Songs like Once in royal David's city (Desc. Stephen Cleobury) [2017] by Henry John Gauntlett
Based on a tempo of (+/- 10%) and a similar genre
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Orlande de Lassus
Ipsa Te Cogat
66 bpm • A min • 01:31 • -27.02db
16% Popularity • 26% Danceability • 8% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
16% Popularity • 26% Danceability • 8% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Haec est dies
66 bpm • F Maj • 02:05 • -21.15db
19% Popularity • 20% Danceability • 15% Energy • 13% Liveness
5% Instrumentalness • 10% Positiveness
19% Popularity • 20% Danceability • 15% Energy • 13% Liveness
5% Instrumentalness • 10% Positiveness
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Girl Choristers
マーガレット,フォルケン Marga...
66 bpm • C Maj • 05:42 • -24.36db
7% Popularity • 24% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
7% Popularity • 24% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Laestadian Lutheran Church
Savior, How I Long for Stillness SHZ 487
66 bpm • F min • 05:11 • -19.07db
14% Popularity • 8% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Daniel Elder
3 Nocturnes: No. 1. Ballade to the Moon
66 bpm • E Maj • 05:07 • -28.32db
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
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Henry Purcell
Hear my Prayer, O Lord, Z. 15
65 bpm • C Maj • 02:36 • -24.53db
31% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Margaret Rizza
Adoramus Te, Domine Deus
67 bpm • F Maj • 04:47 • -18.95db
4% Popularity • 20% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
4% Popularity • 20% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Jacobus Gallus
Confirma hoc Deus
66 bpm • A Maj • 01:29 • -24.14db
40% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
40% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
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Henry Walford Davies
God be in my head
65 bpm • A Maj • 01:27 • -45db
18% Popularity • 24% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 24% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Orlando Gibbons
Threefold Amen
67 bpm • D Maj • 01:04 • -36.24db
29% Popularity • 24% Danceability • 2% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
29% Popularity • 24% Danceability • 2% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Ä’riks EÅ¡envalds
Only in Sleep
67 bpm • F# Maj • 05:17 • -24.34db
32% Popularity • 11% Danceability • 10% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 10% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
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Thomas Tallis
O nata lux
65 bpm • G min • 02:03 • -28.95db
13% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Patrick Cassidy
The Mass: Benedictus
65 bpm • D# Maj • 03:25 • -20.04db
18% Popularity • 6% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
18% Popularity • 6% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Philip Stopford
Jesu, Lover of My Soul
67 bpm • C# Maj • 05:01 • -20.62db
8% Popularity • 18% Danceability • 10% Energy • 23% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 10% Energy • 23% Liveness
93% Instrumentalness • 4% Positiveness
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Ryan Marvel
It Came Upon the Midnight Clear
65 bpm • A# Maj • 03:44 • -23.12db
19% Popularity • 50% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
19% Popularity • 50% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Jean Langlais
Regina cæli
67 bpm • D min • 01:10 • -25.35db
14% Popularity • 17% Danceability • 11% Energy • 11% Liveness
70% Instrumentalness • 7% Positiveness
14% Popularity • 17% Danceability • 11% Energy • 11% Liveness
70% Instrumentalness • 7% Positiveness
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John Stainer
The Crucifixion: III. Processional to Ca...
67 bpm • A min • 10:24 • -18.95db
7% Popularity • 11% Danceability • 8% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 8% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: II. N...
65 bpm • E min • 02:58 • -22db
12% Popularity • 16% Danceability • 18% Energy • 14% Liveness
24% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 18% Energy • 14% Liveness
24% Instrumentalness • 3% Positiveness
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Johannes Brahms
4 Gesange, Op. 17: Es tont ein voller Ha...
67 bpm • G min • 03:15 • -25.92db
15% Popularity • 20% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Michael Praetorius
Det ar en ros utsprungen (Behold a Rose ...
