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One Shot
Songs like
One Shot
by
Hunter Hayes
Based on a tempo of (+/- 10%) and a similar genre
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Walker Hayes
You Broke Up with Me
120 bpm • C Maj • 03:16 • -8.29db
57% Popularity • 85% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Dustin Lynch
Momma’s House
120 bpm • B min • 03:40 • -3.51db
54% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Eli Young Band
Never Land
120 bpm • C Maj • 03:23 • -5db
33% Popularity • 56% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Granger Smith
That’s Why I Love Dirt Roads
120 bpm • F Maj • 03:39 • -5.74db
45% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Hunter Hayes
Missing You
120 bpm • C Maj • 02:42 • -7db
33% Popularity • 73% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Jojo Mason
Future
120 bpm • G# Maj • 02:59 • -6.57db
28% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Eric Paslay
Friday Night
120 bpm • A Maj • 02:47 • -4.19db
60% Popularity • 66% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Nate Smith
Wish I Never Felt
120 bpm • G# Maj • 03:16 • -5.16db
53% Popularity • 60% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Morgan Evans
Young Again
120 bpm • F# Maj • 02:55 • -5.41db
46% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Jameson Rodgers
Midnight Daydream
120 bpm • E Maj • 03:09 • -5.76db
55% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Hunter Hayes
More
120 bpm • A# Maj • 02:37 • -4.94db
32% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Ryan Hurd
To a T
120 bpm • B Maj • 02:58 • -6db
51% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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LANCO
Born to Love You - RISE Recording
120 bpm • G Maj • 03:31 • -7.89db
34% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Austin Burke
One Summer
120 bpm • G Maj • 03:50 • -4.43db
28% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Jana Kramer
Dammit
120 bpm • C Maj • 03:53 • -8db
36% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Hunter Brothers
Been a Minute
120 bpm • D Maj • 02:32 • -4.16db
33% Popularity • 60% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Hunter Hayes
One Shot
120 bpm • F# min • 02:30 • -6db
45% Popularity • 70% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Dierks Bentley
Woman, Amen
120 bpm • F Maj • 02:59 • -6db
53% Popularity • 48% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Lindsay Ell
i don't lovE you
120 bpm • F# Maj • 03:34 • -5.11db
35% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Russell Dickerson
Home Sweet
121 bpm • B Maj • 03:25 • -5.65db
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Abby Anderson
Guy Like You
121 bpm • D# Maj • 02:45 • -5db
26% Popularity • 84% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Hunter Hayes
Dear God
120 bpm • G# min • 02:55 • -7db
45% Popularity • 65% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
64% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Chase Bryant
Little Bit of You
122 bpm • C# Maj • 03:06 • -4.28db
52% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Russell Dickerson
Mgno
121 bpm • C# Maj • 03:21 • -5db
44% Popularity • 59% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Scotty McCreery
In Between
122 bpm • B Maj • 03:41 • -5.4db
52% Popularity • 59% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
58% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Hunter Hayes
Attention - Recorded at Woodshed Recordi...
120 bpm • A min • 03:27 • -13.2db
24% Popularity • 64% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Keith Urban
Somewhere In My Car
118 bpm • A# Maj • 03:56 • -5.39db
54% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Walker Hayes
Same Drunk
122 bpm • G Maj • 03:16 • -4.66db
43% Popularity • 74% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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James Barker Band
It's Working
118 bpm • G Maj • 03:13 • -5db
38% Popularity • 67% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Brandon Lay
For My Money
118 bpm • F# min • 03:10 • -7.16db
35% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Washboard Union
Country Thunder
122 bpm • C# min • 03:09 • -2.26db
36% Popularity • 51% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Hunter Hayes
You Should Be Loved
120 bpm • F# Maj • 02:56 • -6db
30% Popularity • 61% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Blanco Brown
Good As It Gets
123 bpm • D Maj • 03:09 • -5.68db
38% Popularity • 61% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Kip Moore
The Bull
123 bpm • G Maj • 03:09 • -6.33db
54% Popularity • 74% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Noah Schnacky
Feels Like Love
117 bpm • D Maj • 02:54 • -5.14db
28% Popularity • 64% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Keith Urban
Polaroid
117 bpm • G# Maj • 02:31 • -5.82db
41% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Levi Hummon
Another Shot
117 bpm • F# Maj • 02:42 • -4.82db
30% Popularity • 71% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Hunter Hayes
Dear God - Recorded at Woodshed Recordin...
