Songs like Once Upon A Time In The West by Dire Straits
Based on a tempo of (+/- 10%) and a similar genre
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Tony Joe White
Lake Placid Blues
147 bpm • A min • 05:21 • -10.91db
16% Popularity • 61% Danceability • 67% Energy • 9% Liveness
14% Instrumentalness • 60% Positiveness
16% Popularity • 61% Danceability • 67% Energy • 9% Liveness
14% Instrumentalness • 60% Positiveness
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Traveling Wilburys
Runaway
147 bpm • A Maj • 02:30 • -3.64db
58% Popularity • 49% Danceability • 91% Energy • 9% Liveness
13% Instrumentalness • 70% Positiveness
58% Popularity • 49% Danceability • 91% Energy • 9% Liveness
13% Instrumentalness • 70% Positiveness
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Eagles
Hotel California - 2013 Remaster
147 bpm • D Maj • 06:31 • -9.48db
84% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
84% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Calvin Russell
Crossroad
147 bpm • A min • 07:30 • -10db
44% Popularity • 56% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 56% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Crosby, Stills & Nash
Helplessly Hoping - 2005 Remaster
147 bpm • G Maj • 02:37 • -14db
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 48% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Dire Straits
Once Upon A Time In The West
147 bpm • A min • 05:24 • -11.86db
61% Popularity • 68% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
61% Popularity • 68% Danceability • 66% Energy • 11% Liveness
2% Instrumentalness • 90% Positiveness
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Procol Harum
A Whiter Shade of Pale - 50th Anniversar...
148 bpm • C Maj • 05:54 • -13.24db
45% Popularity • 29% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
45% Popularity • 29% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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The Doors
Love Her Madly
147 bpm • E min • 03:18 • -7.39db
68% Popularity • 56% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
68% Popularity • 56% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Bruce Springsteen
Born to Run
146 bpm • E Maj • 04:29 • -4.2db
72% Popularity • 27% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
72% Popularity • 27% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Van Morrison
Wild Night
146 bpm • G Maj • 03:33 • -7.14db
62% Popularity • 57% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 57% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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The Police
De Do Do Do, De Da Da Da
148 bpm • A Maj • 04:07 • -8.88db
65% Popularity • 78% Danceability • 52% Energy • 24% Liveness
6% Instrumentalness • 86% Positiveness
65% Popularity • 78% Danceability • 52% Energy • 24% Liveness
6% Instrumentalness • 86% Positiveness
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Tom Petty
It's Good To Be King
148 bpm • D Maj • 05:10 • -7db
49% Popularity • 52% Danceability • 62% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
49% Popularity • 52% Danceability • 62% Energy • 30% Liveness
1% Instrumentalness • 45% Positiveness
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Dire Straits
Lady Writer
148 bpm • C# min • 03:44 • -8.6db
69% Popularity • 63% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
69% Popularity • 63% Danceability • 81% Energy • 7% Liveness
61% Instrumentalness • 96% Positiveness
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Snowy White
Headful of Blues
148 bpm • A min • 06:36 • -8.54db
40% Popularity • 60% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 66% Positiveness
40% Popularity • 60% Danceability • 52% Energy • 10% Liveness
4% Instrumentalness • 66% Positiveness
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Steppenwolf
Born To Be Wild
146 bpm • D Maj • 03:30 • -12.41db
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
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Jethro Tull
Wond'ring Aloud
148 bpm • A# Maj • 01:53 • -16.61db
58% Popularity • 58% Danceability • 20% Energy • 59% Liveness
1% Instrumentalness • 67% Positiveness
58% Popularity • 58% Danceability • 20% Energy • 59% Liveness
1% Instrumentalness • 67% Positiveness
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The Police
Walking On The Moon
146 bpm • C Maj • 05:00 • -12.78db
68% Popularity • 51% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
68% Popularity • 51% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
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Buddy Guy
Damn Right, I've Got the Blues
146 bpm • D Maj • 04:31 • -5.64db
53% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
53% Popularity • 35% Danceability • 92% Energy • 31% Liveness
6% Instrumentalness • 53% Positiveness
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Dire Straits
Sultans Of Swing
148 bpm • F Maj • 05:48 • -10.02db
81% Popularity • 73% Danceability • 79% Energy • 33% Liveness
4% Instrumentalness • 93% Positiveness
81% Popularity • 73% Danceability • 79% Energy • 33% Liveness
4% Instrumentalness • 93% Positiveness
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Bruce Springsteen
Dancing In the Dark
149 bpm • C# min • 04:01 • -5.64db
81% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
81% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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ZZ Top
Tush (2006 Remaster)
145 bpm • C Maj • 02:13 • -6.08db
71% Popularity • 51% Danceability • 91% Energy • 64% Liveness
3% Instrumentalness • 72% Positiveness
71% Popularity • 51% Danceability • 91% Energy • 64% Liveness
3% Instrumentalness • 72% Positiveness
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Blue Öyster Cult
Then Came the Last Days of May
149 bpm • A min • 03:30 • -11.22db
63% Popularity • 37% Danceability • 61% Energy • 20% Liveness
2% Instrumentalness • 44% Positiveness
63% Popularity • 37% Danceability • 61% Energy • 20% Liveness
2% Instrumentalness • 44% Positiveness
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Genesis
The Carpet Crawlers - 2007 Stereo Mix
144 bpm • D Maj • 05:14 • -10.15db
49% Popularity • 25% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 25% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Procol Harum
A Whiter Shade of Pale - Original Single...
