Songs like On the Shoulders of Giants: II. Elegy by Peter Graham
Based on a tempo of (+/- 10%) and a similar genre
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Jan van der Roost
Flashing Winds
87 bpm • A# min • 04:31 • -17.01db
10% Popularity • 34% Danceability • 18% Energy • 68% Liveness
94% Instrumentalness • 39% Positiveness
10% Popularity • 34% Danceability • 18% Energy • 68% Liveness
94% Instrumentalness • 39% Positiveness
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Peter Graham
Chapter 22.2 - So Brilliantly Clever
87 bpm • C# Maj • 03:13 • -15.39db
0% Popularity • 71% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 71% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Ben van Dijk
Oblivion
87 bpm • G min • 03:16 • -21.21db
10% Popularity • 22% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 22% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
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Canadian Staff Band
A Joy Untold
88 bpm • A# Maj • 01:55 • -18.32db
10% Popularity • 38% Danceability • 22% Energy • 14% Liveness
95% Instrumentalness • 78% Positiveness
10% Popularity • 38% Danceability • 22% Energy • 14% Liveness
95% Instrumentalness • 78% Positiveness
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Air Combat Command Heritage Of America Band
V. Soliloquy (Divertimento for Band)
86 bpm • A# min • 02:40 • -34.56db
8% Popularity • 11% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Samuel R. Hazo
Ride
88 bpm • A# min • 04:09 • -14.68db
2% Popularity • 28% Danceability • 47% Energy • 72% Liveness
46% Instrumentalness • 33% Positiveness
2% Popularity • 28% Danceability • 47% Energy • 72% Liveness
46% Instrumentalness • 33% Positiveness
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Bert Appermont
Colors: II. Red
86 bpm • F Maj • 03:47 • -19db
16% Popularity • 31% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
16% Popularity • 31% Danceability • 26% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Peter Graham
Chapter 20.3 - So Brilliantly Clever
87 bpm • C# Maj • 03:12 • -15.11db
0% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 68% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Mario Bürki
Mazedonia
88 bpm • A# min • 09:08 • -17.43db
8% Popularity • 25% Danceability • 26% Energy • 34% Liveness
78% Instrumentalness • 18% Positiveness
8% Popularity • 25% Danceability • 26% Energy • 34% Liveness
78% Instrumentalness • 18% Positiveness
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Andrew Blyth
Shine Down
88 bpm • G# Maj • 02:26 • -13.06db
12% Popularity • 41% Danceability • 38% Energy • 21% Liveness
88% Instrumentalness • 57% Positiveness
12% Popularity • 41% Danceability • 38% Energy • 21% Liveness
88% Instrumentalness • 57% Positiveness
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Banda da Sociedade Antiga Filarmónica Montemorense Carlista
Flight Of Valor
88 bpm • F Maj • 06:02 • -18.73db
9% Popularity • 20% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Per Egland
Sånger å de Osjungnas Vägnar: VI. Fin...
86 bpm • D# Maj • 01:01 • -15.07db
16% Popularity • 35% Danceability • 42% Energy • 30% Liveness
77% Instrumentalness • 41% Positiveness
16% Popularity • 35% Danceability • 42% Energy • 30% Liveness
77% Instrumentalness • 41% Positiveness
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Todd Stalter
Scramble
88 bpm • C Maj • 02:12 • -17.7db
8% Popularity • 40% Danceability • 11% Energy • 15% Liveness
89% Instrumentalness • 16% Positiveness
8% Popularity • 40% Danceability • 11% Energy • 15% Liveness
89% Instrumentalness • 16% Positiveness
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Peter Graham
Chapter 27.4 - So Brilliantly Clever
88 bpm • C# Maj • 03:13 • -15.17db
0% Popularity • 69% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 69% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Melbourne Staff Band
Vitae Aeternum
86 bpm • F Maj • 09:44 • -22.34db
12% Popularity • 14% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
12% Popularity • 14% Danceability • 4% Energy • 13% Liveness
92% Instrumentalness • 8% Positiveness
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Johan de Meij
T-bone Concerto: II. Medium
86 bpm • F Maj • 08:36 • -21db
9% Popularity • 10% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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German Brass
Krieg der Sterne
86 bpm • F Maj • 01:07 • -12.04db
15% Popularity • 29% Danceability • 43% Energy • 20% Liveness
78% Instrumentalness • 70% Positiveness
15% Popularity • 29% Danceability • 43% Energy • 20% Liveness
78% Instrumentalness • 70% Positiveness
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Alfred Concert Band
Buenaventura
86 bpm • F min • 03:51 • -14.59db
8% Popularity • 32% Danceability • 36% Energy • 6% Liveness
88% Instrumentalness • 36% Positiveness
8% Popularity • 32% Danceability • 36% Energy • 6% Liveness
88% Instrumentalness • 36% Positiveness
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Szeged Trombone Ensemble
Jack Sparrow Theme [Arr. for Trombone E...