120 bpm • G# min • 03:02 • -10.76db
17% Popularity • 60% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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High Valley
Make You Mine
123 bpm • C Maj • 03:31 • -4db
50% Popularity • 58% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Restless Road
Took One Look at Her Momma
117 bpm • G# Maj • 03:12 • -3.41db
34% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Dallas Smith
Sky Stays This Blue
117 bpm • D Maj • 02:52 • -4db
33% Popularity • 59% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Love and Theft
Need To Breathe
117 bpm • B Maj • 02:39 • -4.42db
13% Popularity • 61% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Jon Langston
Right Girl Wrong Time
117 bpm • F# Maj • 03:42 • -6.13db
50% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Hunter Hayes
Loving You
120 bpm • B Maj • 03:57 • -8.12db
24% Popularity • 40% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Danielle Bradbery
Stop Draggin' Your Boots
124 bpm • D Maj • 02:44 • -5.96db
53% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Chad Brownlee
Money On You
124 bpm • G Maj • 03:17 • -5.34db
36% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Logan Mize
Thinking About You
124 bpm • C Maj • 03:27 • -6.65db
35% Popularity • 67% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Frankie Ballard
Cigarette
124 bpm • D Maj • 03:01 • -6.79db
32% Popularity • 67% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Hunter Hayes
Flashlight
119 bpm • D# Maj • 04:46 • -6.24db
24% Popularity • 56% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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High Valley
Single Man
124 bpm • C Maj • 03:26 • -4.63db
43% Popularity • 59% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Carly Pearce
Finish Your Sentences
124 bpm • D Maj • 02:49 • -4.7db
41% Popularity • 57% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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James Barker Band
Chills
116 bpm • G# min • 03:08 • -6db
49% Popularity • 66% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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LANCO
Born to Love You
125 bpm • G Maj • 03:50 • -6.19db
55% Popularity • 66% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Hunter Hayes
Night and Day
118 bpm • A min • 03:45 • -7.38db
24% Popularity • 66% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Hunter Brothers
Silver Lining
125 bpm • C# Maj • 03:14 • -4.21db
30% Popularity • 60% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Walker Hayes
90's Country
125 bpm • C# min • 02:52 • -5.78db
49% Popularity • 74% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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James Barker Band
Over All Over Again
115 bpm • G# Maj • 03:21 • -3.34db
35% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Troy Cartwright
Hung Up On You
115 bpm • A# Maj • 03:21 • -3.96db
41% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Eric Paslay
High Class
115 bpm • A# min • 03:07 • -3.33db
45% Popularity • 74% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Hunter Hayes
Young Blood
118 bpm • G Maj • 03:15 • -4.44db
19% Popularity • 51% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Hunter Brothers
Born and Raised
115 bpm • B min • 03:01 • -3db
39% Popularity • 52% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Jerrod Niemann
I Got This
115 bpm • B min • 03:01 • -7db
42% Popularity • 80% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Danielle Bradbery
Worth It
115 bpm • F Maj • 03:26 • -4.69db
47% Popularity • 55% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Thompson Square
A Love Like This
126 bpm • C# Maj • 03:20 • -4db
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Dan + Shay
Make or Break
126 bpm • F Maj • 02:35 • -3.92db
44% Popularity • 57% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Hunter Hayes
Wallflower
124 bpm • B Maj • 03:24 • -6.38db
17% Popularity • 63% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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James Barker Band
Keep It Simple
126 bpm • G min • 03:07 • -5.53db
44% Popularity • 67% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Gabby Barrett
Rivers Deep
114 bpm • A# Maj • 03:47 • -3.05db
43% Popularity • 72% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Eli Young Band
Saltwater Gospel
114 bpm • B Maj • 03:06 • -7db
52% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Ray Fulcher
Anything Like You Dance
114 bpm • B Maj • 03:18 • -5.46db
38% Popularity • 69% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Brandon Lay
Break Down On Me
114 bpm • D# Maj • 02:54 • -8.62db
38% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Hunter Hayes
Storyline
114 bpm • B Maj • 03:25 • -4.63db
28% Popularity • 52% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Walker Hayes
U Gurl
114 bpm • D Maj • 02:32 • -5.07db
54% Popularity • 79% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
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Russell Dickerson
She Likes It
127 bpm • E Maj • 02:43 • -12db
60% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Hunter Brothers
Those Were the Nights
113 bpm • G Maj • 03:25 • -4.57db
40% Popularity • 57% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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LANCO
Old Camaro
113 bpm • B Maj • 03:07 • -4.58db
31% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Noah Schnacky
I'll Be The One
127 bpm • B Maj • 03:22 • -5.68db
36% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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James Barker Band
Good Together
113 bpm • F Maj • 03:21 • -5.73db
41% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Maddie & Tae
Lay Here With Me
127 bpm • G Maj • 02:58 • -6db
41% Popularity • 57% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Keith Urban
Long Hot Summer
128 bpm • D# Maj • 04:33 • -8.43db
61% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Hunter Hayes
Yesterday's Song
128 bpm • C# Maj • 03:43 • -4db
36% Popularity • 57% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Parmalee
Be Alright
128 bpm • A# Maj • 03:21 • -3.22db
49% Popularity • 60% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Granger Smith
You’re In It
112 bpm • B Maj • 03:16 • -5.45db
41% Popularity • 58% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 59% Positiveness
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Austin Burke
Whole Lot in Love
112 bpm • D Maj • 02:46 • -7.45db
44% Popularity • 79% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Carly Pearce
Closer To You
112 bpm • E min • 03:07 • -4.55db
46% Popularity • 66% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Hunter Hayes
No
129 bpm • C# Maj • 03:23 • -6.33db
19% Popularity • 42% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Ian Munsick
I See Country
129 bpm • A# Maj • 04:04 • -6.26db
54% Popularity • 67% Danceability • 75% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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High Valley
She's with Me
111 bpm • B Maj • 03:00 • -4db
50% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Rodney Atkins
Thank God For You
129 bpm • D# Maj • 03:35 • -6db
40% Popularity • 55% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Brett Kissel
I Can Play Guitar
130 bpm • A# Maj • 04:25 • -4.26db
17% Popularity • 60% Danceability • 91% Energy • 97% Liveness
0% Instrumentalness • 82% Positiveness
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Ryan Hurd
Platonic
130 bpm • A# Maj • 02:31 • -7db
42% Popularity • 70% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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LOCASH
Don't Get Better Than That
130 bpm • E Maj • 03:17 • -3.32db
40% Popularity • 53% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Dallas Smith
Side Effects
110 bpm • E Maj • 02:57 • -4db
36% Popularity • 63% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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One Shot