Songs like One More Night - 2016 Remaster by Phil Collins
Based on a tempo of (+/- 10%) and a similar genre
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Paul Young
Oh Girl
136 bpm • A Maj • 03:36 • -7db
52% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 57% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Bon Jovi
Never Say Goodbye
136 bpm • D Maj • 04:48 • -2.36db
67% Popularity • 33% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
67% Popularity • 33% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Irene Cara
Out Here On My Own
136 bpm • G Maj • 03:13 • -15.07db
47% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 41% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Phil Collins
One More Night (Live from the Serious To...
136 bpm • D# Maj • 05:49 • -8.33db
38% Popularity • 59% Danceability • 46% Energy • 97% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 59% Danceability • 46% Energy • 97% Liveness
0% Instrumentalness • 39% Positiveness
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Bad English
When I See You Smile
136 bpm • G Maj • 04:17 • -9.9db
63% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
63% Popularity • 50% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Europe
Carrie
136 bpm • G Maj • 04:32 • -7.11db
69% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
69% Popularity • 46% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Billy Joel
Honesty
135 bpm • A# Maj • 03:53 • -15.48db
62% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Christopher Cross
Arthur's Theme (Best That You Can Do)
137 bpm • A Maj • 03:54 • -11db
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
71% Popularity • 53% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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New Kids On The Block
Let's Try It Again
137 bpm • G# Maj • 03:51 • -14.35db
39% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 55% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Phil Collins
One More Night - 2016 Remaster
136 bpm • D# Maj • 04:48 • -9.44db
69% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 53% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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George Benson
Nothing's Gonna Change My Love for You
137 bpm • C# Maj • 04:02 • -5.1db
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Kenny Rogers
Lady
137 bpm • D# min • 03:51 • -16db
64% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
64% Popularity • 36% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Roxy Music
Avalon
137 bpm • C Maj • 04:16 • -8.64db
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
65% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
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Pat Benatar
We Belong
135 bpm • F Maj • 03:41 • -14.11db
69% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
69% Popularity • 71% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 30% Positiveness
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Alphaville
Forever Young - 2019 Remaster
137 bpm • A min • 03:46 • -9.71db
71% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
71% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Phil Collins
One More Night - Extended Remix
136 bpm • D# Maj • 06:20 • -14.05db
39% Popularity • 52% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 52% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Laura Branigan
Power of Love
137 bpm • G Maj • 05:25 • -7.93db
50% Popularity • 41% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 41% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Spandau Ballet
Only When You Leave - 2010 Remaster
137 bpm • G min • 05:11 • -6db
49% Popularity • 58% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 58% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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New Kids On The Block
I'll Be Loving You (Forever)
135 bpm • B Maj • 04:23 • -17db
57% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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4 Non Blondes
What's Up?
134 bpm • D Maj • 04:55 • -10.04db
80% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
80% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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America
I Need You
134 bpm • G Maj • 03:03 • -10db
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Céline Dion
Think Twice
134 bpm • D min • 04:48 • -10.46db
60% Popularity • 55% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
60% Popularity • 55% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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George Benson
In Your Eyes
134 bpm • A Maj • 03:20 • -16.04db
58% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 55% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Roxette
Vulnerable
134 bpm • C# Maj • 05:00 • -6db
55% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 55% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Bette Midler
From a Distance
138 bpm • G Maj • 04:36 • -11.72db
55% Popularity • 54% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 54% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Cher
After All (Love Theme From Chances Are)
138 bpm • E Maj • 04:04 • -13.1db
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Barbra Streisand
The Way We Were
138 bpm • A Maj • 03:31 • -11.72db
61% Popularity • 26% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 26% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Phil Collins
This Must Be Love - 2015 Remastered
138 bpm • D min • 03:56 • -14db
45% Popularity • 79% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 79% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Shania Twain
You're Still The One
134 bpm • D# Maj • 03:32 • -6.78db
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Pretenders
I'll Stand by You
134 bpm • G Maj • 04:00 • -6.55db
71% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
71% Popularity • 44% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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10cc
I'm Not In Love
134 bpm • E Maj • 06:06 • -15.7db
70% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
70% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Bette Midler
The Rose
134 bpm • C Maj • 03:41 • -9.67db
64% Popularity • 35% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 35% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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Barbra Streisand
I Finally Found Someone
139 bpm • F# Maj • 03:41 • -15.07db
63% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
63% Popularity • 57% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Phil Collins
Tearing and Breaking
134 bpm • D# min • 05:32 • -12.54db
30% Popularity • 40% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 40% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Carly Simon
Coming Around Again
139 bpm • F Maj • 03:38 • -14.49db
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Laura Branigan
How Am I Supposed to Live without You
139 bpm • A# Maj • 04:23 • -8.26db
39% Popularity • 56% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 56% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Bryan Adams
Summer Of '69
139 bpm • D Maj • 03:36 • -6.21db
83% Popularity • 51% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
83% Popularity • 51% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Commodores
Easy
133 bpm • A# min • 04:16 • -15.08db
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 59% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Phil Collins
Don't Let Him Steal Your Heart Away - 20...
