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On the Road
by
Jose de Castro
Based on a tempo of (+/- 10%) and a similar genre
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Jose de Castro
On the Road
105 bpm • A Maj • 06:20 • -8.62db
3% Popularity • 78% Danceability • 50% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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Jan Cyrka
Hope Fear and Faith
105 bpm • A min • 03:42 • -8.38db
26% Popularity • 42% Danceability • 47% Energy • 14% Liveness
55% Instrumentalness • 29% Positiveness
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Derek Sherinian
Empyrean Sky
105 bpm • A# Maj • 03:56 • -6.6db
10% Popularity • 52% Danceability • 84% Energy • 20% Liveness
65% Instrumentalness • 78% Positiveness
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Andy Wood
City Life
105 bpm • G min • 02:56 • -4.97db
22% Popularity • 55% Danceability • 86% Energy • 11% Liveness
84% Instrumentalness • 41% Positiveness
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Michael Lee Firkins
Cactus Cruz
105 bpm • G# min • 03:28 • -13.86db
17% Popularity • 54% Danceability • 79% Energy • 33% Liveness
91% Instrumentalness • 66% Positiveness
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Carl Verheyen
April Surprise
105 bpm • B Maj • 03:48 • -5.94db
9% Popularity • 62% Danceability • 85% Energy • 14% Liveness
84% Instrumentalness • 62% Positiveness
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Lari Basilio
California Waves
105 bpm • G min • 03:53 • -8.22db
29% Popularity • 64% Danceability • 76% Energy • 10% Liveness
87% Instrumentalness • 73% Positiveness
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Amanda Rosa
Blade Wire
105 bpm • E min • 01:20 • -10.7db
17% Popularity • 55% Danceability • 36% Energy • 15% Liveness
67% Instrumentalness • 21% Positiveness
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Marco Sfogli
Highway to the Park
105 bpm • G# Maj • 03:48 • -7.53db
22% Popularity • 55% Danceability • 54% Energy • 18% Liveness
74% Instrumentalness • 10% Positiveness
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Higgs Boson and the Strange Charm
Crossing the Rubicon
105 bpm • A min • 05:17 • -13.44db
26% Popularity • 56% Danceability • 31% Energy • 7% Liveness
34% Instrumentalness • 22% Positiveness
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Derek Sherinian
Key Lime Blues
106 bpm • A Maj • 04:42 • -6db
11% Popularity • 54% Danceability • 86% Energy • 9% Liveness
93% Instrumentalness • 60% Positiveness
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Greg Howe
Push On
105 bpm • C min • 04:40 • -5.59db
20% Popularity • 46% Danceability • 84% Energy • 42% Liveness
92% Instrumentalness • 80% Positiveness
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Neil Zaza
Fargo
106 bpm • F# Maj • 03:42 • -9.9db
15% Popularity • 44% Danceability • 80% Energy • 35% Liveness
7% Instrumentalness • 58% Positiveness
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Richie Kotzen
Present-Moment
106 bpm • F min • 04:42 • -6.93db
9% Popularity • 62% Danceability • 86% Energy • 6% Liveness
85% Instrumentalness • 57% Positiveness
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Jose de Castro
Choices
106 bpm • E Maj • 03:22 • -7.03db
1% Popularity • 62% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Funky Mystik
What I've Gained
104 bpm • G Maj • 04:21 • -9.04db
7% Popularity • 59% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Habeas Almas
Eterno
106 bpm • A Maj • 03:30 • -6.57db
20% Popularity • 45% Danceability • 89% Energy • 58% Liveness
0% Instrumentalness • 38% Positiveness
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Thomas Blug
Welcome To The Future
104 bpm • C# min • 07:35 • -6.84db
11% Popularity • 46% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Gary Hoey
Quack
106 bpm • G# Maj • 03:16 • -5.78db
7% Popularity • 60% Danceability • 89% Energy • 6% Liveness
85% Instrumentalness • 72% Positiveness
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Noah Fitzgerald
Beach Train
107 bpm • G min • 05:00 • -6.26db
