Songs like One True Thing by Cliff Eidelman
Based on a tempo of (+/- 10%) and a similar genre
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Isobel Waller-Bridge
Mr. Knightley
74 bpm • G Maj • 01:39 • -17.36db
45% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
45% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Cliff Eidelman
One True Thing
74 bpm • A Maj • 02:20 • -31db
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Edward Shearmur
Paco
74 bpm • E Maj • 02:30 • -21.29db
11% Popularity • 48% Danceability • 4% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 48% Danceability • 4% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
37% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
37% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Ramin Djawadi
Just Me and You
74 bpm • C min • 02:11 • -33.09db
27% Popularity • 24% Danceability • 1% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 1% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Jóhann Jóhannsson
A Normal Family
74 bpm • A min • 01:41 • -21.09db
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Andrew Lockington
Morning
74 bpm • A min • 01:22 • -22db
26% Popularity • 19% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
26% Popularity • 19% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Cliff Eidelman
Birth
74 bpm • D Maj • 03:06 • -16.61db
14% Popularity • 8% Danceability • 14% Energy • 21% Liveness
82% Instrumentalness • 5% Positiveness
14% Popularity • 8% Danceability • 14% Energy • 21% Liveness
82% Instrumentalness • 5% Positiveness
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Ilan Eshkeri
Austenland Symphony: II. Romanze
74 bpm • G Maj • 06:04 • -17.84db
26% Popularity • 7% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Carter Burwell
I Will Carry You
74 bpm • G Maj • 01:57 • -23.13db
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Mark McKenzie
Dragon Heaven
73 bpm • C Maj • 01:21 • -32.67db
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Christophe Beck
Polonia
74 bpm • A# Maj • 02:25 • -30.56db
19% Popularity • 8% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Peter Gregson
End Roller
75 bpm • D# Maj • 03:21 • -37.36db
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
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Cliff Eidelman
Remembrance
73 bpm • C Maj • 01:57 • -25.82db
4% Popularity • 27% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
4% Popularity • 27% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 8, That First ...
75 bpm • F# min • 02:21 • -21.54db
11% Popularity • 16% Danceability • 11% Energy • 35% Liveness
89% Instrumentalness • 9% Positiveness
11% Popularity • 16% Danceability • 11% Energy • 35% Liveness
89% Instrumentalness • 9% Positiveness
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Anne Dudley
The Harvest
73 bpm • F Maj • 02:20 • -12.49db
17% Popularity • 8% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
17% Popularity • 8% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Leonard Rosenman
Rebel Without a Cause: Love Theme
75 bpm • G Maj • 01:28 • -29.59db
27% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
27% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
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Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
36% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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An Eligible Quartet
Mr. Knightley Returns
75 bpm • G min • 01:52 • -16.99db
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 5, A Crock of ...
75 bpm • E min • 01:21 • -22.6db
26% Popularity • 20% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
26% Popularity • 20% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Jóhann Jóhannsson
The Origins of Time
75 bpm • C Maj • 02:21 • -27.17db
42% Popularity • 7% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Cliff Eidelman
You Are My Peace
75 bpm • A min • 02:55 • -28db
16% Popularity • 20% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Deborah Lurie
The Barn
73 bpm • F# Maj • 01:34 • -22db
30% Popularity • 18% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
44% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
44% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Daniel Pemberton
Fields Of London
75 bpm • C Maj • 01:10 • -11.03db
32% Popularity • 16% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
32% Popularity • 16% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Dan Redfeld & Elizabeth Hedman
The Patriot: Main Theme
76 bpm • C Maj • 04:20 • -17db
25% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
25% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Rob Simonsen
Constellations
76 bpm • C Maj • 02:09 • -28.32db
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 4% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Michael Kamen
Boy Eats Chocolate - Instrumental
72 bpm • C Maj • 01:16 • -24.15db
30% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Alex Heffes
Grace Alone
76 bpm • G min • 01:38 • -19db
36% Popularity • 23% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Royal Philharmonic Orchestra
