Songs like One Hand Loose by Ray Condo And His Hard Rock Goners
Based on a tempo of (+/- 10%) and a similar genre
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Ray Condo And His Hard Rock Goners
One Hand Loose
145 bpm • B min • 02:18 • -9.95db
3% Popularity • 53% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
3% Popularity • 53% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Cave Catt Sammy
I Hate You Gin
145 bpm • D# Maj • 02:30 • -5.02db
13% Popularity • 55% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 55% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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The Nightdrivers
Mary Lou
145 bpm • C min • 02:03 • -4.84db
15% Popularity • 51% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 51% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Greg Overman
Light Me
145 bpm • G Maj • 03:36 • -15.81db
27% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 44% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Aron Blue
Here Kitty Kitty
146 bpm • A Maj • 03:08 • -8.7db
20% Popularity • 55% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 97% Positiveness
20% Popularity • 55% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 97% Positiveness
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Daniel Tom
On Your Arm
144 bpm • C Maj • 02:39 • -14.08db
25% Popularity • 57% Danceability • 47% Energy • 9% Liveness
66% Instrumentalness • 88% Positiveness
25% Popularity • 57% Danceability • 47% Energy • 9% Liveness
66% Instrumentalness • 88% Positiveness
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Ritchie Valens
Boney Moronie
146 bpm • F Maj • 02:44 • -8.18db
9% Popularity • 66% Danceability • 81% Energy • 25% Liveness
1% Instrumentalness • 97% Positiveness
9% Popularity • 66% Danceability • 81% Energy • 25% Liveness
1% Instrumentalness • 97% Positiveness
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Hillbilly Hellcats
I Hate Music
144 bpm • A Maj • 02:32 • -6.45db
17% Popularity • 50% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 50% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Cave Catt Sammy
Your Money Makes You Purty
144 bpm • A Maj • 02:06 • -4.6db
14% Popularity • 73% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
14% Popularity • 73% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
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Greg Overman
Cherokee
147 bpm • C Maj • 02:47 • -12.29db
27% Popularity • 47% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 47% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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TOINI & RIO BRAVO
Get While the Getting's Good
147 bpm • A Maj • 03:17 • -7.01db
14% Popularity • 61% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 61% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Furious
You Bring Out The Wolf in Me
143 bpm • E Maj • 03:34 • -5.82db
11% Popularity • 57% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 57% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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The Coffinshakers
We are the Undead
147 bpm • D Maj • 01:32 • -4.98db
9% Popularity • 36% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 36% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Sonny Burgess
Tiger Rose
147 bpm • G Maj • 02:23 • -8.14db
12% Popularity • 69% Danceability • 72% Energy • 7% Liveness
70% Instrumentalness • 91% Positiveness
12% Popularity • 69% Danceability • 72% Energy • 7% Liveness
70% Instrumentalness • 91% Positiveness
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Sun Cats
Weary Blues Goodbye
148 bpm • A Maj • 03:02 • -6.8db
11% Popularity • 42% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 82% Positiveness
11% Popularity • 42% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 82% Positiveness
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Mickey Jupp
Got No God
148 bpm • G Maj • 02:29 • -6.28db
11% Popularity • 70% Danceability • 88% Energy • 10% Liveness
45% Instrumentalness • 96% Positiveness
11% Popularity • 70% Danceability • 88% Energy • 10% Liveness
45% Instrumentalness • 96% Positiveness
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Ray Condo And His Hard Rock Goners
One Night
142 bpm • B Maj • 02:34 • -5.03db
0% Popularity • 37% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 37% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Bob Corritore
Big Fat Woman 480 LBS
142 bpm • D Maj • 02:50 • -6.81db
9% Popularity • 71% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 71% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 97% Positiveness
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Dylan Kirk And The Killers
You'll Be My Baby
142 bpm • D Maj • 02:48 • -4.77db
10% Popularity • 51% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 51% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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TOINI & RIO BRAVO
This Gun Don't Care Who It Shoots
148 bpm • C Maj • 03:30 • -8.16db
13% Popularity • 57% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 57% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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James Harman
A Rut And A Groove
140 bpm • C# Maj • 05:55 • -8.34db
8% Popularity • 59% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 59% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Jack Rabbit Slim
