Songs like One Eternity at a Time by Hior Chronik
Based on a tempo of (+/- 10%) and a similar genre
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Hior Chronik
One Eternity at a Time
111 bpm • E min • 03:32 • -13.78db
27% Popularity • 36% Danceability • 49% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 36% Danceability • 49% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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X.Y.R.
False Angel Lullaby
111 bpm • C# min • 07:24 • -16.5db
26% Popularity • 39% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
26% Popularity • 39% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Kodomo
Landing
111 bpm • F Maj • 02:49 • -20.46db
36% Popularity • 16% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Max Richter
Iconography - Konx-Om-Pax Remix
112 bpm • G min • 03:55 • -9.98db
30% Popularity • 66% Danceability • 66% Energy • 30% Liveness
86% Instrumentalness • 18% Positiveness
30% Popularity • 66% Danceability • 66% Energy • 30% Liveness
86% Instrumentalness • 18% Positiveness
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Subheim
Daughter
110 bpm • D min • 04:14 • -19db
22% Popularity • 32% Danceability • 22% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 32% Danceability • 22% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Bersarin Quartett
Wenn wir nur wollen
112 bpm • E min • 04:56 • -18.6db
8% Popularity • 18% Danceability • 34% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 34% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Gidge
Stone|Shell
110 bpm • G# min • 06:22 • -13.07db
33% Popularity • 63% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 63% Danceability • 40% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Hior Chronik
Smash and Grab
110 bpm • G# Maj • 04:52 • -14.21db
4% Popularity • 32% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
4% Popularity • 32% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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The Album Leaf
Venice
110 bpm • D Maj • 01:08 • -25.31db
41% Popularity • 54% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
41% Popularity • 54% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Joep Beving
Nebula
110 bpm • A# min • 08:56 • -15.49db
17% Popularity • 43% Danceability • 49% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 43% Danceability • 49% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Dmitry Evgrafov
Flow
110 bpm • D# min • 03:42 • -32.66db
26% Popularity • 23% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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Ben Fehr
Lock
112 bpm • C min • 03:54 • -17.34db
15% Popularity • 53% Danceability • 29% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
15% Popularity • 53% Danceability • 29% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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Brambles
In The Androgynous Dark - Nest Version
112 bpm • C min • 04:17 • -26.18db
32% Popularity • 21% Danceability • 7% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 7% Energy • 35% Liveness
89% Instrumentalness • 4% Positiveness
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36
Second Sequence
110 bpm • F Maj • 02:47 • -12.27db
31% Popularity • 16% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
31% Popularity • 16% Danceability • 37% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Henrik Lindstrand
För Den Goda Viljan
113 bpm • F# min • 03:21 • -23.9db
27% Popularity • 48% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
27% Popularity • 48% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Amon Tobin
Full Panther
109 bpm • D Maj • 03:23 • -15.18db
33% Popularity • 88% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 55% Positiveness
33% Popularity • 88% Danceability • 16% Energy • 10% Liveness
87% Instrumentalness • 55% Positiveness
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Ben Lukas Boysen
Gravity
113 bpm • G# min • 06:17 • -15.75db
16% Popularity • 17% Danceability • 7% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
16% Popularity • 17% Danceability • 7% Energy • 14% Liveness
95% Instrumentalness • 5% Positiveness
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A Winged Victory for the Sullen
The Slow Descent Has Begun
109 bpm • A min • 04:55 • -21db
38% Popularity • 16% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
38% Popularity • 16% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Brambles
In The Androgynous Dark
113 bpm • G# Maj • 04:43 • -17.02db
48% Popularity • 59% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
48% Popularity • 59% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Jacob Haage
Episodes
113 bpm • E min • 06:01 • -20.1db
14% Popularity • 76% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
14% Popularity • 76% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