King Arthur: Tell Me Now (What You See)
76 bpm • C Maj • 04:32 • -16.24db
18% Popularity • 16% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Butterfly
72 bpm • E min • 01:37 • -17db
47% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
47% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Craig Armstrong
Paris
73 bpm • B Maj • 03:26 • -18.03db
34% Popularity • 6% Danceability • 14% Energy • 39% Liveness
86% Instrumentalness • 4% Positiveness
34% Popularity • 6% Danceability • 14% Energy • 39% Liveness
86% Instrumentalness • 4% Positiveness
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Andrea Guerra
La lettera
72 bpm • F Maj • 00:59 • -40.95db
56% Popularity • 27% Danceability • 0% Energy • 7% Liveness
51% Instrumentalness • 22% Positiveness
56% Popularity • 27% Danceability • 0% Energy • 7% Liveness
51% Instrumentalness • 22% Positiveness
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Maurizio Malagnini
We Will Be Memories
76 bpm • C Maj • 02:55 • -14.46db
23% Popularity • 22% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
23% Popularity • 22% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Mychael Danna
Meadow
76 bpm • F Maj • 03:19 • -19.97db
15% Popularity • 8% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Leonard Rosenman
Ferris Wheel
76 bpm • C Maj • 01:25 • -25.39db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Ramin Djawadi
I Feel Alive
76 bpm • F min • 02:39 • -22db
34% Popularity • 7% Danceability • 7% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
34% Popularity • 7% Danceability • 7% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Craig Armstrong
Armstrong: Love Theme
72 bpm • G Maj • 02:51 • -18db
18% Popularity • 7% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Rainfall
72 bpm • F Maj • 01:37 • -32db
20% Popularity • 16% Danceability • 4% Energy • 8% Liveness
24% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 4% Energy • 8% Liveness
24% Instrumentalness • 6% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 2, Memory
76 bpm • D# Maj • 01:42 • -20.97db
14% Popularity • 20% Danceability • 16% Energy • 20% Liveness
94% Instrumentalness • 7% Positiveness
14% Popularity • 20% Danceability • 16% Energy • 20% Liveness
94% Instrumentalness • 7% Positiveness
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John Lunn
Two Sisters
71 bpm • G# min • 02:38 • -15.96db
28% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Milo Paulus
A Simple Gift
77 bpm • B Maj • 04:15 • -20.79db
9% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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Christophe Beck
The Most Important Thing
71 bpm • D Maj • 02:47 • -29.9db
16% Popularity • 13% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Mark Mancina
Piano Lullaby
77 bpm • C Maj • 02:07 • -23.37db
22% Popularity • 46% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
22% Popularity • 46% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
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Cliff Eidelman
A New Family
71 bpm • C Maj • 01:35 • -17db
12% Popularity • 11% Danceability • 18% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 18% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Maurizio Malagnini
The Moment I Lost You
77 bpm • E min • 01:25 • -21.6db
24% Popularity • 23% Danceability • 12% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Ilan Eshkeri
Souls Rising
77 bpm • C Maj • 01:25 • -25.53db
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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The Chamber Orchestra Of London
Titanic
71 bpm • G# min • 02:09 • -14.58db
31% Popularity • 21% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Stephen Rennicks
In the World
71 bpm • G# Maj • 01:51 • -14.72db
24% Popularity • 11% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
24% Popularity • 11% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Cliff Eidelman
Rest In Peace Johnny
77 bpm • D Maj • 04:24 • -18.43db
3% Popularity • 7% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
3% Popularity • 7% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Maurizio Malagnini
The Wedding
77 bpm • C Maj • 01:26 • -16.75db
22% Popularity • 23% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Rob Simonsen
Hospital Confessions
77 bpm • C min • 05:15 • -31.18db
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
19% Popularity • 16% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
51% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
51% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Martin Phipps
Andrei
77 bpm • C Maj • 03:19 • -20.13db
37% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Geppetto Creates
71 bpm • C Maj • 01:17 • -26db
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
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Cliff Eidelman
Main Title (Remembering)
71 bpm • G Maj • 02:45 • -25db
11% Popularity • 27% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
11% Popularity • 27% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Fernando Velázquez
The Best Holiday Season Ever
77 bpm • D# Maj • 02:27 • -22db
25% Popularity • 20% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Kamen
