Songs like On the Wings of Love by David Osborne
Based on a tempo of (+/- 10%) and a similar genre
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Lori Mechem
How Will I Know?
71 bpm • C# Maj • 04:15 • -22.79db
27% Popularity • 43% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
27% Popularity • 43% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Keith Martinson
Time After Time
71 bpm • D Maj • 02:46 • -20.27db
37% Popularity • 36% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
37% Popularity • 36% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Ferdinand Snow
My One And Only Love - 2023 Remastered V...
71 bpm • C Maj • 02:53 • -21.29db
22% Popularity • 41% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
22% Popularity • 41% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Chester Tan
The Lost Memory
71 bpm • C Maj • 03:56 • -16.34db
34% Popularity • 39% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
34% Popularity • 39% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 18% Positiveness
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Jaime Córdoba
Ebony and Ivory
71 bpm • B Maj • 03:32 • -17.07db
45% Popularity • 57% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 40% Positiveness
45% Popularity • 57% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 40% Positiveness
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Stan Whitmire
Smile
71 bpm • G min • 02:20 • -18.74db
36% Popularity • 53% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
36% Popularity • 53% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Vanessa Stansfield
Bridge Over Troubled Water
71 bpm • D# Maj • 03:21 • -16db
29% Popularity • 60% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
29% Popularity • 60% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
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Simon Schott
As Time Goes By
71 bpm • A min • 01:08 • -24.39db
37% Popularity • 46% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
37% Popularity • 46% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 29% Positiveness
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Jeremy Weinglass
Have I Told You Lately
71 bpm • D Maj • 04:24 • -22.42db
21% Popularity • 52% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 23% Positiveness
21% Popularity • 52% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 23% Positiveness
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Ferdinand Snow
Blue in Green - 2023 Remastered Version
71 bpm • D min • 03:15 • -22.2db
20% Popularity • 44% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
20% Popularity • 44% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Keith Martinson
You Decorated My Life
70 bpm • G Maj • 03:06 • -22db
33% Popularity • 46% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
33% Popularity • 46% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
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Christoph Spendel
Fly Me to the Moon
70 bpm • G# Maj • 02:28 • -15.34db
18% Popularity • 32% Danceability • 25% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
18% Popularity • 32% Danceability • 25% Energy • 15% Liveness
93% Instrumentalness • 26% Positiveness
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Rusty Hudelson
Yesterday
70 bpm • D Maj • 02:45 • -15db
8% Popularity • 48% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
8% Popularity • 48% Danceability • 21% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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David Osborne
Hero / The Wind Beneath My Wings - Medle...
72 bpm • D Maj • 04:24 • -16.37db
19% Popularity • 32% Danceability • 22% Energy • 9% Liveness
78% Instrumentalness • 18% Positiveness
19% Popularity • 32% Danceability • 22% Energy • 9% Liveness
78% Instrumentalness • 18% Positiveness
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Chris Brinkley
First love thing
72 bpm • F Maj • 02:45 • -19.69db
28% Popularity • 67% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 12% Positiveness
28% Popularity • 67% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 12% Positiveness
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Jane Leslie
On a Quiet Night
72 bpm • D Maj • 03:19 • -24.47db
34% Popularity • 35% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
34% Popularity • 35% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Nathan Reed
What a Wonderful World
70 bpm • F Maj • 02:22 • -17.61db
43% Popularity • 45% Danceability • 22% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
43% Popularity • 45% Danceability • 22% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Keith Martinson
What a Wonderful World
70 bpm • F Maj • 02:18 • -22db
31% Popularity • 49% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 49% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 22% Positiveness
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Fariborz Lachini
I Started a Joke - Solo Piano
70 bpm • G Maj • 03:29 • -21.22db
17% Popularity • 43% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
17% Popularity • 43% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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John Warrington
The Lady in Red
72 bpm • A# Maj • 04:09 • -10.03db
35% Popularity • 46% Danceability • 22% Energy • 10% Liveness
62% Instrumentalness • 20% Positiveness
35% Popularity • 46% Danceability • 22% Energy • 10% Liveness
62% Instrumentalness • 20% Positiveness