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Felix Rösch
Interlude III
108 bpm • C min • 01:39 • -22.27db
37% Popularity • 49% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 9% Positiveness
37% Popularity • 49% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 9% Positiveness
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Bunraku
Yoyogi
114 bpm • G# min • 03:24 • -17.97db
15% Popularity • 29% Danceability • 15% Energy • 36% Liveness
93% Instrumentalness • 6% Positiveness
15% Popularity • 29% Danceability • 15% Energy • 36% Liveness
93% Instrumentalness • 6% Positiveness
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Kelpe
All the Way Round - Edit
108 bpm • D min • 04:30 • -19.74db
28% Popularity • 25% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 25% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Polynation
Ode
114 bpm • C min • 03:41 • -14.65db
28% Popularity • 30% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
28% Popularity • 30% Danceability • 43% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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The Gentleman Losers
There Will Come Soft Rains
114 bpm • C Maj • 04:26 • -7.61db
20% Popularity • 23% Danceability • 50% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 50% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Ben Lukas Boysen
Venia
114 bpm • A# min • 08:20 • -16.18db
14% Popularity • 23% Danceability • 41% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
14% Popularity • 23% Danceability • 41% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Robert Ames
Asteria (Alva Noto Remodel)
115 bpm • G Maj • 05:11 • -20.96db
15% Popularity • 34% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
15% Popularity • 34% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Gravity XL
Dark Clouds
115 bpm • E min • 03:18 • -12.18db
2% Popularity • 66% Danceability • 85% Energy • 16% Liveness
88% Instrumentalness • 26% Positiveness
2% Popularity • 66% Danceability • 85% Energy • 16% Liveness
88% Instrumentalness • 26% Positiveness
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Isaac Symonds
Natura Sophia
115 bpm • F# Maj • 04:03 • -24.15db
30% Popularity • 22% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Hior Chronik
Once Again I Felt I Wanna Escape
107 bpm • C Maj • 02:33 • -15.52db
4% Popularity • 67% Danceability • 45% Energy • 12% Liveness
85% Instrumentalness • 36% Positiveness
4% Popularity • 67% Danceability • 45% Energy • 12% Liveness
85% Instrumentalness • 36% Positiveness
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Pausal
Murmuration II
115 bpm • D Maj • 04:31 • -21db
26% Popularity • 17% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
26% Popularity • 17% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Ben Lukas Boysen
Medela
115 bpm • G# min • 08:41 • -14.55db
27% Popularity • 34% Danceability • 46% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
27% Popularity • 34% Danceability • 46% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
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Slow Meadow
Ships Along the Harbor
116 bpm • F Maj • 02:39 • -24.35db
42% Popularity • 17% Danceability • 6% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 6% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Corre
Form
107 bpm • F# Maj • 02:59 • -24.16db
15% Popularity • 34% Danceability • 34% Energy • 29% Liveness
92% Instrumentalness • 16% Positiveness
15% Popularity • 34% Danceability • 34% Energy • 29% Liveness
92% Instrumentalness • 16% Positiveness
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Arovane
After Tomorrow (Amx)
106 bpm • C Maj • 04:28 • -20.13db
14% Popularity • 22% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
14% Popularity • 22% Danceability • 26% Energy • 12% Liveness
93% Instrumentalness • 14% Positiveness
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Alexandra Hamilton-Ayres
Sleepless Wake
106 bpm • C min • 03:42 • -21db
26% Popularity • 35% Danceability • 23% Energy • 12% Liveness
69% Instrumentalness • 36% Positiveness
26% Popularity • 35% Danceability • 23% Energy • 12% Liveness
69% Instrumentalness • 36% Positiveness
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Illuminine
Take 3 - Ways
106 bpm • F Maj • 02:42 • -25.06db
37% Popularity • 19% Danceability • 5% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 5% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
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Delia Derbyshire Appreciation Society
Cloudface
117 bpm • G Maj • 04:31 • -21.85db
21% Popularity • 23% Danceability • 12% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 12% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Memum
Radiance - Hior Chronik Rework
117 bpm • A Maj • 03:56 • -19.59db
2% Popularity • 39% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
2% Popularity • 39% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Hior Chronik
