Songs like One Last Look by Gin Wigmore
Based on a tempo of (+/- 10%) and a similar genre
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Arum Rae
Something's Happening to Me
180 bpm • C min • 02:28 • -3db
27% Popularity • 68% Danceability • 88% Energy • 6% Liveness
4% Instrumentalness • 74% Positiveness
27% Popularity • 68% Danceability • 88% Energy • 6% Liveness
4% Instrumentalness • 74% Positiveness
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Juliette Lewis
Mean Machine
180 bpm • C# Maj • 02:32 • -5.64db
10% Popularity • 47% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 47% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Gin Wigmore
One Last Look
180 bpm • A Maj • 02:36 • -5.56db
21% Popularity • 65% Danceability • 60% Energy • 5% Liveness
38% Instrumentalness • 75% Positiveness
21% Popularity • 65% Danceability • 60% Energy • 5% Liveness
38% Instrumentalness • 75% Positiveness
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Beth Hart
Better Man
180 bpm • G# Maj • 03:48 • -6.66db
30% Popularity • 55% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 55% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Clairy Browne & The Bangin' Rackettes
Good Problems - Bonus Track
178 bpm • F# min • 02:36 • -3.65db
14% Popularity • 55% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 55% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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Ida Maria
Bad Karma
178 bpm • A min • 02:55 • -3.46db
33% Popularity • 32% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 32% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Kate Nash
Fri-End? - Radio Edit
176 bpm • E Maj • 03:04 • -2.27db
8% Popularity • 32% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 32% Danceability • 94% Energy • 46% Liveness
0% Instrumentalness • 67% Positiveness
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Juliette Lewis
Hello Hero
179 bpm • E min • 03:22 • -6.12db
15% Popularity • 62% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 62% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Sonia Leigh
Spider in the Roses
176 bpm • G Maj • 03:22 • -7db
37% Popularity • 44% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 44% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Delta Rae
Hands Dirty
176 bpm • D# min • 03:29 • -4db
33% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Gabriella Cilmi
Left With Someone Else
176 bpm • E min • 03:15 • -6.35db
25% Popularity • 39% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
25% Popularity • 39% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Gin Wigmore
Easy Come Easy Go
175 bpm • C Maj • 03:01 • -11.61db
9% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 49% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Gabrielle Aplin
Skeleton
175 bpm • A min • 03:37 • -5db
17% Popularity • 50% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 50% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Super 8 Cum Shot
You Smell Like Dinner
186 bpm • A Maj • 04:37 • -8.96db
8% Popularity • 24% Danceability • 82% Energy • 53% Liveness
1% Instrumentalness • 80% Positiveness
8% Popularity • 24% Danceability • 82% Energy • 53% Liveness
1% Instrumentalness • 80% Positiveness
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Beth Hart
Delicious Surprise
186 bpm • F# Maj • 03:48 • -4.92db
24% Popularity • 41% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 41% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Vallejo
Snake In The Grass
174 bpm • D min • 03:21 • -5db
19% Popularity • 49% Danceability • 85% Energy • 13% Liveness
3% Instrumentalness • 90% Positiveness
19% Popularity • 49% Danceability • 85% Energy • 13% Liveness
3% Instrumentalness • 90% Positiveness
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Gabriella Cilmi
Keep On Keeping
174 bpm • E min • 02:43 • -10db
13% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 46% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Gin Wigmore
Under My Skin
186 bpm • C Maj • 02:48 • -5.16db
22% Popularity • 50% Danceability • 94% Energy • 89% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 50% Danceability • 94% Energy • 89% Liveness
0% Instrumentalness • 71% Positiveness
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Juliet Simms
It’s A Man’s, Man’s, Man’s World...
