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One Day
Songs like
One Day
by
Sharon Van Etten
Based on a tempo of (+/- 10%) and a similar genre
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Ezra Furman
I Can Change
120 bpm • A Maj • 04:54 • -9.89db
41% Popularity • 88% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Lucius
Right Down The Line
120 bpm • C# min • 03:55 • -8.08db
46% Popularity • 80% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The Barr Brothers
Defibrillation
120 bpm • A Maj • 05:33 • -12db
35% Popularity • 53% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 40% Positiveness
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Sharon Van Etten
One Day
120 bpm • E Maj • 04:43 • -7db
44% Popularity • 60% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Staples
Dark Side of the Moon
120 bpm • D Maj • 03:27 • -10db
55% Popularity • 71% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
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John Grant
Outer Space
120 bpm • G# Maj • 03:14 • -6.44db
32% Popularity • 53% Danceability • 43% Energy • 11% Liveness
16% Instrumentalness • 33% Positiveness
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Widowspeak
Gun Shy
120 bpm • E Maj • 03:53 • -8.49db
33% Popularity • 63% Danceability • 66% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Damien Jurado
A.M. AM
120 bpm • C# Maj • 03:16 • -8db
36% Popularity • 57% Danceability • 78% Energy • 18% Liveness
23% Instrumentalness • 68% Positiveness
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Bill Callahan
One Fine Morning
120 bpm • G Maj • 08:45 • -17db
32% Popularity • 51% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Sharon Van Etten
Comeback Kid
120 bpm • C Maj • 03:02 • -5.21db
42% Popularity • 54% Danceability • 93% Energy • 3% Liveness
57% Instrumentalness • 36% Positiveness
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Julia Holter
Gold Dust Woman
120 bpm • G Maj • 04:05 • -11.41db
27% Popularity • 44% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Andrew Bird
Oh No
120 bpm • C min • 04:20 • -10db
23% Popularity • 80% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
46% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Neko Case
Hold On, Hold On
119 bpm • F min • 02:46 • -5.02db
50% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Bill Callahan
Sycamore
120 bpm • B Maj • 05:35 • -6.07db
41% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Adam Green
Here I Am
119 bpm • G Maj • 03:28 • -9.08db
32% Popularity • 64% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Sharon Van Etten
Your Love is Killing Me
121 bpm • D Maj • 06:18 • -6.27db
36% Popularity • 40% Danceability • 71% Energy • 11% Liveness
37% Instrumentalness • 12% Positiveness
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Lucinda Williams
Are You Alright?
119 bpm • B Maj • 05:18 • -9.17db
43% Popularity • 61% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Lisa Hannigan
Fall
119 bpm • D# Maj • 02:59 • -12.64db
50% Popularity • 47% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Bedouine
Dusty Eyes
119 bpm • E Maj • 04:37 • -11.82db
38% Popularity • 49% Danceability • 27% Energy • 18% Liveness
2% Instrumentalness • 36% Positiveness
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Iron & Wine
This Must Be The Place
119 bpm • C Maj • 03:32 • -10.39db
52% Popularity • 63% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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This Is The Kit
Bullet Proof
121 bpm • C# Maj • 04:10 • -11db
34% Popularity • 43% Danceability • 38% Energy • 12% Liveness
5% Instrumentalness • 51% Positiveness
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Sharon Van Etten
Seventeen - Norah Jones
121 bpm • A# Maj • 04:53 • -6db
36% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Neko Case
Night Still Comes
119 bpm • E Maj • 03:47 • -9db
33% Popularity • 51% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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Jessica Lea Mayfield
Kiss Me Again
118 bpm • G min • 03:23 • -7.47db
0% Popularity • 44% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Marika Hackman
Drown
118 bpm • G Maj • 03:51 • -15db
33% Popularity • 29% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Iron & Wine
Love Vigilantes
122 bpm • D# Maj • 03:26 • -13.64db
53% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Blake Mills
Wintersong
118 bpm • G min • 04:16 • -8.22db
39% Popularity • 47% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 74% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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Tweedy
Summer Noon
118 bpm • F# Maj • 03:32 • -7.61db
31% Popularity • 87% Danceability • 61% Energy • 10% Liveness
12% Instrumentalness • 83% Positiveness
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Sharon Van Etten
Serpents
123 bpm • F# min • 03:02 • -4.81db
45% Popularity • 43% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Rilo Kiley
Silver Lining
117 bpm • G Maj • 03:36 • -4.99db
50% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Big Star
Thirteen
117 bpm • C min • 02:34 • -14.37db
56% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Gaz Coombes