Don't Speak So I Can Hear You
117 bpm • G Maj • 03:27 • -18.83db
4% Popularity • 34% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
4% Popularity • 34% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Origamibiro
Ada Deane
117 bpm • A min • 02:15 • -17.68db
21% Popularity • 76% Danceability • 59% Energy • 20% Liveness
14% Instrumentalness • 87% Positiveness
21% Popularity • 76% Danceability • 59% Energy • 20% Liveness
14% Instrumentalness • 87% Positiveness
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Mike Lazarev
Being Outside Being
117 bpm • G min • 02:55 • -19.55db
32% Popularity • 17% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
32% Popularity • 17% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Isan
Perlon
117 bpm • C# Maj • 06:39 • -20.82db
14% Popularity • 62% Danceability • 23% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
14% Popularity • 62% Danceability • 23% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
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Goya
Toska
105 bpm • F# min • 05:42 • -14.09db
22% Popularity • 70% Danceability • 44% Energy • 52% Liveness
87% Instrumentalness • 33% Positiveness
22% Popularity • 70% Danceability • 44% Energy • 52% Liveness
87% Instrumentalness • 33% Positiveness
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Abul Mogard
Bound Universe
105 bpm • C# Maj • 06:44 • -25.66db
23% Popularity • 20% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 2% Positiveness
23% Popularity • 20% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 2% Positiveness
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Yoann Pisterman
Pink Noise
105 bpm • C# Maj • 06:43 • -16db
19% Popularity • 51% Danceability • 12% Energy • 62% Liveness
93% Instrumentalness • 12% Positiveness
19% Popularity • 51% Danceability • 12% Energy • 62% Liveness
93% Instrumentalness • 12% Positiveness
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Thrupence
Heal
105 bpm • G min • 03:25 • -19.13db
18% Popularity • 26% Danceability • 35% Energy • 11% Liveness
99% Instrumentalness • 63% Positiveness
18% Popularity • 26% Danceability • 35% Energy • 11% Liveness
99% Instrumentalness • 63% Positiveness
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Martyn Heyne
Come On
105 bpm • C# min • 01:43 • -12.03db
37% Popularity • 81% Danceability • 44% Energy • 9% Liveness
78% Instrumentalness • 79% Positiveness
37% Popularity • 81% Danceability • 44% Energy • 9% Liveness
78% Instrumentalness • 79% Positiveness
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36
Symmetry Systems (Emerald)
105 bpm • G Maj • 03:22 • -14.42db
39% Popularity • 34% Danceability • 44% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
39% Popularity • 34% Danceability • 44% Energy • 8% Liveness
95% Instrumentalness • 15% Positiveness
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Angus MacRae
Wait for Light
105 bpm • A# min • 04:08 • -15.96db
17% Popularity • 31% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
17% Popularity • 31% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Bersarin Quartett
Staub und Sterne
104 bpm • E min • 04:31 • -14.66db
13% Popularity • 17% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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John Metcalfe
See Me Through
105 bpm • A# min • 04:44 • -15db
15% Popularity • 66% Danceability • 35% Energy • 8% Liveness
91% Instrumentalness • 63% Positiveness
15% Popularity • 66% Danceability • 35% Energy • 8% Liveness
91% Instrumentalness • 63% Positiveness
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Ochre
A Midsummer Nice Dream
118 bpm • F# min • 02:50 • -19.52db
36% Popularity • 45% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
36% Popularity • 45% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Hainbach
The Guide
104 bpm • F Maj • 03:21 • -16.26db
30% Popularity • 51% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
30% Popularity • 51% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Superposition
Echo//Radiate
119 bpm • C Maj • 03:54 • -24.49db
23% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Rafael Anton Irisarri
Empire Systems
119 bpm • C Maj • 08:44 • -11.5db
23% Popularity • 17% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Christian Löffler
Parsifal
120 bpm • F min • 02:46 • -20.01db
37% Popularity • 17% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Paddy Mulcahy
A Dream, A Sequence
120 bpm • D min • 05:29 • -19.05db
22% Popularity • 42% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
22% Popularity • 42% Danceability • 8% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
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Arovane
Pendel
103 bpm • A min • 06:10 • -9.19db
2% Popularity • 15% Danceability • 45% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
2% Popularity • 15% Danceability • 45% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Hior Chronik
