Songs like One Of Many - Ellis Demo by Dan Mangan
Based on a tempo of (+/- 10%) and a similar genre
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John Joseph Brill
False Names
105 bpm • C Maj • 04:01 • -8.11db
28% Popularity • 52% Danceability • 70% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
28% Popularity • 52% Danceability • 70% Energy • 10% Liveness
6% Instrumentalness • 20% Positiveness
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Jim Bryson
Ontario
105 bpm • F# Maj • 04:16 • -8db
13% Popularity • 56% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
13% Popularity • 56% Danceability • 77% Energy • 11% Liveness
1% Instrumentalness • 41% Positiveness
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Iron & Wine
Bitter Truth
104 bpm • G# Maj • 03:02 • -10.36db
37% Popularity • 63% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 63% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Joshua James
Coyote Caller
106 bpm • F min • 03:27 • -7.3db
28% Popularity • 57% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 57% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Great Lake Swimmers
Root Systems
106 bpm • C# min • 03:20 • -6.85db
19% Popularity • 59% Danceability • 75% Energy • 16% Liveness
16% Instrumentalness • 60% Positiveness
19% Popularity • 59% Danceability • 75% Energy • 16% Liveness
16% Instrumentalness • 60% Positiveness
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Sylvan Esso
Die Young - Echo Mountain Sessions
106 bpm • G# Maj • 03:29 • -9.05db
34% Popularity • 77% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 77% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Iron Eyes Cody
Stuck Here With My Thoughts in Trenton
106 bpm • D# Maj • 04:24 • -8db
12% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Bird
Archipelago
104 bpm • C Maj • 04:38 • -10.35db
35% Popularity • 39% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 39% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Lord Huron
Until the Night Turns
103 bpm • E Maj • 03:47 • -7db
40% Popularity • 54% Danceability • 89% Energy • 21% Liveness
31% Instrumentalness • 52% Positiveness
40% Popularity • 54% Danceability • 89% Energy • 21% Liveness
31% Instrumentalness • 52% Positiveness
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Dan Mangan
Cold In The Summer
107 bpm • F Maj • 03:29 • -8db
30% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Tyler Ramsey
A Dream Of Home
107 bpm • G Maj • 06:02 • -6.6db
31% Popularity • 66% Danceability • 76% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
31% Popularity • 66% Danceability • 76% Energy • 16% Liveness
3% Instrumentalness • 41% Positiveness
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Gord Downie
Chancellor
103 bpm • C Maj • 04:25 • -11db
30% Popularity • 70% Danceability • 40% Energy • 12% Liveness
62% Instrumentalness • 45% Positiveness
30% Popularity • 70% Danceability • 40% Energy • 12% Liveness
62% Instrumentalness • 45% Positiveness
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Ben Sollee
Pieces of You
103 bpm • F# min • 03:46 • -13.54db
30% Popularity • 58% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 58% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Weather Machine
Back O'er Oregon
103 bpm • B Maj • 04:26 • -16.53db
17% Popularity • 57% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 57% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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River Whyless
All Day All Night
103 bpm • C Maj • 03:33 • -8.38db
36% Popularity • 64% Danceability • 83% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
36% Popularity • 64% Danceability • 83% Energy • 7% Liveness
2% Instrumentalness • 88% Positiveness
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Ethan Gruska
Reoccurring Dream
103 bpm • G Maj • 03:10 • -12.11db
19% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 63% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Susto
If I Was
103 bpm • C Maj • 04:26 • -8.73db
31% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 60% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Valley Maker
Only Friend
107 bpm • D# Maj • 03:59 • -10.85db
27% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 62% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Beta Radio
East of Tennessee
107 bpm • F Maj • 03:34 • -7.88db
28% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Stolen Jars
Folded Out
108 bpm • G Maj • 03:08 • -10.67db
26% Popularity • 66% Danceability • 34% Energy • 11% Liveness
32% Instrumentalness • 30% Positiveness
26% Popularity • 66% Danceability • 34% Energy • 11% Liveness
32% Instrumentalness • 30% Positiveness
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Leif Vollebekk
Apalachee Plain
108 bpm • A Maj • 03:40 • -7.8db
48% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 66% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Jim Bryson
Clear the Crowds
102 bpm • C# Maj • 02:47 • -15.69db
32% Popularity • 58% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 49% Positiveness
32% Popularity • 58% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 49% Positiveness
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The Wild Reeds
Only Songs (Radio Edit)
108 bpm • F# Maj • 03:03 • -4.89db
22% Popularity • 59% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 59% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Joshua Burnside
Northern Winds
108 bpm • B Maj • 04:53 • -12.02db
15% Popularity • 36% Danceability • 32% Energy • 11% Liveness
50% Instrumentalness • 7% Positiveness
15% Popularity • 36% Danceability • 32% Energy • 11% Liveness
50% Instrumentalness • 7% Positiveness
