Songs like One More Hour by Flock of Dimes
Based on a tempo of (+/- 10%) and a similar genre
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Fruit Bats
Cub Pilot
106 bpm • G Maj • 03:31 • -10.29db
32% Popularity • 64% Danceability • 49% Energy • 8% Liveness
17% Instrumentalness • 51% Positiveness
32% Popularity • 64% Danceability • 49% Energy • 8% Liveness
17% Instrumentalness • 51% Positiveness
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Sylvan Esso
Die Young - Echo Mountain Sessions
106 bpm • G# Maj • 03:29 • -9.05db
35% Popularity • 77% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 77% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Neko Case
Supermoon
106 bpm • C# min • 03:47 • -10.56db
27% Popularity • 46% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
27% Popularity • 46% Danceability • 39% Energy • 10% Liveness
2% Instrumentalness • 47% Positiveness
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Phosphorescent
There From Here
105 bpm • B Maj • 05:20 • -7.05db
32% Popularity • 60% Danceability • 56% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
32% Popularity • 60% Danceability • 56% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
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Allie Crow Buckley
Fool Around
107 bpm • C Maj • 04:45 • -7.58db
11% Popularity • 39% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 39% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Flock of Dimes
One More Hour
106 bpm • A# Maj • 03:43 • -8.16db
17% Popularity • 54% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 54% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Cassandra Jenkins
Hard Drive
107 bpm • A Maj • 05:27 • -11.46db
32% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
32% Popularity • 59% Danceability • 63% Energy • 7% Liveness
57% Instrumentalness • 56% Positiveness
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Julie Byrne
Follow My Voice
107 bpm • D Maj • 04:02 • -14.63db
49% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Sun June
Singing
105 bpm • A Maj • 03:00 • -7.36db
20% Popularity • 62% Danceability • 55% Energy • 35% Liveness
6% Instrumentalness • 32% Positiveness
20% Popularity • 62% Danceability • 55% Energy • 35% Liveness
6% Instrumentalness • 32% Positiveness
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Molly Sarlé
Human
107 bpm • C Maj • 03:54 • -8.76db
37% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
37% Popularity • 56% Danceability • 42% Energy • 10% Liveness
37% Instrumentalness • 72% Positiveness
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Sylvan Esso
Sound
108 bpm • B Maj • 02:32 • -16.46db
32% Popularity • 67% Danceability • 63% Energy • 16% Liveness
2% Instrumentalness • 20% Positiveness
32% Popularity • 67% Danceability • 63% Energy • 16% Liveness
2% Instrumentalness • 20% Positiveness
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Flock of Dimes
The Weakness in Me
104 bpm • G# Maj • 03:42 • -9.19db
17% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Kevin Morby
Black Flowers
108 bpm • E min • 05:47 • -7.32db
26% Popularity • 62% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
26% Popularity • 62% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
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Nadia Reid
Just to Feel Alive
108 bpm • G# min • 03:53 • -10.98db
30% Popularity • 44% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 44% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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Sun June
Everything I had
104 bpm • A Maj • 04:06 • -11.33db
41% Popularity • 75% Danceability • 34% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
41% Popularity • 75% Danceability • 34% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
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Laura Gibson
Let's Go
104 bpm • G# Maj • 03:18 • -17.24db
21% Popularity • 79% Danceability • 33% Energy • 9% Liveness
16% Instrumentalness • 36% Positiveness
21% Popularity • 79% Danceability • 33% Energy • 9% Liveness
16% Instrumentalness • 36% Positiveness
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Bermuda Triangle
Till the End of Days
104 bpm • E Maj • 03:33 • -13.51db
32% Popularity • 62% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 62% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Eau Claire Memorial Jazz I
For Emma
108 bpm • C Maj • 05:17 • -12.81db
35% Popularity • 44% Danceability • 52% Energy • 94% Liveness
43% Instrumentalness • 47% Positiveness
35% Popularity • 44% Danceability • 52% Energy • 94% Liveness
43% Instrumentalness • 47% Positiveness
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Sylvan Esso
Funeral Singers
104 bpm • G# Maj • 03:39 • -10.82db
51% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 80% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Daughter of Swords
Fellows
108 bpm • G min • 03:51 • -15.61db
11% Popularity • 49% Danceability • 9% Energy • 44% Liveness
2% Instrumentalness • 17% Positiveness
11% Popularity • 49% Danceability • 9% Energy • 44% Liveness
2% Instrumentalness • 17% Positiveness
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Feist
Homage
104 bpm • A min • 04:09 • -10.08db
32% Popularity • 51% Danceability • 33% Energy • 31% Liveness
52% Instrumentalness • 33% Positiveness
32% Popularity • 51% Danceability • 33% Energy • 31% Liveness
52% Instrumentalness • 33% Positiveness
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Ethan Gruska
On the Outside
109 bpm • G Maj • 03:09 • -10.96db