65 bpm • C min • 03:51 • -36db
12% Popularity • 17% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Henry John Gauntlett
Jesus Lives! Thy Terrors Now (Arr. J. Sm...
65 bpm • A# Maj • 03:48 • -16.35db
0% Popularity • 14% Danceability • 24% Energy • 14% Liveness
3% Instrumentalness • 20% Positiveness
0% Popularity • 14% Danceability • 24% Energy • 14% Liveness
3% Instrumentalness • 20% Positiveness
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Ola Gjeilo
Across The Vast, Eternal Sky
67 bpm • B Maj • 04:38 • -17.33db
28% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Alleluia laus et gloria, IOL 8
65 bpm • A# Maj • 00:56 • -23.01db
39% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
39% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Traditional
Jesus Lives! Thy Terrors Now ("Saint Alb...
64 bpm • C Maj • 02:40 • -20.07db
5% Popularity • 13% Danceability • 10% Energy • 10% Liveness
76% Instrumentalness • 15% Positiveness
5% Popularity • 13% Danceability • 10% Energy • 10% Liveness
76% Instrumentalness • 15% Positiveness
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Amsterdam Staff Songsters of the Salvation Army
I Need Thee
68 bpm • G Maj • 07:12 • -28.41db
9% Popularity • 17% Danceability • 4% Energy • 28% Liveness
86% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 28% Liveness
86% Instrumentalness • 4% Positiveness
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Clement Cotterill Scholefield
Nyt nousee aamuruskon alta (Siionin laul...
64 bpm • G Maj • 02:42 • -23.16db
15% Popularity • 25% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Henry John Gauntlett
Chapel Hymn, Pt. 2A - Remastered
64 bpm • G Maj • 00:58 • -12.12db
0% Popularity • 51% Danceability • 0% Energy • 23% Liveness
100% Instrumentalness • 92% Positiveness
0% Popularity • 51% Danceability • 0% Energy • 23% Liveness
100% Instrumentalness • 92% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
69 bpm • G Maj • 04:14 • -19.77db
10% Popularity • 7% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Kammerchor Wilhelmshaven
Abendlied
68 bpm • C Maj • 02:06 • -25.07db
11% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jack Lenz Music
O God, My God
69 bpm • E min • 04:51 • -22.68db
12% Popularity • 16% Danceability • 14% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 14% Energy • 7% Liveness
47% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Pueri concinite
69 bpm • G Maj • 01:53 • -22db
27% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
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Herbert Sumsion
Nunc dimittis in A Major
69 bpm • F# min • 03:05 • -24.02db
7% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
7% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
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Henry John Gauntlett
Once in Royal David's City (Arr. J. Smit...
68 bpm • G Maj • 05:03 • -20.86db
0% Popularity • 13% Danceability • 19% Energy • 14% Liveness
55% Instrumentalness • 10% Positiveness
0% Popularity • 13% Danceability • 19% Energy • 14% Liveness
55% Instrumentalness • 10% Positiveness
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J H Maunder
Chorus - When o'er the steep of Olivet
69 bpm • A Maj • 04:15 • -14.65db
9% Popularity • 16% Danceability • 23% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
9% Popularity • 16% Danceability • 23% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
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William Byrd
Ave verum corpus
63 bpm • G min • 04:21 • -25db
36% Popularity • 20% Danceability • 9% Energy • 13% Liveness
39% Instrumentalness • 3% Positiveness
36% Popularity • 20% Danceability • 9% Energy • 13% Liveness
39% Instrumentalness • 3% Positiveness
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Ryan Marvel
Angels We Have Heard on High / O Come Al...
63 bpm • A# Maj • 03:57 • -21.03db
18% Popularity • 35% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
18% Popularity • 35% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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William Henry Monk
The Strife Is O'er, the Battle Done (Aft...
