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One Day
Songs like
One Day
by
Lovejoy
Based on a tempo of (+/- 10%) and a similar genre
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Lovejoy
One Day
183 bpm • A# min • 02:24 • -8.57db
63% Popularity • 34% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Good Kid
Alchemist
182 bpm • F# min • 02:53 • -3.49db
60% Popularity • 41% Danceability • 89% Energy • 9% Liveness
4% Instrumentalness • 80% Positiveness
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Jack Stauber's Micropop
Just Take My Wallet
184 bpm • C Maj • 01:19 • -16.87db
70% Popularity • 57% Danceability • 15% Energy • 12% Liveness
76% Instrumentalness • 21% Positiveness
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James Marriott
Don't Blame Me
184 bpm • D Maj • 03:16 • -5.8db
53% Popularity • 73% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Los Campesinos!
Dumb Luck
182 bpm • B min • 03:03 • -6db
36% Popularity • 16% Danceability • 94% Energy • 26% Liveness
1% Instrumentalness • 34% Positiveness
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Roar
I Can't Handle Change
186 bpm • F Maj • 03:18 • -8.48db
77% Popularity • 25% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Dirty Bynum
Moth Man
184 bpm • C Maj • 02:35 • -9.91db
45% Popularity • 41% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Good Kid
Witches
182 bpm • D Maj • 02:34 • -3.15db
55% Popularity • 47% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Derivakat
REVIVED
180 bpm • C# min • 02:33 • -7.47db
60% Popularity • 64% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
New Invention
180 bpm • C Maj • 03:11 • -3.03db
59% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Rare Occasions
Alone
180 bpm • C Maj • 02:44 • -5.5db
41% Popularity • 36% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 55% Positiveness
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Peter McPoland
Digital Silence
180 bpm • A# min • 03:18 • -1.43db
64% Popularity • 39% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Lovejoy
Normal People Things
180 bpm • C# Maj • 02:44 • -2.92db
62% Popularity • 40% Danceability • 99% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Lemon Demon
Modify
180 bpm • C Maj • 02:57 • -11.54db
59% Popularity • 58% Danceability • 53% Energy • 10% Liveness
22% Instrumentalness • 65% Positiveness
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Good Kid
No Time to Explain
180 bpm • C Maj • 02:36 • -5.33db
63% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Ricky Montgomery
Talk to You
180 bpm • D Maj • 03:34 • -7.05db
60% Popularity • 51% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Beach Bunny
Sports
186 bpm • A Maj • 02:44 • -5.28db
75% Popularity • 23% Danceability • 88% Energy • 7% Liveness
3% Instrumentalness • 52% Positiveness
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Mother Mother
Back To Life
180 bpm • A Maj • 02:45 • -5.93db
52% Popularity • 29% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lovejoy
Warsaw
180 bpm • F# Maj • 03:30 • -5.41db
53% Popularity • 49% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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James Marriott
Denial
180 bpm • C# Maj • 03:15 • -4.96db
50% Popularity • 30% Danceability • 71% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Good Kid
Aloe Lite
180 bpm • C# Maj • 02:29 • -4.21db
58% Popularity • 48% Danceability • 90% Energy • 44% Liveness
0% Instrumentalness • 73% Positiveness
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McCafferty
Beachboy
180 bpm • E Maj • 03:19 • -7.22db
64% Popularity • 43% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Surf Curse
Freaks
180 bpm • A Maj • 02:27 • -9.92db
85% Popularity • 34% Danceability • 94% Energy • 5% Liveness
63% Instrumentalness • 41% Positiveness
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Crawlers
Fuck Me (I Didn’t Know How To Say)
179 bpm • G# Maj • 03:06 • -6.09db
49% Popularity • 52% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Roar
Heart For Brains
179 bpm • D Maj • 02:49 • -13.07db
52% Popularity • 34% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Lovejoy
Taunt
187 bpm • G Maj • 02:13 • -9.31db
59% Popularity • 48% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Mother Mother
Hayloft II
178 bpm • A min • 03:35 • -4.54db
76% Popularity • 33% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Roe Kapara
The Dead Come Talking
178 bpm • C# min • 02:13 • -7.08db
61% Popularity • 52% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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NOAHFINNCE
GROWING UP ON THE INTERNET
178 bpm • B min • 03:19 • -4.79db
45% Popularity • 41% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Kiss Goodnight
178 bpm • G Maj • 03:50 • -6.12db
52% Popularity • 49% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Weathers
I'm Not Ok
178 bpm • A Maj • 03:01 • -3.39db
54% Popularity • 40% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Lincoln
Smokey Eyes
177 bpm • F# Maj • 03:15 • -4.2db
52% Popularity • 16% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Tally Hall
Turn the Lights Off
189 bpm • F# Maj • 02:56 • -6.51db
66% Popularity • 39% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Lovejoy
Concrete
177 bpm • C# Maj • 03:16 • -7.35db
55% Popularity • 56% Danceability • 73% Energy • 12% Liveness
1% Instrumentalness • 77% Positiveness
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The Scary Jokes