31% Popularity • 72% Danceability • 72% Energy • 16% Liveness
85% Instrumentalness • 62% Positiveness
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Jose de Castro
Pasos En Las Cuerdas
106 bpm • E min • 04:55 • -6.78db
0% Popularity • 70% Danceability • 75% Energy • 12% Liveness
87% Instrumentalness • 73% Positiveness
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Greg Howe
Button Up
107 bpm • G Maj • 06:15 • -8.41db
20% Popularity • 66% Danceability • 73% Energy • 27% Liveness
86% Instrumentalness • 41% Positiveness
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John Petrucci
Out Of The Blue
107 bpm • F min • 05:46 • -6.31db
34% Popularity • 34% Danceability • 71% Energy • 12% Liveness
75% Instrumentalness • 53% Positiveness
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Dallas Perkins
Beck Street
103 bpm • C# Maj • 05:24 • -4.76db
17% Popularity • 24% Danceability • 85% Energy • 7% Liveness
85% Instrumentalness • 30% Positiveness
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Johnny Hiland
Groovin'
103 bpm • A Maj • 05:28 • -3.47db
25% Popularity • 60% Danceability • 92% Energy • 11% Liveness
74% Instrumentalness • 73% Positiveness
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Snowy White
Restless
107 bpm • A min • 02:14 • -4.91db
13% Popularity • 42% Danceability • 87% Energy • 11% Liveness
10% Instrumentalness • 69% Positiveness
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Jam Track Central
Reloader
107 bpm • B min • 02:21 • -6.99db
31% Popularity • 52% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Kameron Masullo
Mouth Shut
107 bpm • C min • 04:47 • -7.4db
10% Popularity • 43% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Randall Hunt
Lay Down
107 bpm • F# min • 02:41 • -12.17db
20% Popularity • 61% Danceability • 79% Energy • 10% Liveness
87% Instrumentalness • 86% Positiveness
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Neil Zaza
The Looking Glass
108 bpm • E Maj • 03:56 • -5.08db
27% Popularity • 43% Danceability • 88% Energy • 41% Liveness
94% Instrumentalness • 52% Positiveness
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Jan Cyrka
Carefree Summer
108 bpm • F min • 01:39 • -6.6db
35% Popularity • 60% Danceability • 81% Energy • 22% Liveness
22% Instrumentalness • 57% Positiveness
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Los Lobotomys
The Creature
102 bpm • B Maj • 07:22 • -9.68db
8% Popularity • 63% Danceability • 73% Energy • 19% Liveness
84% Instrumentalness • 52% Positiveness
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Pete Thorn
All Is Not Lost
102 bpm • A min • 05:13 • -8.33db
13% Popularity • 46% Danceability • 79% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Thomas Blug
Science Of Life
102 bpm • C# min • 06:10 • -8.88db
9% Popularity • 29% Danceability • 77% Energy • 23% Liveness
45% Instrumentalness • 14% Positiveness
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Lars Eric Mattsson
A Flat Earth
108 bpm • A min • 04:58 • -7.97db
10% Popularity • 53% Danceability • 66% Energy • 18% Liveness
89% Instrumentalness • 48% Positiveness
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Derrick Dove & the Peacekeepers
Lonely Too Long
102 bpm • E min • 03:39 • -4.59db
25% Popularity • 56% Danceability • 94% Energy • 28% Liveness
1% Instrumentalness • 45% Positiveness
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Shawn Lane
Nine=101 (Bonus Track)
102 bpm • F# min • 04:26 • -8.57db
8% Popularity • 46% Danceability • 76% Energy • 36% Liveness
7% Instrumentalness • 35% Positiveness
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Baldwin Anderson
If The Water Is Ok
102 bpm • D min • 05:37 • -7.39db
22% Popularity • 66% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Mattias IA Eklundh
Apparatus
102 bpm • C# Maj • 03:38 • -6.48db
20% Popularity • 59% Danceability • 83% Energy • 41% Liveness
37% Instrumentalness • 76% Positiveness
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Greg Koch
Welchz Grape
109 bpm • D Maj • 07:04 • -4.64db
13% Popularity • 49% Danceability • 76% Energy • 13% Liveness
19% Instrumentalness • 64% Positiveness
