Songs like Once Upon A Summertime by Margareta Bengtson
Based on a tempo of (+/- 10%) and a similar genre
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Julie London
Black Coffee - Remastered 1999
74 bpm • A Maj • 03:04 • -18.45db
21% Popularity • 33% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 33% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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Abbey Lincoln
Do Nothing 'Til You Hear From Me
74 bpm • G Maj • 02:16 • -10db
40% Popularity • 42% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 42% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Margareta Bengtson
Once Upon A Summertime
74 bpm • D Maj • 05:49 • -10.54db
2% Popularity • 27% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 27% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Jeff Steinberg Jazz Ensemble
Old Devil Moon
74 bpm • G min • 03:17 • -18.35db
18% Popularity • 53% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
18% Popularity • 53% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 40% Positiveness
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Veronica Swift
Prisoner of Love
74 bpm • C# Maj • 04:16 • -12.57db
41% Popularity • 47% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 47% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Emilia Mitiku
Officially a Fool
75 bpm • G min • 02:40 • -11.32db
32% Popularity • 51% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 51% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Erin Boheme
Teach Me Tonight
75 bpm • G Maj • 04:40 • -14.85db
31% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Hailey Tuck
Seems You'd Want Me
75 bpm • A Maj • 03:06 • -8.86db
51% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
51% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Anita O'Day
It Don't Mean a Thing (If It Ain't Got T...
75 bpm • G# Maj • 03:26 • -16.81db
25% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Louise Bøttern
Sweet Kentucky Ham
73 bpm • A# Maj • 05:41 • -12.86db
31% Popularity • 49% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 49% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Jan Allan
Star Dust
73 bpm • C# Maj • 04:56 • -27.26db
2% Popularity • 39% Danceability • 0% Energy • 13% Liveness
73% Instrumentalness • 45% Positiveness
2% Popularity • 39% Danceability • 0% Energy • 13% Liveness
73% Instrumentalness • 45% Positiveness
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melissa elliotte
You're the One
72 bpm • B Maj • 02:21 • -9.47db
21% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 62% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Joshua Edelman
Washington Square Kids
75 bpm • G# Maj • 05:11 • -13.34db
14% Popularity • 46% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 53% Positiveness
14% Popularity • 46% Danceability • 54% Energy • 8% Liveness
93% Instrumentalness • 53% Positiveness
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Joe Lovano
Early Autumn
72 bpm • A# Maj • 07:31 • -18.62db
20% Popularity • 52% Danceability • 15% Energy • 33% Liveness
76% Instrumentalness • 33% Positiveness
20% Popularity • 52% Danceability • 15% Energy • 33% Liveness
76% Instrumentalness • 33% Positiveness
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Karrin Allyson
Everytime We Say Goodbye
76 bpm • C# Maj • 06:01 • -11.57db
45% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Lina Nyberg
A Nightingale Sang in Berkeley Square
76 bpm • C min • 07:20 • -17.38db
20% Popularity • 37% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
20% Popularity • 37% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Ingrid Saga
In the Space Between Our Souls
77 bpm • D# Maj • 06:53 • -14.31db
9% Popularity • 42% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 42% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Jan Harbeck Quartet
Lighter Shades
72 bpm • G min • 05:48 • -13db
19% Popularity • 51% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 38% Positiveness
19% Popularity • 51% Danceability • 16% Energy • 10% Liveness
42% Instrumentalness • 38% Positiveness
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Margareta Bengtson
I'm Old Fashioned
77 bpm • F Maj • 04:34 • -11.84db
4% Popularity • 25% Danceability • 19% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
4% Popularity • 25% Danceability • 19% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
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Melody Gardot
My One And Only Thrill
77 bpm • C Maj • 06:10 • -15.22db
28% Popularity • 22% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
28% Popularity • 22% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
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Lizz Wright
Dreaming Wide Awake
77 bpm • A Maj • 03:43 • -19.38db
22% Popularity • 28% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 28% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Erin Boheme
Let's Do It
71 bpm • D# Maj • 05:08 • -15.53db
30% Popularity • 43% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 43% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Jan Lundgren Trio
True Love
77 bpm • G Maj • 03:23 • -18.76db
26% Popularity • 51% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
26% Popularity • 51% Danceability • 3% Energy • 14% Liveness
93% Instrumentalness • 8% Positiveness
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Harry Connick, Jr.
