Songs like One (Reprise) / Finale by A Chorus Line Ensemble (2006)
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Matthew James Thomas
With You
140 bpm • B Maj • 05:39 • -8.87db
31% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Danny Burstein
More More More! (Encore)
140 bpm • G Maj • 03:53 • -3.88db
43% Popularity • 46% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 46% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Josie de Guzman
I'll Know
139 bpm • G Maj • 04:55 • -20db
29% Popularity • 40% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 40% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
A Chorus Line Ensemble (2006)
One (Reprise) / Finale
140 bpm • G min • 04:56 • -7.91db
35% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Patina Miller
Raise Your Voice
141 bpm • C Maj • 06:23 • -5.3db
37% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Nikki Blonsky
Mama, I'm A Big Girl Now
141 bpm • B Maj • 03:18 • -5db
44% Popularity • 65% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 65% Danceability • 71% Energy • 62% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Gwen Verdon
My Own Best Friend
139 bpm • F Maj • 02:41 • -16.75db
24% Popularity • 40% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 40% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Marissa Jaret Winokur
Mama, I'm a Big Girl Now
141 bpm • F Maj • 03:18 • -4.62db
37% Popularity • 78% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 78% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Gavin Creel
Manchester England
139 bpm • B min • 01:11 • -6.88db
29% Popularity • 66% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 66% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Josie de Guzman
I've Never Been in Love Before
141 bpm • C# Maj • 02:06 • -15db
31% Popularity • 31% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Miss Saigon Original Cast
The Heat Is On - Live
139 bpm • A# Maj • 04:41 • -8.39db
39% Popularity • 52% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 52% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Carla J. Hargrove
Skid Row (Downtown)
139 bpm • A# Maj • 04:06 • -8.5db
45% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Megan Mullally
Please Don't Touch Me
142 bpm • F Maj • 03:58 • -7.54db
26% Popularity • 55% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 55% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
2021 London Cast of Cabaret
Maybe This Time
138 bpm • E Maj • 04:20 • -15.36db
36% Popularity • 35% Danceability • 15% Energy • 76% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 35% Danceability • 15% Energy • 76% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
William C. Witter
Join the Circus
142 bpm • C# Maj • 05:50 • -7.79db
16% Popularity • 72% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 72% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Nathan Lane
The Oldest Established
141 bpm • G Maj • 02:34 • -17.64db
31% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Cheyenne Jackson
Don't Walk Away
138 bpm • B Maj • 03:38 • -4.6db
24% Popularity • 55% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 55% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Sherie Rene Scott
A Part of That
142 bpm • F min • 04:01 • -11.22db
28% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Avenue Q Ensemble
The Avenue Q Theme
142 bpm • F Maj • 01:02 • -11db
17% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Cody Green
Jet Song
143 bpm • A min • 02:06 • -12db
22% Popularity • 67% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
22% Popularity • 67% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Alan Cumming
If You Could See Her
143 bpm • F# Maj • 03:40 • -12.71db
29% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Michael Berresse
Cell Block Tango
137 bpm • F Maj • 06:14 • -12.75db
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Jeremy Kushnier
Almost Paradise
143 bpm • G Maj • 03:20 • -14db
31% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 41% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Jerry Herman
With Anne on My Arm
143 bpm • A min • 04:18 • -11.63db
23% Popularity • 50% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 50% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
John Tartaglia
Purpose
137 bpm • G Maj • 02:28 • -8db
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Rosalie Craig
Company
144 bpm • D Maj • 05:08 • -11.65db
29% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Stanley Wayne Mathis
Beethoven Day
144 bpm • C Maj • 03:07 • -12db
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 61% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Gwen Verdon
Me and My Baby
144 bpm • A# Maj • 03:16 • -18db
21% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Amy Spanger
Pop!
144 bpm • C# Maj • 03:09 • -4.79db
11% Popularity • 86% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 86% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Clarke Thorell
(It's) Hairspray
136 bpm • C Maj • 02:11 • -6db
26% Popularity • 67% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 67% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Nick Blaemire
We Beseech Thee
136 bpm • G Maj • 03:23 • -8.29db
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Laura Benanti
Someday
136 bpm • A Maj • 03:30 • -4db
15% Popularity • 68% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 68% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Keith Carradine
Our Favorite Son
135 bpm • G# Maj • 03:40 • -11db
16% Popularity • 61% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 61% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
► Preview
Christian Borle
Take It Like a Man
135 bpm • B Maj • 04:13 • -11db
45% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 44% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
29% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Gwen Verdon
Roxie
135 bpm • B Maj • 05:16 • -17.39db
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Lynn Ahrens
Oh, The Thinks You Can Think - Original ...