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Carmen da Silva
I Started The Joke
70 bpm • G Maj • 03:15 • -19db
30% Popularity • 53% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
30% Popularity • 53% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
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Thad Fiscella
Together Again
70 bpm • D Maj • 04:00 • -19.03db
29% Popularity • 41% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
29% Popularity • 41% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Chris Ingham
When I Fall in Love
70 bpm • F Maj • 04:00 • -22.54db
13% Popularity • 69% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
13% Popularity • 69% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Keith Martinson
Right Here Waiting
70 bpm • C Maj • 03:03 • -21db
32% Popularity • 29% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 34% Positiveness
32% Popularity • 29% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 34% Positiveness
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David Osborne
Can't Help Falling In Love
70 bpm • F Maj • 03:38 • -16.78db
25% Popularity • 34% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
25% Popularity • 34% Danceability • 15% Energy • 7% Liveness
86% Instrumentalness • 13% Positiveness
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None
Always Somewhere In Spring - Piano
72 bpm • A min • 02:11 • -17.82db
11% Popularity • 47% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
11% Popularity • 47% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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The Marco Phillipe Orchestra
La Vie En Rose
70 bpm • C Maj • 02:43 • -15.47db
48% Popularity • 51% Danceability • 14% Energy • 15% Liveness
79% Instrumentalness • 22% Positiveness
48% Popularity • 51% Danceability • 14% Energy • 15% Liveness
79% Instrumentalness • 22% Positiveness
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Matt Ganim
Endless Love (Piano Version)
73 bpm • C Maj • 03:30 • -17.57db
30% Popularity • 38% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
30% Popularity • 38% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 29% Positiveness
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Brandon Mills
Yesterday
72 bpm • F Maj • 03:10 • -13.34db
39% Popularity • 54% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
39% Popularity • 54% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Christine Brown
Bohemian Rhapsody
69 bpm • D# Maj • 04:59 • -22db
14% Popularity • 39% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
14% Popularity • 39% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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David Osborne
(Everything I Do) I Do It For You
72 bpm • C# Maj • 04:06 • -14.61db
24% Popularity • 41% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
24% Popularity • 41% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 30% Positiveness
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Jeremy Weinglass
Because of You
73 bpm • E min • 03:34 • -19.63db
15% Popularity • 47% Danceability • 14% Energy • 25% Liveness
87% Instrumentalness • 34% Positiveness
15% Popularity • 47% Danceability • 14% Energy • 25% Liveness
87% Instrumentalness • 34% Positiveness
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Chris Ingham
Crazy
73 bpm • A# Maj • 02:46 • -23.23db
16% Popularity • 35% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 49% Positiveness
16% Popularity • 35% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 49% Positiveness
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Frenmad
My Way
73 bpm • C Maj • 03:23 • -22.99db
17% Popularity • 44% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
17% Popularity • 44% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Louis Landon
I Can't Make You Love Me
73 bpm • A# Maj • 04:28 • -18.34db
37% Popularity • 44% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
37% Popularity • 44% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Noel Bonnevie
Ikaw Lang Ang Mamahalin
73 bpm • C Maj • 02:42 • -13.51db
20% Popularity • 36% Danceability • 18% Energy • 16% Liveness
94% Instrumentalness • 25% Positiveness
20% Popularity • 36% Danceability • 18% Energy • 16% Liveness
94% Instrumentalness • 25% Positiveness
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David Osborne
Just The Way You Are
69 bpm • G Maj • 02:20 • -14.69db
32% Popularity • 45% Danceability • 24% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
32% Popularity • 45% Danceability • 24% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
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Jeremy Weinglass
My Heart Will Go On
73 bpm • E Maj • 03:48 • -25.16db
13% Popularity • 32% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
13% Popularity • 32% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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London Music Works
She’s Out of My Life
73 bpm • E Maj • 03:24 • -19.45db
10% Popularity • 48% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
10% Popularity • 48% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Frenmad
When a Man Loves a Woman
69 bpm • G Maj • 03:24 • -22.83db
20% Popularity • 51% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
20% Popularity • 51% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Jaime Córdoba
Have I Told You Lately
69 bpm • A# Maj • 03:11 • -20db
49% Popularity • 40% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
