Songs like On the Sunny Side of the Street (From "Is Everybody Happy?") by Tommy Dorsey
Based on a tempo of (+/- 10%) and a similar genre
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Ruth Etting
You're the Cream in My Coffee
113 bpm • G Maj • 03:07 • -13.06db
26% Popularity • 57% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
26% Popularity • 57% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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The Boswell Sisters
Coffee In The Morning (Kisses In The Nig...
113 bpm • G# Maj • 02:57 • -17.85db
19% Popularity • 66% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 66% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Buddy Greco
This Could Be the Start of Something
113 bpm • G# Maj • 02:40 • -10.54db
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
113 bpm • D# Maj • 03:14 • -13.02db
35% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 68% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Gene Austin
Ain't She Sweet
113 bpm • D# Maj • 02:34 • -13.32db
20% Popularity • 76% Danceability • 26% Energy • 77% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 76% Danceability • 26% Energy • 77% Liveness
0% Instrumentalness • 72% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
38% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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June Christy
How High The Moon - Remastered
113 bpm • F min • 02:33 • -8db
37% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Pete Fountain
You're Nobody 'Til Somebody Loves You
113 bpm • C min • 02:53 • -17.33db
33% Popularity • 57% Danceability • 17% Energy • 30% Liveness
81% Instrumentalness • 50% Positiveness
33% Popularity • 57% Danceability • 17% Energy • 30% Liveness
81% Instrumentalness • 50% Positiveness
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The Merry Macs
Sentimental Journey
113 bpm • C min • 03:02 • -12db
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 89% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
25% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
25% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
27% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Glenn Miller
Tuxedo Junction
114 bpm • A# Maj • 03:25 • -16db
37% Popularity • 71% Danceability • 11% Energy • 18% Liveness
72% Instrumentalness • 41% Positiveness
37% Popularity • 71% Danceability • 11% Energy • 18% Liveness
72% Instrumentalness • 41% Positiveness
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Kay Kyser & His Orchestra
Who Wouldn't Love You
114 bpm • D# Maj • 02:38 • -12.81db
7% Popularity • 83% Danceability • 15% Energy • 6% Liveness
6% Instrumentalness • 71% Positiveness
7% Popularity • 83% Danceability • 15% Energy • 6% Liveness
6% Instrumentalness • 71% Positiveness
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Jimmie Lunceford
Rhythm Is Our Business
112 bpm • G Maj • 03:15 • -12.61db
19% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
19% Popularity • 72% Danceability • 22% Energy • 5% Liveness
6% Instrumentalness • 66% Positiveness
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Benny Goodman
Moonglow - Previously Unissued
112 bpm • G# Maj • 03:11 • -21.64db
36% Popularity • 60% Danceability • 10% Energy • 10% Liveness
69% Instrumentalness • 40% Positiveness
36% Popularity • 60% Danceability • 10% Energy • 10% Liveness
69% Instrumentalness • 40% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Tommy Dorsey
It's Always You
112 bpm • F# min • 03:13 • -17.69db
22% Popularity • 43% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 43% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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The Boswell Sisters
Roll on, Mississippi, roll on
112 bpm • B min • 03:00 • -6.26db
2% Popularity • 62% Danceability • 39% Energy • 12% Liveness
18% Instrumentalness • 53% Positiveness
2% Popularity • 62% Danceability • 39% Energy • 12% Liveness
18% Instrumentalness • 53% Positiveness
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The McGuire Sisters
Tip Toe Through The Tulips With Me
112 bpm • A# Maj • 02:33 • -11.25db
23% Popularity • 80% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 80% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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The Mills Brothers
Please Don't Talk About Me When I'm Gone
114 bpm • E min • 02:37 • -16.59db
24% Popularity • 67% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 67% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Sammy Davis Jr. | Dean Martin
Sam's Song
115 bpm • D min • 02:45 • -11.75db
37% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 58% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 57% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
18% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
18% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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Vaughn Monroe
Seems Like Old Times
115 bpm • B min • 02:52 • -11db
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 16% Energy • 40% Liveness
0% Instrumentalness • 54% Positiveness
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The Cast
Back Home Again in Indiana
111 bpm • C min • 01:55 • -9db
28% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
28% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
24% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
24% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Larry Clinton
Where in the World
115 bpm • G# Maj • 02:52 • -11.35db
11% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 40% Danceability • 20% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Artie Shaw
Deep Purple
115 bpm • A# Maj • 03:13 • -15.2db
29% Popularity • 58% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 58% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Carroll Gibbons
A Lovely Way to Spend an Evening
111 bpm • D min • 03:26 • -9.8db
16% Popularity • 41% Danceability • 26% Energy • 33% Liveness
3% Instrumentalness • 39% Positiveness
16% Popularity • 41% Danceability • 26% Energy • 33% Liveness
3% Instrumentalness • 39% Positiveness
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Annette Hanshaw
Would You Like to Take a Walk
116 bpm • F# Maj • 03:41 • -7.66db
22% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 71% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
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Gene Krupa
Drummin' Man
110 bpm • D# Maj • 03:03 • -3db
18% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
18% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
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Blue Barron & His Orchestra
Bluebirds in the Moonlight
116 bpm • F min • 02:45 • -11.01db
22% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
22% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
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Paul Whiteman
China Boy
110 bpm • F Maj • 02:43 • -14.29db
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
23% Popularity • 77% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 64% Positiveness
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The Merry Macs
Deep in the Heart of Texas
110 bpm • C# Maj • 03:10 • -14db
20% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Pete Fountain
A Closer Walk
110 bpm • F Maj • 02:10 • -15.21db
33% Popularity • 60% Danceability • 29% Energy • 9% Liveness
49% Instrumentalness • 50% Positiveness
33% Popularity • 60% Danceability • 29% Energy • 9% Liveness
49% Instrumentalness • 50% Positiveness
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Tommy Dorsey
You Might Have Belonged to Another (2023...
