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One More Second
Songs like
One More Second
by
Matt Berninger
Based on a tempo of (+/- 10%) and a similar genre
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Matt Berninger
One More Second
83 bpm • G# min • 05:22 • -10db
45% Popularity • 61% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Daniel Norgren
As Long as We Last
83 bpm • C Maj • 05:35 • -13db
41% Popularity • 29% Danceability • 13% Energy • 12% Liveness
25% Instrumentalness • 15% Positiveness
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Andrew Bird
Sisyphus
83 bpm • C min • 04:07 • -4.36db
59% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Kings of Leon
WALLS
83 bpm • G# Maj • 05:29 • -14.34db
64% Popularity • 56% Danceability • 32% Energy • 11% Liveness
47% Instrumentalness • 11% Positiveness
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Nick Cave & The Bad Seeds
Bright Horses
82 bpm • C min • 04:52 • -12db
48% Popularity • 31% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Grant Lee Buffalo
Fuzzy
82 bpm • F min • 04:52 • -9db
52% Popularity • 49% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Asaf Avidan
The Labyrinth Song
82 bpm • D min • 04:08 • -13.09db
46% Popularity • 40% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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M. Ward
Let's Dance
82 bpm • B min • 05:00 • -14.41db
18% Popularity • 46% Danceability • 21% Energy • 10% Liveness
5% Instrumentalness • 35% Positiveness
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Andrew Bird
Bloodless
82 bpm • E min • 06:29 • -5.2db
44% Popularity • 55% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Nick Cave
We Are Not Alone
82 bpm • C Maj • 03:25 • -11.15db
37% Popularity • 37% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Angelo De Augustine
Time
82 bpm • D Maj • 03:56 • -13db
52% Popularity • 49% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Matt Berninger
All For Nothing
84 bpm • A# Maj • 03:05 • -9db
35% Popularity • 56% Danceability • 43% Energy • 12% Liveness
22% Instrumentalness • 21% Positiveness
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Damien Rice
Delicate
81 bpm • F Maj • 05:12 • -14.5db
55% Popularity • 34% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Leif Vollebekk
Vancouver Time
81 bpm • A Maj • 04:37 • -13db
47% Popularity • 82% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Nick Cave & The Bad Seeds
Ghosteen Speaks
85 bpm • F Maj • 04:02 • -9.26db
35% Popularity • 14% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Michael Kiwanuka
Light
81 bpm • C Maj • 05:48 • -8.83db
45% Popularity • 40% Danceability • 64% Energy • 11% Liveness
34% Instrumentalness • 35% Positiveness
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Mauro Pawlowski
The Silent Sky
85 bpm • G min • 03:49 • -12db
17% Popularity • 57% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 16% Positiveness
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Mooneye
Bright Lights
85 bpm • G# min • 03:39 • -5.83db
31% Popularity • 46% Danceability • 73% Energy • 14% Liveness
60% Instrumentalness • 60% Positiveness
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Geike
Off Shore
85 bpm • F# min • 03:49 • -10db
31% Popularity • 68% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Kevin Morby
Sundowner
85 bpm • A Maj • 05:09 • -12.33db
28% Popularity • 40% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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RodrÃguez
Crucify Your Mind
85 bpm • A Maj • 02:32 • -7.77db
65% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Villagers
The Wonder Of You
81 bpm • B Maj • 02:48 • -11.36db
50% Popularity • 36% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 38% Positiveness
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Chris Staples
Walking With a Stranger
81 bpm • D Maj • 02:48 • -15db
51% Popularity • 52% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 30% Positiveness
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Courtney Marie Andrews
If I Told
80 bpm • A# Maj • 04:58 • -15.34db
41% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
68% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Douglas Firs
Delighted
86 bpm • G Maj • 03:20 • -8db
11% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Iron & Wine
Call It Dreaming
80 bpm • F Maj • 03:51 • -9.97db
67% Popularity • 51% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Curtis Harding
Hopeful
80 bpm • G min • 05:16 • -5db
31% Popularity • 51% Danceability • 78% Energy • 7% Liveness
4% Instrumentalness • 70% Positiveness
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Nick Cave & The Bad Seeds
Jubilee Street
86 bpm • F Maj • 06:35 • -12db
49% Popularity • 36% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Ben Howard
She Treats Me Well
80 bpm • C min • 05:17 • -12.6db
54% Popularity • 62% Danceability • 49% Energy • 7% Liveness
31% Instrumentalness • 60% Positiveness
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Kevin Morby
Valley
80 bpm • C# min • 04:04 • -6.42db
40% Popularity • 59% Danceability • 57% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
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Jesse Marchant
Words Underlined
87 bpm • C Maj • 06:01 • -12.79db
31% Popularity • 47% Danceability • 31% Energy • 11% Liveness
40% Instrumentalness • 16% Positiveness
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Morcheeba
Sounds Of Blue
87 bpm • C Maj • 03:34 • -10db
43% Popularity • 61% Danceability • 38% Energy • 8% Liveness
10% Instrumentalness • 25% Positiveness
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Patrick Watson