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Fabrizio Leo
New Life
109 bpm • E Maj • 03:47 • -6.76db
20% Popularity • 54% Danceability • 87% Energy • 7% Liveness
95% Instrumentalness • 40% Positiveness
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Lee Ritenour's 6 String Theory
"68"
109 bpm • B min • 04:58 • -5.21db
17% Popularity • 48% Danceability • 78% Energy • 35% Liveness
50% Instrumentalness • 37% Positiveness
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Pete Thorn
Into The Ether
101 bpm • C Maj • 03:59 • -6.33db
14% Popularity • 55% Danceability • 63% Energy • 10% Liveness
84% Instrumentalness • 44% Positiveness
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Lari Basilio
Alive and Living
109 bpm • E min • 03:36 • -4.59db
34% Popularity • 48% Danceability • 79% Energy • 5% Liveness
86% Instrumentalness • 64% Positiveness
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Michael Landau
Squirrels
109 bpm • F Maj • 04:23 • -9.1db
10% Popularity • 52% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Jeff Kollman
West Coast Swagger
110 bpm • F# min • 05:07 • -9.83db
10% Popularity • 72% Danceability • 54% Energy • 9% Liveness
89% Instrumentalness • 67% Positiveness
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Greg Koch
Foolish Mortals
100 bpm • E min • 09:16 • -1.94db
11% Popularity • 32% Danceability • 96% Energy • 9% Liveness
74% Instrumentalness • 35% Positiveness
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Cristian Roccia
Half Blues 1
110 bpm • G Maj • 02:19 • -7.25db
22% Popularity • 56% Danceability • 77% Energy • 13% Liveness
94% Instrumentalness • 51% Positiveness
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Jose de Castro
Passion
110 bpm • B min • 04:48 • -6.66db
3% Popularity • 61% Danceability • 73% Energy • 18% Liveness
86% Instrumentalness • 56% Positiveness
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Vinnie Moore
Funk Bone Jam
110 bpm • G Maj • 05:01 • -4.01db
8% Popularity • 50% Danceability • 94% Energy • 28% Liveness
84% Instrumentalness • 69% Positiveness
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Frank Gambale
White Room
110 bpm • C Maj • 04:05 • -11.18db
16% Popularity • 61% Danceability • 67% Energy • 13% Liveness
88% Instrumentalness • 47% Positiveness
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Marco Tansini
Purple
110 bpm • A Maj • 04:50 • -7.84db
14% Popularity • 59% Danceability • 57% Energy • 34% Liveness
80% Instrumentalness • 24% Positiveness
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Phillip Laclede
South of Blue
110 bpm • C Maj • 01:51 • -5.12db
16% Popularity • 64% Danceability • 82% Energy • 83% Liveness
90% Instrumentalness • 49% Positiveness
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Marco Sfogli
Ambiguous Gifts
110 bpm • A min • 04:24 • -5.28db
27% Popularity • 51% Danceability • 87% Energy • 13% Liveness
67% Instrumentalness • 65% Positiveness
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Jose de Castro
Hot sounds
110 bpm • D Maj • 06:09 • -4.41db
0% Popularity • 59% Danceability • 82% Energy • 12% Liveness
80% Instrumentalness • 55% Positiveness
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The Metellas
Sun Lovers
110 bpm • A min • 02:02 • -6.01db
11% Popularity • 66% Danceability • 72% Energy • 11% Liveness
44% Instrumentalness • 56% Positiveness
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Kenny Yard
Tropical Nights with you
110 bpm • G# Maj • 02:37 • -12.02db
12% Popularity • 63% Danceability • 49% Energy • 8% Liveness
80% Instrumentalness • 61% Positiveness
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Kiko Loureiro
Reflective Backing Track
110 bpm • E min • 03:46 • -7.59db
13% Popularity • 66% Danceability • 94% Energy • 30% Liveness
78% Instrumentalness • 51% Positiveness
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Haylex
Work This Out
110 bpm • A# Maj • 03:12 • -2.76db
17% Popularity • 71% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Cristian Roccia
Blues Drops Falling
110 bpm • E min • 02:19 • -9.65db
23% Popularity • 77% Danceability • 71% Energy • 16% Liveness