150 bpm • C Maj • 04:08 • -6.9db
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 25% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Dire Straits
Industrial Disease
150 bpm • A Maj • 05:48 • -9.17db
50% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 61% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Tony Joe White
Bayou Woman
144 bpm • B min • 04:37 • -9.39db
18% Popularity • 60% Danceability • 75% Energy • 8% Liveness
10% Instrumentalness • 92% Positiveness
18% Popularity • 60% Danceability • 75% Energy • 8% Liveness
10% Instrumentalness • 92% Positiveness
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The Band
The Weight - Remastered 2000
144 bpm • A Maj • 04:34 • -9.28db
70% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Snowy White
Bird of Paradise
144 bpm • C# Maj • 04:41 • -11.42db
53% Popularity • 47% Danceability • 44% Energy • 32% Liveness
61% Instrumentalness • 31% Positiveness
53% Popularity • 47% Danceability • 44% Energy • 32% Liveness
61% Instrumentalness • 31% Positiveness
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Eddie Vedder
Hard Sun
143 bpm • G# Maj • 05:22 • -6.53db
63% Popularity • 44% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 44% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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The Police
Message In A Bottle
151 bpm • C# min • 04:50 • -7.04db
76% Popularity • 58% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
76% Popularity • 58% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Dire Straits
Ride Across The River
143 bpm • E min • 06:58 • -11.41db
44% Popularity • 56% Danceability • 36% Energy • 8% Liveness
18% Instrumentalness • 62% Positiveness
44% Popularity • 56% Danceability • 36% Energy • 8% Liveness
18% Instrumentalness • 62% Positiveness
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Jethro Tull
Living in the Past - 2001 Remaster
151 bpm • F Maj • 03:22 • -11.02db
49% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 69% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Led Zeppelin
When the Levee Breaks - Remaster
143 bpm • F Maj • 07:08 • -8.03db
63% Popularity • 27% Danceability • 77% Energy • 7% Liveness
52% Instrumentalness • 80% Positiveness
63% Popularity • 27% Danceability • 77% Energy • 7% Liveness
52% Instrumentalness • 80% Positiveness
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The Kinks
Lola (2020 Stereo Remaster)
151 bpm • A Maj • 04:01 • -4.6db
69% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
69% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
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R.E.M.