Midnight Black
141 bpm • E Maj • 02:54 • -7.77db
19% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 56% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Deke Dickerson and the Whippersnappers
Bucket of Blood
150 bpm • E Maj • 02:04 • -5.83db
12% Popularity • 61% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 61% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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The Whistling Cyclist
You Will See
140 bpm • A Maj • 02:44 • -8.8db
18% Popularity • 52% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 52% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Hub Caps
Dear Dad
150 bpm • C Maj • 01:56 • -5.82db
8% Popularity • 43% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 43% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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The Swamp Shakers
Red Corvette
151 bpm • D Maj • 02:19 • -6.58db
11% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Go Cat Go
Big Train
139 bpm • A Maj • 04:16 • -6.18db
9% Popularity • 48% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 48% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Raw Meat
Love With No Return
151 bpm • A min • 02:38 • -7.08db
11% Popularity • 58% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 58% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Hillbilly Hellcats
Danger
153 bpm • A Maj • 02:25 • -7.08db
18% Popularity • 43% Danceability • 83% Energy • 49% Liveness
46% Instrumentalness • 80% Positiveness
18% Popularity • 43% Danceability • 83% Energy • 49% Liveness
46% Instrumentalness • 80% Positiveness
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Greg Overman
Knock
153 bpm • C Maj • 03:33 • -11.88db
27% Popularity • 54% Danceability • 65% Energy • 13% Liveness
7% Instrumentalness • 93% Positiveness
27% Popularity • 54% Danceability • 65% Energy • 13% Liveness
7% Instrumentalness • 93% Positiveness
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Linus Zander
My Mind Is Full Of Rock
153 bpm • F Maj • 03:32 • -6.34db
15% Popularity • 59% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 59% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Marcia Ratke
They Said I Was No Good
137 bpm • C Maj • 02:37 • -6.42db
28% Popularity • 54% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
28% Popularity • 54% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
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Cave Catt Sammy
You Made Your Bed
154 bpm • B min • 02:22 • -7.76db
10% Popularity • 55% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 55% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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The Coasters
Searchin'
155 bpm • B min • 02:15 • -3.5db
12% Popularity • 45% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 45% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Hillbilly Hellcats
The Roadkill Cafe
153 bpm • A Maj • 02:22 • -4.67db
20% Popularity • 48% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 48% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Ray Condo And His Hard Rock Goners
Love Love Love
135 bpm • A Maj • 02:16 • -9.59db
0% Popularity • 61% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 61% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 90% Positiveness
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Greg Overman
The Little Lil
155 bpm • A# min • 03:36 • -13db
27% Popularity • 58% Danceability • 47% Energy • 19% Liveness
13% Instrumentalness • 96% Positiveness
27% Popularity • 58% Danceability • 47% Energy • 19% Liveness
13% Instrumentalness • 96% Positiveness
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Marcia Ratke
Letz Roll
154 bpm • C Maj • 02:55 • -7.39db
28% Popularity • 49% Danceability • 89% Energy • 22% Liveness
4% Instrumentalness • 80% Positiveness
28% Popularity • 49% Danceability • 89% Energy • 22% Liveness
4% Instrumentalness • 80% Positiveness
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Spunyboys
I'm A One Woman Man
136 bpm • A Maj • 01:59 • -6.28db
27% Popularity • 72% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 91% Positiveness
27% Popularity • 72% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 91% Positiveness
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Alexander Haggai
What About
135 bpm • D Maj • 01:52 • -12.76db
25% Popularity • 64% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 64% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Slim Harpo
Cigarettes and Coffee Blues
135 bpm • A Maj • 02:11 • -5.75db
17% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Mike Ropek
They'll Be Comin Round
135 bpm • A Maj • 02:45 • -4.07db
13% Popularity • 70% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 70% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Carolina & Her Rhythm Rockets
Be Mine
134 bpm • E Maj • 02:48 • -4.66db
8% Popularity • 64% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 64% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Marcia Ratke
Let's Get Very High
154 bpm • B min • 02:51 • -7.14db
28% Popularity • 48% Danceability • 80% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 48% Danceability • 80% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
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Hillbilly Casino
How Do You Think?