173 bpm • D# min • 03:32 • -4.28db
26% Popularity • 27% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 27% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Dustbowl Revival
If You Could See Me Now
188 bpm • G min • 03:20 • -4.49db
16% Popularity • 50% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
16% Popularity • 50% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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No Sinner
If Anything
171 bpm • C# min • 03:16 • -6.09db
10% Popularity • 41% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 41% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Whitehorse
My Babe
172 bpm • E Maj • 02:18 • -4.46db
37% Popularity • 62% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 62% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Gabriella Cilmi
Don't Look Back
173 bpm • A min • 03:46 • -9.32db
10% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 40% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Delta Rae
If I Loved You
171 bpm • G Maj • 03:39 • -5.56db
26% Popularity • 41% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 41% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Gin Wigmore
Hallelujah
174 bpm • D# Maj • 03:29 • -8.09db
13% Popularity • 34% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 34% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Ivy Levan
I Don't Wanna Wake Up
190 bpm • E Maj • 02:59 • -5.35db
28% Popularity • 68% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 68% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Mo’Ju
Must Be Desire
171 bpm • B min • 04:07 • -8.05db
9% Popularity • 56% Danceability • 68% Energy • 8% Liveness
16% Instrumentalness • 39% Positiveness
9% Popularity • 56% Danceability • 68% Energy • 8% Liveness
16% Instrumentalness • 39% Positiveness
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SPELLES
Rib Cage
170 bpm • A min • 03:28 • -3.65db
21% Popularity • 44% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 44% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Storm Large
Ladylike
170 bpm • A Maj • 03:08 • -6.44db
22% Popularity • 41% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 41% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Hayley Taylor
What’s Going On
170 bpm • B min • 02:31 • -6db
16% Popularity • 68% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 68% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Gin Wigmore
New Revolution
170 bpm • B Maj • 04:20 • -8.01db
15% Popularity • 55% Danceability • 40% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
15% Popularity • 55% Danceability • 40% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
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Mama Kin
Coming To Get Ya
168 bpm • A# Maj • 03:57 • -8.71db
14% Popularity • 53% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 53% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Karise Eden
Stop Fucking With My Head
192 bpm • F# Maj • 03:15 • -3.04db
21% Popularity • 42% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 42% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Willy Moon
Bang Bang
168 bpm • F min • 02:17 • -6.5db
6% Popularity • 30% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
6% Popularity • 30% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Adia Victoria
Dead Eyes
194 bpm • A Maj • 02:21 • -8db
20% Popularity • 28% Danceability • 64% Energy • 11% Liveness
12% Instrumentalness • 38% Positiveness
20% Popularity • 28% Danceability • 64% Energy • 11% Liveness
12% Instrumentalness • 38% Positiveness
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April Smith and the Great Picture Show
Terrible Things
168 bpm • A min • 02:21 • -4.43db
37% Popularity • 65% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 65% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Sandi Thom
The Devil's Beat
166 bpm • G# min • 02:22 • -4.08db
16% Popularity • 53% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 53% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Tami Neilson
Big Boss Mama
166 bpm • B min • 02:46 • -5.87db
4% Popularity • 60% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
4% Popularity • 60% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Patty Griffin
I Smell A Rat
165 bpm • E min • 02:31 • -10.04db
17% Popularity • 52% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 70% Positiveness
17% Popularity • 52% Danceability • 57% Energy • 13% Liveness
2% Instrumentalness • 70% Positiveness
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Gin Wigmore
Good News
165 bpm • B Maj • 03:15 • -3.98db
12% Popularity • 60% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 60% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Little Jackie
One Love
164 bpm • F# min • 02:33 • -5.22db
8% Popularity • 56% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 56% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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April Smith and the Great Picture Show
Wow and Flutter
164 bpm • B min • 03:14 • -5.47db
22% Popularity • 64% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 64% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Ivy Levan
Hang Forever
163 bpm • F Maj • 02:48 • -6.27db
25% Popularity • 66% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 66% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Devan DuBois
Long Live
164 bpm • G# min • 03:14 • -5.55db
32% Popularity • 38% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 38% Danceability • 84% Energy • 58% Liveness
0% Instrumentalness • 41% Positiveness
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Lily Allen
As Long as I Got You
200 bpm • F# min • 03:23 • -5.34db
27% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Gin Wigmore
S.O.S.
