Songs like One Step Beyond by Prince Buster
Based on a tempo of (+/- 10%) and a similar genre
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Prince Buster
One Step Beyond
133 bpm • C# min • 02:39 • -10.83db
38% Popularity • 76% Danceability • 70% Energy • 14% Liveness
68% Instrumentalness • 87% Positiveness
38% Popularity • 76% Danceability • 70% Energy • 14% Liveness
68% Instrumentalness • 87% Positiveness
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Harry J Allstars
Tilly (You Don’t Know)
133 bpm • C min • 02:31 • -9.1db
24% Popularity • 82% Danceability • 71% Energy • 29% Liveness
75% Instrumentalness • 100% Positiveness
24% Popularity • 82% Danceability • 71% Energy • 29% Liveness
75% Instrumentalness • 100% Positiveness
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The Selecter
My Collie (Not a Dog)
133 bpm • B Maj • 02:47 • -14db
30% Popularity • 91% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
30% Popularity • 91% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Owen Gray
Running Around
134 bpm • A# Maj • 02:11 • -4.94db
17% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 66% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Derrick Harriott
Money Ska
132 bpm • F Maj • 02:13 • -8.62db
33% Popularity • 89% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 89% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Susan Cadogan
Fever
134 bpm • C Maj • 02:25 • -10.89db
32% Popularity • 94% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 94% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Prince Buster
30 Pieces of Silver
133 bpm • C Maj • 02:59 • -6.07db
13% Popularity • 70% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 70% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Jools Holland
Enjoy Yourself (It's Later Than You Thin...
134 bpm • C Maj • 03:01 • -5.69db
32% Popularity • 46% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 46% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 95% Positiveness
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The Selecter
James Bond
133 bpm • B Maj • 02:18 • -13db
32% Popularity • 88% Danceability • 62% Energy • 6% Liveness
14% Instrumentalness • 97% Positiveness
32% Popularity • 88% Danceability • 62% Energy • 6% Liveness
14% Instrumentalness • 97% Positiveness
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Pat Kelly
Dark End Of The Street
132 bpm • C Maj • 03:19 • -12.38db
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Derrick Morgan
Moon Hop
132 bpm • C Maj • 03:09 • -9db
34% Popularity • 84% Danceability • 53% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
34% Popularity • 84% Danceability • 53% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
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Ken Boothe
Artibella
132 bpm • F# min • 02:20 • -15.4db
41% Popularity • 93% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 93% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Symarip
Back to the Moon
131 bpm • D Maj • 03:34 • -9db
15% Popularity • 84% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 84% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Dr. Alimantado
Best Dressed Chicken in Town
131 bpm • C# min • 02:43 • -9db
28% Popularity • 86% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 86% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Eric Morris
Penny Reel-O
131 bpm • D# Maj • 02:30 • -6.56db
21% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
21% Popularity • 85% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Pat Kelly
I Am Coming Home
134 bpm • B min • 03:47 • -7.34db
21% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 67% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Lloyd and Claudette
Queen of the World
135 bpm • A# Maj • 02:16 • -7.16db
27% Popularity • 85% Danceability • 68% Energy • 23% Liveness
12% Instrumentalness • 96% Positiveness
27% Popularity • 85% Danceability • 68% Energy • 23% Liveness
12% Instrumentalness • 96% Positiveness
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The Bodysnatchers
Easy Life
131 bpm • G Maj • 03:11 • -10.51db
30% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 57% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Symarip
Skinhead Girl
135 bpm • F# min • 02:26 • -7.28db
34% Popularity • 90% Danceability • 56% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
34% Popularity • 90% Danceability • 56% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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The Slickers
Johnny Too Bad
131 bpm • G# Maj • 03:22 • -4db
15% Popularity • 73% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 73% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Junior Byles
Beat Down Babylon
135 bpm • D Maj • 02:35 • -10.44db
47% Popularity • 85% Danceability • 45% Energy • 9% Liveness
57% Instrumentalness • 96% Positiveness
47% Popularity • 85% Danceability • 45% Energy • 9% Liveness
57% Instrumentalness • 96% Positiveness
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Bad Manners
Special Brew
131 bpm • G Maj • 03:35 • -9.33db
47% Popularity • 71% Danceability • 70% Energy • 3% Liveness
16% Instrumentalness • 97% Positiveness
47% Popularity • 71% Danceability • 70% Energy • 3% Liveness
16% Instrumentalness • 97% Positiveness
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Prince Buster
I Got a Pain