Drive
143 bpm • G Maj • 04:31 • -12db
64% Popularity • 47% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 47% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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The Police
Can't Stand Losing You
142 bpm • D min • 02:48 • -12.07db
55% Popularity • 78% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 78% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Snowy White
Little Wing
142 bpm • G Maj • 04:14 • -6.35db
39% Popularity • 52% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 52% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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The Rolling Stones
Can't You Hear Me Knocking - 2009 Mix
152 bpm • C Maj • 07:16 • -5.23db
64% Popularity • 55% Danceability • 76% Energy • 16% Liveness
4% Instrumentalness • 71% Positiveness
64% Popularity • 55% Danceability • 76% Energy • 16% Liveness
4% Instrumentalness • 71% Positiveness
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Creedence Clearwater Revival
Green River
142 bpm • A Maj • 02:34 • -9.68db
76% Popularity • 70% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
76% Popularity • 70% Danceability • 77% Energy • 8% Liveness
1% Instrumentalness • 97% Positiveness
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Yusuf / Cat Stevens
Wild World
153 bpm • C Maj • 03:20 • -8.51db
78% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Crosby, Stills, Nash & Young
4 + 20
141 bpm • E Maj • 02:06 • -25.24db
54% Popularity • 64% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
54% Popularity • 64% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
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The Police
Can't Stand Losing You
142 bpm • D min • 02:58 • -5.3db
67% Popularity • 74% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
67% Popularity • 74% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Bruce Springsteen
Thunder Road
141 bpm • F Maj • 04:48 • -5.87db
63% Popularity • 37% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
63% Popularity • 37% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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Dire Straits
Solid Rock
141 bpm • D Maj • 03:25 • -6.77db
52% Popularity • 57% Danceability • 92% Energy • 62% Liveness
1% Instrumentalness • 89% Positiveness
52% Popularity • 57% Danceability • 92% Energy • 62% Liveness
1% Instrumentalness • 89% Positiveness
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Emerson, Lake & Palmer
Lucky Man
154 bpm • G Maj • 04:37 • -15.62db
43% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
43% Popularity • 35% Danceability • 39% Energy • 5% Liveness
3% Instrumentalness • 48% Positiveness
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Crosby, Stills & Nash
Suite: Judy Blue Eyes - 2005 Remaster
154 bpm • A Maj • 07:24 • -13.13db
59% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Al Stewart
Small Fruit Song - 2007 Remaster
154 bpm • F# min • 02:02 • -15db
43% Popularity • 27% Danceability • 44% Energy • 22% Liveness
40% Instrumentalness • 48% Positiveness
43% Popularity • 27% Danceability • 44% Energy • 22% Liveness
40% Instrumentalness • 48% Positiveness
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The Police
Spirits In The Material World
142 bpm • A min • 02:59 • -7.86db
60% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
60% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
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Bob Seger
Mainstreet
140 bpm • G# Maj • 03:43 • -5.42db
60% Popularity • 50% Danceability • 75% Energy • 24% Liveness
1% Instrumentalness • 53% Positiveness
60% Popularity • 50% Danceability • 75% Energy • 24% Liveness
1% Instrumentalness • 53% Positiveness
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Dire Straits
Expresso Love
140 bpm • D min • 05:11 • -8.59db
51% Popularity • 60% Danceability • 87% Energy • 7% Liveness
3% Instrumentalness • 86% Positiveness
51% Popularity • 60% Danceability • 87% Energy • 7% Liveness
3% Instrumentalness • 86% Positiveness
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Crosby, Stills, Nash & Young
Teach Your Children
155 bpm • D Maj • 02:53 • -14.54db
63% Popularity • 50% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 50% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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The Rolling Stones
Wild Horses - 2009 Mix
140 bpm • G Maj • 05:41 • -6.52db
70% Popularity • 43% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
70% Popularity • 43% Danceability • 39% Energy • 8% Liveness
1% Instrumentalness • 16% Positiveness
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The Box Tops
The Letter
139 bpm • A min • 01:52 • -12.16db
70% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
70% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Police
Don't Stand So Close To Me
140 bpm • D Maj • 04:02 • -9.41db
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
73% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Eagles
Take It Easy - 2013 Remaster
139 bpm • G Maj • 03:31 • -10.39db
79% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
79% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Dire Straits
Where Do You Think You're Going?