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Matt the Electrician
I Will Do The Breathing
108 bpm • G# Maj • 04:31 • -7.81db
19% Popularity • 78% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 78% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Great Lake Swimmers
In a Certain Light
108 bpm • E Maj • 03:23 • -12.96db
25% Popularity • 69% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
25% Popularity • 69% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Leif Vollebekk
Northernmost Eva Maria
108 bpm • D Maj • 04:16 • -8.95db
21% Popularity • 50% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 20% Positiveness
21% Popularity • 50% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 20% Positiveness
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San Fermin
Waterworld
108 bpm • C# Maj • 04:35 • -9.37db
13% Popularity • 46% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 24% Positiveness
13% Popularity • 46% Danceability • 31% Energy • 12% Liveness
6% Instrumentalness • 24% Positiveness
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Blind Pilot
Two Towns from Me
108 bpm • D Maj • 02:57 • -8db
42% Popularity • 75% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 75% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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A.S. Fanning
Never Been Gone
102 bpm • A Maj • 03:03 • -11.72db
13% Popularity • 38% Danceability • 43% Energy • 24% Liveness
4% Instrumentalness • 3% Positiveness
13% Popularity • 38% Danceability • 43% Energy • 24% Liveness
4% Instrumentalness • 3% Positiveness
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Andrew Bird
Cracking Codes
109 bpm • G Maj • 03:12 • -11.04db
42% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Devarrow
Little Road
109 bpm • G# Maj • 03:15 • -8.14db
41% Popularity • 66% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 66% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Andrew Combs
Blood Hunters
109 bpm • F# Maj • 03:19 • -6.85db
29% Popularity • 56% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 56% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Astral Swans
You Are a Runner and I Am My Father's So...
109 bpm • G# Maj • 02:06 • -15.29db
13% Popularity • 44% Danceability • 15% Energy • 32% Liveness
32% Instrumentalness • 40% Positiveness
13% Popularity • 44% Danceability • 15% Energy • 32% Liveness
32% Instrumentalness • 40% Positiveness
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Blind Pilot
The Colored Night
102 bpm • G Maj • 03:55 • -7.82db
40% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 66% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Dan Mangan
Lynchpin
109 bpm • F# Maj • 04:02 • -8.17db
31% Popularity • 52% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 48% Positiveness
31% Popularity • 52% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 48% Positiveness
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Christopher Paul Stelling
Destitute
109 bpm • C Maj • 04:01 • -7db
14% Popularity • 45% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
14% Popularity • 45% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 25% Positiveness
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Caroline Smith & The Good Night Sleeps
Strong Shoulders
101 bpm • G# Maj • 02:08 • -6.7db
34% Popularity • 70% Danceability • 67% Energy • 35% Liveness
2% Instrumentalness • 37% Positiveness
34% Popularity • 70% Danceability • 67% Energy • 35% Liveness
2% Instrumentalness • 37% Positiveness
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Half Moon Run
Devil May Care
110 bpm • G Maj • 02:22 • -12db
40% Popularity • 62% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 62% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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The Careful Ones
Paper Knees
110 bpm • B Maj • 04:09 • -15.58db
31% Popularity • 70% Danceability • 28% Energy • 34% Liveness
1% Instrumentalness • 35% Positiveness
31% Popularity • 70% Danceability • 28% Energy • 34% Liveness
1% Instrumentalness • 35% Positiveness
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Peter Doran
Every Little Thing
101 bpm • G Maj • 03:28 • -12.58db
30% Popularity • 55% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 55% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Luis Trindade
Old Town
100 bpm • A# Maj • 03:07 • -15.74db
40% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Great Lake Swimmers
Unmaking the Bed
110 bpm • E Maj • 03:57 • -11.27db
9% Popularity • 77% Danceability • 42% Energy • 16% Liveness
24% Instrumentalness • 85% Positiveness
9% Popularity • 77% Danceability • 42% Energy • 16% Liveness
24% Instrumentalness • 85% Positiveness
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River Whyless
Life Crisis
110 bpm • C Maj • 04:06 • -9db
50% Popularity • 80% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
50% Popularity • 80% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 27% Positiveness
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Bee Caves
Running Home to You
110 bpm • F min • 03:55 • -8.24db
42% Popularity • 52% Danceability • 62% Energy • 10% Liveness
38% Instrumentalness • 65% Positiveness
42% Popularity • 52% Danceability • 62% Energy • 10% Liveness
38% Instrumentalness • 65% Positiveness
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Rogue Wave
California
100 bpm • C Maj • 04:06 • -13db
41% Popularity • 68% Danceability • 24% Energy • 9% Liveness
26% Instrumentalness • 33% Positiveness
41% Popularity • 68% Danceability • 24% Energy • 9% Liveness
26% Instrumentalness • 33% Positiveness
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Cloud Cult
