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On The Edge
Songs like
On The Edge
by
Bill Connors
Based on a tempo of (+/- 10%) and a similar genre
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Jakob Bro
Reconstructing A Dream
147 bpm • E min • 09:17 • -22db
19% Popularity • 27% Danceability • 11% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Larry Grenadier
Gone Like the Season Does
147 bpm • C min • 04:29 • -27.97db
10% Popularity • 56% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Oregon
Cane Fields
147 bpm • E min • 04:37 • -18.71db
17% Popularity • 33% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Bill Connors
On The Edge
147 bpm • A Maj • 05:19 • -8db
9% Popularity • 40% Danceability • 86% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
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Egberto Gismonti Group
Ensaio De Escola De Samba (Dança Dos Es...
148 bpm • C Maj • 08:49 • -22.37db
7% Popularity • 34% Danceability • 21% Energy • 13% Liveness
94% Instrumentalness • 68% Positiveness
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Peter Erskine
Esperança
148 bpm • C Maj • 03:56 • -20.31db
25% Popularity • 37% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 60% Positiveness
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Bobo Stenson
M
146 bpm • D min • 07:59 • -21.06db
7% Popularity • 40% Danceability • 21% Energy • 36% Liveness
86% Instrumentalness • 17% Positiveness
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Furio Di Castri
Oddness and Loveboys Theme
146 bpm • C Maj • 02:50 • -22.15db
9% Popularity • 46% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 8% Positiveness
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Ron Carter
Quiet Times - Instrumental
145 bpm • G Maj • 07:49 • -19.01db
12% Popularity • 42% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Egberto Gismonti
Raga
149 bpm • E Maj • 08:48 • -22db
8% Popularity • 50% Danceability • 42% Energy • 7% Liveness
81% Instrumentalness • 40% Positiveness
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Christian Houmann
Hugs
149 bpm • D Maj • 04:12 • -11.52db
11% Popularity • 50% Danceability • 31% Energy • 9% Liveness
59% Instrumentalness • 43% Positiveness
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Collin Walcott
Margueritte
145 bpm • G Maj • 08:30 • -16.89db
11% Popularity • 40% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Oregon
Yellow Bell
145 bpm • F min • 07:06 • -20db
23% Popularity • 38% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
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Brian Blade & The Fellowship Band
Most Precious One
149 bpm • F Maj • 03:01 • -22.19db
19% Popularity • 49% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Ben Allison
Safe Passage
145 bpm • D min • 05:03 • -18.92db
14% Popularity • 33% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Chick Corea
Trio Improvisation, Pt.1
149 bpm • C# min • 03:25 • -21.73db
10% Popularity • 33% Danceability • 33% Energy • 12% Liveness
13% Instrumentalness • 50% Positiveness
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Kit Downes
Castles Made of Sand
150 bpm • C# Maj • 04:53 • -26.84db
9% Popularity • 34% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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Allan Holdsworth
Floppy Hat
144 bpm • B Maj • 02:46 • -22.7db
25% Popularity • 46% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
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Oregon
At The Hawk's Well
145 bpm • A min • 03:12 • -24.91db
10% Popularity • 46% Danceability • 0% Energy • 5% Liveness
88% Instrumentalness • 26% Positiveness
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Carla Bley
Brooklyn Bridge
144 bpm • F# min • 06:32 • -20.06db
15% Popularity • 49% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Wayne Krantz
Alliance
150 bpm • E Maj • 03:38 • -20.92db
38% Popularity • 48% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 68% Positiveness
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Tord Gustavsen Trio
Blessed Feet
144 bpm • G# Maj • 06:04 • -17db
39% Popularity • 42% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
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Whit Dickey
Blue Threads
143 bpm • C min • 03:30 • -11db
16% Popularity • 37% Danceability • 54% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
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Arild Andersen
The Voice
143 bpm • D Maj • 07:43 • -26.9db
8% Popularity • 36% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Marcin Wasilewski
Entropy
143 bpm • F# Maj • 05:53 • -25.29db
8% Popularity • 35% Danceability • 9% Energy • 6% Liveness
77% Instrumentalness • 6% Positiveness
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Ferenc Snétberger
Kék Kerék
152 bpm • E min • 04:04 • -24.35db
19% Popularity • 45% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Stanley Clarke
Song to John, (Pt. 2)
143 bpm • G Maj • 06:05 • -20.63db
14% Popularity • 37% Danceability • 35% Energy • 10% Liveness
87% Instrumentalness • 51% Positiveness
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Markus Stockhausen
Freund
142 bpm • C min • 08:30 • -16.11db
8% Popularity • 48% Danceability • 27% Energy • 11% Liveness
53% Instrumentalness • 6% Positiveness
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Peter Erskine
The Lady In The Lake
152 bpm • G Maj • 07:57 • -23.58db
8% Popularity • 31% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 6% Positiveness
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Furio Di Castri
Caribbian Love
142 bpm • F min • 01:43 • -24db
32% Popularity • 36% Danceability • 2% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Anat Fort Trio
Clouds Moving
152 bpm • C Maj • 05:35 • -16.38db
27% Popularity • 22% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 34% Positiveness
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Marcin Wasilewski
Drum Kick
142 bpm • C# Maj • 01:41 • -22.33db
18% Popularity • 43% Danceability • 14% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Pat Metheny Trio
Giant Steps
152 bpm • G Maj • 07:53 • -21db
23% Popularity • 39% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 44% Positiveness
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Markus Stockhausen
What Can I Do For You?
