Songs like One More Second by Matt Berninger
Based on a tempo of (+/- 10%) and a similar genre
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Other Lives
Sound of Violence
83 bpm • A min • 03:45 • -9db
31% Popularity • 39% Danceability • 55% Energy • 90% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 39% Danceability • 55% Energy • 90% Liveness
0% Instrumentalness • 32% Positiveness
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Matt Berninger
One More Second
83 bpm • G# min • 05:22 • -10db
45% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Heather Woods Broderick
I Try
83 bpm • F Maj • 04:26 • -8.98db
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 32% Positiveness
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
12% Instrumentalness • 32% Positiveness
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Phosphorescent
Song For Zula (Live at St. Pancras Churc...
83 bpm • E Maj • 06:31 • -13db
30% Popularity • 41% Danceability • 41% Energy • 18% Liveness
2% Instrumentalness • 22% Positiveness
30% Popularity • 41% Danceability • 41% Energy • 18% Liveness
2% Instrumentalness • 22% Positiveness
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Eve Owen
Bluebird
82 bpm • C# Maj • 03:18 • -7.52db
8% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 40% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Ryan Adams
Wednesdays
82 bpm • E Maj • 05:25 • -14.83db
10% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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VanWyck
The Garbagemen
84 bpm • B Maj • 03:34 • -16.32db
11% Popularity • 55% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 55% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Nick Cave & The Bad Seeds
Bright Horses
82 bpm • C min • 04:52 • -12db
48% Popularity • 31% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
48% Popularity • 31% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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M. Ward
Let's Dance
82 bpm • B min • 05:00 • -14.41db
19% Popularity • 46% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
19% Popularity • 46% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
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Phosphorescent
Song For Zula (BBC Radio Performance 201...
84 bpm • E Maj • 05:30 • -10.22db
30% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Bony Man
Hole In The World
82 bpm • G Maj • 04:30 • -9.94db
10% Popularity • 52% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 52% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Cat Power
I Will Follow
84 bpm • D Maj • 04:48 • -14.47db
19% Popularity • 54% Danceability • 15% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
19% Popularity • 54% Danceability • 15% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
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Nick Mulvey
Hope She’ll Be Happier
84 bpm • F# Maj • 03:32 • -14.87db
27% Popularity • 42% Danceability • 48% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
27% Popularity • 42% Danceability • 48% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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James Yorkston
Ella Mary Leather
84 bpm • E min • 03:05 • -14.25db
11% Popularity • 49% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 49% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Matt Berninger
All For Nothing
84 bpm • A# Maj • 03:05 • -9db
36% Popularity • 56% Danceability • 43% Energy • 12% Liveness
22% Instrumentalness • 21% Positiveness
36% Popularity • 56% Danceability • 43% Energy • 12% Liveness
22% Instrumentalness • 21% Positiveness
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David Gray
Dún Laoghaire
85 bpm • F Maj • 04:32 • -12.46db
26% Popularity • 41% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 41% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Eels
I Got Hurt
82 bpm • F Maj • 04:17 • -9.34db
18% Popularity • 55% Danceability • 63% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
18% Popularity • 55% Danceability • 63% Energy • 11% Liveness
87% Instrumentalness • 75% Positiveness
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Hiss Golden Messenger
Cat’s Eye Blue
85 bpm • C Maj • 03:49 • -14.76db
27% Popularity • 54% Danceability • 22% Energy • 6% Liveness
1% Instrumentalness • 46% Positiveness
27% Popularity • 54% Danceability • 22% Energy • 6% Liveness
1% Instrumentalness • 46% Positiveness
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Eve Owen
She Says
81 bpm • G Maj • 04:10 • -11.39db
22% Popularity • 39% Danceability • 23% Energy • 63% Liveness
9% Instrumentalness • 14% Positiveness
22% Popularity • 39% Danceability • 23% Energy • 63% Liveness
9% Instrumentalness • 14% Positiveness
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Leif Vollebekk
Vancouver Time
81 bpm • A Maj • 04:37 • -13db
47% Popularity • 82% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 82% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Kevin Morby
Sundowner
85 bpm • A Maj • 05:09 • -12.33db