Through the Ages
100 bpm • G Maj • 03:24 • -9.42db
19% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 30% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Beta Radio
Realistic City Living
100 bpm • C Maj • 02:58 • -15.32db
44% Popularity • 54% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
44% Popularity • 54% Danceability • 22% Energy • 10% Liveness
6% Instrumentalness • 31% Positiveness
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Dan Mangan
Pine For Cedars
110 bpm • D Maj • 03:16 • -10.46db
17% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Balto
The Railyard
110 bpm • D min • 05:17 • -13db
9% Popularity • 50% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 50% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Joshua Burnside
Blood Drive
100 bpm • D Maj • 03:54 • -12.67db
43% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
43% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
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Siskiyou
Twigs And Stones
100 bpm • D Maj • 03:04 • -9db
30% Popularity • 48% Danceability • 29% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
30% Popularity • 48% Danceability • 29% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Leif Vollebekk
Michigan
110 bpm • G# Maj • 04:47 • -15.62db
33% Popularity • 55% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 53% Positiveness
33% Popularity • 55% Danceability • 30% Energy • 12% Liveness
2% Instrumentalness • 53% Positiveness
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Early Morning Rebel
Set the World on Fire
100 bpm • G# min • 02:45 • -9.06db
31% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 52% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Hannah Georgas
No Need To Argue
100 bpm • C Maj • 03:13 • -10.11db
31% Popularity • 55% Danceability • 42% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
31% Popularity • 55% Danceability • 42% Energy • 20% Liveness
1% Instrumentalness • 8% Positiveness
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Blind Pilot
Just One
111 bpm • G Maj • 04:29 • -8.82db
37% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Great Lake Swimmers
Unison Falling Into Harmony
111 bpm • F Maj • 03:25 • -19db
37% Popularity • 72% Danceability • 25% Energy • 22% Liveness
3% Instrumentalness • 26% Positiveness
37% Popularity • 72% Danceability • 25% Energy • 22% Liveness
3% Instrumentalness • 26% Positiveness
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Iron & Wine
Last Night
111 bpm • F Maj • 02:55 • -12.5db
31% Popularity • 68% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 68% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Alana Henderson
On Board
111 bpm • C# Maj • 05:10 • -8.73db
40% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 52% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Tallest Man On Earth
There’s A Girl
99 bpm • F Maj • 03:21 • -9db
30% Popularity • 44% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 44% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Typhoon
Morton's Fork
111 bpm • G Maj • 03:22 • -11.16db
20% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Frightened Rabbit
How It Gets In
99 bpm • A Maj • 02:41 • -7db
30% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Districts
Funeral Beds
112 bpm • F Maj • 05:51 • -7.24db
19% Popularity • 34% Danceability • 76% Energy • 11% Liveness
38% Instrumentalness • 25% Positiveness
19% Popularity • 34% Danceability • 76% Energy • 11% Liveness
38% Instrumentalness • 25% Positiveness
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jeremy messersmith
Ghost
112 bpm • A Maj • 04:29 • -8db
31% Popularity • 53% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 53% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Feist
Train Song
99 bpm • G# Maj • 03:02 • -10db
45% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Iron & Wine
Upward Over the Mountain
99 bpm • G Maj • 05:56 • -11.93db
45% Popularity • 61% Danceability • 28% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
45% Popularity • 61% Danceability • 28% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Wye Oak
Regret
112 bpm • D Maj • 02:25 • -14db
41% Popularity • 56% Danceability • 22% Energy • 23% Liveness
3% Instrumentalness • 38% Positiveness
41% Popularity • 56% Danceability • 22% Energy • 23% Liveness
3% Instrumentalness • 38% Positiveness
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Vandaveer
The Wild Mercury
112 bpm • B Maj • 03:43 • -9.3db
21% Popularity • 73% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 73% Danceability • 59% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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The Wild Reeds
Let No Grief
112 bpm • A Maj • 04:34 • -6.72db
35% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Great Lake Swimmers
Zero in the City
112 bpm • G Maj • 03:05 • -9db
41% Popularity • 59% Danceability • 61% Energy • 10% Liveness
28% Instrumentalness • 38% Positiveness
41% Popularity • 59% Danceability • 61% Energy • 10% Liveness
28% Instrumentalness • 38% Positiveness
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Wilderado
Talking About Love To A Cigarette
112 bpm • C Maj • 03:42 • -10.08db
24% Popularity • 44% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 44% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Adam Torres
Morning Rain
112 bpm • D Maj • 03:54 • -11.19db
36% Popularity • 52% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 29% Positiveness
36% Popularity • 52% Danceability • 29% Energy • 11% Liveness
51% Instrumentalness • 29% Positiveness
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Jenn Grant
How About Mine?
