Songs like Once Upon a Time by Austin Farwell
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Godunov
Erik Satie: Gymnopédie No. 1
69 bpm • G Maj • 03:32 • -28db
51% Popularity • 80% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 45% Positiveness
51% Popularity • 80% Danceability • 10% Energy • 10% Liveness
97% Instrumentalness • 45% Positiveness
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Jef Martens
And So the Story Began
69 bpm • F# min • 01:01 • -26.94db
57% Popularity • 31% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 38% Positiveness
57% Popularity • 31% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 38% Positiveness
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Eric Christian
Nocturne in D-Flat Major "Un rêve"
69 bpm • C# Maj • 04:43 • -17db
48% Popularity • 37% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
48% Popularity • 37% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Austin Farwell
The Promise
69 bpm • C# min • 02:36 • -23.67db
44% Popularity • 32% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
44% Popularity • 32% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Million Eyes
A Bed of Flowers
69 bpm • F# Maj • 02:17 • -19.95db
48% Popularity • 14% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
48% Popularity • 14% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Nicholas Britell
Agape
69 bpm • A# Maj • 02:55 • -19.61db
67% Popularity • 15% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
67% Popularity • 15% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Max Richter
Dream 1 (before the wind blows it all aw...
69 bpm • F# Maj • 01:58 • -38db
60% Popularity • 17% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
60% Popularity • 17% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Archish Arun
The Simple Pleasures
69 bpm • G Maj • 01:40 • -30.57db
43% Popularity • 43% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 36% Positiveness
43% Popularity • 43% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 36% Positiveness
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Mohsen Sokard
Things that I could do for you and I did...
69 bpm • D Maj • 02:09 • -31db
44% Popularity • 55% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 55% Positiveness
44% Popularity • 55% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 55% Positiveness
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Austin Farwell
Hopeful Horizons
69 bpm • E min • 02:11 • -24.02db
36% Popularity • 29% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
36% Popularity • 29% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Imaginary Poet
Old Letter
69 bpm • F Maj • 02:31 • -25.78db
52% Popularity • 55% Danceability • 2% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
52% Popularity • 55% Danceability • 2% Energy • 15% Liveness
96% Instrumentalness • 20% Positiveness
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Elijah Fox
Vinegar Hill
69 bpm • C# Maj • 01:12 • -22.53db
57% Popularity • 46% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
57% Popularity • 46% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Ludovico Einaudi
Natural Light
69 bpm • C# Maj • 05:35 • -40db
58% Popularity • 22% Danceability • 0% Energy • 14% Liveness
95% Instrumentalness • 19% Positiveness
58% Popularity • 22% Danceability • 0% Energy • 14% Liveness
95% Instrumentalness • 19% Positiveness
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Joep Beving
Sleeping Lotus
69 bpm • G min • 02:32 • -26.54db
59% Popularity • 31% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
59% Popularity • 31% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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James Heather
Ultraviolet
69 bpm • F Maj • 01:33 • -31db
65% Popularity • 25% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
65% Popularity • 25% Danceability • 6% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Austin Farwell
City Lights
69 bpm • D# Maj • 02:01 • -25.96db
60% Popularity • 27% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
60% Popularity • 27% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 24% Positiveness
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Hikaru Shirosu
・・・・for Piano
69 bpm • A# Maj • 02:26 • -29db
51% Popularity • 31% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
51% Popularity • 31% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Johannes Bornlöf
Declaration
70 bpm • C min • 03:53 • -18.64db
37% Popularity • 20% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
37% Popularity • 20% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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S.A. Karl
Aldebaran
70 bpm • F min • 03:18 • -21.96db
47% Popularity • 37% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
47% Popularity • 37% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Fabrizio Paterlini
Lost Song
70 bpm • D# Maj • 01:48 • -36db
50% Popularity • 19% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
50% Popularity • 19% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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James Heather
Beginnings
68 bpm • C Maj • 03:58 • -27db
48% Popularity • 23% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
48% Popularity • 23% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Eric Christian
La Valse au Clair de Lune
68 bpm • A min • 03:10 • -19db
48% Popularity • 42% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
48% Popularity • 42% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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Austin Farwell
By the Seaside - Slowed
69 bpm • G Maj • 02:41 • -27.25db
36% Popularity • 27% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
36% Popularity • 27% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Emiliano Blangero
Metamorphosis
68 bpm • A min • 04:14 • -29.63db
35% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
35% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
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Arelius
Air
68 bpm • D Maj • 02:52 • -24db
45% Popularity • 38% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
45% Popularity • 38% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Evelyn Stein
Quiet resource
68 bpm • F Maj • 03:27 • -27db
43% Popularity • 39% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
43% Popularity • 39% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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James Heather
Happy Tears
68 bpm • A min • 01:45 • -27db
51% Popularity • 28% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
51% Popularity • 28% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Evgeny Grinko
Lullaby for Erik
70 bpm • D Maj • 03:21 • -27db
53% Popularity • 45% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
53% Popularity • 45% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 11% Positiveness
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Austin Farwell
Once Upon a Time
69 bpm • F# Maj • 01:32 • -25.45db
65% Popularity • 35% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
65% Popularity • 35% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Infinity Ripple
The Streets of Belgrade
70 bpm • E min • 02:21 • -15.49db
46% Popularity • 37% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
46% Popularity • 37% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Oberhofer
Following the Clock to Sleep
70 bpm • C Maj • 02:09 • -34db
47% Popularity • 52% Danceability • 0% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 52% Danceability • 0% Energy • 33% Liveness
97% Instrumentalness • 4% Positiveness
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The Masked Pianoman
Coziness
68 bpm • F Maj • 02:00 • -25db
47% Popularity • 49% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
47% Popularity • 49% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 24% Positiveness
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Emile Pandolfi
Moon River
68 bpm • C Maj • 04:19 • -21.73db
44% Popularity • 35% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 11% Positiveness
44% Popularity • 35% Danceability • 3% Energy • 13% Liveness
90% Instrumentalness • 11% Positiveness
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Ludovico Einaudi
Luminous
68 bpm • C# Maj • 04:43 • -34.98db
62% Popularity • 31% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
62% Popularity • 31% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 28% Positiveness
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Austin Farwell
I got u - Slowed
69 bpm • B Maj • 02:50 • -29.99db
28% Popularity • 29% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 29% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Trevor Kowalski
Remarkable Convictions
70 bpm • F min • 02:57 • -16db
39% Popularity • 15% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Joep Beving
Little Waltz
68 bpm • G min • 01:16 • -32db
57% Popularity • 37% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
57% Popularity • 37% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 37% Positiveness
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Franz Gordon
In a Bar in Buenos Aires
70 bpm • A# min • 02:46 • -24.57db
40% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
40% Popularity • 42% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 24% Positiveness
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Maxence Cyrin
As the Darkness Falls
68 bpm • D min • 01:40 • -26db
59% Popularity • 34% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 18% Positiveness
59% Popularity • 34% Danceability • 20% Energy • 13% Liveness
87% Instrumentalness • 18% Positiveness
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Mohsen Sokard
Delayed gratification
67 bpm • A Maj • 03:11 • -34.28db
41% Popularity • 31% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
41% Popularity • 31% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Austin Farwell
California
68 bpm • D# Maj • 02:01 • -23.62db
35% Popularity • 31% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
35% Popularity • 31% Danceability • 7% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Reeder
Julia
71 bpm • F min • 02:10 • -30.73db
44% Popularity • 21% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
44% Popularity • 21% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Fabrizio Paterlini
Fire
67 bpm • G# min • 01:22 • -26.78db
63% Popularity • 36% Danceability • 4% Energy • 15% Liveness
92% Instrumentalness • 11% Positiveness
63% Popularity • 36% Danceability • 4% Energy • 15% Liveness
92% Instrumentalness • 11% Positiveness
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Edvard Kravchuk
New Dawn
71 bpm • G# min • 02:54 • -28db
47% Popularity • 37% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
47% Popularity • 37% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Emiliano Blangero
Pensieri
71 bpm • A min • 02:20 • -28db
59% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
59% Popularity • 35% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
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Joe Hisaishi
You're in Love
67 bpm • G min • 01:11 • -27.86db
65% Popularity • 53% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
65% Popularity • 53% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
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Austin Farwell
Together
70 bpm • D# Maj • 02:12 • -26.98db
48% Popularity • 21% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
48% Popularity • 21% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Dustin O'Halloran
Summer Waltz / The Drive
67 bpm • C Maj • 01:29 • -21.61db
43% Popularity • 43% Danceability • 5% Energy • 14% Liveness
85% Instrumentalness • 17% Positiveness
43% Popularity • 43% Danceability • 5% Energy • 14% Liveness