28% Popularity • 40% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
28% Popularity • 40% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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David Gray
No False Gods
85 bpm • A# Maj • 02:09 • -19.59db
22% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Delta Spirit
Just the Same
81 bpm • C Maj • 06:33 • -10.91db
9% Popularity • 49% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Tiny Ruins
Running Through the Night
81 bpm • F# min • 03:40 • -16.38db
16% Popularity • 47% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
16% Popularity • 47% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Ryan Adams
Walk In The Dark
81 bpm • D Maj • 04:11 • -16.12db
10% Popularity • 63% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 63% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Staples
Walking With a Stranger
81 bpm • D Maj • 02:48 • -15db
51% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
51% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
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Phosphorescent
Song for Zula
86 bpm • E Maj • 06:10 • -8.26db
61% Popularity • 49% Danceability • 62% Energy • 5% Liveness
54% Instrumentalness • 52% Positiveness
61% Popularity • 49% Danceability • 62% Energy • 5% Liveness
54% Instrumentalness • 52% Positiveness
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David Gray
All That We Asked For
81 bpm • A# Maj • 02:38 • -16.83db
22% Popularity • 53% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 53% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Mel Parsons
Blame
80 bpm • B Maj • 03:28 • -11.19db
30% Popularity • 41% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 41% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Leif Vollebekk
I'm Not Your Lover
86 bpm • D Maj • 04:09 • -13.58db
37% Popularity • 67% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
37% Popularity • 67% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Billy Bragg
I Will Be Your Shield
80 bpm • G Maj • 03:31 • -14.89db
24% Popularity • 36% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 36% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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M. Ward
Migration of Souls
80 bpm • B Maj • 03:28 • -16.73db
31% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
31% Popularity • 50% Danceability • 34% Energy • 10% Liveness
11% Instrumentalness • 12% Positiveness
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Kevin Morby
Valley
80 bpm • C# min • 04:04 • -6.42db
40% Popularity • 59% Danceability • 57% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
40% Popularity • 59% Danceability • 57% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
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David Gray
Spiral Arms
85 bpm • E Maj • 06:55 • -15.54db
21% Popularity • 33% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 33% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Bonny Light Horseman
Bonny Light Horseman
79 bpm • B min • 04:30 • -6db
40% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jesse Marchant
Words Underlined
87 bpm • C Maj • 06:01 • -12.79db
31% Popularity • 47% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 16% Positiveness
31% Popularity • 47% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 16% Positiveness
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Travis
All Fall Down
79 bpm • C Maj • 03:27 • -13.03db
36% Popularity • 48% Danceability • 26% Energy • 11% Liveness
42% Instrumentalness • 18% Positiveness
36% Popularity • 48% Danceability • 26% Energy • 11% Liveness
42% Instrumentalness • 18% Positiveness
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Ailbhe Reddy
Walk Away
87 bpm • F# Maj • 03:12 • -16db
36% Popularity • 67% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 67% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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M. Ward
You've Changed
79 bpm • D# Maj • 03:23 • -15.44db
13% Popularity • 44% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 23% Positiveness
13% Popularity • 44% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 23% Positiveness
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Andrew Combs
Stars Of Longing
79 bpm • C Maj • 03:11 • -6db
26% Popularity • 50% Danceability • 75% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
26% Popularity • 50% Danceability • 75% Energy • 12% Liveness
1% Instrumentalness • 79% Positiveness
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Matt Berninger
Collar Of Your Shirt
79 bpm • G Maj • 05:14 • -8.86db
25% Popularity • 32% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
25% Popularity • 32% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Alela Diane
Ether & Wood
79 bpm • D Maj • 04:23 • -10.11db
40% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Widowspeak
Romeo and Juliet
87 bpm • C Maj • 05:32 • -13.72db
34% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
34% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Leif Vollebekk
29 #Strafford APTS
79 bpm • E Maj • 04:02 • -13.55db
37% Popularity • 29% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
37% Popularity • 29% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Sharon Van Etten
A Crime
79 bpm • F# min • 03:13 • -8.08db
29% Popularity • 44% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 44% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Ryan Adams
When You Cross Over
79 bpm • D# Maj • 04:19 • -12.26db
12% Popularity • 48% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
12% Popularity • 48% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Kendra Smith
Moon Boat
79 bpm • D Maj • 05:00 • -10db
29% Popularity • 27% Danceability • 26% Energy • 10% Liveness
42% Instrumentalness • 9% Positiveness
29% Popularity • 27% Danceability • 26% Energy • 10% Liveness
42% Instrumentalness • 9% Positiveness
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The Bony King of Nowhere
Waiting For Your Sign
88 bpm • B Maj • 05:42 • -15db
15% Popularity • 32% Danceability • 30% Energy • 11% Liveness
46% Instrumentalness • 10% Positiveness
15% Popularity • 32% Danceability • 30% Energy • 11% Liveness
46% Instrumentalness • 10% Positiveness
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Finn Andrews
Stairs To The Roof
88 bpm • C# min • 03:36 • -12db
9% Popularity • 56% Danceability • 32% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
9% Popularity • 56% Danceability • 32% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
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Clap Your Hands Say Yeah
Dee, Forgiven
88 bpm • D Maj • 04:08 • -4.86db
11% Popularity • 21% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 21% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Stephen Fretwell
The Long Water
78 bpm • G Maj • 02:46 • -10.48db
11% Popularity • 54% Danceability • 32% Energy • 16% Liveness
8% Instrumentalness • 27% Positiveness
11% Popularity • 54% Danceability • 32% Energy • 16% Liveness
8% Instrumentalness • 27% Positiveness
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Guy Garvey
Broken Bottles And Chandeliers
78 bpm • F Maj • 04:33 • -11.82db
31% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 57% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Rostam
In a River (Acoustic)
78 bpm • G Maj • 03:34 • -11.44db
37% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 54% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Radical Face
The Missing Road
88 bpm • D Maj • 04:08 • -13.35db
46% Popularity • 58% Danceability • 22% Energy • 10% Liveness
64% Instrumentalness • 17% Positiveness
46% Popularity • 58% Danceability • 22% Energy • 10% Liveness
64% Instrumentalness • 17% Positiveness
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Muzz
Fade Into You
78 bpm • A Maj • 04:44 • -9.27db
28% Popularity • 49% Danceability • 36% Energy • 10% Liveness
55% Instrumentalness • 17% Positiveness
28% Popularity • 49% Danceability • 36% Energy • 10% Liveness
55% Instrumentalness • 17% Positiveness
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Bess Atwell
Grace
89 bpm • C# min • 03:54 • -13db
26% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Echo In The Canyon
You Showed Me (Jakob Dylan & Cat Power)
89 bpm • F# min • 03:32 • -11.86db
35% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Mick Flannery
I'll Be out Here
78 bpm • G min • 03:22 • -13.66db
11% Popularity • 30% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Fleet Foxes
Can I Believe You
77 bpm • B Maj • 04:04 • -8.46db
56% Popularity • 51% Danceability • 76% Energy • 14% Liveness
7% Instrumentalness • 60% Positiveness
56% Popularity • 51% Danceability • 76% Energy • 14% Liveness
7% Instrumentalness • 60% Positiveness
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The Boxer Rebellion
Love Yourself
89 bpm • D# Maj • 05:00 • -10.92db
28% Popularity • 45% Danceability • 59% Energy • 9% Liveness
27% Instrumentalness • 40% Positiveness
28% Popularity • 45% Danceability • 59% Energy • 9% Liveness
27% Instrumentalness • 40% Positiveness
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Moby
The Lonely Night - Reprise Version
89 bpm • C Maj • 05:42 • -13.81db
40% Popularity • 20% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 20% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Matt Berninger
Oh Dearie
89 bpm • E min • 03:16 • -12.98db
26% Popularity • 42% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 42% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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LYR
Never Good With Horses
77 bpm • G min • 04:00 • -7.9db
15% Popularity • 37% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 37% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Mick Flannery
In the Game
77 bpm • E min • 04:03 • -9.85db
23% Popularity • 36% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
23% Popularity • 36% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Phosphorescent
My Beautiful Boy
77 bpm • C Maj • 05:46 • -9db