89 bpm • D min • 05:16 • -14db
17% Popularity • 56% Danceability • 35% Energy • 30% Liveness
96% Instrumentalness • 34% Positiveness
17% Popularity • 56% Danceability • 35% Energy • 30% Liveness
96% Instrumentalness • 34% Positiveness
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Peter Graham
Chapter 16.2 - So Brilliantly Clever
86 bpm • C# Maj • 03:09 • -17.43db
0% Popularity • 68% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 68% Danceability • 21% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Goff Richards
The Golden Lady
89 bpm • C# Maj • 04:35 • -14.23db
13% Popularity • 32% Danceability • 27% Energy • 12% Liveness
69% Instrumentalness • 43% Positiveness
13% Popularity • 32% Danceability • 27% Energy • 12% Liveness
69% Instrumentalness • 43% Positiveness
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Ben van Dijk
Shenandoah
85 bpm • D# Maj • 05:32 • -22.52db
9% Popularity • 9% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Paul Dukas
Fanfare La Peri: I
85 bpm • F# Maj • 01:05 • -13.16db
20% Popularity • 55% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 40% Positiveness
20% Popularity • 55% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 40% Positiveness
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Gustav Holst
Second Suite for Military Band, Op. 28 N...
85 bpm • F Maj • 03:26 • -24db
9% Popularity • 20% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 24% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 24% Positiveness
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Tredegar Town Band
Nightingale Dances
85 bpm • D# Maj • 04:30 • -15.18db
14% Popularity • 17% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
14% Popularity • 17% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
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Peter Graham
Chapter 27.2 - So Brilliantly Clever
89 bpm • C# Maj • 03:08 • -15.43db
0% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Boston Brass
Fugue in G minor, BWV 578
85 bpm • G min • 03:25 • -17.72db
12% Popularity • 38% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 53% Positiveness
12% Popularity • 38% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 53% Positiveness
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Kurt Weill
Excerpts from Dreigroschenoper: Das Kano...
89 bpm • C# min • 00:52 • -11.34db
13% Popularity • 28% Danceability • 99% Energy • 65% Liveness
92% Instrumentalness • 18% Positiveness
13% Popularity • 28% Danceability • 99% Energy • 65% Liveness
92% Instrumentalness • 18% Positiveness
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Paul Lovatt-Cooper
The Dark Side of the Moon
85 bpm • D# Maj • 12:02 • -19.83db
13% Popularity • 16% Danceability • 12% Energy • 92% Liveness
93% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 12% Energy • 92% Liveness
93% Instrumentalness • 5% Positiveness
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Gustav Holst
1st Suite in E-Flat Major, Op. 28 No. 1,...
89 bpm • D# Maj • 04:45 • -21.93db
3% Popularity • 14% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
3% Popularity • 14% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Alan Fernie
The Attack of the Killer Trombones
84 bpm • F min • 03:34 • -17.29db
10% Popularity • 61% Danceability • 38% Energy • 7% Liveness
28% Instrumentalness • 60% Positiveness
10% Popularity • 61% Danceability • 38% Energy • 7% Liveness
28% Instrumentalness • 60% Positiveness
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Peter Graham
Chapter 21.4 & Chapter 22.1 - So Brillia...