110 bpm • A# Maj • 02:47 • -14.45db
17% Popularity • 61% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 61% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Louis Jordan & His Tympany Five
G.I Jive
116 bpm • C Maj • 03:00 • -7.95db
10% Popularity • 78% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 78% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Geraldo & His Orchestra
We Must All Stick Together
117 bpm • E min • 03:09 • -14.12db
26% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
26% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
20% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
20% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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The Merry Macs
I Got Rings on My Fingers
110 bpm • G# Maj • 02:30 • -15.32db
22% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 79% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
14% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
14% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
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Tommy Dorsey
I'll Be Seeing You
116 bpm • D Maj • 03:02 • -17.64db
44% Popularity • 44% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 44% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
11% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Cliff Edwards
Good Little Bad Little You
117 bpm • C Maj • 02:39 • -11db
28% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Charlie Barnet
Skyliner
109 bpm • C# Maj • 03:00 • -11db
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
29% Popularity • 64% Danceability • 38% Energy • 53% Liveness
91% Instrumentalness • 81% Positiveness
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Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
20% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
20% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
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Paul Whiteman
Happy Feet
117 bpm • A# min • 02:55 • -11.22db
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
19% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
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Tommy Dorsey
East Of The Sun (And West Of The Moon)
116 bpm • G Maj • 03:19 • -18.5db
26% Popularity • 65% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 65% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Eddie Fisher
I Need You Now
117 bpm • G Maj • 02:30 • -20.97db
25% Popularity • 61% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 61% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Sam Butera
French Poodle
117 bpm • C Maj • 02:26 • -14.22db
31% Popularity • 78% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 78% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Jeri Southern
Let's Fly Away
117 bpm • D Maj • 02:31 • -8.46db
44% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Glenn Miller & The Army Air Force Band
G.I. Jive - Remastered 2001
118 bpm • G min • 03:04 • -11db
17% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Billy Eckstine
As Long As I Live
108 bpm • C min • 02:50 • -15.57db
17% Popularity • 48% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 48% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Tommy Dorsey
The One I Love (Belongs to Somebody Else...
118 bpm • G min • 03:32 • -11.94db
16% Popularity • 68% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 68% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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The Merry Macs
The Hut-Sut Song
108 bpm • C# Maj • 02:34 • -12.15db
19% Popularity • 91% Danceability • 28% Energy • 59% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 91% Danceability • 28% Energy • 59% Liveness
0% Instrumentalness • 87% Positiveness
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Maxine Sullivan
It Was a Lover and His Lass
108 bpm • A# Maj • 03:18 • -15.4db
19% Popularity • 73% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 73% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Guy Lombardo & His Royal Canadians
Bell Bottom Trousers
108 bpm • F Maj • 02:30 • -11.35db
9% Popularity • 86% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 86% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Glenn Miller & The Army Air Force Band
The St. Louis Blues March - Remastered 2...
118 bpm • A min • 04:25 • -9.91db
20% Popularity • 61% Danceability • 51% Energy • 9% Liveness
66% Instrumentalness • 41% Positiveness
20% Popularity • 61% Danceability • 51% Energy • 9% Liveness
66% Instrumentalness • 41% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Teddy Wilson
Carelessly (03-31-37)
108 bpm • A min • 03:09 • -13.75db
13% Popularity • 69% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 54% Positiveness
13% Popularity • 69% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 54% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
23% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Carroll Gibbons
These Foolish Things
108 bpm • D Maj • 03:08 • -22.85db
45% Popularity • 61% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
45% Popularity • 61% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
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Benny Goodman
And the Angels Sing - Remastered
118 bpm • A# Maj • 03:10 • -11.81db
32% Popularity • 61% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
32% Popularity • 61% Danceability • 39% Energy • 20% Liveness
1% Instrumentalness • 67% Positiveness
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Tommy Dorsey
On the Sunny Side of the Street
108 bpm • D# Maj • 03:27 • -14.18db
32% Popularity • 65% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 65% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Ben Selvin & His Orchestra
Happy Days Are Here Again
119 bpm • C Maj • 03:22 • -12.2db
31% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
31% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
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Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Les Brown & His Orchestra
I'm Making Believe
119 bpm • C# Maj • 02:02 • -15.45db
22% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 64% Danceability • 13% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Clyde McCoy and His Orchestra
Sugar Blues
107 bpm • G Maj • 03:00 • -7.9db
19% Popularity • 67% Danceability • 41% Energy • 20% Liveness
47% Instrumentalness • 67% Positiveness
19% Popularity • 67% Danceability • 41% Energy • 20% Liveness
47% Instrumentalness • 67% Positiveness
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Turk Murphy
When My Sugar Walks Down The Street
119 bpm • C Maj • 02:44 • -13.4db
27% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
23% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
23% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Glenn Miller & The Army Air Force Band
Londonderry Air (Danny Boy)/Shoo-Shoo Ba...
