Songs like One Bourbon, One Scotch, One Beer by John Lee Hooker
Based on a tempo of (+/- 10%) and a similar genre
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Big Walter Horton
Lovin' My Baby
125 bpm • A Maj • 02:50 • -13.26db
47% Popularity • 61% Danceability • 59% Energy • 9% Liveness
52% Instrumentalness • 79% Positiveness
47% Popularity • 61% Danceability • 59% Energy • 9% Liveness
52% Instrumentalness • 79% Positiveness
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Magic Sam
I Don't Want No Woman
125 bpm • E Maj • 03:38 • -10.23db
12% Popularity • 50% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 50% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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John Lee Hooker
One Bourbon, One Scotch, One Beer
125 bpm • F Maj • 03:04 • -14.79db
58% Popularity • 75% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
58% Popularity • 75% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Steely Dan
Do It Again
125 bpm • D min • 05:57 • -15.18db
71% Popularity • 66% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
71% Popularity • 66% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Kidd & The Pirates
Shakin' All Over
125 bpm • A Maj • 02:21 • -10db
49% Popularity • 77% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 77% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Jethro Tull
Locomotive Breath
125 bpm • B min • 04:26 • -13.11db
58% Popularity • 68% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
58% Popularity • 68% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 35% Positiveness
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Bonnie Raitt
Love Me Like a Man - 2008 Remaster
125 bpm • B min • 03:12 • -11.58db
53% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
53% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Stevie Wonder
Higher Ground
125 bpm • G# Maj • 03:42 • -9.95db
65% Popularity • 72% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
65% Popularity • 72% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Albert Collins
I Ain't Drunk - Remastered
126 bpm • D Maj • 04:07 • -5.87db
50% Popularity • 65% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
50% Popularity • 65% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Slim Harpo
Mailbox Blues - Single Version
124 bpm • C Maj • 02:44 • -13.07db
41% Popularity • 77% Danceability • 45% Energy • 38% Liveness
5% Instrumentalness • 77% Positiveness
41% Popularity • 77% Danceability • 45% Energy • 38% Liveness
5% Instrumentalness • 77% Positiveness
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Robert Cray
Smoking Gun
126 bpm • B min • 04:06 • -4.75db
45% Popularity • 72% Danceability • 92% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
45% Popularity • 72% Danceability • 92% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
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The Band
The Night They Drove Old Dixie Down
126 bpm • C Maj • 03:31 • -9.27db
62% Popularity • 50% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
62% Popularity • 50% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Stealers Wheel
Stuck In The Middle With You
124 bpm • G Maj • 03:28 • -9.14db
80% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
80% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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John Lee Hooker
Frisco Blues - Remastered
124 bpm • G# Maj • 02:46 • -13.79db
8% Popularity • 50% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 50% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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The Blues Brothers
Sweet Home Chicago
126 bpm • A Maj • 07:53 • -7db
52% Popularity • 62% Danceability • 87% Energy • 73% Liveness
26% Instrumentalness • 76% Positiveness
52% Popularity • 62% Danceability • 87% Energy • 73% Liveness
26% Instrumentalness • 76% Positiveness
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Grateful Dead
Truckin' - 2013 Remaster
127 bpm • B min • 05:06 • -13.86db
56% Popularity • 64% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 68% Positiveness
56% Popularity • 64% Danceability • 62% Energy • 6% Liveness
2% Instrumentalness • 68% Positiveness
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The Kinks
Sunny Afternoon
124 bpm • C Maj • 03:32 • -8.06db
66% Popularity • 55% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 55% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Slim Harpo
Tip On In
127 bpm • E Maj • 02:51 • -15.28db
32% Popularity • 93% Danceability • 41% Energy • 10% Liveness
24% Instrumentalness • 94% Positiveness
32% Popularity • 93% Danceability • 41% Energy • 10% Liveness
24% Instrumentalness • 94% Positiveness
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T. Rex
Get It On
127 bpm • B min • 04:22 • -6.93db
71% Popularity • 73% Danceability • 88% Energy • 61% Liveness
86% Instrumentalness • 91% Positiveness
71% Popularity • 73% Danceability • 88% Energy • 61% Liveness
86% Instrumentalness • 91% Positiveness
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Johnny Cash
Personal Jesus
123 bpm • E min • 03:19 • -8.18db