I Love Her
77 bpm • F Maj • 03:58 • -11.48db
27% Popularity • 64% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 64% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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melissa elliotte
It Must Be Love
71 bpm • F min • 03:13 • -11.22db
31% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 62% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Peter Cincotti
Come Live Your Life With Me
71 bpm • A# min • 04:46 • -16.01db
31% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Denis Solee
Do You Know The Way To San Jose
77 bpm • A# Maj • 04:02 • -15.35db
34% Popularity • 66% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 75% Positiveness
34% Popularity • 66% Danceability • 27% Energy • 15% Liveness
92% Instrumentalness • 75% Positiveness
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Stacey Kent
There Will Never Be Another You
77 bpm • G# Maj • 04:03 • -20db
34% Popularity • 53% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
34% Popularity • 53% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Anne Bisson
Do What You Please
77 bpm • G Maj • 03:10 • -18.34db
21% Popularity • 46% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 46% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Abbey Lincoln
The Masquerade Is Over
71 bpm • G# Maj • 03:24 • -15.27db
37% Popularity • 41% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 41% Danceability • 10% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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Laura & Anton
No Guarantees
71 bpm • G Maj • 03:08 • -11.61db
38% Popularity • 38% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 38% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Veronica Swift
Confession / The Other Woman
78 bpm • G min • 06:43 • -15.4db
39% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 34% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Heather Rigdon
My Mother Would Like You
78 bpm • B min • 04:05 • -12.05db
49% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
49% Popularity • 49% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Jan Lundgren Trio
A Hundred Years from Today
70 bpm • D# Maj • 05:02 • -13.48db
15% Popularity • 46% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 46% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Bob Berg
All The Way
79 bpm • C min • 05:35 • -15.61db
44% Popularity • 34% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
44% Popularity • 34% Danceability • 16% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Annie Lennox
I Cover The Waterfront
70 bpm • C# Maj • 02:59 • -12.75db
30% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 50% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Callum Au
The Folk Who Live on the Hill
69 bpm • D# Maj • 03:39 • -12.4db
23% Popularity • 22% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 22% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Melody Gardot
All That I Need Is Love
69 bpm • D Maj • 02:36 • -10db
53% Popularity • 68% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
53% Popularity • 68% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Barry Manilow
Moonlight Becomes You
79 bpm • G# Maj • 03:27 • -14.3db
41% Popularity • 35% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
41% Popularity • 35% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Elisabeth Melander
A New Path
79 bpm • D Maj • 05:53 • -12.94db
11% Popularity • 31% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
11% Popularity • 31% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Natalie Cole
Our Love Is Here To Stay
69 bpm • C Maj • 03:29 • -14.97db
50% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Margareta Bengtson
Lift me up
79 bpm • D Maj • 03:56 • -16.96db
0% Popularity • 51% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 51% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Heather Rigdon
I Miss You Like Paris
80 bpm • A Maj • 03:55 • -14.6db
52% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
52% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lina Nyberg
To Say Goodbye
80 bpm • G min • 02:49 • -24db
22% Popularity • 46% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 46% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Chet Baker
Someone To Watch Over Me - Remastered 20...
80 bpm • E min • 03:01 • -16.2db
25% Popularity • 32% Danceability • 15% Energy • 10% Liveness
6% Instrumentalness • 19% Positiveness
25% Popularity • 32% Danceability • 15% Energy • 10% Liveness
6% Instrumentalness • 19% Positiveness
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Erin Boheme
Someone To Love
80 bpm • B Maj • 04:05 • -17.12db
33% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 55% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Georg Riedel
Ramsa för trumpet
68 bpm • G Maj • 05:56 • -19.04db
6% Popularity • 38% Danceability • 9% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
6% Popularity • 38% Danceability • 9% Energy • 14% Liveness
90% Instrumentalness • 9% Positiveness
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Margareta Bengtson
Dry Martini
69 bpm • C min • 04:08 • -14.61db
0% Popularity • 30% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 30% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Ginne Marker
Some Day
80 bpm • E Maj • 03:49 • -14db
35% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
35% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Keiko Lee
フライ・ミー・トゥ・ザ・ム�...