31% Popularity • 50% Danceability • 56% Energy • 23% Liveness
47% Instrumentalness • 60% Positiveness
31% Popularity • 50% Danceability • 56% Energy • 23% Liveness
47% Instrumentalness • 60% Positiveness
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Big Thief
Two Hands
90 bpm • F Maj • 03:52 • -8.83db
40% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Damien Jurado
Cloudy Shoes
76 bpm • C Maj • 04:08 • -7db
36% Popularity • 33% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 19% Positiveness
36% Popularity • 33% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 19% Positiveness
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Eels
Anything For Boo
90 bpm • C Maj • 03:24 • -8.61db
22% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Leif Vollebekk
Rest (Acoustic)
90 bpm • D Maj • 05:19 • -20.72db
41% Popularity • 40% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
41% Popularity • 40% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 48% Positiveness
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Mick Flannery
Play With the Mind
90 bpm • G# min • 03:52 • -7.06db
19% Popularity • 65% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 47% Positiveness
19% Popularity • 65% Danceability • 48% Energy • 10% Liveness
8% Instrumentalness • 47% Positiveness
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Sharon Van Etten
Save Yourself
76 bpm • D Maj • 04:59 • -6.69db
27% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Jesse Marchant
The Whip
76 bpm • D Maj • 02:52 • -10db
33% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Lucy Dacus
In The Air Tonight
91 bpm • D min • 05:28 • -16.18db
29% Popularity • 65% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
29% Popularity • 65% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Micah P. Hinson
Beneath The Rose
76 bpm • G Maj • 02:56 • -12.01db
26% Popularity • 52% Danceability • 35% Energy • 12% Liveness
13% Instrumentalness • 32% Positiveness
26% Popularity • 52% Danceability • 35% Energy • 12% Liveness
13% Instrumentalness • 32% Positiveness
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Big Thief
Love In Mine
76 bpm • D# Maj • 03:18 • -11.03db
37% Popularity • 45% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
37% Popularity • 45% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
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Matt Berninger
My Eyes Are T-Shirts
91 bpm • C Maj • 02:40 • -11db
31% Popularity • 64% Danceability • 33% Energy • 11% Liveness
32% Instrumentalness • 23% Positiveness
31% Popularity • 64% Danceability • 33% Energy • 11% Liveness
32% Instrumentalness • 23% Positiveness
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Cat Power
Bad Religion
91 bpm • A min • 04:20 • -9db
31% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Staves
Nothing’s Gonna Happen
75 bpm • D Maj • 03:36 • -12db
44% Popularity • 36% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 36% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Moby
The Great Escape - Reprise Version
92 bpm • G Maj • 02:51 • -15.43db
30% Popularity • 39% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 39% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Big Red Machine
Hymnostic
92 bpm • D# Maj • 03:02 • -8db
31% Popularity • 46% Danceability • 58% Energy • 10% Liveness
14% Instrumentalness • 48% Positiveness
31% Popularity • 46% Danceability • 58% Energy • 10% Liveness
14% Instrumentalness • 48% Positiveness
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M. Ward
For All We Know
75 bpm • A# Maj • 02:57 • -15.48db
25% Popularity • 57% Danceability • 18% Energy • 10% Liveness
14% Instrumentalness • 29% Positiveness
25% Popularity • 57% Danceability • 18% Energy • 10% Liveness
14% Instrumentalness • 29% Positiveness
► Preview
Matt Berninger
Walking on a String - Alt Version
75 bpm • B Maj • 04:37 • -10db
32% Popularity • 54% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
32% Popularity • 54% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
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The Barr Brothers
Saint Cecilia
92 bpm • D Maj • 04:50 • -10db
20% Popularity • 54% Danceability • 58% Energy • 10% Liveness
64% Instrumentalness • 60% Positiveness
20% Popularity • 54% Danceability • 58% Energy • 10% Liveness
64% Instrumentalness • 60% Positiveness
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Caroline Spence
I Know You Know Me (With Matt Berninger)
75 bpm • F Maj • 03:19 • -15db
43% Popularity • 35% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
43% Popularity • 35% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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The Lost Brothers
After the Rain
75 bpm • C Maj • 03:43 • -9.63db
10% Popularity • 48% Danceability • 40% Energy • 11% Liveness
34% Instrumentalness • 48% Positiveness
10% Popularity • 48% Danceability • 40% Energy • 11% Liveness
34% Instrumentalness • 48% Positiveness
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Finn Andrews
Love, What Can I Do?