The Girl Who Fell To Earth
123 bpm • A Maj • 03:34 • -7.16db
33% Popularity • 52% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
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Great Lake Swimmers
Pulling On A Line
117 bpm • D Maj • 03:19 • -7db
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Widowspeak
Harvest Moon
117 bpm • D Maj • 05:15 • -16.69db
36% Popularity • 32% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Carter Tanton
Through the Garden Gates
123 bpm • B Maj • 05:50 • -9.69db
1% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Big Thief
Paul - 2023 Remaster
123 bpm • B Maj • 03:03 • -8.57db
64% Popularity • 47% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Nau
While You Stand
124 bpm • D Maj • 02:55 • -17.55db
31% Popularity • 74% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Molly Burch
Downhearted
124 bpm • D Maj • 04:24 • -8.21db
26% Popularity • 60% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Amen Dunes
Miki Dora
124 bpm • A# Maj • 05:03 • -12db
25% Popularity • 83% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 56% Positiveness
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The Dig
I Already Forgot Everything You Said
116 bpm • D Maj • 05:05 • -10.99db
44% Popularity • 54% Danceability • 48% Energy • 8% Liveness
14% Instrumentalness • 34% Positiveness
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Damien Jurado
Kola
124 bpm • E Maj • 02:34 • -16.02db
38% Popularity • 66% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Band of Horses
On My Way Back Home
124 bpm • C Maj • 03:28 • -7.83db
41% Popularity • 56% Danceability • 61% Energy • 10% Liveness
5% Instrumentalness • 20% Positiveness
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Tracyanne & Danny
Alabama
124 bpm • A Maj • 04:53 • -9.47db
17% Popularity • 59% Danceability • 72% Energy • 15% Liveness
1% Instrumentalness • 81% Positiveness
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Molly Burch
Downhearted
124 bpm • A Maj • 05:08 • -7.65db
26% Popularity • 53% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Phosphorescent
C'est La Vie No.2
116 bpm • C Maj • 03:25 • -10.51db
49% Popularity • 74% Danceability • 40% Energy • 8% Liveness
32% Instrumentalness • 67% Positiveness
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Andrew Bird
Three White Horses
116 bpm • G Maj • 03:09 • -9.53db
28% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Damien Jurado
Silver Timothy
124 bpm • F min • 03:16 • -7db
42% Popularity • 63% Danceability • 71% Energy • 14% Liveness
78% Instrumentalness • 66% Positiveness
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The New Pornographers
Adventures In Solitude
116 bpm • G Maj • 04:16 • -8.58db
33% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Aimee Mann
One
124 bpm • E min • 02:53 • -13.97db
45% Popularity • 61% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Cass McCombs
Dreams-Come-True-Girl
116 bpm • C Maj • 05:20 • -13.09db
28% Popularity • 66% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Conor Oberst
You Are Your Mother's Child
116 bpm • A Maj • 03:48 • -13.15db
33% Popularity • 61% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Yo La Tengo
My Heart's Not In It
125 bpm • A Maj • 02:48 • -9.8db
41% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Haley Heynderickx
Oom Sha La La
115 bpm • D Maj • 02:57 • -9.18db
53% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Chastity Belt
Different Now
125 bpm • F Maj • 03:48 • -7db
46% Popularity • 65% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Crybaby
When The Lights Go Out
125 bpm • E Maj • 03:24 • -7.7db
38% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Cass McCombs
County Line
125 bpm • D Maj • 05:37 • -13.4db
31% Popularity • 58% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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The Wild Reeds
Don't Pretend
125 bpm • D Maj • 03:20 • -6.79db
21% Popularity • 54% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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The National
Light Years
125 bpm • E Maj • 03:33 • -11.67db
59% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
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Richard & Linda Thompson
The Calvary Cross
115 bpm • A min • 03:53 • -13.43db
35% Popularity • 63% Danceability • 30% Energy • 16% Liveness
1% Instrumentalness • 15% Positiveness
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Sam Burton
I Can Go With You
115 bpm • E min • 03:36 • -8.7db
29% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Sharon Van Etten
Give Out
115 bpm • G# min • 04:19 • -8.89db
32% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Valerie June
With You - A Sweet Little Love Song Demo
125 bpm • G Maj • 02:34 • -14db
41% Popularity • 60% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Molly Burch
Fool
115 bpm • G Maj • 04:07 • -6db
23% Popularity • 49% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Aimee Mann
How Am I Different - Remastered 2020
125 bpm • G min • 05:03 • -8.53db
24% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Hurray For The Riff Raff
Living In The City