130 bpm • A Maj • 02:25 • -12.31db
20% Popularity • 81% Danceability • 52% Energy • 50% Liveness
5% Instrumentalness • 96% Positiveness
20% Popularity • 81% Danceability • 52% Energy • 50% Liveness
5% Instrumentalness • 96% Positiveness
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Linton Kwesi Johnson
Bass Culture
130 bpm • E min • 06:06 • -15db
29% Popularity • 86% Danceability • 29% Energy • 6% Liveness
3% Instrumentalness • 55% Positiveness
29% Popularity • 86% Danceability • 29% Energy • 6% Liveness
3% Instrumentalness • 55% Positiveness
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Symarip
Try Me Best
136 bpm • B Maj • 02:51 • -8.05db
23% Popularity • 82% Danceability • 61% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
23% Popularity • 82% Danceability • 61% Energy • 17% Liveness
2% Instrumentalness • 93% Positiveness
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Althea And Donna
The West - Remastered 2001
130 bpm • A min • 03:50 • -11db
40% Popularity • 88% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 88% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Pat Kelly
How Long Will It Take
130 bpm • C Maj • 03:13 • -13db
33% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 76% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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The Gaylads
This Time I Won't Hurt You
136 bpm • C Maj • 02:55 • -13.31db
19% Popularity • 68% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 68% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Pioneers
Let Your Yeah Be Yeah
130 bpm • A# Maj • 03:07 • -7.03db
42% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Prince Buster
Jet 707
130 bpm • C# Maj • 02:52 • -6.24db
10% Popularity • 77% Danceability • 73% Energy • 13% Liveness
98% Instrumentalness • 94% Positiveness
10% Popularity • 77% Danceability • 73% Energy • 13% Liveness
98% Instrumentalness • 94% Positiveness
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Culture
Two Sevens Clash
136 bpm • A min • 03:29 • -6.61db
40% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The Soulmates
Them A Laugh And A Kiki
129 bpm • F Maj • 02:34 • -10.62db
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
26% Popularity • 82% Danceability • 47% Energy • 15% Liveness
69% Instrumentalness • 92% Positiveness
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Linton Kwesi Johnson
Want Fi Goh Rave
129 bpm • B min • 04:19 • -15.37db
33% Popularity • 76% Danceability • 42% Energy • 4% Liveness
2% Instrumentalness • 84% Positiveness
33% Popularity • 76% Danceability • 42% Energy • 4% Liveness
2% Instrumentalness • 84% Positiveness
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Justin Hinds
Rub Up Push Up
129 bpm • D# min • 02:45 • -9db
22% Popularity • 84% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
22% Popularity • 84% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
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The Pioneers
Su Su Su
136 bpm • F# Maj • 02:15 • -10.57db
24% Popularity • 85% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 85% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Ken Boothe
Freedom Street
129 bpm • D Maj • 02:47 • -12.2db
34% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 87% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Lord Tanamo
Taller Than You Are
129 bpm • C# Maj • 02:23 • -9.6db
21% Popularity • 77% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
21% Popularity • 77% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 91% Positiveness
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Roy Panton
We'll Meet
129 bpm • D# min • 02:26 • -7db
35% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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The Kingstonians
Singer Man
129 bpm • D Maj • 03:04 • -11.1db
21% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 71% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Dr. Alimantado
Born for a Purpose/reason for Living
129 bpm • G min • 05:53 • -8db
26% Popularity • 82% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 82% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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The Pioneers
Give and Take (Give a Little, Take a Lit...
129 bpm • C Maj • 02:20 • -8.95db
27% Popularity • 82% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 82% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Ken Boothe
Arte Bella
129 bpm • F min • 02:37 • -8.37db
25% Popularity • 72% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 72% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Bongo Man Byfield
Bongo Man
129 bpm • G Maj • 03:10 • -10.72db
10% Popularity • 82% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 82% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Lyn Taitt
Forty Miles of Bad Road
129 bpm • D# Maj • 02:36 • -7.4db
14% Popularity • 70% Danceability • 82% Energy • 22% Liveness
85% Instrumentalness • 98% Positiveness
14% Popularity • 70% Danceability • 82% Energy • 22% Liveness
85% Instrumentalness • 98% Positiveness
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Linton Kwesi Johnson
Inglan Is A Bitch
138 bpm • G Maj • 05:26 • -15.75db
41% Popularity • 88% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 88% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Lord Tanamo
I'm in the Mood for Love (I'm in the Moo...