92 bpm • F Maj • 03:21 • -13.5db
5% Popularity • 26% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
5% Popularity • 26% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Someone
The Deep - Acoustic
93 bpm • G Maj • 04:05 • -15.68db
20% Popularity • 51% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 51% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Berninger
Loved So Little
92 bpm • E Maj • 04:55 • -7.44db
31% Popularity • 54% Danceability • 56% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
31% Popularity • 54% Danceability • 56% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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Fionn Regan
Collar of Fur
93 bpm • E Maj • 02:28 • -15db
34% Popularity • 32% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 47% Positiveness
34% Popularity • 32% Danceability • 35% Energy • 8% Liveness
19% Instrumentalness • 47% Positiveness
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The Bony King of Nowhere
Going Out
93 bpm • F# Maj • 06:49 • -14.02db
22% Popularity • 33% Danceability • 44% Energy • 9% Liveness
42% Instrumentalness • 9% Positiveness
22% Popularity • 33% Danceability • 44% Energy • 9% Liveness
42% Instrumentalness • 9% Positiveness
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Damien Rice
Chandelier
93 bpm • A min • 05:13 • -19.04db
46% Popularity • 31% Danceability • 6% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
46% Popularity • 31% Danceability • 6% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
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Bonny Light Horseman
Magpie's Nest
93 bpm • A Maj • 04:58 • -8.25db
29% Popularity • 48% Danceability • 34% Energy • 12% Liveness
12% Instrumentalness • 34% Positiveness
29% Popularity • 48% Danceability • 34% Energy • 12% Liveness
12% Instrumentalness • 34% Positiveness
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Strand of Oaks
Keys
93 bpm • G Maj • 05:31 • -8.92db
20% Popularity • 44% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 44% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kathleen Edwards
Goodnight, California
93 bpm • G min • 06:28 • -8db
34% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
34% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
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M. Ward
Torch
94 bpm • G# Maj • 03:05 • -13.48db
26% Popularity • 45% Danceability • 58% Energy • 33% Liveness
22% Instrumentalness • 22% Positiveness
26% Popularity • 45% Danceability • 58% Energy • 33% Liveness
22% Instrumentalness • 22% Positiveness
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Josh Ritter
Be of Good Heart
94 bpm • A# Maj • 04:28 • -13db
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
19% Popularity • 40% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Ondara
Torch Song
93 bpm • C# Maj • 04:08 • -7.35db
31% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 47% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Kurt Vile
Stranger Than Kindness
94 bpm • G min • 04:10 • -13.41db
8% Popularity • 41% Danceability • 33% Energy • 12% Liveness
30% Instrumentalness • 15% Positiveness
8% Popularity • 41% Danceability • 33% Energy • 12% Liveness
30% Instrumentalness • 15% Positiveness