85% Instrumentalness • 17% Positiveness
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Evgeny Grinko
Prologue
67 bpm • C min • 01:39 • -25db
60% Popularity • 28% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
60% Popularity • 28% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Trevor Kowalski
Desert Silhouette
67 bpm • D# Maj • 02:43 • -19.17db
38% Popularity • 34% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 34% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Fabrizio Paterlini
If only I could tell
67 bpm • E min • 01:23 • -39.92db
57% Popularity • 31% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
57% Popularity • 31% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
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Joe Hisaishi
The Flower Garden
71 bpm • C min • 02:58 • -17.6db
66% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
66% Popularity • 10% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Austin Farwell
Looking Back
67 bpm • C Maj • 02:02 • -25.25db
33% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
33% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Peiskos
Crescent East
72 bpm • A# Maj • 01:47 • -30.16db
38% Popularity • 63% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
38% Popularity • 63% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 31% Positiveness
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Million Eyes
The Mercy of the Wind
66 bpm • C Maj • 01:45 • -21.72db
60% Popularity • 47% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 27% Positiveness
60% Popularity • 47% Danceability • 5% Energy • 9% Liveness
52% Instrumentalness • 27% Positiveness
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Franz Gordon
The Scent of Petrichor
66 bpm • B min • 02:31 • -19.04db
52% Popularity • 44% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
52% Popularity • 44% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Edvard Kravchuk
Look Inside Yourself
72 bpm • C# Maj • 03:38 • -31.25db
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
56% Popularity • 46% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 19% Positiveness
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Toshifumi Hinata
End of the Summer
72 bpm • G min • 01:48 • -27db
45% Popularity • 43% Danceability • 0% Energy • 19% Liveness
97% Instrumentalness • 29% Positiveness
45% Popularity • 43% Danceability • 0% Energy • 19% Liveness
97% Instrumentalness • 29% Positiveness
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Austin Farwell
Santa Monica
70 bpm • D# Maj • 01:54 • -20.61db
38% Popularity • 31% Danceability • 6% Energy • 14% Liveness
84% Instrumentalness • 11% Positiveness
38% Popularity • 31% Danceability • 6% Energy • 14% Liveness
84% Instrumentalness • 11% Positiveness
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Alexandre Desplat
Laurie and Jo on the Hill
66 bpm • F Maj • 01:01 • -21.04db
54% Popularity • 29% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 18% Positiveness
54% Popularity • 29% Danceability • 13% Energy • 12% Liveness
81% Instrumentalness • 18% Positiveness
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Fabrizio Paterlini
My Piano, The Clouds
72 bpm • E Maj • 02:46 • -25db
47% Popularity • 40% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
47% Popularity • 40% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Franz Gordon
Shapes of Shadows
66 bpm • G min • 03:26 • -24.33db
38% Popularity • 42% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 56% Positiveness
38% Popularity • 42% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 56% Positiveness
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Hikaru Shirosu
The Name of Life - Piano Solo Version
72 bpm • C Maj • 04:10 • -26db
46% Popularity • 47% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
46% Popularity • 47% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Ludovico Einaudi
Temple White
72 bpm • G# Maj • 04:24 • -28.56db
55% Popularity • 30% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
55% Popularity • 30% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Austin Farwell
Candlelight
68 bpm • D min • 01:40 • -23.6db
40% Popularity • 36% Danceability • 3% Energy • 22% Liveness
87% Instrumentalness • 14% Positiveness
40% Popularity • 36% Danceability • 3% Energy • 22% Liveness
87% Instrumentalness • 14% Positiveness
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Elijah Fox
Staten Island Ferry
72 bpm • C Maj • 01:20 • -31.35db
51% Popularity • 25% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 31% Positiveness
51% Popularity • 25% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 31% Positiveness
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Jacob LaVallee
Enigma
66 bpm • F# Maj • 02:24 • -18db
57% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
57% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
61% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Borrtex
tranquil
72 bpm • F min • 01:48 • -27db
53% Popularity • 37% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
53% Popularity • 37% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
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James Quinn
A Kind Waltz
66 bpm • G# Maj • 02:22 • -29.05db
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
35% Popularity • 42% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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Austin Farwell
New Home (Slowed)
70 bpm • B Maj • 02:54 • -27.72db
68% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
68% Popularity • 36% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Kyle Landry
Mia and Sebastian's Theme
73 bpm • A Maj • 04:06 • -22.79db
48% Popularity • 26% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
48% Popularity • 26% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Alexis Ffrench
Wishing
73 bpm • D# Maj • 02:08 • -22.96db