69 bpm • D Maj • 07:55 • -17.49db
1% Popularity • 7% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 7% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Zoltán Kodály
Esti dal (Evening Song)
69 bpm • A# Maj • 03:25 • -34.94db
8% Popularity • 19% Danceability • 0% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 0% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Henry John Gauntlett
Chapel Hymn, Pt. 2B - Remastered
69 bpm • G Maj • 00:57 • -15.61db
0% Popularity • 14% Danceability • 16% Energy • 17% Liveness
100% Instrumentalness • 31% Positiveness
0% Popularity • 14% Danceability • 16% Energy • 17% Liveness
100% Instrumentalness • 31% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 6, "Slava vo vishnik...
69 bpm • F# Maj • 01:41 • -32.41db
15% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Cincinnati Choral Society
Cor Mundum Crea in Me Deus
69 bpm • A# Maj • 02:51 • -25.44db
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
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Choir of the New Apostolic Church, Cape Town
Lord, Grant Me Mercy
69 bpm • D Maj • 02:49 • -27.02db
11% Popularity • 16% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 4% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
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Bob Chilcott
God So Loved the World
62 bpm • G min • 03:22 • -22.08db
25% Popularity • 24% Danceability • 10% Energy • 15% Liveness
36% Instrumentalness • 7% Positiveness
25% Popularity • 24% Danceability • 10% Energy • 15% Liveness
36% Instrumentalness • 7% Positiveness
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St. Albans Cathedral Choir
Brahms: Geistliches lied Op. 30
70 bpm • D# Maj • 05:49 • -25db
9% Popularity • 9% Danceability • 6% Energy • 13% Liveness
72% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 6% Energy • 13% Liveness
72% Instrumentalness • 3% Positiveness
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Henry John Gauntlett
Gauntlett / Orch. Pegg: Verbum caro fact...
70 bpm • G Maj • 03:03 • -16db
1% Popularity • 21% Danceability • 18% Energy • 9% Liveness
60% Instrumentalness • 10% Positiveness
1% Popularity • 21% Danceability • 18% Energy • 9% Liveness
60% Instrumentalness • 10% Positiveness
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Hubert Parry
Crossing the Bar
70 bpm • D Maj • 02:40 • -27.74db
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 10% Energy • 15% Liveness
69% Instrumentalness • 7% Positiveness
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Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Herbert Sumsion
They that go down to the sea in ships
62 bpm • F# min • 06:53 • -24.79db
8% Popularity • 6% Danceability • 3% Energy • 14% Liveness
42% Instrumentalness • 3% Positiveness
8% Popularity • 6% Danceability • 3% Energy • 14% Liveness
42% Instrumentalness • 3% Positiveness
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Johann Abraham Peter Schulz
Her kjem me, dine arme smaa (Arr. Idunn ...
70 bpm • A Maj • 03:47 • -23db
10% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Adoramus te, Christe, LV 1083
70 bpm • F Maj • 01:43 • -29db
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
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English Traditional
Drink to me only
70 bpm • F Maj • 03:11 • -21.61db
1% Popularity • 10% Danceability • 19% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
1% Popularity • 10% Danceability • 19% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: V. Let My Prayer B...
70 bpm • F# Maj • 07:11 • -26.58db
7% Popularity • 8% Danceability • 9% Energy • 8% Liveness
9% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 9% Energy • 8% Liveness
9% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: VI. Agnus Dei
62 bpm • G min • 03:48 • -24.33db
9% Popularity • 16% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
70 bpm • D min • 02:57 • -15.95db
19% Popularity • 23% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 23% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Barron Ryan
I Wonder as I Wander
62 bpm • D min • 04:46 • -26.55db
24% Popularity • 39% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
24% Popularity • 39% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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St. Patrick Orthodox Church Choir
Salvation Is Created
62 bpm • D Maj • 03:27 • -24.57db
13% Popularity • 12% Danceability • 5% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 5% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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The Choir of the Cathedral Church of the Advent
Comfort, Comfort, Ye My People
70 bpm • F Maj • 02:45 • -15.05db
9% Popularity • 18% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
9% Popularity • 18% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 31% Positiveness
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Benjamin Britten
Benjamin Britten: A Hymn to the Virgin
71 bpm • A min • 03:21 • -25.89db
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Daughters of Mary
O Lord, I Am Not Worthy
71 bpm • B Maj • 03:01 • -17.51db
8% Popularity • 12% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 8% Positiveness
8% Popularity • 12% Danceability • 22% Energy • 20% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Nikolaus Selnecker
Nun lasst uns Gott, dem Herren
71 bpm • A Maj • 01:48 • -19.9db
13% Popularity • 14% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
13% Popularity • 14% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
► Preview
Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
John Goss
Whoso Dwelleth Under the Defence of the ...