85 bpm • C# Maj • 03:06 • -15.94db
0% Popularity • 69% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 69% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Melbourne Staff Band
Shine as the Light
89 bpm • C# Maj • 07:47 • -15.98db
13% Popularity • 30% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
13% Popularity • 30% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Joseph Alessi
Fantastic Polka
84 bpm • A# Maj • 05:49 • -19db
15% Popularity • 56% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 40% Positiveness
15% Popularity • 56% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 40% Positiveness
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Stijn Aertgeerts
Faravista
90 bpm • A# Maj • 03:16 • -18.08db
11% Popularity • 18% Danceability • 25% Energy • 77% Liveness
95% Instrumentalness • 15% Positiveness
11% Popularity • 18% Danceability • 25% Energy • 77% Liveness
95% Instrumentalness • 15% Positiveness
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Alfred Reed
The Hounds of Spring
90 bpm • F Maj • 09:23 • -19db
25% Popularity • 20% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
25% Popularity • 20% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Brass Band of Battle Creek
Year of the Dragon - Interlude
84 bpm • D Maj • 07:20 • -29.49db
11% Popularity • 9% Danceability • 0% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 0% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Peter Graham
Chapter 20.2 - So Brilliantly Clever
85 bpm • G# Maj • 03:06 • -15.12db
0% Popularity • 76% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 76% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
James Markey
Variations on "Turkey in the Straw"
84 bpm • G Maj • 04:13 • -23db
15% Popularity • 43% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
15% Popularity • 43% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Boris Tikhonovich Kozhevnikov
Symphony No. 3 "Slavyanskaya": I. Allegr...
84 bpm • A# min • 05:44 • -16.27db
10% Popularity • 26% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 22% Positiveness
10% Popularity • 26% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 22% Positiveness
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Etienne Crausaz
Balkan Dance
90 bpm • F Maj • 03:35 • -20.36db
19% Popularity • 55% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 73% Positiveness
19% Popularity • 55% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 73% Positiveness
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Paul Lovatt-Cooper
Fire in the Blood
90 bpm • A# Maj • 09:04 • -14.4db
25% Popularity • 15% Danceability • 21% Energy • 18% Liveness
92% Instrumentalness • 12% Positiveness
25% Popularity • 15% Danceability • 21% Energy • 18% Liveness
92% Instrumentalness • 12% Positiveness
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Arthur Bliss
Fanfare For The Lord Mayor Of London
90 bpm • A# Maj • 01:44 • -14db
10% Popularity • 42% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
10% Popularity • 42% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Peter Graham
Chapter 15.9 & Chapter 16.1 - So Brillia...
84 bpm • C# Maj • 03:10 • -16.53db
0% Popularity • 63% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 63% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Richard Strauss
Fanfare für Wiener Philharmoniker, Op. ...