60% Popularity • 74% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
60% Popularity • 74% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Christone "Kingfish" Ingram
Been Here Before
123 bpm • A Maj • 05:54 • -9db
45% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Big Bill Broonzy
Get Back
123 bpm • G Maj • 03:03 • -12.33db
30% Popularity • 84% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 84% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Stevie Ray Vaughan
Pride and Joy
127 bpm • G# Maj • 03:39 • -11.82db
67% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
67% Popularity • 43% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Lazy Lester
I'm A Man
123 bpm • A# Maj • 04:00 • -12db
32% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
32% Popularity • 52% Danceability • 65% Energy • 8% Liveness
21% Instrumentalness • 78% Positiveness
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Slim Harpo
Te Ni Nee Ni Nu - Single Version
123 bpm • A Maj • 02:06 • -10.09db
41% Popularity • 72% Danceability • 65% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
41% Popularity • 72% Danceability • 65% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
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Hound Dog Taylor & The HouseRockers
Wild About You, Baby
123 bpm • G# min • 03:39 • -15.93db
36% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 51% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Fats Domino
Ain't That A Shame
123 bpm • E Maj • 02:32 • -8.57db
60% Popularity • 49% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
60% Popularity • 49% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Jimmie Vaughan
Baby, Please Come Home
123 bpm • D# Maj • 02:54 • -5.84db
43% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 64% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Albert King
Crosscut Saw - Mono Mix
123 bpm • C# Maj • 02:36 • -14.23db
48% Popularity • 84% Danceability • 41% Energy • 4% Liveness
78% Instrumentalness • 96% Positiveness
48% Popularity • 84% Danceability • 41% Energy • 4% Liveness
78% Instrumentalness • 96% Positiveness
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Memphis Slim
Everyday (I Have The Blues)
123 bpm • F Maj • 02:58 • -7db
24% Popularity • 75% Danceability • 53% Energy • 32% Liveness
29% Instrumentalness • 23% Positiveness
24% Popularity • 75% Danceability • 53% Energy • 32% Liveness
29% Instrumentalness • 23% Positiveness
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Son Seals
Sadie
123 bpm • B min • 06:07 • -9.63db
46% Popularity • 50% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
46% Popularity • 50% Danceability • 75% Energy • 9% Liveness
1% Instrumentalness • 93% Positiveness
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Corey Harris
Roots Woman
123 bpm • A Maj • 02:50 • -18.37db
30% Popularity • 82% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
30% Popularity • 82% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 76% Positiveness
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Stevie Ray Vaughan
Mary Had a Little Lamb
123 bpm • G# Maj • 02:46 • -13.78db
60% Popularity • 68% Danceability • 49% Energy • 26% Liveness
15% Instrumentalness • 91% Positiveness
60% Popularity • 68% Danceability • 49% Energy • 26% Liveness
15% Instrumentalness • 91% Positiveness
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Jimmy Dawkins
Little Angel Child
123 bpm • D Maj • 03:59 • -7.26db
41% Popularity • 50% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 75% Positiveness
41% Popularity • 50% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 75% Positiveness
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Jethro Tull
Aqualung
123 bpm • G min • 06:36 • -11.89db
60% Popularity • 48% Danceability • 48% Energy • 9% Liveness
3% Instrumentalness • 66% Positiveness
60% Popularity • 48% Danceability • 48% Energy • 9% Liveness
3% Instrumentalness • 66% Positiveness
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Gene Vincent
Be-Bop-A-Lula
127 bpm • A Maj • 02:37 • -9db
38% Popularity • 61% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 61% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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The Kingsmen
Louie Louie
122 bpm • C# min • 02:45 • -9.82db
63% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
63% Popularity • 62% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Grand Funk Railroad
We're An American Band - Remastered 2002
128 bpm • G Maj • 03:27 • -4.87db
61% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
61% Popularity • 64% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Albert Collins
Honey, Hush aka Talking Woman Blues
122 bpm • C Maj • 04:28 • -7db
44% Popularity • 86% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
44% Popularity • 86% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Slim Harpo
Baby, Scratch My Back
122 bpm • F Maj • 02:54 • -9.21db
36% Popularity • 81% Danceability • 49% Energy • 7% Liveness
79% Instrumentalness • 94% Positiveness
36% Popularity • 81% Danceability • 49% Energy • 7% Liveness
79% Instrumentalness • 94% Positiveness
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Jimmie Vaughan