71 bpm • C# Maj • 03:58 • -31.29db
12% Popularity • 24% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 24% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Frank La Rocca
Mass of the Americas: I. El cantico del ...
72 bpm • A Maj • 02:51 • -21.74db
12% Popularity • 18% Danceability • 15% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
![I Will Be a Child of Peace (After Gilman) [Version for Treble Choir & Piano] cover art](https://i.scdn.co/image/ab67616d00001e0260c3f97e525f3aa1d2bd714f)
Elaine Hagenberg
I Will Be a Child of Peace (After Gilman...
72 bpm • D# Maj • 03:38 • -21.86db
9% Popularity • 29% Danceability • 4% Energy • 18% Liveness
96% Instrumentalness • 10% Positiveness
9% Popularity • 29% Danceability • 4% Energy • 18% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Gerald Finzi
7 Partsongs, Op. 17: No. 3, My Spirit Sa...
71 bpm • G min • 01:49 • -15.92db
8% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Henry John Gauntlett
Once in Royal Interlude
61 bpm • B min • 00:50 • -12.86db
0% Popularity • 18% Danceability • 28% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 18% Danceability • 28% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Thomas Tomkins
Burial Sentences: I. I Am The Resurrecti...
72 bpm • F min • 01:17 • -27.56db
13% Popularity • 20% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 6% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Malcolm Archer
Good Christians All, Rejoice and Sing
72 bpm • D Maj • 02:02 • -13db
7% Popularity • 22% Danceability • 29% Energy • 16% Liveness
28% Instrumentalness • 25% Positiveness
7% Popularity • 22% Danceability • 29% Energy • 16% Liveness
28% Instrumentalness • 25% Positiveness
► Preview
Charles Villiers Stanford
St. Patrick's Breastplate "I Bind unto M...
72 bpm • G min • 07:39 • -18db
17% Popularity • 12% Danceability • 24% Energy • 10% Liveness
50% Instrumentalness • 10% Positiveness
17% Popularity • 12% Danceability • 24% Energy • 10% Liveness
50% Instrumentalness • 10% Positiveness
► Preview
Elektra Women's Choir
Away From The Roll Of The Sea
72 bpm • E Maj • 04:13 • -22.07db
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 6% Positiveness
► Preview
Caroline Charrière
Flowers
73 bpm • F Maj • 02:29 • -23.55db
9% Popularity • 15% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Henry Balfour Gardiner
Evening Hymn
73 bpm • D Maj • 05:31 • -22db
22% Popularity • 6% Danceability • 11% Energy • 25% Liveness
97% Instrumentalness • 3% Positiveness
22% Popularity • 6% Danceability • 11% Energy • 25% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Nigel Hess
A Christmas Overture
73 bpm • G Maj • 07:32 • -13db
15% Popularity • 21% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 9% Positiveness
15% Popularity • 21% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
The Songs of Taize Session Singers
Wait for the Lord
73 bpm • E min • 04:50 • -21db
29% Popularity • 13% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 13% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Randall Thompson
The Pasture - Randall Thompson
73 bpm • F Maj • 02:59 • -28db
9% Popularity • 8% Danceability • 3% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
60 bpm • D Maj • 04:16 • -24.65db
11% Popularity • 12% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Benjamin Britten
This Little Babe
73 bpm • A# min • 01:37 • -14.61db
13% Popularity • 34% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 34% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Temun�...