139 bpm • C# Maj • 04:44 • -7.03db
41% Popularity • 61% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 61% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Sérgio Mendes
Never Gonna Let You Go
133 bpm • G Maj • 04:15 • -12.4db
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 64% Danceability • 40% Energy • 67% Liveness
0% Instrumentalness • 32% Positiveness
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Wham!
Freedom
133 bpm • C Maj • 05:02 • -12.88db
59% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 59% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
69% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
69% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Diana Ross
Theme From Mahogany (Do You Know Where Y...
140 bpm • C min • 03:22 • -15.17db
52% Popularity • 33% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
52% Popularity • 33% Danceability • 31% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Journey
When You Love a Woman
132 bpm • C# Maj • 04:06 • -5.82db
56% Popularity • 51% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
56% Popularity • 51% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Don Henley
New York Minute
132 bpm • G# min • 06:35 • -12.21db
56% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
56% Popularity • 55% Danceability • 29% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
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Bryan Adams
Heaven
140 bpm • A min • 04:03 • -7.32db
78% Popularity • 38% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
78% Popularity • 38% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Céline Dion
The Power of Love
140 bpm • G# Maj • 05:42 • -9.07db
71% Popularity • 55% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
71% Popularity • 55% Danceability • 52% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Duran Duran
Ordinary World
140 bpm • C# min • 05:40 • -10.17db
73% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
73% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Poison
Every Rose Has Its Thorn - 2003 Remaster
140 bpm • F# Maj • 04:20 • -5.57db
70% Popularity • 53% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 53% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Michael Bolton
How Am I Supposed to Live Without You
140 bpm • A# Maj • 04:15 • -12.21db
70% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 54% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Earth, Wind & Fire
After the Love Has Gone
132 bpm • F# Maj • 04:38 • -13.45db
67% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
67% Popularity • 42% Danceability • 44% Energy • 67% Liveness
0% Instrumentalness • 39% Positiveness
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Seal
Kiss from a Rose
132 bpm • A# min • 04:48 • -7.11db
74% Popularity • 58% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
74% Popularity • 58% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
131 bpm • G# Maj • 06:58 • -12.87db
59% Popularity • 44% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
59% Popularity • 44% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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TOTO
Lea
141 bpm • E Maj • 04:29 • -20.38db
53% Popularity • 67% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 63% Positiveness
53% Popularity • 67% Danceability • 30% Energy • 11% Liveness
10% Instrumentalness • 63% Positiveness
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Laura Branigan
Gloria
131 bpm • A Maj • 04:49 • -6.81db
70% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
70% Popularity • 78% Danceability • 74% Energy • 15% Liveness
29% Instrumentalness • 84% Positiveness
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Bryan Adams
(Everything I Do) I Do It For You
131 bpm • C# Maj • 06:33 • -12.63db
75% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
75% Popularity • 53% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Natalie Cole
Miss You Like Crazy
131 bpm • D Maj • 03:54 • -6.25db
62% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
62% Popularity • 60% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Billy Joel
My Life
131 bpm • D Maj • 04:44 • -12.88db
72% Popularity • 74% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
72% Popularity • 74% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Atlantic Starr
Always
131 bpm • G Maj • 04:48 • -6.76db
61% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 61% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Chaka Khan
Through the Fire
131 bpm • G# Maj • 04:48 • -7.1db
63% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
71% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
71% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Phil Collins
This Must Be Love
142 bpm • D min • 03:34 • -11.25db
27% Popularity • 78% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 78% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Linda Ronstadt
Don't Know Much
130 bpm • B Maj • 03:31 • -11.01db
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
64% Popularity • 40% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
82% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Barry White
You're The First, The Last, My Everythin...