119 bpm • G# Maj • 08:49 • -14.23db
14% Popularity • 34% Danceability • 22% Energy • 40% Liveness
4% Instrumentalness • 18% Positiveness
14% Popularity • 34% Danceability • 22% Energy • 40% Liveness
4% Instrumentalness • 18% Positiveness
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Bea Wain
Heart and Soul
107 bpm • A min • 03:09 • -14db
29% Popularity • 61% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 61% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Bob Crosby & The Bob Cats
Sugar Foot Stomp
107 bpm • C Maj • 03:05 • -10db
25% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
25% Popularity • 70% Danceability • 54% Energy • 9% Liveness
94% Instrumentalness • 95% Positiveness
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Annette Hanshaw
Little White Lies
120 bpm • C Maj • 02:59 • -8.32db
25% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Mel Torme & the Mel-Tones
You're a Heavenly Thing
120 bpm • F Maj • 02:35 • -17db
30% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Rudy Vallee and His Connecticut Yankees
I Can't Remember
120 bpm • A# Maj • 03:17 • -21db
28% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
28% Popularity • 36% Danceability • 12% Energy • 10% Liveness
34% Instrumentalness • 27% Positiveness
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Tommy Dorsey
You
106 bpm • F Maj • 02:49 • -15.86db
16% Popularity • 59% Danceability • 13% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
16% Popularity • 59% Danceability • 13% Energy • 7% Liveness
2% Instrumentalness • 66% Positiveness
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Bob Crosby & The Bob Cats
March Of The Bob Cats
107 bpm • E Maj • 02:38 • -10.64db
42% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
42% Popularity • 79% Danceability • 65% Energy • 4% Liveness
73% Instrumentalness • 84% Positiveness
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Artie Shaw
A Room With A View
120 bpm • G min • 03:28 • -11.52db
33% Popularity • 55% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 55% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Lee Wiley
It's Only a Paper Moon
120 bpm • C Maj • 03:12 • -11.99db
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
34% Popularity • 76% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Larry Clinton & His Orchestra
My Reverie
106 bpm • F Maj • 02:57 • -17.22db
23% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
23% Popularity • 37% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Rudy Vallee and His Connecticut Yankees
I'm Just a Vagabond Lover
106 bpm • A# Maj • 03:18 • -19.24db
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
33% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
20% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Tommy Dorsey
Music, Maestro, Please
120 bpm • D min • 02:54 • -12db
26% Popularity • 74% Danceability • 11% Energy • 38% Liveness
11% Instrumentalness • 56% Positiveness
26% Popularity • 74% Danceability • 11% Energy • 38% Liveness
11% Instrumentalness • 56% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
20% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
20% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Dick Haymes
I'll Get By (As Long As I Have You)
121 bpm • A# Maj • 02:41 • -17.74db
31% Popularity • 57% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 57% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Anne Shelton
Coming in on a Wing & a Prayer
106 bpm • D# Maj • 02:45 • -10.75db
24% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Bix Beiderbecke
There'll Come A Time
106 bpm • F Maj • 02:57 • -14db
42% Popularity • 79% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
42% Popularity • 79% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
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Jack Hylton & His Orchestra
Life Begins At Oxford Circus
121 bpm • D Maj • 02:21 • -22.95db
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Rudy Vallee and His Connecticut Yankees
Say It Isn't So
121 bpm • D# Maj • 03:39 • -20.9db
28% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
20% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
20% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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Cab Calloway
Hey Now, Hey Now
121 bpm • G# Maj • 02:53 • -9.36db
24% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 70% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
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Carroll Gibbons
The Mood That I'm In (Carroll Gibbons; T...
105 bpm • F min • 03:21 • -13.37db
22% Popularity • 40% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
22% Popularity • 40% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Ruth Etting
Ten Cents a Dance
105 bpm • C Maj • 03:16 • -16.54db
22% Popularity • 54% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 36% Positiveness
22% Popularity • 54% Danceability • 10% Energy • 10% Liveness
5% Instrumentalness • 36% Positiveness