155 bpm • A min • 03:49 • -12.74db
63% Popularity • 46% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
63% Popularity • 46% Danceability • 49% Energy • 12% Liveness
2% Instrumentalness • 48% Positiveness
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Cream
Stormy Monday - Live
139 bpm • F Maj • 08:09 • -9.09db
39% Popularity • 40% Danceability • 62% Energy • 91% Liveness
1% Instrumentalness • 26% Positiveness
39% Popularity • 40% Danceability • 62% Energy • 91% Liveness
1% Instrumentalness • 26% Positiveness
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Jackson Browne
Take It Easy
138 bpm • G Maj • 03:51 • -10db
48% Popularity • 53% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 53% Danceability • 56% Energy • 50% Liveness
0% Instrumentalness • 37% Positiveness
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Billy Idol
Sweet Sixteen
156 bpm • A min • 04:17 • -12.68db
54% Popularity • 60% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
54% Popularity • 60% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
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Ten Years After
Let the Sky Fall - 2004 Remaster
138 bpm • A Maj • 04:20 • -9db
48% Popularity • 52% Danceability • 44% Energy • 11% Liveness
37% Instrumentalness • 62% Positiveness
48% Popularity • 52% Danceability • 44% Energy • 11% Liveness
37% Instrumentalness • 62% Positiveness
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The Who
Who Are You
156 bpm • A Maj • 06:21 • -11.41db
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Dire Straits
Down To The Waterline
139 bpm • B min • 04:01 • -11.55db
65% Popularity • 61% Danceability • 68% Energy • 16% Liveness
28% Instrumentalness • 61% Positiveness
65% Popularity • 61% Danceability • 68% Energy • 16% Liveness
28% Instrumentalness • 61% Positiveness
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RodrÃguez
Hate Street Dialogue
138 bpm • D# Maj • 02:33 • -3.66db
60% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 64% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Uriah Heep
The Wizard (2017 - Remaster)
138 bpm • F Maj • 03:02 • -9.73db
47% Popularity • 42% Danceability • 68% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 42% Danceability • 68% Energy • 49% Liveness
0% Instrumentalness • 63% Positiveness
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Tony Joe White
Steamy Windows
138 bpm • A Maj • 04:01 • -13.06db
21% Popularity • 69% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
21% Popularity • 69% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
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Jethro Tull
She Said She Was a Dancer - 2005 Remaste...
138 bpm • C Maj • 03:41 • -10db
37% Popularity • 62% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 62% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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The Rolling Stones
Jumpin' Jack Flash
137 bpm • D# Maj • 03:43 • -6.64db
65% Popularity • 59% Danceability • 91% Energy • 10% Liveness
63% Instrumentalness • 66% Positiveness
65% Popularity • 59% Danceability • 91% Energy • 10% Liveness
63% Instrumentalness • 66% Positiveness
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Dire Straits
Tunnel Of Love
138 bpm • F Maj • 08:09 • -7.88db
61% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
61% Popularity • 49% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Crosby, Stills, Nash & Young
Deja Vu
137 bpm • B min • 04:12 • -15.92db
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
47% Popularity • 45% Danceability • 27% Energy • 30% Liveness
22% Instrumentalness • 20% Positiveness
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ZZ Top
Rough Boy
158 bpm • A Maj • 04:49 • -15.78db
56% Popularity • 46% Danceability • 48% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
56% Popularity • 46% Danceability • 48% Energy • 14% Liveness
2% Instrumentalness • 68% Positiveness
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Tony Joe White
Tunica Motel
137 bpm • F# min • 04:22 • -11.66db
19% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Roxy Music
Avalon
137 bpm • C Maj • 04:16 • -8.64db
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
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Creedence Clearwater Revival
Run Through The Jungle
137 bpm • G Maj • 03:05 • -6db
73% Popularity • 64% Danceability • 76% Energy • 10% Liveness
18% Instrumentalness • 84% Positiveness
73% Popularity • 64% Danceability • 76% Energy • 10% Liveness
18% Instrumentalness • 84% Positiveness
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Elton John
Rocket Man (I Think It's Going To Be A L...
137 bpm • A# Maj • 04:41 • -9.12db
83% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
83% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Crosby, Stills, Nash & Young
Almost Cut My Hair
137 bpm • G Maj • 04:29 • -10.48db
56% Popularity • 47% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
56% Popularity • 47% Danceability • 47% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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The Police
Driven To Tears
159 bpm • D Maj • 03:20 • -9.23db
54% Popularity • 62% Danceability • 52% Energy • 26% Liveness
10% Instrumentalness • 60% Positiveness
54% Popularity • 62% Danceability • 52% Energy • 26% Liveness
10% Instrumentalness • 60% Positiveness
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Crosby, Stills & Nash
Wooden Ships - 2005 Remaster
158 bpm • E min • 05:26 • -13.39db
49% Popularity • 34% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 57% Positiveness
49% Popularity • 34% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 57% Positiveness
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The Rolling Stones
Angie - Remastered 2009
136 bpm • A min • 04:32 • -6.13db
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
73% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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John Lennon
Working Class Hero - Remastered 2010
159 bpm • G Maj • 03:47 • -18.57db
57% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
57% Popularity • 48% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Mick Jagger
Use Me
159 bpm • B min • 04:28 • -6.66db
37% Popularity • 84% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 84% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Snowy White
How Was It for You
135 bpm • E min • 02:46 • -15db
57% Popularity • 55% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 25% Positiveness
57% Popularity • 55% Danceability • 17% Energy • 10% Liveness
36% Instrumentalness • 25% Positiveness
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The Who
Won't Get Fooled Again - Original Album ...