90 bpm • D# Maj • 02:20 • -17db
13% Popularity • 31% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
13% Popularity • 31% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Brassology
Gracefully
84 bpm • F# Maj • 02:43 • -15.1db
9% Popularity • 32% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
9% Popularity • 32% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Tim de Maeseneer
Birth of Time Echoes (III The Fuse)
84 bpm • C min • 02:54 • -14db
8% Popularity • 29% Danceability • 42% Energy • 20% Liveness
96% Instrumentalness • 47% Positiveness
8% Popularity • 29% Danceability • 42% Energy • 20% Liveness
96% Instrumentalness • 47% Positiveness
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John Barry
Out of Africa (Arr. by Johan de Meij)
91 bpm • G min • 04:04 • -20db
11% Popularity • 11% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Alan Fernie
Stål Himmel
83 bpm • C min • 03:37 • -19db
19% Popularity • 23% Danceability • 10% Energy • 6% Liveness
94% Instrumentalness • 9% Positiveness
19% Popularity • 23% Danceability • 10% Energy • 6% Liveness
94% Instrumentalness • 9% Positiveness
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Peter Graham
Chapter 12.7 - So Brilliantly Clever
84 bpm • G# Maj • 03:12 • -15.74db
0% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Rossano Galante
The Wilderness
83 bpm • C min • 06:12 • -17.54db
11% Popularity • 18% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Tredegar Town Band
Credo
83 bpm • F min • 06:26 • -16.65db
9% Popularity • 20% Danceability • 14% Energy • 16% Liveness
96% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 16% Liveness
96% Instrumentalness • 12% Positiveness
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Frank Ticheli
Acadiana: III. To Lafayette
83 bpm • A# Maj • 04:23 • -16.33db
8% Popularity • 32% Danceability • 31% Energy • 9% Liveness
84% Instrumentalness • 22% Positiveness
8% Popularity • 32% Danceability • 31% Energy • 9% Liveness
84% Instrumentalness • 22% Positiveness
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Percy Grainger
Spoon River (Arr. for Wind Ensemble)
91 bpm • G min • 04:09 • -23db
11% Popularity • 45% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
11% Popularity • 45% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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John Williams
Indiana Jones Selection (Arr. by Hans va...
92 bpm • C Maj • 09:30 • -17.92db
11% Popularity • 20% Danceability • 16% Energy • 27% Liveness
93% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 16% Energy • 27% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Peter Graham
Chapter 15.4 - So Brilliantly Clever
83 bpm • C# Maj • 03:06 • -16.59db
0% Popularity • 72% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 72% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
US Marine Band
March, Opus 99
83 bpm • G# Maj • 02:05 • -19.33db
8% Popularity • 40% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 50% Positiveness
8% Popularity • 40% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 50% Positiveness
► Preview
James Curnow
Fanfare and Flourishes
83 bpm • A# Maj • 02:17 • -13.5db
19% Popularity • 42% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 32% Positiveness
19% Popularity • 42% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 32% Positiveness
► Preview
Alfred Reed
Alleluia! Laudamus te
82 bpm • A# Maj • 06:08 • -19db
13% Popularity • 13% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Jan van der Roost
フラッシング・ウインズ
82 bpm • F min • 04:00 • -14.84db
18% Popularity • 35% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 38% Positiveness
18% Popularity • 35% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 38% Positiveness
► Preview
Eric Whitacre
Sleep
82 bpm • C min • 04:44 • -24db
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Rekrutenspiele Schweizer Militärmusik & Hptm Max Schenk
Machu Picchu - City In The Sky
82 bpm • G Maj • 10:17 • -13db
12% Popularity • 14% Danceability • 32% Energy • 17% Liveness
89% Instrumentalness • 5% Positiveness
12% Popularity • 14% Danceability • 32% Energy • 17% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Steven Mead
Harlequin
82 bpm • F min • 09:29 • -26db
18% Popularity • 22% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
18% Popularity • 22% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 29% Positiveness
► Preview
Brass Band of Battle Creek
Malaguena
82 bpm • D# min • 02:29 • -17db
18% Popularity • 45% Danceability • 30% Energy • 29% Liveness
41% Instrumentalness • 73% Positiveness
18% Popularity • 45% Danceability • 30% Energy • 29% Liveness
41% Instrumentalness • 73% Positiveness
► Preview
Alfred Reed
A Festival Prelude
92 bpm • A# Maj • 04:42 • -14.52db
16% Popularity • 22% Danceability • 30% Energy • 10% Liveness
82% Instrumentalness • 23% Positiveness
16% Popularity • 22% Danceability • 30% Energy • 10% Liveness
82% Instrumentalness • 23% Positiveness
► Preview
Yorgos Karagiannis
Oh My Sweet Sorrow
92 bpm • F# Maj • 02:39 • -22.47db
26% Popularity • 18% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Goff Richards
One Day - Cornet Solo
93 bpm • G# Maj • 03:04 • -23.79db
11% Popularity • 30% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 29% Positiveness
11% Popularity • 30% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 29% Positiveness
► Preview
Szeged Trombone Ensemble
Egmont, Op. 84: Overture
93 bpm • D min • 07:41 • -16db
14% Popularity • 47% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 15% Positiveness
14% Popularity • 47% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 15% Positiveness
► Preview
Julie Giroux
Overture in Five Flat
93 bpm • F min • 04:24 • -15db
13% Popularity • 27% Danceability • 47% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
13% Popularity • 27% Danceability • 47% Energy • 9% Liveness
89% Instrumentalness • 32% Positiveness
► Preview
Rossano Galante
Journey through the Stratosphere
82 bpm • D# Maj • 05:59 • -13.88db
13% Popularity • 15% Danceability • 27% Energy • 5% Liveness
84% Instrumentalness • 7% Positiveness
13% Popularity • 15% Danceability • 27% Energy • 5% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Johan de Meij
Lyric Waltz from Jazz Suite No. 2 Dmitri...