68 bpm • C# Maj • 03:34 • -26db
17% Popularity • 36% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 36% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Melody Gardot
Love Song
80 bpm • F Maj • 05:25 • -14.19db
9% Popularity • 46% Danceability • 23% Energy • 12% Liveness
5% Instrumentalness • 31% Positiveness
9% Popularity • 46% Danceability • 23% Energy • 12% Liveness
5% Instrumentalness • 31% Positiveness
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Eliane Elias
Little Paradise
80 bpm • F min • 04:59 • -15.42db
52% Popularity • 40% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 13% Positiveness
52% Popularity • 40% Danceability • 28% Energy • 11% Liveness
64% Instrumentalness • 13% Positiveness
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Janet Seidel
Twilight Time
81 bpm • C Maj • 03:25 • -13.64db
31% Popularity • 80% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
31% Popularity • 80% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Margareta Bengtson
Tingsmarschen
80 bpm • A min • 04:26 • -16.3db
0% Popularity • 48% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 22% Positiveness
0% Popularity • 48% Danceability • 15% Energy • 7% Liveness
94% Instrumentalness • 22% Positiveness
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Curtis Stigers
Love Is Here To Stay
81 bpm • G min • 04:19 • -13.32db
47% Popularity • 65% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 65% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Benjamin Herman
A Slow Hot Wind
81 bpm • A min • 04:26 • -13.16db
21% Popularity • 51% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 51% Danceability • 21% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Mattias Windemo
Time Remembered
81 bpm • G Maj • 03:31 • -14.8db
0% Popularity • 39% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
0% Popularity • 39% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Staci Griesbach
Here You Come Again
81 bpm • A# min • 05:09 • -12.19db
33% Popularity • 37% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 37% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Ruth Clidas
Tenderly Alone
68 bpm • A# min • 02:12 • -13.94db
9% Popularity • 47% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
9% Popularity • 47% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Danny Jonokuchi
All I Want
67 bpm • F Maj • 04:00 • -11.94db
28% Popularity • 20% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 20% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Jean Frye Sidwell
Smile - Charlie Chaplin, Turner & Parson...
81 bpm • C Maj • 04:31 • -16.65db
9% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Charlie Haden
Tres Palabras (Three Words)
81 bpm • A# min • 06:14 • -16.14db
22% Popularity • 50% Danceability • 15% Energy • 10% Liveness
82% Instrumentalness • 32% Positiveness
22% Popularity • 50% Danceability • 15% Energy • 10% Liveness
82% Instrumentalness • 32% Positiveness
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Jan Lundgren Trio
My Foolish Heart
81 bpm • D# Maj • 02:48 • -12.74db
31% Popularity • 56% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 56% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Peter Cincotti
You Stepped Out Of A Dream
82 bpm • F min • 03:17 • -10.73db
17% Popularity • 63% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
17% Popularity • 63% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Stephanie Wright
The World in You
67 bpm • D Maj • 03:19 • -23.1db
38% Popularity • 36% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 36% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Jan Allan
Sov Alla
67 bpm • D Maj • 03:03 • -25.61db
14% Popularity • 32% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
14% Popularity • 32% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Enrico Pieranunzi
Fairy Flowers
82 bpm • A# min • 03:32 • -16.23db
9% Popularity • 38% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 38% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Margareta Bengtson
Like Someone In Love
82 bpm • G# Maj • 04:08 • -11.74db
1% Popularity • 52% Danceability • 40% Energy • 33% Liveness
1% Instrumentalness • 52% Positiveness
1% Popularity • 52% Danceability • 40% Energy • 33% Liveness
1% Instrumentalness • 52% Positiveness
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Kristin Berardi
Too Late
82 bpm • C Maj • 06:06 • -22.45db
16% Popularity • 33% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 33% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Rebecka Törnqvist
After You're Gone
82 bpm • C min • 04:59 • -13db
13% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gregory Porter
When Love Was King
82 bpm • A min • 06:52 • -11.74db
21% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Solveig Slettahjell
Come in from the Rain
82 bpm • G# Maj • 04:07 • -16.34db
14% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 44% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Kat Edmonson
Oh My Love
82 bpm • B min • 02:46 • -11.56db
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 51% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Chet Baker
Summertime
82 bpm • D min • 04:13 • -17db
43% Popularity • 58% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 60% Positiveness
43% Popularity • 58% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 60% Positiveness
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Norah Jones
When Sunny Gets Blue - First Sessions Ou...