98 bpm • B Maj • 03:48 • -11.22db
20% Popularity • 59% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 59% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Blind Pilot
One Red Thread
98 bpm • D Maj • 04:31 • -13db
46% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Wild Reeds
Everything Looks Better (In Hindsight)
98 bpm • A min • 05:28 • -6.51db
37% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 55% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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The Lumineers
In The Light
98 bpm • A Maj • 03:51 • -9.63db
50% Popularity • 69% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
50% Popularity • 69% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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John K. Samson
Winter Wheat
113 bpm • D Maj • 02:52 • -15.66db
24% Popularity • 74% Danceability • 21% Energy • 12% Liveness
16% Instrumentalness • 10% Positiveness
24% Popularity • 74% Danceability • 21% Energy • 12% Liveness
16% Instrumentalness • 10% Positiveness
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Iron & Wine
What Hurts Worse
113 bpm • F Maj • 03:00 • -11.07db
21% Popularity • 61% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 61% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Sarah Harmer
Lodestar
113 bpm • E Maj • 05:28 • -7db
30% Popularity • 41% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 41% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kenneth Pattengale & Joey Ryan
Permanent
113 bpm • A# Maj • 05:09 • -9.24db
23% Popularity • 60% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 60% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Dan Mangan
Peaks & Valleys
113 bpm • C Maj • 03:49 • -11db
22% Popularity • 63% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 63% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Manchester Orchestra, Frightened Rabbit
Architect
97 bpm • C Maj • 03:54 • -9.69db
20% Popularity • 37% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 37% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Typhoon
Rorschach
97 bpm • E Maj • 04:16 • -6.63db
23% Popularity • 61% Danceability • 46% Energy • 59% Liveness
9% Instrumentalness • 31% Positiveness
23% Popularity • 61% Danceability • 46% Energy • 59% Liveness
9% Instrumentalness • 31% Positiveness
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Ten Kills the Pack
Barcelona
97 bpm • C Maj • 03:40 • -8.39db
30% Popularity • 41% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 41% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Cicada Rhythm
Do Not Destroy
97 bpm • E Maj • 05:22 • -16.72db
26% Popularity • 40% Danceability • 15% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
26% Popularity • 40% Danceability • 15% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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The Barr Brothers
Maybe Someday
97 bpm • A Maj • 04:11 • -9.1db
30% Popularity • 56% Danceability • 70% Energy • 20% Liveness
1% Instrumentalness • 63% Positiveness
30% Popularity • 56% Danceability • 70% Energy • 20% Liveness
1% Instrumentalness • 63% Positiveness
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Calexico
Follow the Water
114 bpm • F# Maj • 03:45 • -11.29db
33% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Great Lake Swimmers
Imaginary bars
114 bpm • D# Maj • 02:23 • -18db
10% Popularity • 70% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 70% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Typhoon
Rorschach
97 bpm • E Maj • 03:42 • -6.13db
27% Popularity • 63% Danceability • 40% Energy • 16% Liveness
4% Instrumentalness • 41% Positiveness
27% Popularity • 63% Danceability • 40% Energy • 16% Liveness
4% Instrumentalness • 41% Positiveness
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Cloud Cult
To the Great Unknown
97 bpm • G Maj • 05:37 • -11.07db
20% Popularity • 34% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 34% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Water Liars
Let It Breathe
114 bpm • B Maj • 02:39 • -16.11db
45% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
45% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Barr Brothers
Burn Card
97 bpm • C Maj • 04:05 • -15.64db
29% Popularity • 52% Danceability • 56% Energy • 10% Liveness
43% Instrumentalness • 61% Positiveness
29% Popularity • 52% Danceability • 56% Energy • 10% Liveness
43% Instrumentalness • 61% Positiveness
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Andrew Bird
Left Handed Kisses
97 bpm • E min • 03:14 • -9.12db
45% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Great Lake Swimmers
Alone but Not Alone
114 bpm • G Maj • 03:17 • -8.08db
38% Popularity • 52% Danceability • 77% Energy • 25% Liveness
94% Instrumentalness • 85% Positiveness
38% Popularity • 52% Danceability • 77% Energy • 25% Liveness
94% Instrumentalness • 85% Positiveness
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Quiet Hollers
Côte d'Azur
114 bpm • C Maj • 04:14 • -6.39db
16% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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The Lumineers
Gun Song
96 bpm • G Maj • 03:36 • -5.51db
50% Popularity • 68% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 68% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Boom Forest
Freshly Laundered Linen
96 bpm • D# Maj • 04:25 • -13.64db
36% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Decemberists
A Beginning Song
96 bpm • G Maj • 05:22 • -6.16db
34% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 33% Positiveness