135 bpm • D Maj • 08:31 • -6.23db
64% Popularity • 69% Danceability • 92% Energy • 8% Liveness
27% Instrumentalness • 22% Positiveness
64% Popularity • 69% Danceability • 92% Energy • 8% Liveness
27% Instrumentalness • 22% Positiveness
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Chris Rea
The Road to Hell, Pt. II - 2019 Remaster
135 bpm • A min • 04:32 • -10.1db
49% Popularity • 64% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 64% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Steely Dan
Reelin' In The Years
135 bpm • D Maj • 04:37 • -17.34db
74% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
74% Popularity • 49% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Deep Purple
Black Night - 1995 Remaster
135 bpm • A Maj • 03:29 • -8.89db
55% Popularity • 51% Danceability • 89% Energy • 9% Liveness
36% Instrumentalness • 83% Positiveness
55% Popularity • 51% Danceability • 89% Energy • 9% Liveness
36% Instrumentalness • 83% Positiveness
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America
Sister Golden Hair
135 bpm • E Maj • 03:19 • -12.22db
72% Popularity • 44% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
72% Popularity • 44% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Snowy White
I Know What's Coming
135 bpm • E min • 02:47 • -14.42db
41% Popularity • 56% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
41% Popularity • 56% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 16% Positiveness
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Big Brother & The Holding Company
Piece of My Heart
161 bpm • E Maj • 04:13 • -7.95db
67% Popularity • 44% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 44% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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George Harrison
While My Guitar Gently Weeps (Live from ...
134 bpm • G Maj • 04:46 • -6.55db
52% Popularity • 35% Danceability • 84% Energy • 74% Liveness
1% Instrumentalness • 69% Positiveness
52% Popularity • 35% Danceability • 84% Energy • 74% Liveness
1% Instrumentalness • 69% Positiveness
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Tony Joe White
Love M.D.
134 bpm • D Maj • 03:42 • -14.89db
12% Popularity • 73% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 40% Positiveness
12% Popularity • 73% Danceability • 45% Energy • 11% Liveness
15% Instrumentalness • 40% Positiveness
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The Police
Roxanne
134 bpm • C Maj • 03:11 • -8.91db
79% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
79% Popularity • 62% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Chris Rea
The Road to Hell, Pt. 1 & 2 - New Versio...
134 bpm • A min • 06:32 • -10db
49% Popularity • 56% Danceability • 69% Energy • 5% Liveness
2% Instrumentalness • 46% Positiveness
49% Popularity • 56% Danceability • 69% Energy • 5% Liveness
2% Instrumentalness • 46% Positiveness
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Dire Straits
Money For Nothing
134 bpm • D min • 08:24 • -6.82db
71% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
71% Popularity • 64% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Buffalo Springfield
Mr. Soul
134 bpm • A Maj • 02:52 • -9.01db
57% Popularity • 67% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
57% Popularity • 67% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Deep Purple
Soldier Of Fortune - 2009 Digital Remast...
134 bpm • D min • 03:24 • -13.01db
58% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jethro Tull
Really Don't Mind / See There a Son Is B...
162 bpm • A# Maj • 05:00 • -10.4db
41% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 43% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Snowy White
Midnight Blues
133 bpm • E min • 08:44 • -17.17db
41% Popularity • 40% Danceability • 28% Energy • 77% Liveness
42% Instrumentalness • 14% Positiveness
41% Popularity • 40% Danceability • 28% Energy • 77% Liveness
42% Instrumentalness • 14% Positiveness
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ZZ Top
La Grange (2005 Remaster)
162 bpm • E min • 03:50 • -9.94db
77% Popularity • 51% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 61% Positiveness
77% Popularity • 51% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 61% Positiveness