74% Instrumentalness • 51% Positiveness
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Jose de Castro
Hot Sounds
110 bpm • D Maj • 06:10 • -4.59db
0% Popularity • 64% Danceability • 74% Energy • 81% Liveness
81% Instrumentalness • 60% Positiveness
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Reb Beach
Sea Of Tranquillity
110 bpm • C min • 05:13 • -4.79db
7% Popularity • 40% Danceability • 83% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Jake Willson
Mistral
110 bpm • C# min • 04:51 • -6db
22% Popularity • 50% Danceability • 63% Energy • 20% Liveness
86% Instrumentalness • 29% Positiveness
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Baldwin Anderson
River Is Rising
110 bpm • F Maj • 04:29 • -7.74db
22% Popularity • 66% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 69% Positiveness
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The A. L. James Project
I've Been Your Fool For Far Too Long
100 bpm • C Maj • 03:55 • -9.97db
14% Popularity • 53% Danceability • 72% Energy • 21% Liveness
1% Instrumentalness • 77% Positiveness
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Nili Brosh
Lavender Mountains
100 bpm • C Maj • 05:05 • -7.07db
18% Popularity • 56% Danceability • 72% Energy • 14% Liveness
87% Instrumentalness • 55% Positiveness
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Jose de Castro
Pasion
110 bpm • B min • 05:33 • -5.46db
0% Popularity • 61% Danceability • 93% Energy • 97% Liveness
84% Instrumentalness • 56% Positiveness
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Patrik Carlsson
T-Zone Rhythm
100 bpm • D Maj • 04:42 • -3.87db
14% Popularity • 49% Danceability • 84% Energy • 12% Liveness
90% Instrumentalness • 43% Positiveness
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Marco Sfogli
Memories
100 bpm • E Maj • 03:37 • -8db
22% Popularity • 55% Danceability • 28% Energy • 9% Liveness
9% Instrumentalness • 22% Positiveness
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3lation
34 (Shadow Ban) - Alternate Demo Version
100 bpm • F min • 05:46 • -6.34db
9% Popularity • 51% Danceability • 84% Energy • 12% Liveness
36% Instrumentalness • 61% Positiveness
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Gary Hoey
Tribal Mania
100 bpm • C# min • 04:10 • -4.86db
9% Popularity • 42% Danceability • 70% Energy • 9% Liveness
73% Instrumentalness • 61% Positiveness
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Nili Brosh
Eli
100 bpm • C# min • 03:33 • -5.87db
21% Popularity • 43% Danceability • 96% Energy • 34% Liveness
86% Instrumentalness • 36% Positiveness
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Jose de Castro
Train
100 bpm • B min • 06:31 • -5.34db
1% Popularity • 61% Danceability • 85% Energy • 7% Liveness
85% Instrumentalness • 32% Positiveness
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Jeff Berlin
Creamed
100 bpm • A Maj • 05:48 • -13.02db
8% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Buckethead
Mecha Slunk Roller Coaster
100 bpm • F min • 08:04 • -7.16db
8% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Maarten Ouweneel
The Roaring Twenties
100 bpm • C# Maj • 04:58 • -10.14db
17% Popularity • 70% Danceability • 48% Energy • 8% Liveness
88% Instrumentalness • 40% Positiveness
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Thomas Blug
Roots
100 bpm • A Maj • 04:03 • -12db
16% Popularity • 68% Danceability • 46% Energy • 27% Liveness
54% Instrumentalness • 64% Positiveness
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Emeka Akawusi
Secret Blushes
100 bpm • C Maj • 02:48 • -7.21db
22% Popularity • 39% Danceability • 50% Energy • 24% Liveness
89% Instrumentalness • 62% Positiveness
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Jose de Castro
Lullaby
100 bpm • A Maj • 05:07 • -7.59db
0% Popularity • 62% Danceability • 42% Energy • 94% Liveness
18% Instrumentalness • 17% Positiveness
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Greg Koch
Six Legged Fire Breathing Dog
99 bpm • G# Maj • 04:03 • -6.99db
5% Popularity • 46% Danceability • 94% Energy • 32% Liveness
86% Instrumentalness • 59% Positiveness