49% Popularity • 40% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Louis Landon
Imagine
73 bpm • C Maj • 05:01 • -20db
36% Popularity • 25% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
36% Popularity • 25% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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David Osborne
All By Myself
73 bpm • B min • 04:22 • -18.14db
30% Popularity • 24% Danceability • 14% Energy • 15% Liveness
91% Instrumentalness • 6% Positiveness
30% Popularity • 24% Danceability • 14% Energy • 15% Liveness
91% Instrumentalness • 6% Positiveness
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Jeremy Weinglass
Can You Feel the Love Tonight
73 bpm • F Maj • 03:35 • -21.55db
10% Popularity • 39% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 24% Positiveness
10% Popularity • 39% Danceability • 6% Energy • 8% Liveness
83% Instrumentalness • 24% Positiveness
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Keith Martinson
By Your Side
74 bpm • D Maj • 02:58 • -21db
22% Popularity • 54% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 35% Positiveness
22% Popularity • 54% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 35% Positiveness
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Tom McBryde
As Time Goes By
74 bpm • D# Maj • 03:19 • -20.11db
19% Popularity • 41% Danceability • 5% Energy • 13% Liveness
91% Instrumentalness • 11% Positiveness
19% Popularity • 41% Danceability • 5% Energy • 13% Liveness
91% Instrumentalness • 11% Positiveness
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Ferdinand Snow
Moon River - 2023 Remastered Version
74 bpm • C Maj • 03:14 • -22.35db
31% Popularity • 38% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
31% Popularity • 38% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
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Piano Dust Covers
Can't Take My Eyes Off You
68 bpm • D Maj • 04:01 • -22db
46% Popularity • 48% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
46% Popularity • 48% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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David Osborne
Have I Told You Lately That I Love You?
74 bpm • C# Maj • 03:24 • -12.4db
25% Popularity • 42% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 32% Positiveness
25% Popularity • 42% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 32% Positiveness
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Christoph Spendel
I Left My Heart in San Fransisco
68 bpm • A# Maj • 04:20 • -21.5db
10% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
10% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Jane Leslie
Summer's End
68 bpm • G Maj • 03:04 • -22.66db
44% Popularity • 46% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
44% Popularity • 46% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Chris Ingham
What a Difference a Day Makes
74 bpm • F Maj • 03:45 • -27.32db
12% Popularity • 59% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
12% Popularity • 59% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Jamie Conway
Annie's Song
68 bpm • D Maj • 03:26 • -22.17db
28% Popularity • 38% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 22% Positiveness
28% Popularity • 38% Danceability • 11% Energy • 12% Liveness
89% Instrumentalness • 22% Positiveness
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Georg Erixon
You're the Inspiration
74 bpm • F# Maj • 03:43 • -10.15db
40% Popularity • 69% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
40% Popularity • 69% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
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Tom McBryde
Evergreen (Love Theme From "A Star Is Bo...
68 bpm • A Maj • 03:51 • -23.58db
19% Popularity • 29% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
19% Popularity • 29% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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David Osborne
Through The Eyes Of Love
75 bpm • A# Maj • 04:13 • -18.26db
21% Popularity • 35% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
21% Popularity • 35% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Jane Leslie
Traveler's Serenade
74 bpm • E Maj • 03:00 • -25db
43% Popularity • 29% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
43% Popularity • 29% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Sarah Coponat
Can't Take My Eyes Off You - piano versi...
68 bpm • D Maj • 02:20 • -21.58db
38% Popularity • 38% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
38% Popularity • 38% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 13% Positiveness
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Chris Ingham
As Time Goes By
74 bpm • C Maj • 03:51 • -25.61db
17% Popularity • 62% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
17% Popularity • 62% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
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Jamie Conway
Still
68 bpm • C Maj • 03:38 • -20.78db
18% Popularity • 50% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
18% Popularity • 50% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Louis Landon
What's Going On
67 bpm • E Maj • 04:37 • -18db
29% Popularity • 34% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
29% Popularity • 34% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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David Osborne
How Do You Keep The Music Playing?