145 bpm • C Maj • 03:51 • -9.81db
39% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Sherie Rene Scott
A Summer in Ohio
135 bpm • A# Maj • 03:57 • -11db
29% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
James Marsden
(It's) Hairspray
135 bpm • C Maj • 02:20 • -5db
44% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 42% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
West Side Story Ensemble (2009)
Tonight (Quintet)
145 bpm • G Maj • 03:41 • -11db
22% Popularity • 41% Danceability • 38% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 41% Danceability • 38% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Amy Spanger
Right in Front of Your Eyes
146 bpm • E Maj • 03:24 • -5.2db
13% Popularity • 60% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 60% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Bruce Anthony Davis
All I Care About
135 bpm • D Maj • 03:47 • -13.89db
32% Popularity • 50% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 50% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Gary Beach
Be Our Guest
146 bpm • G Maj • 06:55 • -15db
38% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 47% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Damon Daunno
Oklahoma
134 bpm • D Maj • 03:30 • -9db
16% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Tammy Blanchard
Skid Row (Downtown)
134 bpm • A# Maj • 04:12 • -9db
40% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
40% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Sister Act Original London Cast
Spread the Love Around
134 bpm • F Maj • 04:48 • -6db
33% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
32% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Original Cast of Billy Elliot
Shine
134 bpm • C min • 06:06 • -9.79db
29% Popularity • 54% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 54% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Billy Porter
Everybody Say Yeah
134 bpm • D Maj • 04:19 • -6.19db
33% Popularity • 63% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 63% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Joseph Bova
Shuffle Off to Buffalo
146 bpm • C Maj • 03:50 • -15.97db
22% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 41% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
SMASH Cast
Let Me Be Your Star (SMASH Cast Version)...
147 bpm • B Maj • 03:43 • -7.97db
38% Popularity • 34% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 34% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Sally Dexter
As Long As He Needs Me - Reprise
146 bpm • F Maj • 02:16 • -13.35db
25% Popularity • 30% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 30% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Patina Miller
On the Right Track
146 bpm • D# min • 03:54 • -8db
35% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Michelle Pfeiffer
(The Legend Of) Miss Baltimore Crabs
134 bpm • F min • 04:07 • -7db
48% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
James Naughton
The Tennis Song
134 bpm • C Maj • 02:36 • -15.98db
16% Popularity • 65% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 65% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Billy Hartung
The Girl Gets Around
147 bpm • A Maj • 02:21 • -8.42db
34% Popularity • 60% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 60% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
► Preview
Adam Searles
Consider Yourself
134 bpm • C Maj • 05:40 • -13.37db
37% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 56% Danceability • 28% Energy • 52% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Chicago Ensemble (1997)
All That Jazz
134 bpm • E Maj • 05:05 • -12.55db
49% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Richard Gere
All I Care About
133 bpm • F# Maj • 03:48 • -8.87db
30% Popularity • 43% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 43% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Rosario Dawson
La Vie Boheme B
147 bpm • F# Maj • 01:36 • -3.56db
39% Popularity • 56% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 56% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Anthony Rapp
What You Own
133 bpm • D Maj • 03:55 • -6.59db
33% Popularity • 56% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 56% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Carole Cook
Go into Your Dance
133 bpm • G# Maj • 03:23 • -14.95db
20% Popularity • 56% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 56% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Original Cast of Billy Elliot
Grandma's Song
147 bpm • A# Maj • 04:40 • -16.14db
29% Popularity • 48% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 48% Danceability • 18% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Marissa Jaret Winokur
Good Morning Baltimore
133 bpm • G# Maj • 03:40 • -5.01db
39% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Danny Burstein
There Is Nothin' Like a Dame
133 bpm • E Maj • 03:54 • -16.02db
19% Popularity • 69% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 69% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Renée Zellweger
Roxie
133 bpm • F min • 03:20 • -9db
38% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 51% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Patina Miller
Take Me to Heaven
148 bpm • G# Maj • 03:00 • -4.73db
38% Popularity • 40% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 40% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
► Preview
Aaron Tveit
Goodbye
148 bpm • G# Maj • 03:34 • -7.06db
40% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Hunter Foster
Still Rockin'
148 bpm • C Maj • 02:11 • -8.12db
31% Popularity • 75% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 75% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
Original Broadway Cast of Into the Woods
Prologue: Into The Woods
132 bpm • G# Maj • 11:58 • -15db
38% Popularity • 56% Danceability • 28% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 56% Danceability • 28% Energy • 43% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Patina Miller
Take Me to Heaven - Reprise
148 bpm • F Maj • 05:45 • -6.45db
33% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Ari Groover
Prologue/Little Shop of Horrors
148 bpm • G Maj • 02:10 • -7.5db
34% Popularity • 72% Danceability • 74% Energy • 20% Liveness
6% Instrumentalness • 68% Positiveness
34% Popularity • 72% Danceability • 74% Energy • 20% Liveness
6% Instrumentalness • 68% Positiveness
► Preview
A Chorus Line Ensemble (2006)
One
132 bpm • G min • 05:56 • -10db
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
2021 London Cast of Cabaret
Mein Herr
132 bpm • G# Maj • 04:42 • -12db
36% Popularity • 50% Danceability • 31% Energy • 96% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 50% Danceability • 31% Energy • 96% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Rose
Some People
132 bpm • C Maj • 03:12 • -5db
25% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Curtis Holbrook
Gee, Officer Krupke
148 bpm • G Maj • 04:12 • -11.61db
23% Popularity • 68% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 68% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Anika Larsen
Happy Days Are Here Again
149 bpm • G Maj • 01:05 • -3.57db
29% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