81 bpm • C min • 02:37 • -21.53db
16% Popularity • 22% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
16% Popularity • 22% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 19% Positiveness
► Preview
Alfred Reed
El Camino Real
81 bpm • D min • 10:10 • -26.61db
12% Popularity • 13% Danceability • 10% Energy • 33% Liveness
78% Instrumentalness • 10% Positiveness
12% Popularity • 13% Danceability • 10% Energy • 33% Liveness
78% Instrumentalness • 10% Positiveness
► Preview
Peter Graham
Chapter 19.6 - So Brilliantly Clever
93 bpm • C# Maj • 03:12 • -16.02db
0% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
New York Staff Band
Illuminate
81 bpm • A# Maj • 07:13 • -15db
8% Popularity • 18% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
8% Popularity • 18% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 20% Positiveness
► Preview
US Marine Band
Festive Overture, Op. 96
81 bpm • A# Maj • 05:46 • -17.18db
19% Popularity • 30% Danceability • 28% Energy • 20% Liveness
86% Instrumentalness • 27% Positiveness
19% Popularity • 30% Danceability • 28% Energy • 20% Liveness
86% Instrumentalness • 27% Positiveness
► Preview
The Rolls Royce Coventry Brass Band
Pop Looks Bach
93 bpm • A# Maj • 02:13 • -11.62db
19% Popularity • 38% Danceability • 37% Energy • 26% Liveness
96% Instrumentalness • 85% Positiveness
19% Popularity • 38% Danceability • 37% Energy • 26% Liveness
96% Instrumentalness • 85% Positiveness
► Preview
Johan de Meij
Dance of the Elves
81 bpm • C Maj • 03:02 • -24db
25% Popularity • 43% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
25% Popularity • 43% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
► Preview
Bert Appermont
Colors: I. Yellow
93 bpm • C Maj • 04:33 • -20db
17% Popularity • 17% Danceability • 10% Energy • 30% Liveness
94% Instrumentalness • 12% Positiveness
17% Popularity • 17% Danceability • 10% Energy • 30% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
SLIDE MONSTERS
Travelers
93 bpm • E min • 08:28 • -13db
8% Popularity • 54% Danceability • 18% Energy • 33% Liveness
93% Instrumentalness • 13% Positiveness
8% Popularity • 54% Danceability • 18% Energy • 33% Liveness
93% Instrumentalness • 13% Positiveness
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Samuel R. Hazo
Olympiada
81 bpm • A# Maj • 04:24 • -18.4db
10% Popularity • 37% Danceability • 30% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
10% Popularity • 37% Danceability • 30% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
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The Philip Jones Brass Ensemble
Mr. Jums
81 bpm • C Maj • 02:42 • -18.1db
17% Popularity • 40% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
17% Popularity • 40% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Peter Graham
Chapter 12.8 - So Brilliantly Clever
81 bpm • C# Maj • 03:07 • -15.5db
0% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Johan de Meij
The Wind in the Willows: I. The River
81 bpm • D min • 04:07 • -22db
13% Popularity • 13% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 13% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Goff Richards
Oceans
94 bpm • D# Maj • 11:13 • -17.71db
8% Popularity • 27% Danceability • 15% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
8% Popularity • 27% Danceability • 15% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Gomalan Brass Quintet
Olympic Fanfare
94 bpm • A# Maj • 04:18 • -12db
13% Popularity • 35% Danceability • 21% Energy • 15% Liveness
87% Instrumentalness • 14% Positiveness
13% Popularity • 35% Danceability • 21% Energy • 15% Liveness
87% Instrumentalness • 14% Positiveness
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Jan van der Roost
リクディム ''4つのイスラエル...