134 bpm • B min • 03:08 • -3.64db
8% Popularity • 60% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 60% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Pat Capocci
More Thrills Than Ever
157 bpm • F Maj • 02:43 • -7.3db
26% Popularity • 67% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 67% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Alexander Haggai
Baby Face
134 bpm • F Maj • 02:56 • -10.66db
25% Popularity • 56% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 56% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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The Rhythm Shakers
Home Wrecker
158 bpm • C Maj • 02:40 • -4.92db
9% Popularity • 62% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 62% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Ray Condo And His Hard Rock Goners
The Worryin' Kind
159 bpm • A Maj • 02:18 • -11db
1% Popularity • 55% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 55% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Marcia Ratke
Cleaner
158 bpm • G# Maj • 02:58 • -8.77db
28% Popularity • 47% Danceability • 76% Energy • 10% Liveness
17% Instrumentalness • 75% Positiveness
28% Popularity • 47% Danceability • 76% Energy • 10% Liveness
17% Instrumentalness • 75% Positiveness
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Lance Robison
Famous Dead Guys
159 bpm • E Maj • 02:00 • -13.39db
15% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Carlos & The Bandidos
Tired of What You Do to Me
132 bpm • A min • 01:58 • -1db
8% Popularity • 52% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 52% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Alexander Haggai
Two Hearts And Two Kisses
134 bpm • G Maj • 02:47 • -12.63db
25% Popularity • 54% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
25% Popularity • 54% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Darrel Higham
I Wonder If You Wonder
159 bpm • C Maj • 02:09 • -14.92db
15% Popularity • 49% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 49% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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The Barnshakers
Too Tired Today
160 bpm • G# min • 02:22 • -4.33db
8% Popularity • 54% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 54% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Ray Condo And His Hard Rock Goners
Pepstepper's Stomp
131 bpm • G Maj • 02:19 • -10.78db
0% Popularity • 44% Danceability • 83% Energy • 30% Liveness
8% Instrumentalness • 73% Positiveness
0% Popularity • 44% Danceability • 83% Energy • 30% Liveness
8% Instrumentalness • 73% Positiveness
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Los Torontos
You're a One
161 bpm • C Maj • 02:15 • -4.09db
10% Popularity • 38% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 38% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Cash and the Charges
Thinkin' About Drinkin'
130 bpm • G Maj • 02:53 • -11.35db
24% Popularity • 68% Danceability • 53% Energy • 24% Liveness
3% Instrumentalness • 87% Positiveness
24% Popularity • 68% Danceability • 53% Energy • 24% Liveness
3% Instrumentalness • 87% Positiveness
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Jack Rabbit Slim
Serpent Slide
161 bpm • B min • 02:25 • -7.3db
15% Popularity • 48% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 48% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Spunyboys
Moonshine
130 bpm • G min • 02:57 • -5.89db
11% Popularity • 74% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
11% Popularity • 74% Danceability • 82% Energy • 7% Liveness
1% Instrumentalness • 97% Positiveness
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Ray Campi
Rockabilly Man
162 bpm • D# Maj • 02:52 • -1.63db
15% Popularity • 56% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 56% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Ray Condo And His Hard Rock Goners
Way Out There
131 bpm • A Maj • 02:38 • -11.35db
0% Popularity • 64% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 64% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Alexander Haggai
Stand Outside
130 bpm • A# min • 01:50 • -13.98db
25% Popularity • 55% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 55% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 89% Positiveness
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Pat Capocci
Coast to Coast
163 bpm • B min • 02:37 • -7.58db
26% Popularity • 54% Danceability • 89% Energy • 32% Liveness
43% Instrumentalness • 87% Positiveness
26% Popularity • 54% Danceability • 89% Energy • 32% Liveness
43% Instrumentalness • 87% Positiveness
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Ruby Ann
Mad Mama
164 bpm • G Maj • 02:07 • -7.53db
16% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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The Coffinshakers
Vampires Don't Cry
129 bpm • E Maj • 02:06 • -4.73db
10% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 52% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Spunyboys
Natural Born Lover
164 bpm • B min • 02:30 • -5.75db
19% Popularity • 69% Danceability • 96% Energy • 7% Liveness
2% Instrumentalness • 94% Positiveness
19% Popularity • 69% Danceability • 96% Energy • 7% Liveness
2% Instrumentalness • 94% Positiveness
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Ray Condo And His Hard Rock Goners
Crazy Date
130 bpm • C# Maj • 03:25 • -11.57db
0% Popularity • 70% Danceability • 65% Energy • 16% Liveness
4% Instrumentalness • 75% Positiveness
0% Popularity • 70% Danceability • 65% Energy • 16% Liveness
4% Instrumentalness • 75% Positiveness
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Alexander Haggai
Release Love
129 bpm • D min • 02:50 • -15.71db
25% Popularity • 53% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 53% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Ray Campi
The Newest Wave
164 bpm • A# min • 01:53 • -3.21db
15% Popularity • 58% Danceability • 74% Energy • 11% Liveness
24% Instrumentalness • 92% Positiveness
15% Popularity • 58% Danceability • 74% Energy • 11% Liveness
24% Instrumentalness • 92% Positiveness
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The Mason Green Experience
What Is the Point?