75 bpm • G Maj • 05:10 • -14db
28% Popularity • 40% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 21% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 14% Liveness
91% Instrumentalness • 21% Positiveness
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Jake Concepcion
Heart Don't Change My Mind
67 bpm • G Maj • 04:25 • -12.83db
11% Popularity • 46% Danceability • 29% Energy • 16% Liveness
21% Instrumentalness • 13% Positiveness
11% Popularity • 46% Danceability • 29% Energy • 16% Liveness
21% Instrumentalness • 13% Positiveness
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Phillip La Grande
Someone to Watch Over Me
67 bpm • D# Maj • 04:09 • -14.65db
30% Popularity • 60% Danceability • 32% Energy • 16% Liveness
89% Instrumentalness • 19% Positiveness
30% Popularity • 60% Danceability • 32% Energy • 16% Liveness
89% Instrumentalness • 19% Positiveness
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Ahron Kupner
My Funny Valentine
67 bpm • A# Maj • 03:31 • -16.75db
28% Popularity • 44% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 9% Positiveness
28% Popularity • 44% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 9% Positiveness
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Jamie Conway
Weekend In New England
75 bpm • C Maj • 04:13 • -20.45db
15% Popularity • 29% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
15% Popularity • 29% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Gary Girouard
Forbidden Love
75 bpm • C min • 03:30 • -16db
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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David Osborne
Unforgettable
75 bpm • G Maj • 04:30 • -14.21db
22% Popularity • 39% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 39% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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George Skaroulis
Vincent (Starry, Starry Night)
67 bpm • G# Maj • 04:38 • -26.13db
32% Popularity • 26% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
32% Popularity • 26% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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Jaime Córdoba
What a Wonderful World (Piano)
67 bpm • F Maj • 01:04 • -14.95db
58% Popularity • 54% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 30% Positiveness
58% Popularity • 54% Danceability • 12% Energy • 16% Liveness
94% Instrumentalness • 30% Positiveness
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Sebastian Vargas
Unchained Melody
67 bpm • C# Maj • 03:49 • -14.78db
36% Popularity • 43% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
36% Popularity • 43% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Joe Bongiorno
Touched
67 bpm • G Maj • 03:43 • -23.58db
36% Popularity • 35% Danceability • 6% Energy • 16% Liveness
78% Instrumentalness • 24% Positiveness
36% Popularity • 35% Danceability • 6% Energy • 16% Liveness
78% Instrumentalness • 24% Positiveness
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Jamie Conway
When A Man Loves A Woman
67 bpm • D# Maj • 03:43 • -20.1db
22% Popularity • 49% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
22% Popularity • 49% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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David Osborne
My Way
75 bpm • C Maj • 03:37 • -13.86db
24% Popularity • 34% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
24% Popularity • 34% Danceability • 20% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Louis Landon
No Worries
66 bpm • G Maj • 04:13 • -24.92db
29% Popularity • 33% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
29% Popularity • 33% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Glenn Lemen
Betcha By Golly, Wow
76 bpm • E Maj • 03:07 • -8.52db
8% Popularity • 57% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 14% Positiveness
8% Popularity • 57% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 14% Positiveness
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Gary Girouard
Esposa
66 bpm • G Maj • 03:33 • -21.01db
25% Popularity • 38% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
25% Popularity • 38% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 24% Positiveness
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Renato Falerni
La Vie En Rose
76 bpm • D Maj • 02:09 • -16db
22% Popularity • 45% Danceability • 25% Energy • 12% Liveness
83% Instrumentalness • 26% Positiveness
22% Popularity • 45% Danceability • 25% Energy • 12% Liveness
83% Instrumentalness • 26% Positiveness
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Glendon Smith
You Make Me Feel Brand New
76 bpm • G# Maj • 04:55 • -12.15db
16% Popularity • 61% Danceability • 41% Energy • 20% Liveness
60% Instrumentalness • 22% Positiveness
16% Popularity • 61% Danceability • 41% Energy • 20% Liveness
60% Instrumentalness • 22% Positiveness
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Steve Barakatt
Private Lessons
76 bpm • G Maj • 02:32 • -13.11db
