrumentalness • 22% Positiveness
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Timo Jagersberger
Khee, The Radiant City
113 bpm • G min • 02:52 • -24.54db
14% Popularity • 26% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 38% Positiveness
14% Popularity • 26% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 38% Positiveness
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Las Guerreras
De Cara Al Futuro
92 bpm • B min • 02:24 • -23db
12% Popularity • 11% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 24% Positiveness
12% Popularity • 11% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 24% Positiveness
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Selena Veles
Adagio Alchemy
114 bpm • G Maj • 02:31 • -32.88db
16% Popularity • 44% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 5% Positiveness
16% Popularity • 44% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 5% Positiveness
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Alberto Moggi
Grace of Feeling Good
110 bpm • C# Maj • 02:08 • -15.12db
7% Popularity • 66% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
7% Popularity • 66% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Giuseppe Brittanni
Friends of Your Beauty
92 bpm • F# Maj • 03:05 • -17.69db
14% Popularity • 47% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 22% Positiveness
14% Popularity • 47% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 22% Positiveness
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Chiara Brittanni
Sky for Once
91 bpm • F# Maj • 02:31 • -20.06db
11% Popularity • 28% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
11% Popularity • 28% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Jhon Mitchell
On My Heart
91 bpm • C Maj • 03:15 • -16.45db
10% Popularity • 51% Danceability • 16% Energy • 15% Liveness
86% Instrumentalness • 21% Positiveness
10% Popularity • 51% Danceability • 16% Energy • 15% Liveness
86% Instrumentalness • 21% Positiveness
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John Chen Fitzgerald
Sentimental and Music
114 bpm • B Maj • 02:19 • -16.93db
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
9% Popularity • 17% Danceability • 12% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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Rockabye Lullabies
Stay Awake
91 bpm • A# Maj • 01:20 • -20.31db
9% Popularity • 16% Danceability • 8% Energy • 8% Liveness
71% Instrumentalness • 8% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 8% Liveness
71% Instrumentalness • 8% Positiveness
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Alberto Moggi
With My Own
110 bpm • D# Maj • 02:18 • -22.81db
17% Popularity • 46% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
17% Popularity • 46% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Elena Pianova
Lavender
115 bpm • C# Maj • 01:05 • -17.69db
24% Popularity • 25% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
24% Popularity • 25% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 15% Positiveness
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Salt Lake City Electric Company
Sounds Hellish
115 bpm • D min • 01:51 • -14.62db
9% Popularity • 18% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
9% Popularity • 18% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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David's Piano
Lost
115 bpm • A# min • 02:52 • -21.29db
14% Popularity • 19% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Las Eternas
Sombras Tenebrosas
91 bpm • C# min • 02:21 • -20.59db
18% Popularity • 16% Danceability • 12% Energy • 16% Liveness
80% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 12% Energy • 16% Liveness
80% Instrumentalness • 4% Positiveness
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Ernesto Vallini
All Roads Lead to the City of Emperors
90 bpm • C# min • 02:09 • -20.71db
10% Popularity • 70% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 49% Positiveness
10% Popularity • 70% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 49% Positiveness
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Alberto Moggi
The Secret of Life Is in My Heart
115 bpm • D# Maj • 02:48 • -10.71db
7% Popularity • 56% Danceability • 54% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
7% Popularity • 56% Danceability • 54% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Mellow Cozy Piano
Dont Mind
116 bpm • C Maj • 01:17 • -17.05db
14% Popularity • 22% Danceability • 14% Energy • 14% Liveness
73% Instrumentalness • 8% Positiveness
14% Popularity • 22% Danceability • 14% Energy • 14% Liveness
73% Instrumentalness • 8% Positiveness
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Engentar
Asking The Guardians For Entrance
90 bpm • D min • 05:03 • -18.06db
11% Popularity • 26% Danceability • 29% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 29% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Alien Joe
Horses
90 bpm • F# min • 02:02 • -19.66db
13% Popularity • 22% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
13% Popularity • 22% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 12% Positiveness
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Tim Janis
Breath of Wind
90 bpm • C Maj • 04:14 • -14.18db
34% Popularity • 12% Danceability • 21% Energy • 9% Liveness
82% Instrumentalness • 10% Positiveness
34% Popularity • 12% Danceability • 21% Energy • 9% Liveness
82% Instrumentalness • 10% Positiveness
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Ernesto Vallini
Dance of My Life
90 bpm • G Maj • 02:33 • -13.74db
13% Popularity • 29% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
13% Popularity • 29% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Alberto Moggi
Reach for My Sunshine
90 bpm • B min • 02:37 • -11.28db
6% Popularity • 16% Danceability • 25% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
6% Popularity • 16% Danceability • 25% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Dream Wave
Dream Space
90 bpm • D# min • 01:17 • -22.2db
20% Popularity • 48% Danceability • 4% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
20% Popularity • 48% Danceability • 4% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
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Chibi Maestros
Playful Fantasy
116 bpm • B min • 01:47 • -18.3db
10% Popularity • 39% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 39% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Paolo MIllon
Gentle Paradise
89 bpm • F# min • 02:49 • -20db
13% Popularity • 10% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
13% Popularity • 10% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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PAZ
Etéreo Viaje De Meditación
89 bpm • D# min • 02:47 • -19.35db
7% Popularity • 10% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Gyaong
Half Head
118 bpm • A Maj • 01:52 • -13.25db
13% Popularity • 79% Danceability • 12% Energy • 16% Liveness
56% Instrumentalness • 39% Positiveness
13% Popularity • 79% Danceability • 12% Energy • 16% Liveness
56% Instrumentalness • 39% Positiveness
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Alberto Moggi
Honey the Nights Only Just Begun
90 bpm • G# Maj • 02:21 • -14.12db
7% Popularity • 10% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
7% Popularity • 10% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Serene Aurora
Journey through the Night
118 bpm • D# min • 01:24 • -16db
12% Popularity • 47% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 63% Positiveness
12% Popularity • 47% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 63% Positiveness
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Riley Koenig
Temple of the Goddess Kanzeon
88 bpm • C# Maj • 02:12 • -20.62db
7% Popularity • 22% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 18% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