126 bpm • C# Maj • 03:16 • -4.94db
34% Popularity • 61% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Andrew Bird
Imitosis
114 bpm • A min • 04:00 • -9db
15% Popularity • 85% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Lower Dens
I Get Nervous
126 bpm • B Maj • 03:24 • -7db
30% Popularity • 40% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Chris Staples
Hold Onto Something
126 bpm • A Maj • 03:09 • -11.79db
45% Popularity • 72% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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M. Ward
Vincent O'Brien
126 bpm • D Maj • 02:38 • -7.1db
13% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Seth Avett & Jessica Lea Mayfield
Fond Farewell
126 bpm • A# Maj • 02:59 • -8.74db
33% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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A.A. Bondy
I Can See the Pines are Dancing
114 bpm • C# Maj • 03:42 • -9.26db
11% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Camera Obscura
The Sweetest Thing
126 bpm • C# Maj • 04:22 • -4db
36% Popularity • 40% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Aimee Mann
Wise Up
126 bpm • D Maj • 03:41 • -9.44db
42% Popularity • 47% Danceability • 37% Energy • 12% Liveness
5% Instrumentalness • 18% Positiveness
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Silver Jews
Candy Jail
126 bpm • G Maj • 02:30 • -10.11db
29% Popularity • 61% Danceability • 54% Energy • 11% Liveness
39% Instrumentalness • 46% Positiveness
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Robyn Hitchcock
The Ghost in You
114 bpm • A Maj • 04:28 • -12.32db
36% Popularity • 70% Danceability • 23% Energy • 34% Liveness
1% Instrumentalness • 25% Positiveness
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Amen Dunes
Song to the Siren
127 bpm • A# Maj • 03:44 • -11.52db
39% Popularity • 34% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Cass McCombs
Morning Star
127 bpm • G Maj • 03:56 • -13.37db
31% Popularity • 62% Danceability • 40% Energy • 9% Liveness
67% Instrumentalness • 78% Positiveness
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Camera Obscura
Tears For Affairs
114 bpm • G Maj • 04:04 • -5.37db
36% Popularity • 55% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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The Wild Reeds
Where I'm Going
127 bpm • A Maj • 04:11 • -7db
39% Popularity • 49% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Sharon Van Etten
Seventeen
127 bpm • F Maj • 04:25 • -7db
59% Popularity • 54% Danceability • 77% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Mavis Staples
You Are Not Alone
127 bpm • F Maj • 03:57 • -12.31db
46% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Yeah Yeah Yeahs
Soft Shock - acoustic
113 bpm • G Maj • 03:25 • -9db
30% Popularity • 51% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Marlon Williams
What's Chasing You
113 bpm • C Maj • 02:41 • -7.64db
35% Popularity • 56% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Sunflower Bean
Harvest Moon
113 bpm • D Maj • 03:50 • -12.11db
40% Popularity • 53% Danceability • 30% Energy • 15% Liveness
4% Instrumentalness • 28% Positiveness
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Margo Price
Radio [Sharon Van Etten]
113 bpm • E Maj • 02:49 • -5.91db
35% Popularity • 78% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Sharon Van Etten
Let Go
113 bpm • A Maj • 04:42 • -8.16db
40% Popularity • 34% Danceability • 60% Energy • 17% Liveness
48% Instrumentalness • 16% Positiveness
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Bill Callahan
Too Many Birds
113 bpm • F min • 05:27 • -11.3db
42% Popularity • 53% Danceability • 57% Energy • 11% Liveness
12% Instrumentalness • 48% Positiveness
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Ezra Furman
Every Feeling
113 bpm • F Maj • 02:46 • -10.51db
43% Popularity • 71% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Camera Obscura
Forests & Sands
113 bpm • C# Maj • 04:16 • -5.82db
28% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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Neko Case
Deep Red Bells
113 bpm • B min • 04:03 • -7.43db
37% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The War On Drugs
Lost In The Dream
113 bpm • G Maj • 04:09 • -11db
51% Popularity • 61% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 42% Positiveness
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Sharon Van Etten
Remembering Mountains
128 bpm • C Maj • 03:36 • -11.74db
28% Popularity • 42% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Widowspeak
All Yours
128 bpm • G Maj • 03:42 • -8db
39% Popularity • 59% Danceability • 51% Energy • 19% Liveness
73% Instrumentalness • 51% Positiveness
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Whitney
No Woman
112 bpm • D Maj • 03:57 • -8.74db
59% Popularity • 59% Danceability • 40% Energy • 16% Liveness
58% Instrumentalness • 43% Positiveness
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Jenny Lewis
You Are What You Love
112 bpm • E Maj • 02:54 • -7db
26% Popularity • 53% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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One Day