Winters On Subway - Instrumental
71 bpm • G Maj • 01:54 • -36db
28% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
28% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Laurent Eyquem
The World Turned Upside Down - Pt. 2
71 bpm • A# Maj • 02:20 • -23db
21% Popularity • 22% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
21% Popularity • 22% Danceability • 5% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Alex Heffes
Jamie's Memory
78 bpm • G min • 01:28 • -22db
34% Popularity • 36% Danceability • 15% Energy • 38% Liveness
32% Instrumentalness • 8% Positiveness
34% Popularity • 36% Danceability • 15% Energy • 38% Liveness
32% Instrumentalness • 8% Positiveness
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Carter Burwell
Keep Your Memories
70 bpm • G Maj • 03:27 • -17.67db
25% Popularity • 6% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
25% Popularity • 6% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Cliff Eidelman
The Kiss
71 bpm • E Maj • 02:51 • -17.99db
1% Popularity • 13% Danceability • 11% Energy • 9% Liveness
58% Instrumentalness • 7% Positiveness
1% Popularity • 13% Danceability • 11% Energy • 9% Liveness
58% Instrumentalness • 7% Positiveness
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Stephen Warbeck
The Beach and the Past
70 bpm • G min • 02:52 • -20.21db
24% Popularity • 11% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
24% Popularity • 11% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Teresa
70 bpm • C Maj • 02:49 • -14.33db
16% Popularity • 28% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
16% Popularity • 28% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Clint Eastwood
Book Signing
70 bpm • C Maj • 01:00 • -21.9db
31% Popularity • 58% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 10% Positiveness
31% Popularity • 58% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 10% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
37% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
37% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Anthony Willis
Romance Suite
70 bpm • E Maj • 03:32 • -21.26db
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Mancina
Looking At You
70 bpm • A Maj • 04:29 • -18db
11% Popularity • 15% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 8% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Joseph Sample
One Day I'll Fly Away
78 bpm • C# min • 03:15 • -15.82db
24% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Martin Phipps
Lord M
70 bpm • D# min • 02:44 • -19.73db
33% Popularity • 19% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Craig Armstrong
The Lake Scene
79 bpm • C Maj • 01:35 • -18db
47% Popularity • 17% Danceability • 8% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
47% Popularity • 17% Danceability • 8% Energy • 33% Liveness
96% Instrumentalness • 8% Positiveness
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Jan A.P. Kaczmarek
The Hope
70 bpm • D min • 03:43 • -19.46db
22% Popularity • 23% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Maurizio Malagnini
Once Again on the Bridge
79 bpm • G Maj • 02:21 • -21.36db
9% Popularity • 14% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Mark Mancina
Wine Glass Suite
78 bpm • F Maj • 03:10 • -22.21db
21% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Mark McKenzie
Emily's Chemo
70 bpm • A# Maj • 01:22 • -18db
32% Popularity • 22% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Cliff Eidelman
Sam's Dad Leaves
79 bpm • G Maj • 01:57 • -29.88db
4% Popularity • 14% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
4% Popularity • 14% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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Stephen Warbeck
Pelagia's Song
79 bpm • C Maj • 04:04 • -16.38db
39% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Deborah Lurie
Final Letter
79 bpm • C Maj • 02:25 • -23db
30% Popularity • 29% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
30% Popularity • 29% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 9% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Cliff Eidelman
Comeback Inn
69 bpm • A min • 03:32 • -29.65db
4% Popularity • 6% Danceability • 3% Energy • 33% Liveness
88% Instrumentalness • 3% Positiveness
4% Popularity • 6% Danceability • 3% Energy • 33% Liveness
88% Instrumentalness • 3% Positiveness
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John Lunn
Gleam And Sparkle
79 bpm • A min • 02:48 • -16.7db
27% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
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Rob Simonsen
Adaline Bowman
79 bpm • E min • 01:51 • -19.56db
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Panu Aaltio
Raindrops
79 bpm • F Maj • 02:24 • -24.4db
27% Popularity • 22% Danceability • 7% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
27% Popularity • 22% Danceability • 7% Energy • 14% Liveness
95% Instrumentalness • 9% Positiveness
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Richard Robbins
Return To Florence
69 bpm • G# Maj • 01:54 • -21db
28% Popularity • 20% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