153 bpm • F# Maj • 04:52 • -34db
8% Popularity • 19% Danceability • 0% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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OHMA
the essence of the divine herself
141 bpm • C# Maj • 02:32 • -24.73db
18% Popularity • 34% Danceability • 11% Energy • 8% Liveness
80% Instrumentalness • 44% Positiveness
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Return To Forever
Where Have I Known You Before
142 bpm • E min • 02:20 • -20db
36% Popularity • 40% Danceability • 16% Energy • 21% Liveness
86% Instrumentalness • 29% Positiveness
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Ralph Alessi
Hypnagogic
141 bpm • E min • 03:06 • -24.78db
10% Popularity • 33% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Yusef Lateef
Soft Light
140 bpm • A# Maj • 01:52 • -18db
13% Popularity • 33% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Steve Eliovson
Awakening
140 bpm • D Maj • 01:24 • -36.28db
16% Popularity • 26% Danceability • 0% Energy • 15% Liveness
81% Instrumentalness • 3% Positiveness
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Ted Greene
Watch What Happens
140 bpm • C min • 02:30 • -24.07db
37% Popularity • 55% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Egberto Gismonti
Salvador
154 bpm • D min • 06:39 • -28.73db
10% Popularity • 34% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Gregoire Maret
Manha De Carnaval
140 bpm • A min • 04:26 • -16.63db
9% Popularity • 69% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 41% Positiveness
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Emily Remler
Softly, As In A Morning Sunrise
140 bpm • E min • 08:10 • -27.71db
32% Popularity • 46% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 34% Positiveness
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Anat Fort
Morning: Good
140 bpm • D min • 07:22 • -22.55db
8% Popularity • 45% Danceability • 16% Energy • 9% Liveness
61% Instrumentalness • 25% Positiveness
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Larry Coryell
How Insensitive
140 bpm • A# Maj • 08:30 • -18.34db
10% Popularity • 46% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 37% Positiveness
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Bill Connors
Nobody Yet To
139 bpm • G Maj • 04:47 • -7.14db
2% Popularity • 34% Danceability • 87% Energy • 6% Liveness
80% Instrumentalness • 44% Positiveness
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Ferenc Snétberger
Orange Tango
139 bpm • A min • 05:15 • -26.32db
10% Popularity • 42% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 31% Positiveness
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Collin Walcott
Moon Lake
139 bpm • G Maj • 08:27 • -19.64db
8% Popularity • 38% Danceability • 6% Energy • 5% Liveness
8% Instrumentalness • 15% Positiveness
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Esbjörn Svensson Trio
The Well-Wisher
139 bpm • G Maj • 03:43 • -19db
16% Popularity • 67% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
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Gilad Hekselman
Epilogue
139 bpm • E Maj • 01:05 • -23.7db
10% Popularity • 45% Danceability • 7% Energy • 7% Liveness
26% Instrumentalness • 14% Positiveness
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The John Scofield Band
I'm Listening
139 bpm • E Maj • 02:57 • -18db
33% Popularity • 53% Danceability • 23% Energy • 27% Liveness
83% Instrumentalness • 48% Positiveness
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Crimson Jazz Trio
Frame by Frame
156 bpm • C# min • 05:30 • -10.91db
8% Popularity • 41% Danceability • 44% Energy • 8% Liveness
5% Instrumentalness • 43% Positiveness
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Lee Konitz
Out There
138 bpm • B Maj • 10:45 • -21.7db
1% Popularity • 47% Danceability • 8% Energy • 8% Liveness
61% Instrumentalness • 8% Positiveness
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Glen Moore
Pepé Linque
138 bpm • A min • 04:24 • -17.99db
17% Popularity • 64% Danceability • 21% Energy • 10% Liveness
65% Instrumentalness • 29% Positiveness
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Oregon
Fall 77
156 bpm • C Maj • 04:28 • -19.09db
17% Popularity • 41% Danceability • 29% Energy • 9% Liveness
44% Instrumentalness • 28% Positiveness