Dream for Dreaming
79 bpm • F Maj • 03:39 • -11.67db
40% Popularity • 56% Danceability • 24% Energy • 26% Liveness
12% Instrumentalness • 43% Positiveness
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Nick Mulvey
Imogen
87 bpm • F Maj • 04:15 • -6.89db
50% Popularity • 49% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Travis
All Fall Down
79 bpm • C Maj • 03:27 • -13.03db
36% Popularity • 48% Danceability • 26% Energy • 11% Liveness
42% Instrumentalness • 18% Positiveness
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Matt Berninger
Collar Of Your Shirt
79 bpm • G Maj • 05:14 • -8.86db
25% Popularity • 32% Danceability • 41% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Madrugada
Nobody Loves You Like I Do
79 bpm • A min • 05:34 • -7.91db
38% Popularity • 56% Danceability • 62% Energy • 30% Liveness
2% Instrumentalness • 17% Positiveness
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Alela Diane
Ether & Wood
79 bpm • D Maj • 04:23 • -10.11db
39% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Patrick Watson
A Mermaid in Lisbon
79 bpm • F# min • 03:28 • -11db
50% Popularity • 43% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Widowspeak
Romeo and Juliet
87 bpm • C Maj • 05:32 • -13.72db
34% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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The Divine Comedy
A Lady of a Certain Age
88 bpm • D# Maj • 05:50 • -10.79db
43% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Nina Simone
New World Coming - darkDARK Remix
78 bpm • C# Maj • 02:55 • -8.22db
28% Popularity • 28% Danceability • 49% Energy • 11% Liveness
26% Instrumentalness • 7% Positiveness
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Finn Andrews
Stairs To The Roof
88 bpm • C# min • 03:36 • -12db
8% Popularity • 56% Danceability • 32% Energy • 40% Liveness
3% Instrumentalness • 25% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:11 • -12.56db
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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James Blake
Say What You Will
78 bpm • C# Maj • 04:40 • -11db
44% Popularity • 50% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 25% Positiveness
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School Is Cool
I'm Not Fine
78 bpm • D min • 04:18 • -9db
31% Popularity • 55% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Kings of Leon
100,000 People
78 bpm • C Maj • 05:44 • -8.67db
50% Popularity • 42% Danceability • 47% Energy • 8% Liveness
13% Instrumentalness • 11% Positiveness
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Michael Kiwanuka
Rest
78 bpm • G min • 03:50 • -12db
54% Popularity • 63% Danceability • 22% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
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Leonard Cohen
Who by Fire
78 bpm • A min • 02:33 • -15db
57% Popularity • 46% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 23% Positiveness
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Nathaniel Rateliff
And It's Still Alright
78 bpm • D# Maj • 03:55 • -9.13db
61% Popularity • 52% Danceability • 49% Energy • 12% Liveness
62% Instrumentalness • 30% Positiveness
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Bleachers
Chinatown
89 bpm • E Maj • 04:04 • -5.23db
49% Popularity • 44% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Fleet Foxes
Can I Believe You
77 bpm • B Maj • 04:04 • -8.46db
56% Popularity • 51% Danceability • 76% Energy • 14% Liveness
7% Instrumentalness • 60% Positiveness
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Echo In The Canyon
You Showed Me (Jakob Dylan & Cat Power)
89 bpm • F# min • 03:32 • -11.86db
35% Popularity • 65% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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The Boxer Rebellion
Love Yourself
89 bpm • D# Maj • 05:00 • -10.92db
27% Popularity • 45% Danceability • 59% Energy • 9% Liveness
27% Instrumentalness • 40% Positiveness
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Eliza Shaddad
Don't Let Me Be Misunderstood
77 bpm • B min • 02:51 • -8.79db
27% Popularity • 42% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Aaron Espe
Back to the Beginning
77 bpm • A Maj • 03:49 • -15.16db
34% Popularity • 49% Danceability • 34% Energy • 8% Liveness
79% Instrumentalness • 41% Positiveness
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Matt Berninger
Oh Dearie
89 bpm • E min • 03:16 • -12.98db
26% Popularity • 42% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Damien Jurado
Allocate
77 bpm • D min • 04:42 • -12db
36% Popularity • 46% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Okay Kaya
Believe
90 bpm • C Maj • 03:22 • -14.36db
48% Popularity • 45% Danceability • 18% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
72% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Eels
Anything For Boo
90 bpm • C Maj • 03:24 • -8.61db
22% Popularity • 62% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Ray LaMontagne
Such A Simple Thing
76 bpm • A# Maj • 04:56 • -11.22db
62% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Micah P. Hinson
Beneath The Rose
76 bpm • G Maj • 02:56 • -12.01db
26% Popularity • 52% Danceability • 35% Energy • 12% Liveness
13% Instrumentalness • 32% Positiveness
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Sophie Hunger
Le vent nous portera
91 bpm • E min • 03:46 • -18db
58% Popularity • 55% Danceability • 15% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
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Charlie Cunningham
You Sigh
91 bpm • F# Maj • 02:58 • -9.97db
58% Popularity • 63% Danceability • 45% Energy • 14% Liveness