Don't Cha Know
128 bpm • C min • 04:20 • -9.46db
43% Popularity • 64% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
43% Popularity • 64% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Canned Heat
On the Road Again
128 bpm • A Maj • 03:22 • -14.59db
60% Popularity • 39% Danceability • 28% Energy • 30% Liveness
25% Instrumentalness • 18% Positiveness
60% Popularity • 39% Danceability • 28% Energy • 30% Liveness
25% Instrumentalness • 18% Positiveness
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Papa Lightfoot
Wine, Women, Whiskey
128 bpm • D Maj • 02:14 • -10db
10% Popularity • 74% Danceability • 53% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
10% Popularity • 74% Danceability • 53% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
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Johnny Cash
Jackson
128 bpm • C Maj • 02:45 • -8.07db
64% Popularity • 74% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
64% Popularity • 74% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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The Temptations
Papa Was A Rollin' Stone - Single Versio...
121 bpm • A# min • 06:59 • -13.51db
65% Popularity • 82% Danceability • 40% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
65% Popularity • 82% Danceability • 40% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
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Slim Harpo
One of These Days
122 bpm • A# Maj • 02:49 • -4.7db
32% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 43% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 48% Positiveness
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Jonny Lang
Matchbox
129 bpm • G Maj • 03:29 • -8.76db
42% Popularity • 68% Danceability • 64% Energy • 12% Liveness
9% Instrumentalness • 77% Positiveness
42% Popularity • 68% Danceability • 64% Energy • 12% Liveness
9% Instrumentalness • 77% Positiveness
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Dr. John
Such a Night
121 bpm • F Maj • 02:57 • -16.94db
49% Popularity • 83% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
49% Popularity • 83% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Doors
Roadhouse Blues
121 bpm • A Maj • 04:03 • -8.21db
71% Popularity • 62% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
71% Popularity • 62% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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The Fabulous Thunderbirds
Scratch My Back
121 bpm • E Maj • 03:52 • -7.18db
51% Popularity • 78% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 86% Positiveness
51% Popularity • 78% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 86% Positiveness
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Them
Gloria - Stereo Version
129 bpm • A Maj • 02:36 • -10.43db
59% Popularity • 64% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
59% Popularity • 64% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 72% Positiveness
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Jr. Walker & The All Stars
Shotgun
121 bpm • C# Maj • 02:56 • -5.77db
54% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Roger Miller
King Of The Road
121 bpm • F# Maj • 02:24 • -15.06db
48% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Magic Sam
All Your Love
121 bpm • B Maj • 02:56 • -7.76db
31% Popularity • 69% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 83% Positiveness
31% Popularity • 69% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 83% Positiveness
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Martha Reeves & The Vandellas
Nowhere To Run
129 bpm • D min • 03:01 • -9.38db
63% Popularity • 61% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
63% Popularity • 61% Danceability • 82% Energy • 5% Liveness
1% Instrumentalness • 88% Positiveness
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Son House
John the Revelator
129 bpm • D Maj • 02:29 • -16.37db
36% Popularity • 67% Danceability • 4% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 67% Danceability • 4% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
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Elvis Presley
Mystery Train
121 bpm • E Maj • 02:24 • -12.61db
45% Popularity • 70% Danceability • 51% Energy • 22% Liveness
3% Instrumentalness • 63% Positiveness
45% Popularity • 70% Danceability • 51% Energy • 22% Liveness
3% Instrumentalness • 63% Positiveness
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War
Spill the Wine
120 bpm • D min • 04:06 • -12.88db
55% Popularity • 82% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 82% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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J.J. Cale
Mama Don't
120 bpm • B min • 03:48 • -14.67db
43% Popularity • 57% Danceability • 66% Energy • 11% Liveness
12% Instrumentalness • 93% Positiveness
43% Popularity • 57% Danceability • 66% Energy • 11% Liveness
12% Instrumentalness • 93% Positiveness
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J.B. Lenoir
I Feel So Good
130 bpm • B min • 01:54 • -7db
41% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 84% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Slim Harpo