80 bpm • C min • 01:22 • -12db
18% Popularity • 32% Danceability • 33% Energy • 31% Liveness
61% Instrumentalness • 54% Positiveness
18% Popularity • 32% Danceability • 33% Energy • 31% Liveness
61% Instrumentalness • 54% Positiveness
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Tredegar Town Band
Activate
80 bpm • A# Maj • 02:00 • -13db
20% Popularity • 31% Danceability • 55% Energy • 31% Liveness
41% Instrumentalness • 18% Positiveness
20% Popularity • 31% Danceability • 55% Energy • 31% Liveness
41% Instrumentalness • 18% Positiveness
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Peter Graham
Chapter 21.2 - So Brilliantly Clever
94 bpm • C min • 03:10 • -15.39db
0% Popularity • 69% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 69% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Tokyo Kosei Wind Orchestra
Fantasy Variations on a Theme by Niccolo...
94 bpm • G min • 01:48 • -29.88db
9% Popularity • 24% Danceability • 1% Energy • 47% Liveness
94% Instrumentalness • 13% Positiveness
9% Popularity • 24% Danceability • 1% Energy • 47% Liveness
94% Instrumentalness • 13% Positiveness
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Oberaargauer Brass Band
Main Theme
80 bpm • G# Maj • 04:07 • -14.24db
9% Popularity • 13% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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New York Staff Band
War Cry
80 bpm • C min • 02:56 • -12db
12% Popularity • 32% Danceability • 52% Energy • 6% Liveness
94% Instrumentalness • 35% Positiveness
12% Popularity • 32% Danceability • 52% Energy • 6% Liveness
94% Instrumentalness • 35% Positiveness
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Derek Bourgeois
CONCERTO FOR BASS TROMBONE AND BAND, Pt....
80 bpm • A# Maj • 03:41 • -12db
8% Popularity • 51% Danceability • 47% Energy • 7% Liveness
83% Instrumentalness • 64% Positiveness
8% Popularity • 51% Danceability • 47% Energy • 7% Liveness
83% Instrumentalness • 64% Positiveness
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Haydn Wood
Mannin Veen
95 bpm • F Maj • 10:29 • -21.95db
13% Popularity • 22% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
13% Popularity • 22% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Peter Graham
Chapter 21.3 - So Brilliantly Clever
80 bpm • G# Maj • 03:10 • -15.19db
0% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Maurice Ravel
Daphnis et Chloe: Lever du Jour
80 bpm • E min • 05:55 • -25db
9% Popularity • 10% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Ace Diamond Boy
Knees
80 bpm • G# Maj • 02:45 • -13.93db
9% Popularity • 20% Danceability • 32% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 32% Energy • 7% Liveness
34% Instrumentalness • 5% Positiveness
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Joseph de Luca
Beautiful Colorado
95 bpm • F Maj • 05:21 • -25db
9% Popularity • 24% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
9% Popularity • 24% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 31% Positiveness
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Brass Band of Battle Creek
Year of the Dragon - Toccata
79 bpm • A# Maj • 03:14 • -21db
13% Popularity • 52% Danceability • 9% Energy • 5% Liveness
83% Instrumentalness • 40% Positiveness
13% Popularity • 52% Danceability • 9% Energy • 5% Liveness
83% Instrumentalness • 40% Positiveness