Community Gardens
190 bpm • A# Maj • 02:26 • -9.35db
52% Popularity • 55% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Social Climb
176 bpm • B min • 02:56 • -6db
57% Popularity • 53% Danceability • 83% Energy • 66% Liveness
0% Instrumentalness • 77% Positiveness
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carolesdaughter
My Mother Wants Me Dead
190 bpm • A# Maj • 01:45 • -4.43db
51% Popularity • 45% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Ricky Jamaraz
Boys Don't Cry
175 bpm • A Maj • 02:29 • -13.68db
25% Popularity • 55% Danceability • 52% Energy • 16% Liveness
20% Instrumentalness • 78% Positiveness
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Tally Hall
The Bidding
175 bpm • A min • 02:40 • -5.26db
73% Popularity • 54% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Lovejoy
Scum
176 bpm • C# Maj • 03:52 • -6.37db
52% Popularity • 54% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Crane Wives
Curses
191 bpm • B min • 03:48 • -6.82db
64% Popularity • 36% Danceability • 72% Energy • 2% Liveness
0% Instrumentalness • 58% Positiveness
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Adventure Time
Not Myself
175 bpm • C Maj • 01:00 • -14.26db
54% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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The Sukis
Becca
175 bpm • F# min • 03:51 • -5.82db
52% Popularity • 33% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Penelope Scott
Warm Regards
192 bpm • C Maj • 01:25 • -13.7db
41% Popularity • 48% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Mother Mother
Hayloft II (SMASHUP)
192 bpm • A min • 03:43 • -3.62db
56% Popularity • 44% Danceability • 94% Energy • 9% Liveness
3% Instrumentalness • 43% Positiveness
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leo.
despair
174 bpm • C Maj • 02:55 • -6.7db
58% Popularity • 41% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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NOAHFINNCE
LALALA
174 bpm • B min • 03:05 • -5.26db
42% Popularity • 35% Danceability • 84% Energy • 96% Liveness
0% Instrumentalness • 33% Positiveness
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Kevin Walkman
I'm Not Crazy
174 bpm • G# Maj • 02:53 • -5.11db
52% Popularity • 53% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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The Hoosiers
Rules
174 bpm • B Maj • 04:30 • -5.73db
31% Popularity • 49% Danceability • 72% Energy • 91% Liveness
0% Instrumentalness • 53% Positiveness
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Good Kid
Break
193 bpm • A Maj • 02:32 • -3.81db
59% Popularity • 25% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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James Marriott
The Other Side
174 bpm • D Maj • 03:22 • -5.22db
50% Popularity • 43% Danceability • 82% Energy • 37% Liveness
71% Instrumentalness • 38% Positiveness
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Will Wood
Tomcat Disposables
173 bpm • D Maj • 05:58 • -7db
50% Popularity • 32% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jhariah
DEBT COLLECTOR
193 bpm • C# Maj • 02:32 • -4.06db
56% Popularity • 42% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Baby Bugs
Autotheist
173 bpm • G Maj • 02:24 • -5.65db
52% Popularity • 36% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Ricky Montgomery
Boy Toy
173 bpm • D Maj • 02:56 • -5.1db
48% Popularity • 48% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Naethan Apollo
Night Watch
173 bpm • B Maj • 01:28 • -8db
56% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Mitski
Me and My Husband
172 bpm • C# Maj • 02:17 • -5.31db
77% Popularity • 50% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Will Wood
I / Me / Myself
172 bpm • B min • 04:51 • -5.27db
65% Popularity • 48% Danceability • 95% Energy • 81% Liveness
0% Instrumentalness • 76% Positiveness
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Lemon Demon
Cabinet Man
172 bpm • A# Maj • 04:22 • -7.93db
62% Popularity • 72% Danceability • 50% Energy • 14% Liveness
2% Instrumentalness • 95% Positiveness
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James Marriott
Where Has Everyone Gone?
172 bpm • G min • 03:36 • -4.36db
49% Popularity • 51% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 63% Positiveness
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The Rare Occasions
Seasick
172 bpm • C# Maj • 02:30 • -4.6db
44% Popularity • 41% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Roar
Poor Grammar
172 bpm • D min • 02:36 • -6.3db
60% Popularity • 47% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Wilbur Soot
Soft Boy
171 bpm • A Maj • 02:17 • -12.47db
53% Popularity • 68% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Will Wood
…well, better than the alternative
171 bpm • F Maj • 04:14 • -7.36db
52% Popularity • 52% Danceability • 80% Energy • 62% Liveness
0% Instrumentalness • 68% Positiveness
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Madilyn Mei
Nepotism
170 bpm • B Maj • 03:10 • -10.02db
44% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The Brobecks
Better Than Me
170 bpm • G Maj • 04:27 • -7.39db
66% Popularity • 38% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Miracle Musical
Dream Sweet in Sea Major
170 bpm • C Maj • 07:00 • -11.19db
68% Popularity • 34% Danceability • 43% Energy • 11% Liveness
7% Instrumentalness • 19% Positiveness
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carpetgarden
Can Ghosts Be Gay?