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Andrew Bird
Cracking Codes
109 bpm • G Maj • 03:12 • -11.04db
43% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Greta Morgan
When the Sun Comes Up
109 bpm • A Maj • 04:42 • -12.78db
17% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 67% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Samantha Crain
An Echo
103 bpm • C# Maj • 03:48 • -9.19db
22% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Hannah Cohen
Dissolving
103 bpm • A# min • 03:37 • -12.39db
31% Popularity • 39% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
31% Popularity • 39% Danceability • 35% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Dan Mangan
Lynchpin
109 bpm • F# Maj • 04:02 • -8.17db
31% Popularity • 52% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 48% Positiveness
31% Popularity • 52% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 48% Positiveness
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Ethan Gruska
Reoccurring Dream
103 bpm • G Maj • 03:10 • -12.11db
20% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Flock of Dimes
Apparition
109 bpm • D# Maj • 04:58 • -9.79db
3% Popularity • 25% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
3% Popularity • 25% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Mountain Man
Slow Wake Up Sunday Morning
110 bpm • C Maj • 04:10 • -19.06db
24% Popularity • 60% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 60% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Samantha Crain
Holding to the Edge of Night
110 bpm • G# Maj • 04:43 • -11.86db
24% Popularity • 47% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
24% Popularity • 47% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
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Sam Valdez
Farther Away
110 bpm • F min • 03:26 • -7db
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 54% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Wilsen
Heavy Steps
110 bpm • A Maj • 03:17 • -12.81db
13% Popularity • 36% Danceability • 38% Energy • 15% Liveness
19% Instrumentalness • 16% Positiveness
13% Popularity • 36% Danceability • 38% Energy • 15% Liveness
19% Instrumentalness • 16% Positiveness
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River Whyless
Life Crisis
110 bpm • C Maj • 04:06 • -9db
51% Popularity • 80% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
51% Popularity • 80% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
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Flock of Dimes
It Just Goes On
110 bpm • D# Maj • 03:33 • -8.73db
27% Popularity • 65% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 65% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Erin Rae
Can't Cut Loose
110 bpm • C# Maj • 03:13 • -12.51db
21% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Half Waif
Lavender Burning
110 bpm • D Maj • 03:20 • -11.12db
22% Popularity • 34% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 34% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Corrina Repp
Lightest Light
102 bpm • C Maj • 04:07 • -11db
12% Popularity • 28% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
12% Popularity • 28% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Mountain Man
Moon
111 bpm • E Maj • 03:53 • -14db
27% Popularity • 48% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 48% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Neko Case
Honey and Smoke
111 bpm • E min • 03:03 • -8.77db
29% Popularity • 56% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 56% Positiveness
29% Popularity • 56% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 56% Positiveness
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Flock of Dimes
Lightning
102 bpm • E Maj • 04:15 • -15.23db
14% Popularity • 44% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
14% Popularity • 44% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
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Nadia Reid
Hanson St, Pt. 2 (A River)
111 bpm • C# Maj • 04:23 • -13db
25% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 50% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Hand Habits
4th of july
101 bpm • A# Maj • 02:56 • -10.89db
38% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Bonny Light Horseman
Deep In Love
112 bpm • F Maj • 05:09 • -8db
55% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
55% Popularity • 62% Danceability • 56% Energy • 12% Liveness
40% Instrumentalness • 34% Positiveness
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Mountain Man
Stella
101 bpm • D# Maj • 01:53 • -15.06db
24% Popularity • 57% Danceability • 8% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 57% Danceability • 8% Energy • 70% Liveness
0% Instrumentalness • 29% Positiveness
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The Innocence Mission
On Your Side
112 bpm • A Maj • 03:34 • -8db
26% Popularity • 45% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
26% Popularity • 45% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Flock of Dimes
Two - Live at Betty's
102 bpm • D Maj • 03:27 • -7.96db
4% Popularity • 66% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
4% Popularity • 66% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Jealous of the Birds
Goji Berry Sunset
112 bpm • A# min • 02:17 • -13.62db
37% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Valley Queen
Hold on You
112 bpm • E Maj • 04:57 • -7.81db
36% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Aaron Embry
Raven's Song