130 bpm • F Maj • 03:26 • -12.32db
70% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
70% Popularity • 63% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Bonnie Tyler
Total Eclipse of the Heart
130 bpm • G# Maj • 04:27 • -5.89db
80% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
80% Popularity • 43% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Martika
Toy Soldiers
130 bpm • C# min • 04:47 • -6.41db
61% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Gloria Estefan
Here We Are
142 bpm • A Maj • 04:49 • -14db
46% Popularity • 69% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 69% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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America
You Can Do Magic
130 bpm • E min • 03:57 • -12.52db
65% Popularity • 86% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
65% Popularity • 86% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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Journey
Faithfully (2023 Remaster)
130 bpm • B Maj • 04:26 • -7.33db
69% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
69% Popularity • 42% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Billy Ocean
Suddenly
129 bpm • A# min • 03:54 • -9.51db
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
60% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Kenny Rogers
She Believes In Me
143 bpm • A# Maj • 04:18 • -12.47db
61% Popularity • 32% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 32% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Steve Winwood
While You See A Chance
129 bpm • D Maj • 05:12 • -8.29db
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 60% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Bread
Guitar Man
143 bpm • E min • 03:46 • -13.27db
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 55% Danceability • 51% Energy • 44% Liveness
0% Instrumentalness • 51% Positiveness
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Andy Gibb
(Our Love) Don't Throw It All Away
143 bpm • F Maj • 04:10 • -13.19db
57% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 35% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 21% Positiveness
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Peter Cetera
You're the Inspiration
143 bpm • A# Maj • 04:06 • -7.61db
56% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Neil Diamond
September Morn
129 bpm • A# Maj • 03:52 • -17.1db
56% Popularity • 42% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
56% Popularity • 42% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Philip Bailey
Easy Lover
129 bpm • C# Maj • 05:05 • -5.08db
71% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
71% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Van Morrison
Have I Told You Lately
144 bpm • E Maj • 04:20 • -10.27db
63% Popularity • 33% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
63% Popularity • 33% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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James Ingram
Just Once - New Version
144 bpm • C Maj • 04:29 • -7.49db
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Spice Girls
2 Become 1
144 bpm • F# Maj • 04:01 • -7.88db
65% Popularity • 65% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
65% Popularity • 65% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Phil Collins
A Groovy Kind of Love
144 bpm • D Maj • 03:30 • -9.63db
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
66% Popularity • 45% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Starship
We Built This City
144 bpm • F Maj • 04:56 • -4.9db
77% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
77% Popularity • 66% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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LeAnn Rimes
How Do I Live
128 bpm • D Maj • 04:26 • -7.99db
68% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
68% Popularity • 58% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Bryan Adams
Do I Have To Say The Words?
128 bpm • G Maj • 06:11 • -9.38db
55% Popularity • 50% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 50% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Rita Coolidge
We're All Alone
128 bpm • G Maj • 03:40 • -8.38db
61% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Lionel Richie
Say You, Say Me
128 bpm • G# Maj • 04:01 • -11.11db
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
72% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Phil Collins
The Least You Can Do - 2016 Remaster
128 bpm • F Maj • 04:21 • -4db
41% Popularity • 52% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 52% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Debbie Gibson
Lost in Your Eyes
145 bpm • G Maj • 03:35 • -8.59db
65% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
65% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Richard Marx
Hold On To The Nights
145 bpm • C min • 05:16 • -15db
54% Popularity • 35% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
54% Popularity • 35% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Diana Ross
Chain Reaction
128 bpm • B Maj • 03:50 • -12.99db
57% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
57% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Starship
Set the Night to Music
128 bpm • F# Maj • 04:47 • -8db
36% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Police
Wrapped Around Your Finger - Remastered ...
128 bpm • A min • 05:13 • -11.52db
60% Popularity • 75% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 75% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Phil Collins
A Groovy Kind of Love - Live 1990; 2019 ...
145 bpm • D Maj • 03:28 • -9.18db
36% Popularity • 27% Danceability • 37% Energy • 86% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 27% Danceability • 37% Energy • 86% Liveness
0% Instrumentalness • 23% Positiveness
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Olivia Newton-John
Xanadu
128 bpm • F# Maj • 03:28 • -9.11db
61% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 64% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