6% Instrumentalness • 68% Positiveness
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Smith & Burrows
All The Best Moves
91 bpm • C# min • 03:23 • -7.57db
31% Popularity • 63% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Staves
I'm on Fire
76 bpm • D Maj • 03:12 • -15.17db
56% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Cat Power
Bad Religion
91 bpm • A min • 04:20 • -9db
30% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Matt Berninger
My Eyes Are T-Shirts
91 bpm • C Maj • 02:40 • -11db
30% Popularity • 64% Danceability • 33% Energy • 11% Liveness
32% Instrumentalness • 23% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
67% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Basia Bulat
No Control
91 bpm • D Maj • 03:58 • -5.89db
19% Popularity • 58% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Blanco White
Colder Heavens - Acoustic Version
92 bpm • C min • 03:56 • -10.52db
44% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The War On Drugs
Strangest Thing
75 bpm • E Maj • 06:41 • -6db
50% Popularity • 35% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Lou Doillon
Too much
92 bpm • G# Maj • 03:29 • -8db
42% Popularity • 72% Danceability • 64% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
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Matt Berninger
Walking on a String - Alt Version
75 bpm • B Maj • 04:37 • -10db
32% Popularity • 54% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
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Eels
Baby Let's Make It Real
92 bpm • F Maj • 03:55 • -8.85db
19% Popularity • 60% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Editors
The Phone Book
92 bpm • C# Maj • 04:31 • -9.31db
46% Popularity • 49% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Leonard Cohen
Avalanche
92 bpm • F min • 05:02 • -16.54db
50% Popularity • 40% Danceability • 28% Energy • 26% Liveness
2% Instrumentalness • 18% Positiveness
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Caroline Spence
I Know You Know Me (With Matt Berninger)
75 bpm • F Maj • 03:19 • -15db
42% Popularity • 35% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Finn Andrews
Love, What Can I Do?
92 bpm • F Maj • 03:21 • -13.5db
5% Popularity • 26% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Matt Berninger
Loved So Little
92 bpm • E Maj • 04:55 • -7.44db
31% Popularity • 54% Danceability • 56% Energy • 11% Liveness
12% Instrumentalness • 33% Positiveness
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Damien Rice
Chandelier
93 bpm • A min • 05:13 • -19.04db
46% Popularity • 31% Danceability • 6% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
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The Bony King of Nowhere
Going Out
93 bpm • F# Maj • 06:49 • -14.02db
22% Popularity • 33% Danceability • 44% Energy • 9% Liveness
42% Instrumentalness • 9% Positiveness
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Strand of Oaks
Keys
93 bpm • G Maj • 05:31 • -8.92db
20% Popularity • 44% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Laura Marling
Only The Strong
93 bpm • G min • 03:20 • -17db
39% Popularity • 66% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
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Arcade Fire
The Lightning I
74 bpm • A Maj • 03:01 • -11.04db
44% Popularity • 40% Danceability • 55% Energy • 85% Liveness
1% Instrumentalness • 20% Positiveness
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Kathleen Edwards
Goodnight, California
93 bpm • G min • 06:28 • -8db
34% Popularity • 46% Danceability • 58% Energy • 11% Liveness
70% Instrumentalness • 42% Positiveness
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The Paper Kites
Without Your Love
94 bpm • D Maj • 03:30 • -9.86db
40% Popularity • 62% Danceability • 40% Energy • 9% Liveness
74% Instrumentalness • 24% Positiveness
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Kings of Convenience
Catholic Country
94 bpm • D min • 03:01 • -12db
56% Popularity • 80% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Sharon Van Etten
The End of the World
94 bpm • A# Maj • 02:58 • -11.82db
50% Popularity • 33% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Richard Hawley
Ballad of a Thin Man
73 bpm • A min • 06:48 • -9.28db
40% Popularity • 25% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Cassandra Violet
Beyond the Fray
94 bpm • C Maj • 02:55 • -11.1db
40% Popularity • 68% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Nick Cave & The Bad Seeds
Into My Arms
94 bpm • C Maj • 04:16 • -17.8db
64% Popularity • 48% Danceability • 9% Energy • 11% Liveness
15% Instrumentalness • 22% Positiveness
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Leonard Cohen
Treaty
73 bpm • A min • 04:02 • -18db
43% Popularity • 37% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kurt Vile
One Trick Ponies
95 bpm • A min • 05:21 • -5.32db
43% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Villagers
Dawning On Me
95 bpm • G Maj • 03:19 • -14.32db
52% Popularity • 48% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
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Matt Berninger
Silver Springs
73 bpm • B Maj • 03:53 • -11.36db
27% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Eels
That Look You Give That Guy
94 bpm • F Maj • 04:15 • -9.24db
59% Popularity • 78% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Michelle Gurevich
Feel More
95 bpm • E min • 06:27 • -12db
37% Popularity • 45% Danceability • 40% Energy • 38% Liveness
26% Instrumentalness • 14% Positiveness
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One More Second