I Count More on the Things You Ignore
120 bpm • F Maj • 02:53 • -20.93db
0% Popularity • 31% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
0% Popularity • 31% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Gidge
Elegy, Part I
120 bpm • C# Maj • 02:55 • -15.35db
34% Popularity • 86% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
34% Popularity • 86% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Lonely Roads
Milliseconds
120 bpm • F min • 02:57 • -20.43db
27% Popularity • 51% Danceability • 27% Energy • 11% Liveness
82% Instrumentalness • 33% Positiveness
27% Popularity • 51% Danceability • 27% Energy • 11% Liveness
82% Instrumentalness • 33% Positiveness
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beGun
Habu (Hunting Hunters)
120 bpm • E min • 04:50 • -22.18db
32% Popularity • 45% Danceability • 17% Energy • 37% Liveness
92% Instrumentalness • 6% Positiveness
32% Popularity • 45% Danceability • 17% Energy • 37% Liveness
92% Instrumentalness • 6% Positiveness
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Techno Para Dos
Dharma
120 bpm • E Maj • 07:36 • -9.78db
27% Popularity • 48% Danceability • 57% Energy • 7% Liveness
65% Instrumentalness • 4% Positiveness
27% Popularity • 48% Danceability • 57% Energy • 7% Liveness
65% Instrumentalness • 4% Positiveness
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Slow Meadow
Artificial Algorithm
120 bpm • E min • 04:13 • -17db
33% Popularity • 55% Danceability • 21% Energy • 43% Liveness
89% Instrumentalness • 6% Positiveness
33% Popularity • 55% Danceability • 21% Energy • 43% Liveness
89% Instrumentalness • 6% Positiveness
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Hior Chronik
Foetal Heart
120 bpm • F# Maj • 02:25 • -27.78db
4% Popularity • 66% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
4% Popularity • 66% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 43% Positiveness
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Sergio DÃaz De Rojas
Istanbul
120 bpm • C# min • 03:39 • -28.6db
32% Popularity • 51% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
32% Popularity • 51% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Minihi
Phemie's Walk
120 bpm • C Maj • 03:41 • -15db
9% Popularity • 55% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
9% Popularity • 55% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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Arovane
We Just Scratched the Surface
120 bpm • C# min • 04:17 • -11.11db
2% Popularity • 51% Danceability • 87% Energy • 10% Liveness
69% Instrumentalness • 14% Positiveness
2% Popularity • 51% Danceability • 87% Energy • 10% Liveness
69% Instrumentalness • 14% Positiveness
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Brambles
Petrichor
120 bpm • D min • 05:16 • -19.95db
16% Popularity • 48% Danceability • 20% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
16% Popularity • 48% Danceability • 20% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Mikael Delta
Melt - Remix
120 bpm • G# Maj • 04:39 • -10.86db
1% Popularity • 60% Danceability • 59% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
1% Popularity • 60% Danceability • 59% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Hior Chronik
Yellow Leaves Fly Away
120 bpm • B min • 02:02 • -29.19db
1% Popularity • 60% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
1% Popularity • 60% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Mark Slater
34-46
120 bpm • A# min • 04:01 • -20.91db
25% Popularity • 73% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 73% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Mount Alaska
Back to the Land, My Love
120 bpm • A min • 03:39 • -17.22db
30% Popularity • 43% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
30% Popularity • 43% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
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Idioma
Landscapes - Original
120 bpm • C Maj • 07:12 • -17db
30% Popularity • 58% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
30% Popularity • 58% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Ben Lukas Boysen
Empyrean
120 bpm • B Maj • 06:58 • -13.86db
23% Popularity • 38% Danceability • 52% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
23% Popularity • 38% Danceability • 52% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Innere Tueren
Return Forever
120 bpm • D Maj • 04:41 • -11.69db
11% Popularity • 67% Danceability • 71% Energy • 13% Liveness
94% Instrumentalness • 25% Positiveness
11% Popularity • 67% Danceability • 71% Energy • 13% Liveness
94% Instrumentalness • 25% Positiveness
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Hior Chronik
Intimacy of the Unknown
103 bpm • D# min • 06:55 • -14.44db
5% Popularity • 16% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 27% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Hugar
Órói