83 bpm • D# Maj • 03:09 • -14.05db
40% Popularity • 52% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 52% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Rebekka Blöndal
With You
83 bpm • F min • 04:31 • -15.31db
36% Popularity • 41% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 41% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Stacey Kent
Photograph
83 bpm • G Maj • 06:09 • -16db
48% Popularity • 30% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
48% Popularity • 30% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 13% Positiveness
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Sherine 尚羚
Devil May Care
83 bpm • D Maj • 03:31 • -17.84db
10% Popularity • 62% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
10% Popularity • 62% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Veronica Swift
You've Got to Be Carefully Taught
84 bpm • C# Maj • 05:16 • -11.92db
13% Popularity • 41% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 41% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Mandy Barnett
For All We Know
65 bpm • D min • 02:53 • -9.97db
41% Popularity • 22% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
41% Popularity • 22% Danceability • 24% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Rob Van Bavel
Let's Make Believe
84 bpm • C Maj • 04:46 • -16.34db
24% Popularity • 30% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 30% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Peter Cincotti
Fool On The Hill / Nature Boy
85 bpm • D min • 03:46 • -19db
41% Popularity • 40% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
41% Popularity • 40% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Mattias Windemo
Goof's Blues
85 bpm • F Maj • 03:40 • -17.86db
0% Popularity • 41% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
0% Popularity • 41% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Dinah Washington
Smoke Gets In Your Eyes
84 bpm • G# Maj • 03:24 • -11db
41% Popularity • 31% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 31% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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David Hazeltine
Both Sides Now
85 bpm • F# Maj • 05:28 • -16.24db
29% Popularity • 58% Danceability • 29% Energy • 12% Liveness
73% Instrumentalness • 32% Positiveness
29% Popularity • 58% Danceability • 29% Energy • 12% Liveness
73% Instrumentalness • 32% Positiveness
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Stefan Nilsson
Stilla nätter i Malung
64 bpm • E min • 03:25 • -24.47db
5% Popularity • 27% Danceability • 3% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
5% Popularity • 27% Danceability • 3% Energy • 15% Liveness
85% Instrumentalness • 4% Positiveness
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Nnenna Freelon
Overjoyed
85 bpm • C Maj • 04:45 • -10db
29% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 49% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Margareta Bengtson
Epilogue
64 bpm • A# Maj • 02:52 • -21.64db
0% Popularity • 51% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 12% Positiveness
0% Popularity • 51% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 12% Positiveness
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Jim Snidero
Theme for Ernie
86 bpm • G# Maj • 07:14 • -10.81db
37% Popularity • 37% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
37% Popularity • 37% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Conal Fowkes
Out of Nowhere
86 bpm • G Maj • 03:09 • -19.84db
34% Popularity • 61% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
34% Popularity • 61% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 17% Positiveness
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Anita O'Day
I'm Getting Sentimental Over You
63 bpm • C Maj • 05:12 • -16.29db
33% Popularity • 49% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 49% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Kay Starr
My Kinda Love - 2002 - Remastered; 24 Bi...
86 bpm • G Maj • 02:40 • -12db
38% Popularity • 70% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 70% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Elise Einarsdotter
Hemligheter på vägen
63 bpm • F min • 04:11 • -16.14db
3% Popularity • 24% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
3% Popularity • 24% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Margareta Bengtson
Shall I Compare Thee to a Summer's Day
86 bpm • G min • 04:51 • -16.15db
5% Popularity • 29% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
5% Popularity • 29% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Kurt Elling
Moonlight Serenade
87 bpm • D# Maj • 04:22 • -18.25db
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Heather Rigdon
Sunday Morning With You
87 bpm • G# Maj • 03:02 • -10.34db
56% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 47% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Hailey Tuck
Polkadots & Moonbeams
87 bpm • A# Maj • 05:06 • -11.12db
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 64% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Lady Gaga
Ev'ry Time We Say Goodbye
88 bpm • G Maj • 03:10 • -13.32db
37% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
37% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