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Wayne Krantz
Faith In The Process
138 bpm • F Maj • 03:53 • -17.6db
30% Popularity • 48% Danceability • 35% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
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Benedikt Jahnel Trio
Further Consequences
137 bpm • D Maj • 05:49 • -22db
8% Popularity • 30% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Return To Forever
No Mystery
137 bpm • B min • 06:10 • -16.58db
20% Popularity • 40% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
47% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Alegre Musica para Gatos
Exclusivo Musica para Gatos
137 bpm • F min • 02:05 • -18.16db
9% Popularity • 57% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 35% Positiveness
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Bobo Stenson Trio
Golden Rain
137 bpm • A# Maj • 05:12 • -23db
17% Popularity • 44% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Ted Greene
Summertime / It Ain't Necessarily So (Me...
158 bpm • B min • 04:40 • -22.39db
27% Popularity • 35% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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ketaminabuenacara
el lugar mas cercano de america k vas a ...
158 bpm • F Maj • 01:31 • -23.06db
20% Popularity • 53% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
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Joe Zawinul
His Last Journey
137 bpm • F# Maj • 04:35 • -32.48db
13% Popularity • 21% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
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Wajdi Riahi
Akahaw
136 bpm • C min • 01:04 • -28.33db
20% Popularity • 55% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Terje Rypdal
I Disremember Quite Well
136 bpm • C min • 05:07 • -28.54db
11% Popularity • 22% Danceability • 2% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Abdullah Ibrahim
Theme for Mark
136 bpm • F# Maj • 03:28 • -25.76db
15% Popularity • 49% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Scott McLemore
Knowing
135 bpm • C# Maj • 03:31 • -22.85db
14% Popularity • 55% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Sebastián Tozzola
Invención a 2 voces Nro 3 - Bach
160 bpm • B min • 01:14 • -22.79db
16% Popularity • 43% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 59% Positiveness
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Trio Viret
C'est ainsi
135 bpm • E min • 07:48 • -20.7db
9% Popularity • 45% Danceability • 41% Energy • 69% Liveness
69% Instrumentalness • 18% Positiveness
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Bill Connors
It Be Fm
135 bpm • C# Maj • 05:05 • -7.78db
2% Popularity • 54% Danceability • 63% Energy • 36% Liveness
54% Instrumentalness • 30% Positiveness
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John Surman
Invisible Threads
135 bpm • C Maj • 05:39 • -15.13db
9% Popularity • 52% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
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Anat Fort Trio
Paul Motian (2)
134 bpm • D Maj • 04:00 • -26.55db
27% Popularity • 30% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 4% Positiveness
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Vijay Iyer Trio
Starlings
161 bpm • C Maj • 03:52 • -23.76db
16% Popularity • 34% Danceability • 16% Energy • 8% Liveness
77% Instrumentalness • 20% Positiveness
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Oregon
Dance to the Morning Star
134 bpm • B min • 05:40 • -15.78db
13% Popularity • 53% Danceability • 41% Energy • 11% Liveness
84% Instrumentalness • 40% Positiveness
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Emily Remler
Strollin'
134 bpm • A# min • 05:31 • -19.79db
23% Popularity • 62% Danceability • 18% Energy • 16% Liveness
78% Instrumentalness • 32% Positiveness
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Bill Connors
Terrabill Blues
135 bpm • C# Maj • 03:51 • -10.35db
2% Popularity • 40% Danceability • 57% Energy • 15% Liveness
12% Instrumentalness • 46% Positiveness
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Paul Bley
Harlem
134 bpm • G min • 03:22 • -15.44db
19% Popularity • 60% Danceability • 9% Energy • 7% Liveness
88% Instrumentalness • 9% Positiveness