100 bpm • D# Maj • 02:00 • -9.45db
38% Popularity • 42% Danceability • 32% Energy • 30% Liveness
16% Instrumentalness • 46% Positiveness
38% Popularity • 42% Danceability • 32% Energy • 30% Liveness
16% Instrumentalness • 46% Positiveness
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Black Belt Eagle Scout
Run It to Ya
112 bpm • D Maj • 03:39 • -5.49db
24% Popularity • 42% Danceability • 70% Energy • 11% Liveness
29% Instrumentalness • 14% Positiveness
24% Popularity • 42% Danceability • 70% Energy • 11% Liveness
29% Instrumentalness • 14% Positiveness
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The Wild Reeds
Let No Grief
112 bpm • A Maj • 04:34 • -6.72db
35% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Flock of Dimes
Amelia
110 bpm • D Maj • 05:51 • -11.35db
4% Popularity • 32% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
4% Popularity • 32% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Andrew Bird
Manifest
100 bpm • C min • 05:17 • -6.4db
52% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Rostam
Gwan
100 bpm • A Maj • 04:45 • -10.48db
29% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Angelo De Augustine
On My Way Home
100 bpm • E Maj • 04:54 • -9.88db
15% Popularity • 48% Danceability • 33% Energy • 11% Liveness
75% Instrumentalness • 60% Positiveness
15% Popularity • 48% Danceability • 33% Energy • 11% Liveness
75% Instrumentalness • 60% Positiveness
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Soccer Mommy
I'm On Fire
100 bpm • D Maj • 03:07 • -12.38db
39% Popularity • 42% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 42% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Black Belt Eagle Scout
My Heart Dreams
113 bpm • B min • 03:40 • -6.13db
30% Popularity • 52% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 28% Positiveness
30% Popularity • 52% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 28% Positiveness
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Flock of Dimes
One More Hour - Live at Betty's
112 bpm • A# Maj • 04:13 • -9.71db
6% Popularity • 63% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
6% Popularity • 63% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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The Building
Have to Forgive
113 bpm • C# min • 05:04 • -10.81db
17% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
17% Popularity • 57% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Sunflower Bean
Harvest Moon
113 bpm • D Maj • 03:50 • -12.11db
41% Popularity • 53% Danceability • 30% Energy • 15% Liveness
4% Instrumentalness • 28% Positiveness
41% Popularity • 53% Danceability • 30% Energy • 15% Liveness
4% Instrumentalness • 28% Positiveness
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Bedouine
When You're Gone
99 bpm • B min • 03:29 • -15.11db
25% Popularity • 44% Danceability • 27% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
25% Popularity • 44% Danceability • 27% Energy • 11% Liveness
21% Instrumentalness • 35% Positiveness
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River Whyless
All of My Friends
99 bpm • D Maj • 02:48 • -12db
46% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Sam Amidon
Maggie
113 bpm • E Maj • 04:54 • -11db
23% Popularity • 61% Danceability • 69% Energy • 10% Liveness
40% Instrumentalness • 56% Positiveness
23% Popularity • 61% Danceability • 69% Energy • 10% Liveness
40% Instrumentalness • 56% Positiveness
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Flock of Dimes
Curtain
113 bpm • C# Maj • 03:21 • -5.28db
5% Popularity • 48% Danceability • 79% Energy • 22% Liveness
28% Instrumentalness • 26% Positiveness
5% Popularity • 48% Danceability • 79% Energy • 22% Liveness
28% Instrumentalness • 26% Positiveness
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Samantha Crain
Joey
99 bpm • C# Maj • 04:40 • -11db
32% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Feist
Train Song
99 bpm • G# Maj • 03:02 • -10db
46% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
46% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Bonny Light Horseman
10,000 Miles
99 bpm • D Maj • 03:04 • -6.06db
29% Popularity • 39% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 39% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sorcha Richardson
First Prize Bravery
114 bpm • B min • 03:50 • -8.04db
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Valley Queen
In My Place
114 bpm • F# Maj • 04:15 • -7.96db
14% Popularity • 41% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 41% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Wild Pink
Oversharers Anonymous
114 bpm • E Maj • 04:50 • -8.89db
20% Popularity • 67% Danceability • 57% Energy • 27% Liveness
71% Instrumentalness • 53% Positiveness
20% Popularity • 67% Danceability • 57% Energy • 27% Liveness
71% Instrumentalness • 53% Positiveness
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
37% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
37% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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Maja Lena
Avalanche
114 bpm • F# min • 02:59 • -10.49db
27% Popularity • 42% Danceability • 36% Energy • 10% Liveness
9% Instrumentalness • 36% Positiveness
27% Popularity • 42% Danceability • 36% Energy • 10% Liveness
9% Instrumentalness • 36% Positiveness
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DYAN
Another Way to Lose
114 bpm • D Maj • 04:30 • -8.8db