169 bpm • A Maj • 03:21 • -13.33db
50% Popularity • 46% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Rio Romeo
Everyday is the Best Day of My Life
170 bpm • G Maj • 02:12 • -8.14db
56% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Los Campesinos!
Allez Les Blues
168 bpm • A Maj • 03:50 • -6.95db
41% Popularity • 44% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Wilbur Soot
Losing Face
166 bpm • D# Maj • 04:00 • -15.4db
50% Popularity • 38% Danceability • 49% Energy • 11% Liveness
59% Instrumentalness • 61% Positiveness
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James Marriott
Sleeping On Trains
166 bpm • F min • 03:04 • -6.81db
51% Popularity • 48% Danceability • 88% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Sir Chloe
Too Close
166 bpm • A Maj • 02:50 • -5.73db
69% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Phoneboy
Runaway
166 bpm • C# Maj • 03:17 • -6db
45% Popularity • 54% Danceability • 76% Energy • 51% Liveness
0% Instrumentalness • 53% Positiveness
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Lovejoy
It's All Futile! It's All Pointless!
165 bpm • A Maj • 03:40 • -8.92db
54% Popularity • 54% Danceability • 53% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
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Hot Freaks
Baby Boy
165 bpm • C# min • 02:51 • -3.47db
47% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
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Sushi Soucy
Average
165 bpm • C Maj • 02:00 • -13.1db
53% Popularity • 57% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Will Wood and the Tapeworms
The Song with Five Names a.k.a. Soapbox ...
165 bpm • G min • 04:27 • -1.92db
51% Popularity • 45% Danceability • 98% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Anvil Cat
Tomorrow - Acoustic
165 bpm • D Maj • 01:17 • -6.06db
41% Popularity • 19% Danceability • 88% Energy • 37% Liveness
92% Instrumentalness • 52% Positiveness
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Phoneboy
Sweater Song
165 bpm • G# Maj • 03:59 • -9.92db
43% Popularity • 25% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Lovejoy
You'll Understand When You're Older
164 bpm • G# Maj • 03:52 • -9db
51% Popularity • 53% Danceability • 73% Energy • 22% Liveness
3% Instrumentalness • 68% Positiveness
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The Brobecks
If You Like It Or Not
164 bpm • C# Maj • 03:30 • -5.62db
50% Popularity • 40% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Lincoln
How I Survived Bobby Mackey's Personal H...
205 bpm • B Maj • 03:07 • -4.19db
45% Popularity • 30% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Wilbur Soot
I'm Sorry Boris
205 bpm • D# Maj • 03:50 • -29.77db
46% Popularity • 39% Danceability • 3% Energy • 23% Liveness
70% Instrumentalness • 43% Positiveness
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girl in red
bad idea!
162 bpm • C# Maj • 03:39 • -6.1db
74% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
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I DONT KNOW HOW BUT THEY FOUND ME
Bleed Magic
162 bpm • C Maj • 03:23 • -7.08db
55% Popularity • 52% Danceability • 93% Energy • 17% Liveness
20% Instrumentalness • 23% Positiveness
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Sir Chloe
Mercy
162 bpm • G# Maj • 02:59 • -9db
49% Popularity • 55% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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The Happy Fits
Heart of a Dancer
162 bpm • G min • 03:38 • -4.49db
52% Popularity • 45% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Lovejoy
Model Buses
162 bpm • B min • 02:50 • -7.82db
53% Popularity • 57% Danceability • 78% Energy • 15% Liveness
13% Instrumentalness • 31% Positiveness
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Tally Hall
Greener
162 bpm • E Maj • 03:43 • -4.88db
48% Popularity • 56% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Anvil Cat
Sex Sells - Acoustic
162 bpm • A Maj • 03:40 • -6.13db
38% Popularity • 58% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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James Marriott
Going Postal At The Party
161 bpm • A Maj • 03:25 • -5.75db
50% Popularity • 53% Danceability • 85% Energy • 14% Liveness
3% Instrumentalness • 61% Positiveness
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Hop Along, Queen Ansleis
Bruno is Orange
161 bpm • D Maj • 03:22 • -9.84db
71% Popularity • 55% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Wilbur Soot
Internet Ruined Me
160 bpm • A Maj • 04:15 • -14.01db
53% Popularity • 73% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Lemon Demon
Touch-Tone Telephone
160 bpm • C min • 04:42 • -8.58db
64% Popularity • 62% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Will Wood
BlackBoxWarrior - OKULTRA
161 bpm • D Maj • 04:54 • -7.05db
55% Popularity • 61% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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NOAHFINNCE
No Point Pretending (Song For Tour)
160 bpm • A# Maj • 02:59 • -5.99db
42% Popularity • 51% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Mother Mother
Back In School
160 bpm • C# min • 03:13 • -4.88db
56% Popularity • 58% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Phoneboy
Nevermind
160 bpm • C# Maj • 03:30 • -4.23db
54% Popularity • 61% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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James Marriott
So Long
160 bpm • A# min • 03:19 • -4.48db
51% Popularity • 58% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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One Day