56% Popularity • 51% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
56% Popularity • 51% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Ludovico Einaudi
Wind Song
73 bpm • B min • 03:18 • -32.31db
66% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
66% Popularity • 34% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Erik Satie
Gymnopédie No. 1
73 bpm • G Maj • 03:25 • -36.86db
70% Popularity • 47% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
70% Popularity • 47% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Franz Gordon
The French Library
65 bpm • D# Maj • 02:59 • -25.23db
63% Popularity • 43% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
63% Popularity • 43% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Austin Farwell
I got u
68 bpm • D# Maj • 02:16 • -24.84db
37% Popularity • 25% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
37% Popularity • 25% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Jordan Seigel
Campfire Laments
65 bpm • C Maj • 01:01 • -34.25db
44% Popularity • 23% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Emile Mosseri
Garden of Eden
73 bpm • D Maj • 01:36 • -16db
42% Popularity • 21% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
42% Popularity • 21% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Carnival of the Animals: The Swan
65 bpm • G Maj • 02:30 • -24.81db
61% Popularity • 21% Danceability • 7% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
61% Popularity • 21% Danceability • 7% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Evgeny Grinko
Tomorrow
65 bpm • F# min • 01:13 • -28.76db
54% Popularity • 61% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
54% Popularity • 61% Danceability • 3% Energy • 11% Liveness
3% Instrumentalness • 53% Positiveness
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Javi Lobe
Where Is My Mind?
65 bpm • E Maj • 03:46 • -29db
41% Popularity • 46% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
41% Popularity • 46% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Austin Farwell
By the Seaside
71 bpm • C Maj • 02:01 • -22.4db
51% Popularity • 26% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
51% Popularity • 26% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Eamonn Watt
Reflections
65 bpm • D# Maj • 03:27 • -32db
41% Popularity • 21% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
41% Popularity • 21% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 15% Positiveness
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Piano House
Swan Serenade
73 bpm • A min • 01:22 • -21db
55% Popularity • 22% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 86% Positiveness
55% Popularity • 22% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 86% Positiveness
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Eric Christian
Valse Sentimentale No. 2
73 bpm • D min • 04:44 • -20.4db
48% Popularity • 57% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
48% Popularity • 57% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Sleeping At Last
Atom 8
73 bpm • D Maj • 01:00 • -17.39db
43% Popularity • 26% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
43% Popularity • 26% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Mercuzio Pianist
L' Autre Valse d'Amélie
73 bpm • C# Maj • 01:30 • -23.25db
42% Popularity • 50% Danceability • 16% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
42% Popularity • 50% Danceability • 16% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
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Austin Farwell
Where Do I Go?
67 bpm • D Maj • 02:06 • -29db
39% Popularity • 33% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
39% Popularity • 33% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Franz Gordon
Two Weeks in July
73 bpm • D min • 03:29 • -20.03db
46% Popularity • 34% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
46% Popularity • 34% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Piano House
Cottagecore Dreams
73 bpm • C Maj • 02:02 • -29.97db
38% Popularity • 54% Danceability • 4% Energy • 15% Liveness
93% Instrumentalness • 71% Positiveness
38% Popularity • 54% Danceability • 4% Energy • 15% Liveness
93% Instrumentalness • 71% Positiveness
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Michael Giacchino
Stuff We Did
73 bpm • G Maj • 02:12 • -30db
45% Popularity • 53% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 12% Positiveness
45% Popularity • 53% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 12% Positiveness
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James Quinn
Cinnabar
74 bpm • C min • 01:53 • -28db
40% Popularity • 36% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
40% Popularity • 36% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Lloyd Vaan
Present
64 bpm • D# Maj • 02:26 • -27db
74% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
74% Popularity • 23% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Austin Farwell
Deep Breaths - Slowed
71 bpm • C Maj • 02:53 • -30.79db
32% Popularity • 24% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
32% Popularity • 24% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Video Days
Bleached
64 bpm • D Maj • 01:23 • -19db
67% Popularity • 42% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
67% Popularity • 42% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 23% Positiveness
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Invadable Harmony
We Will Meet Again
74 bpm • A min • 01:10 • -23db
49% Popularity • 31% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
49% Popularity • 31% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
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Erik Satie
Gymnopédie No. 3
64 bpm • A min • 02:55 • -38db
56% Popularity • 45% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
56% Popularity • 45% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