164 bpm • A# Maj • 03:02 • -5.37db
10% Popularity • 52% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 52% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Harpoonist & the Axe Murderer
Tea for Two
200 bpm • E min • 03:15 • -4.47db
6% Popularity • 55% Danceability • 79% Energy • 24% Liveness
2% Instrumentalness • 75% Positiveness
6% Popularity • 55% Danceability • 79% Energy • 24% Liveness
2% Instrumentalness • 75% Positiveness
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April Smith and the Great Picture Show
Colors
202 bpm • D Maj • 02:41 • -5.78db
31% Popularity • 70% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 70% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Ivy Levan
Money
202 bpm • B min • 02:32 • -6.04db
32% Popularity • 56% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 56% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Leftover Cuties
One Heart
202 bpm • F# min • 02:46 • -7.67db
21% Popularity • 55% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 55% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 88% Positiveness
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Delta Rae
Run
160 bpm • D Maj • 02:58 • -5.99db
30% Popularity • 49% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 49% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Hutchinson
I Don't Love U
160 bpm • D Maj • 03:00 • -4.34db
13% Popularity • 56% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 56% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Whitehorse
Achilles' Desire
160 bpm • D min • 03:57 • -5.81db
14% Popularity • 37% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 37% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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The Peach Kings
Thieves & Kings
160 bpm • A Maj • 03:40 • -6db
37% Popularity • 43% Danceability • 72% Energy • 12% Liveness
6% Instrumentalness • 44% Positiveness
37% Popularity • 43% Danceability • 72% Energy • 12% Liveness
6% Instrumentalness • 44% Positiveness
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Ivy Levan
Her
160 bpm • F Maj • 03:27 • -3.56db
20% Popularity • 57% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 57% Danceability • 87% Energy • 50% Liveness
0% Instrumentalness • 71% Positiveness
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Carsie Blanton
Vim and Vigor
160 bpm • C min • 03:35 • -6.61db
20% Popularity • 63% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 63% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Grace Potter
Low
160 bpm • G# Maj • 04:04 • -7.38db
18% Popularity • 62% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 62% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Sarah Slean
Lucky Me
159 bpm • F# min • 03:26 • -5.1db
16% Popularity • 56% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 56% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Liz Phair
Got My Own Thing
204 bpm • C Maj • 04:34 • -4.95db
12% Popularity • 46% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 46% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Boom! Bap! Pow!
Suit
158 bpm • C# min • 02:56 • -6.08db
27% Popularity • 59% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 59% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Ivy Levan
Like A Glove
160 bpm • C min • 03:16 • -6.14db
19% Popularity • 69% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 69% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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The Ditty Bops
Sister Kate
205 bpm • D Maj • 02:25 • -6db
26% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Grace Potter
Nobody's Born With a Broken Heart
159 bpm • A# Maj • 03:54 • -6.67db
17% Popularity • 34% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 34% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Laura Marling
I Feel Your Love - Director's Cut
206 bpm • C Maj • 02:53 • -5.29db
35% Popularity • 32% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 32% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Mo’Ju
A Heart Is Not a Yo-Yo
157 bpm • D# min • 03:09 • -4.82db
10% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 70% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Baby Bee
High Heel Leather Boots
157 bpm • C Maj • 02:13 • -5db
11% Popularity • 48% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 48% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Sophie Koh
Charlie
156 bpm • F# Maj • 03:47 • -5.03db
17% Popularity • 35% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 35% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Noisettes
Beat Of My Heart
155 bpm • E Maj • 03:26 • -4.07db
22% Popularity • 44% Danceability • 90% Energy • 12% Liveness
10% Instrumentalness • 42% Positiveness
22% Popularity • 44% Danceability • 90% Energy • 12% Liveness
10% Instrumentalness • 42% Positiveness
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3 One Oh
Criminal
155 bpm • A min • 03:06 • -9.29db
30% Popularity • 70% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 70% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