Buzz Me, Babe
130 bpm • B min • 02:14 • -7.5db
45% Popularity • 61% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
45% Popularity • 61% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 48% Positiveness
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Big Walter Horton
Have Mercy
130 bpm • C Maj • 03:45 • -14db
36% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
36% Popularity • 62% Danceability • 70% Energy • 12% Liveness
70% Instrumentalness • 87% Positiveness
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Bobbie Gentry
Ode To Billie Joe
120 bpm • G Maj • 04:15 • -10.73db
53% Popularity • 64% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 64% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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John Lee Hooker
This is Hip - Remastered
130 bpm • F Maj • 02:25 • -15.54db
33% Popularity • 84% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 84% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Curtis Mayfield
Superfly
120 bpm • D Maj • 03:53 • -9.14db
59% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Hound Dog Taylor & The HouseRockers
She's Gone
130 bpm • E Maj • 03:51 • -15.83db
35% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 70% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Three Dog Night
Mama Told Me (Not To Come) - Single Vers...
120 bpm • C# Maj • 03:18 • -13.94db
63% Popularity • 67% Danceability • 67% Energy • 21% Liveness
3% Instrumentalness • 82% Positiveness
63% Popularity • 67% Danceability • 67% Energy • 21% Liveness
3% Instrumentalness • 82% Positiveness
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The Sonics
Have Love Will Travel
130 bpm • A# Maj • 02:40 • -5.63db
56% Popularity • 51% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 51% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Snooky Pryor
Bottle It Up and Go
131 bpm • G# Maj • 03:02 • -12db
35% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 66% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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John Lee Hooker
Baby, Please Don't Go
120 bpm • G# Maj • 04:49 • -25.84db
22% Popularity • 69% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 69% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Dr. John
Stack-A-Lee
119 bpm • G Maj • 03:29 • -11.97db
30% Popularity • 70% Danceability • 54% Energy • 14% Liveness
40% Instrumentalness • 65% Positiveness
30% Popularity • 70% Danceability • 54% Energy • 14% Liveness
40% Instrumentalness • 65% Positiveness
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Bob Seger
Ramblin' Gamblin' Man
131 bpm • A Maj • 02:25 • -3.83db
61% Popularity • 60% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
61% Popularity • 60% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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ZZ Top
Blue Jean Blues (2005 Remaster)
131 bpm • B min • 04:39 • -10.01db
54% Popularity • 64% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
54% Popularity • 64% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Lonnie Brooks
Sweet Home Chicago
119 bpm • E Maj • 04:55 • -9db
26% Popularity • 63% Danceability • 47% Energy • 8% Liveness
27% Instrumentalness • 49% Positiveness
26% Popularity • 63% Danceability • 47% Energy • 8% Liveness
27% Instrumentalness • 49% Positiveness
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Al Green
Take Me to the River
119 bpm • A Maj • 03:45 • -11.12db
61% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
61% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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John Lee Hooker
I Need Some Money
131 bpm • F# Maj • 02:25 • -16.4db
37% Popularity • 68% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 68% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Johnny "Guitar" Watson
Gangster Of Love
119 bpm • B Maj • 03:02 • -8.57db
36% Popularity • 80% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 80% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Howlin' Wolf
Spoonful
119 bpm • C Maj • 02:50 • -13.62db
56% Popularity • 82% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
56% Popularity • 82% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Albert Collins
T-Bone Shuffle
131 bpm • B Maj • 04:55 • -9.88db
50% Popularity • 54% Danceability • 70% Energy • 8% Liveness
19% Instrumentalness • 77% Positiveness
50% Popularity • 54% Danceability • 70% Energy • 8% Liveness
19% Instrumentalness • 77% Positiveness
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Bob Dylan
Girl from the North Country
119 bpm • G Maj • 03:40 • -23.46db
65% Popularity • 61% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 61% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Cream
Crossroads - Live
132 bpm • G Maj • 04:18 • -11.32db
55% Popularity • 39% Danceability • 76% Energy • 88% Liveness
4% Instrumentalness • 84% Positiveness
55% Popularity • 39% Danceability • 76% Energy • 88% Liveness
4% Instrumentalness • 84% Positiveness
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Nina Simone
My Baby Just Cares for Me (2013 - Remast...