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Carla Bley
One Banana More
134 bpm • C Maj • 01:23 • -17.34db
34% Popularity • 30% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 27% Positiveness
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Christian Galvez
SILENCE FORCE
134 bpm • A min • 08:12 • -13.93db
9% Popularity • 37% Danceability • 44% Energy • 13% Liveness
87% Instrumentalness • 37% Positiveness
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Terje Rypdal
Innseiling
134 bpm • D Maj • 07:57 • -18.6db
8% Popularity • 24% Danceability • 20% Energy • 11% Liveness
61% Instrumentalness • 3% Positiveness
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Myra Melford
Night of Sorrow
133 bpm • E min • 06:43 • -24.43db
9% Popularity • 38% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Peter Erskine
She Never Has A Window
133 bpm • F Maj • 07:18 • -24.55db
14% Popularity • 36% Danceability • 10% Energy • 13% Liveness
69% Instrumentalness • 20% Positiveness
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Bill Connors
Mind Over Matter
133 bpm • G# Maj • 05:56 • -8.04db
2% Popularity • 42% Danceability • 74% Energy • 17% Liveness
65% Instrumentalness • 50% Positiveness
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Jan Garbarek Group
Blue Sky
162 bpm • G Maj • 06:41 • -16.42db
8% Popularity • 36% Danceability • 27% Energy • 9% Liveness
49% Instrumentalness • 14% Positiveness
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Gilad Hekselman
Place Like No Home
133 bpm • G# Maj • 01:44 • -21db
35% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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Aaron Parks
Travelers
133 bpm • A# min • 05:34 • -18db
31% Popularity • 40% Danceability • 51% Energy • 11% Liveness
93% Instrumentalness • 63% Positiveness
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Elenata Harmony
Midnight Serenade, Pt. 4
133 bpm • A# min • 01:20 • -22.09db
18% Popularity • 75% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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Steve Eliovson
Earth End
133 bpm • D Maj • 04:25 • -21.96db
9% Popularity • 48% Danceability • 7% Energy • 11% Liveness
25% Instrumentalness • 6% Positiveness
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Bill Connors
Wade
133 bpm • D Maj • 03:27 • -28.63db
16% Popularity • 38% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 15% Positiveness
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Oregon
Simone
133 bpm • A min • 05:54 • -11.46db
11% Popularity • 40% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Bob Mintzer
Solo Saxophone
132 bpm • F Maj • 01:37 • -27.41db
10% Popularity • 32% Danceability • 4% Energy • 21% Liveness
86% Instrumentalness • 59% Positiveness
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Carla Bley
Death Of Superman / Dream Sequence#1 - F...
132 bpm • A# Maj • 07:50 • -20.69db
8% Popularity • 42% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Tony Levin
Matte Kudasai
132 bpm • C# Maj • 04:53 • -18.38db
7% Popularity • 55% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Paul Bley
Quiet Song
132 bpm • A min • 09:48 • -22.28db
2% Popularity • 41% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Terje Rypdal
The Curse
131 bpm • E min • 01:26 • -21.48db
29% Popularity • 70% Danceability • 32% Energy • 5% Liveness
69% Instrumentalness • 51% Positiveness
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Tord Gustavsen Quartet
Glow
131 bpm • F min • 05:11 • -15.03db
13% Popularity • 49% Danceability • 25% Energy • 10% Liveness
71% Instrumentalness • 13% Positiveness
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Tom van der Geld
Joujou
131 bpm • G Maj • 04:10 • -20.92db
2% Popularity • 34% Danceability • 9% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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Arild Andersen
The Woman
131 bpm • A min • 04:36 • -32.24db
8% Popularity • 73% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 27% Positiveness
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Kirk Knuffke
Safety Shoes
131 bpm • A Maj • 02:33 • -15db
15% Popularity • 66% Danceability • 33% Energy • 7% Liveness
81% Instrumentalness • 57% Positiveness
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On The Edge