23% Popularity • 55% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
23% Popularity • 55% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 24% Positiveness
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The Marco Phillipe Orchestra
Three Times a Lady
76 bpm • G# Maj • 03:32 • -17.45db
36% Popularity • 56% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
36% Popularity • 56% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Jane Leslie
October Song
76 bpm • E min • 02:59 • -24db
38% Popularity • 36% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
38% Popularity • 36% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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David Osborne
I Have Nothing
66 bpm • G Maj • 04:31 • -13.76db
31% Popularity • 42% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
31% Popularity • 42% Danceability • 24% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Jamie Conway
The Wind Beneath My Wings
66 bpm • A# Maj • 03:40 • -22.35db
16% Popularity • 39% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
16% Popularity • 39% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
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Karmaley Ween
La Vie En Rose
77 bpm • C Maj • 03:57 • -14.92db
10% Popularity • 24% Danceability • 19% Energy • 13% Liveness
96% Instrumentalness • 20% Positiveness
10% Popularity • 24% Danceability • 19% Energy • 13% Liveness
96% Instrumentalness • 20% Positiveness
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Rusty Hudelson
Feelings
77 bpm • D min • 03:08 • -16db
29% Popularity • 47% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
29% Popularity • 47% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 31% Positiveness
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Christoph Spendel
Autumn in New York
66 bpm • G min • 04:00 • -21.38db
16% Popularity • 35% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 35% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Jane Leslie
Breezin'
66 bpm • G Maj • 03:09 • -23.33db
28% Popularity • 47% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
28% Popularity • 47% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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David Osborne
Goodbye Yellow Brick Road
77 bpm • F Maj • 03:01 • -11.4db
28% Popularity • 36% Danceability • 36% Energy • 9% Liveness
86% Instrumentalness • 29% Positiveness
28% Popularity • 36% Danceability • 36% Energy • 9% Liveness
86% Instrumentalness • 29% Positiveness
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Phillip La Grande
Are You Lonesome Tonight
77 bpm • A Maj • 03:01 • -16db
35% Popularity • 74% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
35% Popularity • 74% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
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Brad Jacobsen
Benediction
77 bpm • D Maj • 02:45 • -23.49db
26% Popularity • 40% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
26% Popularity • 40% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Rusty Hudelson
If
77 bpm • A Maj • 03:29 • -17.38db
24% Popularity • 48% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 52% Positiveness
24% Popularity • 48% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 52% Positiveness
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Paul Steinway
You're the Inspiration
77 bpm • B Maj • 02:37 • -18db
35% Popularity • 40% Danceability • 22% Energy • 14% Liveness
90% Instrumentalness • 21% Positiveness
35% Popularity • 40% Danceability • 22% Energy • 14% Liveness
90% Instrumentalness • 21% Positiveness
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Jane Leslie
Starlight Reflection
65 bpm • A# Maj • 03:02 • -24db
42% Popularity • 44% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
42% Popularity • 44% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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David Osborne
I'll Never Love This Way Again
77 bpm • D Maj • 03:28 • -17.6db
19% Popularity • 33% Danceability • 16% Energy • 24% Liveness
93% Instrumentalness • 14% Positiveness
19% Popularity • 33% Danceability • 16% Energy • 24% Liveness
93% Instrumentalness • 14% Positiveness
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Zach Rogers
I Just Called to Say I Love You
65 bpm • D Maj • 03:34 • -23.46db
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 54% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 54% Positiveness
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Bevlyn Khoo
August
77 bpm • D# Maj • 03:46 • -10.24db
19% Popularity • 54% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
19% Popularity • 54% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 12% Positiveness
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Jamie Conway
September Morn'
65 bpm • A# Maj • 04:11 • -20.39db
16% Popularity • 44% Danceability • 18% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
16% Popularity • 44% Danceability • 18% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