73 bpm • G Maj • 01:45 • -29.53db
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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The Cambridge Singers
Christ Our Emmanuel
73 bpm • D min • 04:41 • -27.47db
22% Popularity • 18% Danceability • 4% Energy • 7% Liveness
8% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 4% Energy • 7% Liveness
8% Instrumentalness • 6% Positiveness
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Michael Joncas
At Jesus' Name
74 bpm • A min • 04:25 • -13.96db
10% Popularity • 20% Danceability • 22% Energy • 13% Liveness
22% Instrumentalness • 17% Positiveness
10% Popularity • 20% Danceability • 22% Energy • 13% Liveness
22% Instrumentalness • 17% Positiveness
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John Stainer
The Crucifixion: IX. Chorus – God so l...
74 bpm • D Maj • 03:49 • -24.2db
8% Popularity • 9% Danceability • 9% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 9% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Ä’riks EÅ¡envalds
Only in Sleep
74 bpm • F# Maj • 04:54 • -18.72db
14% Popularity • 12% Danceability • 14% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
14% Popularity • 12% Danceability • 14% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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James Whitbourn
Requiem canticorum: Alleluia
59 bpm • E min • 02:12 • -22.33db
28% Popularity • 7% Danceability • 7% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 7% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
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Vestre Aker kammerkor
Herre Jesus gi meg nåde
74 bpm • F# min • 03:21 • -29.89db
8% Popularity • 27% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 11% Positiveness
8% Popularity • 27% Danceability • 2% Energy • 8% Liveness
64% Instrumentalness • 11% Positiveness
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Henry John Gauntlett
Jesus Lives
74 bpm • B Maj • 03:04 • -16.66db
1% Popularity • 14% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 20% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Margaret Rizza
O Lord, My Heart Is Not Proud
59 bpm • D Maj • 07:45 • -26.51db
12% Popularity • 9% Danceability • 4% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 4% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
The Lord's My Shepherd SHZ 371b
74 bpm • F Maj • 03:42 • -14.19db
14% Popularity • 21% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
14% Popularity • 21% Danceability • 20% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
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John Goss
Praise, My Soul, the King Of Heaven
74 bpm • D Maj • 02:55 • -19db
15% Popularity • 9% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
15% Popularity • 9% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
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Elaine Hagenberg
O Love
74 bpm • G Maj • 04:56 • -18.89db
7% Popularity • 9% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
7% Popularity • 9% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 6% Positiveness
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Ronald Corp
I Carry Your Heart
74 bpm • F Maj • 04:25 • -27.99db
10% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
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John Ireland
Communion Service in C Major: Sanctus
74 bpm • F Maj • 01:26 • -23db
27% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Jørgen Sørensen
Da solen påskemorgen kom
74 bpm • F Maj • 03:05 • -22db
12% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
12% Popularity • 31% Danceability • 9% Energy • 13% Liveness
44% Instrumentalness • 20% Positiveness
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Henry John Gauntlett
Once in Royal David’s City (Arr. by Ar...
74 bpm • G Maj • 03:10 • -23.72db
0% Popularity • 10% Danceability • 7% Energy • 6% Liveness
3% Instrumentalness • 8% Positiveness
0% Popularity • 10% Danceability • 7% Energy • 6% Liveness
3% Instrumentalness • 8% Positiveness
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David Briggs
Set Me as a Seal
74 bpm • F# Maj • 02:54 • -23.36db
11% Popularity • 20% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 11% Energy • 12% Liveness
64% Instrumentalness • 3% Positiveness
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Engelbert Humperdinck
Abends, wenn ich schlafen geh
75 bpm • E min • 01:31 • -22db
15% Popularity • 24% Danceability • 16% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 16% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Methodist Central Hall Choir, Westminster
Wesley: And Can It Be That I Should Gain...
75 bpm • G Maj • 00:58 • -27.48db
16% Popularity • 20% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 20% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