128 bpm • B min • 02:36 • -12.67db
14% Popularity • 72% Danceability • 42% Energy • 17% Liveness
32% Instrumentalness • 37% Positiveness
14% Popularity • 72% Danceability • 42% Energy • 17% Liveness
32% Instrumentalness • 37% Positiveness
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Messed Up Trio
Way Too Wasted
165 bpm • E min • 02:34 • -5.59db
20% Popularity • 45% Danceability • 93% Energy • 10% Liveness
16% Instrumentalness • 87% Positiveness
20% Popularity • 45% Danceability • 93% Energy • 10% Liveness
16% Instrumentalness • 87% Positiveness
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Pike Cavalero
FAREWELL
165 bpm • G# Maj • 02:45 • -3.68db
14% Popularity • 46% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 46% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
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Ray Condo And His Hard Rock Goners
Who Walks In When I Walk Out
130 bpm • D Maj • 02:36 • -11.13db
0% Popularity • 68% Danceability • 70% Energy • 19% Liveness
1% Instrumentalness • 91% Positiveness
0% Popularity • 68% Danceability • 70% Energy • 19% Liveness
1% Instrumentalness • 91% Positiveness
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Marcia Ratke
It's Time For Bop
165 bpm • G Maj • 02:15 • -7.39db
29% Popularity • 49% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 85% Positiveness
29% Popularity • 49% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 85% Positiveness
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Flat Duo Jets
Party Kiss
127 bpm • A Maj • 02:10 • -9.73db
11% Popularity • 42% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 42% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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Big Sandy & His Fly-Rite Boys
True Blue
166 bpm • A Maj • 02:17 • -9.25db
11% Popularity • 56% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 56% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Hicksville Bombers
Checkin' Up On My Baby
166 bpm • D min • 03:18 • -6.89db
10% Popularity • 49% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 49% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Lovesick
I'm in Love with My Baby
165 bpm • E min • 02:36 • -9.72db
14% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 70% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Ray Condo And His Hard Rock Goners
Teardrops From My Eyes
164 bpm • F Maj • 03:28 • -11.96db
0% Popularity • 45% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 45% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Darcy O'Neil
Alabama Mobile
166 bpm • A min • 03:02 • -12.13db
26% Popularity • 51% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 51% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The Buckaroos
I´m a Hog for You
126 bpm • D Maj • 02:31 • -4db
12% Popularity • 72% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 72% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Campi
Rockabilly Music
126 bpm • D Maj • 01:55 • -4.63db
13% Popularity • 63% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 63% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
The Train Kept A Rollin'
168 bpm • A Maj • 02:17 • -9.73db
14% Popularity • 57% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 57% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Amaru Matus
All She Took Away
168 bpm • E Maj • 02:11 • -8.58db
10% Popularity • 53% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 53% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Condo And His Hard Rock Goners
Come On
164 bpm • A Maj • 02:20 • -7.05db
2% Popularity • 47% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
2% Popularity • 47% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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The Nut Jumpers
Boogie in the Shack
167 bpm • E Maj • 02:10 • -7.49db
7% Popularity • 60% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 60% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Los Torontos
Johnny Machine
168 bpm • C Maj • 02:18 • -3.55db
8% Popularity • 37% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 37% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Campi
Rockabilly Music
125 bpm • A Maj • 01:56 • -8db
25% Popularity • 72% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 72% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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The Quakes
Parts and Labor
168 bpm • D Maj • 02:54 • -3db
20% Popularity • 58% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 58% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Jack Rabbit Slim
Cherry Pie
168 bpm • D min • 02:15 • -5.07db
22% Popularity • 38% Danceability • 99% Energy • 20% Liveness
2% Instrumentalness • 96% Positiveness
22% Popularity • 38% Danceability • 99% Energy • 20% Liveness
2% Instrumentalness • 96% Positiveness
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Ray Condo And His Hard Rock Goners
She's My Baby
126 bpm • B min • 01:39 • -8.07db
1% Popularity • 52% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 52% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Eddy and the Backfires
A Cat Called Domino
168 bpm • E Maj • 02:01 • -2.8db
15% Popularity • 51% Danceability • 95% Energy • 16% Liveness
1% Instrumentalness • 95% Positiveness
15% Popularity • 51% Danceability • 95% Energy • 16% Liveness
1% Instrumentalness • 95% Positiveness
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Cousin Harley
Jeanie Jeanie Jeanie
169 bpm • F Maj • 03:37 • -5.6db
8% Popularity • 40% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 40% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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The Rhythm Shakers
But Still You Left Me
168 bpm • F min • 02:21 • -2.67db
11% Popularity • 53% Danceability • 91% Energy • 27% Liveness
4% Instrumentalness • 97% Positiveness
11% Popularity • 53% Danceability • 91% Energy • 27% Liveness
4% Instrumentalness • 97% Positiveness
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High Noon
Stranger Things
125 bpm • E Maj • 02:16 • -6db
23% Popularity • 55% Danceability • 87% Energy • 49% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 55% Danceability • 87% Energy • 49% Liveness
0% Instrumentalness • 94% Positiveness
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Jack Rabbit Slim
Justine - Alternate Version
169 bpm • B min • 01:49 • -5.52db
16% Popularity • 51% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 51% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Ray Condo And His Hard Rock Goners
Lover Come Back To Me
125 bpm • G Maj • 03:19 • -15.58db
0% Popularity • 69% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 69% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