129 bpm • D# Maj • 02:31 • -8.29db
41% Popularity • 76% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
41% Popularity • 76% Danceability • 63% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
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Symarip
Skin Flint
138 bpm • B Maj • 02:24 • -10.69db
31% Popularity • 77% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 97% Positiveness
31% Popularity • 77% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 97% Positiveness
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Don Drummond
Don De Lion
128 bpm • C min • 02:25 • -10db
31% Popularity • 86% Danceability • 79% Energy • 5% Liveness
96% Instrumentalness • 82% Positiveness
31% Popularity • 86% Danceability • 79% Energy • 5% Liveness
96% Instrumentalness • 82% Positiveness
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Jackie Mittoo
Hot Milk
128 bpm • C# Maj • 03:57 • -12.47db
25% Popularity • 83% Danceability • 46% Energy • 24% Liveness
91% Instrumentalness • 71% Positiveness
25% Popularity • 83% Danceability • 46% Energy • 24% Liveness
91% Instrumentalness • 71% Positiveness
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The Pioneers
Bring Him Come
138 bpm • C# Maj • 02:22 • -7.47db
22% Popularity • 84% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 84% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Bob Andy
You Don't Know
128 bpm • C Maj • 03:16 • -12.97db
27% Popularity • 86% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 86% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Jackie Opel
Sit Down Servant
128 bpm • F# Maj • 02:12 • -8.76db
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Symarip
Skinhead Girl
128 bpm • C Maj • 03:02 • -9.58db
27% Popularity • 81% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 81% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Lord Tanamo
You Belong to My Heart
128 bpm • D# Maj • 02:24 • -10.38db
25% Popularity • 81% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
25% Popularity • 81% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Justin Hinds & The Dominoes
Mother Banner
128 bpm • G Maj • 02:39 • -6.09db
22% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
22% Popularity • 88% Danceability • 67% Energy • 8% Liveness
4% Instrumentalness • 98% Positiveness
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Don Drummond
Confucious
128 bpm • D Maj • 02:52 • -5.97db
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
21% Popularity • 76% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 73% Positiveness
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Shenley Duffus
Rukumbine
128 bpm • G Maj • 02:40 • -4db
22% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 86% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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The Survivors
Rawhide
128 bpm • G min • 02:11 • -6.97db
15% Popularity • 74% Danceability • 71% Energy • 18% Liveness
13% Instrumentalness • 80% Positiveness
15% Popularity • 74% Danceability • 71% Energy • 18% Liveness
13% Instrumentalness • 80% Positiveness
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Junior Murvin
Roots Train
128 bpm • G Maj • 03:43 • -12db
42% Popularity • 87% Danceability • 44% Energy • 30% Liveness
17% Instrumentalness • 97% Positiveness
42% Popularity • 87% Danceability • 44% Energy • 30% Liveness
17% Instrumentalness • 97% Positiveness
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Jackie Mittoo
Killer Diller
128 bpm • F Maj • 02:47 • -7.13db
15% Popularity • 58% Danceability • 74% Energy • 27% Liveness
83% Instrumentalness • 96% Positiveness
15% Popularity • 58% Danceability • 74% Energy • 27% Liveness
83% Instrumentalness • 96% Positiveness
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Justin Hinds & The Dominoes
The Ark
128 bpm • F Maj • 02:28 • -8.13db
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 74% Danceability • 73% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Don Drummond
Alipanga
128 bpm • D Maj • 03:05 • -8.26db
20% Popularity • 67% Danceability • 69% Energy • 28% Liveness
88% Instrumentalness • 68% Positiveness
20% Popularity • 67% Danceability • 69% Energy • 28% Liveness
88% Instrumentalness • 68% Positiveness
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The Selecter
Missing Words
139 bpm • D# Maj • 03:24 • -11.95db
38% Popularity • 61% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 61% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 57% Positiveness
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Peter Tosh
Stepping Razor
128 bpm • G Maj • 05:47 • -8.11db
46% Popularity • 86% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 86% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Lord Tanamo
Big Trombone
139 bpm • C min • 03:38 • -9db
15% Popularity • 76% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 76% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Jackie Opel
You Too Bad
127 bpm • C Maj • 02:34 • -7db
25% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 72% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Marcia Griffiths
Feel Like Jumping
139 bpm • F Maj • 03:57 • -11.67db
33% Popularity • 85% Danceability • 46% Energy • 32% Liveness
75% Instrumentalness • 94% Positiveness
33% Popularity • 85% Danceability • 46% Energy • 32% Liveness
75% Instrumentalness • 94% Positiveness
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Don Drummond
Don Cosmic
128 bpm • F Maj • 02:32 • -10.66db
22% Popularity • 74% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
22% Popularity • 74% Danceability • 62% Energy • 9% Liveness
74% Instrumentalness • 96% Positiveness
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Junior Murvin
Police & Thieves
127 bpm • B min • 04:04 • -13db
59% Popularity • 93% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 93% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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The Baba Brooks Band
Girls Town Ska
127 bpm • D min • 02:50 • -4.21db
23% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
23% Popularity • 83% Danceability • 78% Energy • 9% Liveness
55% Instrumentalness • 97% Positiveness
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Dandy
Reggae in Your Jeggae
139 bpm • D min • 02:57 • -7.41db