119 bpm • E min • 03:35 • -15.13db
69% Popularity • 75% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 75% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Snooky Pryor
Come on Down to My House
119 bpm • E min • 05:49 • -6.58db
18% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Howlin' Wolf
Killing Floor
119 bpm • A Maj • 02:52 • -9.78db
49% Popularity • 72% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 72% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Clarence "Gatemouth" Brown
I Got My Mojo Working
119 bpm • G Maj • 04:46 • -10.98db
39% Popularity • 68% Danceability • 59% Energy • 9% Liveness
6% Instrumentalness • 86% Positiveness
39% Popularity • 68% Danceability • 59% Energy • 9% Liveness
6% Instrumentalness • 86% Positiveness
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Slim Harpo
Buzzin'
132 bpm • F Maj • 02:05 • -11.27db
42% Popularity • 61% Danceability • 49% Energy • 19% Liveness
58% Instrumentalness • 96% Positiveness
42% Popularity • 61% Danceability • 49% Energy • 19% Liveness
58% Instrumentalness • 96% Positiveness
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Big Walter Horton
That Ain't It
118 bpm • E Maj • 02:41 • -14.76db
43% Popularity • 75% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
43% Popularity • 75% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Ten Years After
I'd Love to Change the World - 2004 Rema...
118 bpm • A min • 03:44 • -12db
65% Popularity • 38% Danceability • 52% Energy • 11% Liveness
19% Instrumentalness • 37% Positiveness
65% Popularity • 38% Danceability • 52% Energy • 11% Liveness
19% Instrumentalness • 37% Positiveness
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Barrett Strong
Money (That's What I Want) - Single Vers...
132 bpm • F Maj • 02:38 • -7.32db
61% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 66% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Freddie King
Stumble
118 bpm • E Maj • 03:36 • -9.76db
48% Popularity • 68% Danceability • 61% Energy • 16% Liveness
32% Instrumentalness • 86% Positiveness
48% Popularity • 68% Danceability • 61% Energy • 16% Liveness
32% Instrumentalness • 86% Positiveness
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John Mayall
Room To Move
132 bpm • C# Maj • 05:02 • -8.53db
36% Popularity • 76% Danceability • 93% Energy • 94% Liveness
43% Instrumentalness • 70% Positiveness
36% Popularity • 76% Danceability • 93% Energy • 94% Liveness
43% Instrumentalness • 70% Positiveness
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Fenton Robinson
Somebody Loan Me A Dime - Remastered
118 bpm • D# Maj • 02:56 • -3.44db
55% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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The Vaughan Brothers
Telephone Song
118 bpm • G# Maj • 03:28 • -12.16db
43% Popularity • 72% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 72% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Roger Miller
King Of The Road
118 bpm • B Maj • 02:27 • -13.7db
62% Popularity • 67% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 67% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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J.J. Cale
Don't Go To Strangers
118 bpm • D min • 02:23 • -20.73db
62% Popularity • 79% Danceability • 22% Energy • 11% Liveness
23% Instrumentalness • 88% Positiveness
62% Popularity • 79% Danceability • 22% Energy • 11% Liveness
23% Instrumentalness • 88% Positiveness
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The Doors
Love Me Two Times
133 bpm • A Maj • 03:15 • -6.22db
65% Popularity • 68% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
65% Popularity • 68% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Santana
Evil Ways
117 bpm • F Maj • 03:58 • -13.38db
62% Popularity • 70% Danceability • 53% Energy • 14% Liveness
35% Instrumentalness • 73% Positiveness
62% Popularity • 70% Danceability • 53% Energy • 14% Liveness
35% Instrumentalness • 73% Positiveness
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Magic Sam
Sweet Home Chicago
117 bpm • A Maj • 04:16 • -10.81db
22% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 59% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