120 bpm • F min • 03:18 • -26db
29% Popularity • 18% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Lotte Pen
Chronon
120 bpm • F min • 05:05 • -8.94db
16% Popularity • 68% Danceability • 60% Energy • 24% Liveness
91% Instrumentalness • 23% Positiveness
16% Popularity • 68% Danceability • 60% Energy • 24% Liveness
91% Instrumentalness • 23% Positiveness
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Selffish
Willing Suspension of Disbelief
120 bpm • A min • 08:07 • -21.68db
28% Popularity • 77% Danceability • 54% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
28% Popularity • 77% Danceability • 54% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Federico Albanese
Mauer Blues
120 bpm • C# Maj • 04:01 • -20.92db
38% Popularity • 44% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
38% Popularity • 44% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Arovane
Ein Kleines Lied
120 bpm • F# Maj • 02:23 • -12.62db
7% Popularity • 56% Danceability • 70% Energy • 8% Liveness
83% Instrumentalness • 20% Positiveness
7% Popularity • 56% Danceability • 70% Energy • 8% Liveness
83% Instrumentalness • 20% Positiveness
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Hior Chronik
Strange Days
120 bpm • A# Maj • 03:24 • -14.61db
6% Popularity • 58% Danceability • 71% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
6% Popularity • 58% Danceability • 71% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Ben Lukas Boysen
Golden Times 1
120 bpm • C# min • 08:37 • -19.84db
30% Popularity • 51% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
30% Popularity • 51% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Matsu
Momento - Hior Chronik Remix
120 bpm • D Maj • 05:58 • -12.75db
1% Popularity • 64% Danceability • 59% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
1% Popularity • 64% Danceability • 59% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Luke Howard
Dark Angels
120 bpm • C# min • 08:23 • -27.07db
9% Popularity • 43% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 43% Danceability • 12% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Brambles
Salt Photographs
120 bpm • G# Maj • 06:54 • -18db
30% Popularity • 52% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
30% Popularity • 52% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Arovane
The Return
120 bpm • D# min • 02:58 • -25.51db
2% Popularity • 51% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
2% Popularity • 51% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 13% Positiveness
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Hior Chronik
Back Home
120 bpm • G# Maj • 05:27 • -13.24db
3% Popularity • 51% Danceability • 64% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
3% Popularity • 51% Danceability • 64% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Yoann Pisterman
Bucolic Architecture - Flug 8 Remix
120 bpm • E min • 06:26 • -12.56db
16% Popularity • 60% Danceability • 41% Energy • 5% Liveness
95% Instrumentalness • 45% Positiveness
16% Popularity • 60% Danceability • 41% Energy • 5% Liveness
95% Instrumentalness • 45% Positiveness
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Indian Wells
Night Arp Blues
120 bpm • A# min • 04:01 • -18.39db
36% Popularity • 64% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
36% Popularity • 64% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Felix Rösch
Becoming Ocean
120 bpm • A min • 03:04 • -12db
29% Popularity • 56% Danceability • 70% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
29% Popularity • 56% Danceability • 70% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Luca D'Alberto
My Way - Hior Chronik Rework
120 bpm • G# Maj • 05:42 • -20.18db
3% Popularity • 18% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
3% Popularity • 18% Danceability • 24% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Chaouche
It Will Come in Time
120 bpm • C# Maj • 03:46 • -24.05db
12% Popularity • 48% Danceability • 16% Energy • 11% Liveness
81% Instrumentalness • 15% Positiveness
12% Popularity • 48% Danceability • 16% Energy • 11% Liveness
81% Instrumentalness • 15% Positiveness
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Hior Chronik
Trace
120 bpm • A min • 05:41 • -15.53db
3% Popularity • 62% Danceability • 58% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
3% Popularity • 62% Danceability • 58% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Misia Furtak
Space - Hior Chronik Rework
120 bpm • D Maj • 03:03 • -18.21db
3% Popularity • 53% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
3% Popularity • 53% Danceability • 48% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Indian Wells
Voices
120 bpm • C min • 04:42 • -17.64db
34% Popularity • 60% Danceability • 29% Energy • 6% Liveness
96% Instrumentalness • 16% Positiveness
34% Popularity • 60% Danceability • 29% Energy • 6% Liveness
96% Instrumentalness • 16% Positiveness