27% Popularity • 72% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 72% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Hortense Ellis
I'm Still in Love
139 bpm • A Maj • 03:57 • -8.93db
24% Popularity • 78% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
24% Popularity • 78% Danceability • 53% Energy • 6% Liveness
1% Instrumentalness • 67% Positiveness
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The Zodiacs
Renegade
127 bpm • F# min • 02:40 • -6.25db
24% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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The Bodysnatchers
Let's Do Rock Steady
127 bpm • F Maj • 02:54 • -13db
40% Popularity • 81% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
40% Popularity • 81% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 99% Positiveness
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Justin Hinds
Over The River
127 bpm • C Maj • 02:21 • -11.62db
28% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Harry J Allstars
Jack the Ripper
140 bpm • B min • 03:32 • -10.17db
15% Popularity • 72% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 97% Positiveness
15% Popularity • 72% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 97% Positiveness
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Lord Tanamo
Iron Bar
127 bpm • F Maj • 02:16 • -9.47db
24% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 83% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Lyn Taitt
Independence Ska (El Pussycat)
126 bpm • D# Maj • 02:35 • -6.15db
16% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
16% Popularity • 86% Danceability • 84% Energy • 30% Liveness
65% Instrumentalness • 97% Positiveness
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Gloria & The Dreamlets
Really Now
126 bpm • G Maj • 02:22 • -7.22db
19% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
19% Popularity • 80% Danceability • 52% Energy • 22% Liveness
9% Instrumentalness • 69% Positiveness
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Big Youth
The Killer
140 bpm • G min • 03:25 • -7.15db
22% Popularity • 89% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 89% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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The Gaylads
There's a Fire
126 bpm • A# Maj • 02:12 • -13.67db
25% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 79% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Symarip
Skinhead Moonstomp
126 bpm • G Maj • 03:00 • -6.83db
43% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
43% Popularity • 70% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Junior Byles
Fever
141 bpm • D# min • 02:54 • -12.97db
38% Popularity • 84% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 97% Positiveness
38% Popularity • 84% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 97% Positiveness
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Desmond Dekker & The Four Aces
This Woman
126 bpm • F Maj • 02:33 • -9.13db
22% Popularity • 79% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 79% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Lord Creator
Don't Stay Out Late
126 bpm • D# Maj • 02:43 • -10.58db
14% Popularity • 72% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 72% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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The Selecter
On My Radio - '96 EP Version
141 bpm • G Maj • 03:06 • -4.91db
35% Popularity • 77% Danceability • 81% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 81% Energy • 20% Liveness
8% Instrumentalness • 96% Positiveness
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Bad Manners
This is Ska
125 bpm • E Maj • 03:45 • -9.51db
29% Popularity • 94% Danceability • 80% Energy • 31% Liveness
15% Instrumentalness • 97% Positiveness
29% Popularity • 94% Danceability • 80% Energy • 31% Liveness
15% Instrumentalness • 97% Positiveness
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Justin Hinds
King Samuel
125 bpm • A# Maj • 02:34 • -6.29db
17% Popularity • 85% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 85% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Dandy Livingstone
Take a Message Maria
141 bpm • D Maj • 03:03 • -9.32db
23% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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The Delegators
Nowhere to Run
141 bpm • C Maj • 03:10 • -6.98db
25% Popularity • 69% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 69% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Symarip
These Boots Are Made for Walking
142 bpm • D# Maj • 02:54 • -10.21db
24% Popularity • 84% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 84% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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The Selecter
On My Radio
142 bpm • D Maj • 03:05 • -9.45db
37% Popularity • 87% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 87% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Ken Parker
It's Alright
142 bpm • C Maj • 02:54 • -10.9db
21% Popularity • 68% Danceability • 50% Energy • 14% Liveness
82% Instrumentalness • 90% Positiveness
21% Popularity • 68% Danceability • 50% Energy • 14% Liveness
82% Instrumentalness • 90% Positiveness
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Ken Boothe
Can't Get No Satisfaction
124 bpm • F Maj • 01:56 • -11.81db
30% Popularity • 93% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 93% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Justin Hinds & The Dominoes
Carry Go, Bring Come
124 bpm • C Maj • 02:44 • -7.7db
31% Popularity • 78% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 78% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Justin Hinds
Carry Go Bring Come
124 bpm • C Maj • 02:44 • -10.94db
36% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 80% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Big Youth
Hit the Road Jack
142 bpm • A# min • 03:10 • -9.96db
36% Popularity • 60% Danceability • 71% Energy • 50% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 60% Danceability • 71% Energy • 50% Liveness
0% Instrumentalness • 77% Positiveness
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Derrick Morgan
Don't Call Me Daddy
124 bpm • G Maj • 02:35 • -8.56db
18% Popularity • 84% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 84% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