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The Aristocrats
Cocktail Umbrellas
99 bpm • A Maj • 07:21 • -8.13db
16% Popularity • 49% Danceability • 75% Energy • 44% Liveness
87% Instrumentalness • 57% Positiveness
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Reb Beach
Train of Thought
99 bpm • B min • 05:41 • -9.31db
18% Popularity • 61% Danceability • 70% Energy • 7% Liveness
74% Instrumentalness • 60% Positiveness
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Kerry Livgren
The Intelligence Theory
111 bpm • B Maj • 02:23 • -13.38db
17% Popularity • 66% Danceability • 38% Energy • 16% Liveness
43% Instrumentalness • 54% Positiveness
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Sterling Ball
Baby Please Don't Go
99 bpm • A Maj • 02:37 • -5.98db
9% Popularity • 53% Danceability • 92% Energy • 31% Liveness
30% Instrumentalness • 69% Positiveness
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Thomas Blug
Still Alive
99 bpm • C# min • 03:27 • -12.61db
10% Popularity • 58% Danceability • 49% Energy • 7% Liveness
26% Instrumentalness • 85% Positiveness
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Jan Cyrka
Andalucian Sunset
112 bpm • C min • 03:08 • -11db
31% Popularity • 67% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
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Mr. Fastfinger
Cinnamon Valley
112 bpm • B min • 03:23 • -9.23db
18% Popularity • 64% Danceability • 70% Energy • 65% Liveness
92% Instrumentalness • 61% Positiveness
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Jose de Castro
My Payback
112 bpm • F Maj • 03:30 • -11.29db
1% Popularity • 76% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Oscar Langdon
Vitality
112 bpm • G# Maj • 04:26 • -12.23db
20% Popularity • 68% Danceability • 84% Energy • 16% Liveness
74% Instrumentalness • 79% Positiveness
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Dudley Taft
Oil and Water
98 bpm • F# Maj • 04:41 • -4db
8% Popularity • 50% Danceability • 95% Energy • 40% Liveness
28% Instrumentalness • 49% Positiveness
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Frank Gambale
Passages
98 bpm • C Maj • 06:23 • -12.34db
17% Popularity • 54% Danceability • 37% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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Vinnie Moore
Soul Caravan
98 bpm • E min • 05:57 • -6.5db
10% Popularity • 60% Danceability • 72% Energy • 9% Liveness
23% Instrumentalness • 52% Positiveness
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Brian Grey
Finding My Fire
98 bpm • C min • 04:22 • -12.93db
10% Popularity • 60% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 20% Positiveness
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Jose de Castro
Breathe
112 bpm • A Maj • 05:13 • -9.95db
0% Popularity • 44% Danceability • 35% Energy • 12% Liveness
81% Instrumentalness • 16% Positiveness
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Mr. Fastfinger
Dorian Blast
113 bpm • A min • 02:41 • -8.39db
10% Popularity • 52% Danceability • 80% Energy • 32% Liveness
55% Instrumentalness • 77% Positiveness
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Richie Kotzen
Slow Blues
113 bpm • E Maj • 04:22 • -12.7db
10% Popularity • 62% Danceability • 50% Energy • 11% Liveness
75% Instrumentalness • 54% Positiveness
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Guthrie Govan
T&C
113 bpm • C Maj • 02:25 • -5.31db
42% Popularity • 41% Danceability • 71% Energy • 8% Liveness
67% Instrumentalness • 46% Positiveness
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Theo Van Niel Jr.
Enemy
113 bpm • A Maj • 07:00 • -7.22db
13% Popularity • 61% Danceability • 90% Energy • 10% Liveness
72% Instrumentalness • 42% Positiveness
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piQ
Segunda Oportunidad
113 bpm • D Maj • 04:10 • -6.08db
19% Popularity • 56% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Jose de Castro
For you
98 bpm • A Maj • 04:35 • -5.03db
8% Popularity • 60% Danceability • 84% Energy • 12% Liveness
88% Instrumentalness • 75% Positiveness
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