15% Popularity • 80% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 80% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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River Whyless
We All Deserve the Light
114 bpm • C Maj • 02:49 • -14.86db
27% Popularity • 27% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
27% Popularity • 27% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 7% Positiveness
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Prinze George
Lights Burn Out
114 bpm • C Maj • 04:35 • -9db
24% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Adam Torres
Juniper Arms
98 bpm • F# Maj • 06:00 • -11.99db
30% Popularity • 40% Danceability • 21% Energy • 11% Liveness
32% Instrumentalness • 12% Positiveness
30% Popularity • 40% Danceability • 21% Energy • 11% Liveness
32% Instrumentalness • 12% Positiveness
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Mutual Benefit
Getting Gone
98 bpm • C Maj • 04:03 • -12db
10% Popularity • 36% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 12% Positiveness
10% Popularity • 36% Danceability • 36% Energy • 12% Liveness
53% Instrumentalness • 12% Positiveness
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Valley Queen
Puritan
115 bpm • A Maj • 03:54 • -6.48db
22% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 66% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Caroline Rose
More Of The Same
98 bpm • G Maj • 04:08 • -4.5db
48% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 73% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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David Bazan
Care
98 bpm • A# Maj • 04:24 • -11.32db
25% Popularity • 66% Danceability • 58% Energy • 20% Liveness
96% Instrumentalness • 42% Positiveness
25% Popularity • 66% Danceability • 58% Energy • 20% Liveness
96% Instrumentalness • 42% Positiveness
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The Wild Reeds
Everything Looks Better (In Hindsight)
98 bpm • A min • 05:28 • -6.51db
38% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Kacey Johansing
Hold Steady
98 bpm • C Maj • 03:13 • -10.28db
29% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Elizabeth Moen
Weary Bones
115 bpm • E Maj • 06:05 • -10.12db
11% Popularity • 55% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 55% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 10% Positiveness
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Julie Byrne
Morning Dove
98 bpm • C Maj • 02:59 • -13.32db
35% Popularity • 48% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
35% Popularity • 48% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Erin Rae
Love Like Before
115 bpm • C Maj • 03:28 • -12.19db
31% Popularity • 84% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 84% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Lala Lala
Plates
115 bpm • A Maj • 02:50 • -10.91db
24% Popularity • 48% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
24% Popularity • 48% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
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Petey
California - Prius Edition
115 bpm • D Maj • 03:58 • -14db
29% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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DYAN
Aging
115 bpm • F Maj • 04:04 • -9.98db
14% Popularity • 58% Danceability • 50% Energy • 10% Liveness
42% Instrumentalness • 28% Positiveness
14% Popularity • 58% Danceability • 50% Energy • 10% Liveness
42% Instrumentalness • 28% Positiveness
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Broken Social Scene
1972
98 bpm • A Maj • 04:53 • -8.98db
30% Popularity • 50% Danceability • 48% Energy • 7% Liveness
12% Instrumentalness • 32% Positiveness
30% Popularity • 50% Danceability • 48% Energy • 7% Liveness
12% Instrumentalness • 32% Positiveness
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Tomberlin
tap
115 bpm • A Maj • 04:31 • -14db
32% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Anna Ash
Floodlights
97 bpm • A Maj • 02:44 • -14.83db
26% Popularity • 44% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
26% Popularity • 44% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Joan Shelley
Cycle
116 bpm • E Maj • 03:50 • -13.57db
27% Popularity • 40% Danceability • 21% Energy • 10% Liveness
41% Instrumentalness • 25% Positiveness
27% Popularity • 40% Danceability • 21% Energy • 10% Liveness
41% Instrumentalness • 25% Positiveness
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Fruit Bats
Gullwing Doors
116 bpm • C Maj • 04:35 • -10.39db
16% Popularity • 54% Danceability • 48% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
16% Popularity • 54% Danceability • 48% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Routine
Cady Road
97 bpm • D Maj • 03:10 • -7.25db
27% Popularity • 50% Danceability • 73% Energy • 16% Liveness
5% Instrumentalness • 60% Positiveness
27% Popularity • 50% Danceability • 73% Energy • 16% Liveness
5% Instrumentalness • 60% Positiveness
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Vagabon
In A Bind - Strings Version
97 bpm • D# min • 03:43 • -11.76db
19% Popularity • 52% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 52% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Bernice
He's The Moon
116 bpm • C Maj • 04:20 • -15.79db
19% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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S.G. Goodman
If It Ain't Me Babe
116 bpm • E min • 05:08 • -9.66db
24% Popularity • 55% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
24% Popularity • 55% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
