Songs like One Way To Mars by BOP
Based on a tempo of (+/- 10%) and a similar genre
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BOP
Untitled Pattern 55
170 bpm • F# min • 04:43 • -9.85db
12% Popularity • 82% Danceability • 32% Energy • 6% Liveness
80% Instrumentalness • 30% Positiveness
12% Popularity • 82% Danceability • 32% Energy • 6% Liveness
80% Instrumentalness • 30% Positiveness
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Bert H
In Love Again
170 bpm • A# min • 05:09 • -8.84db
36% Popularity • 67% Danceability • 76% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
36% Popularity • 67% Danceability • 76% Energy • 8% Liveness
87% Instrumentalness • 48% Positiveness
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Nuage
Be Myself
170 bpm • A Maj • 06:06 • -10.1db
2% Popularity • 65% Danceability • 57% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
2% Popularity • 65% Danceability • 57% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Naibu
Keep It Simple
170 bpm • A# Maj • 04:54 • -6.09db
24% Popularity • 57% Danceability • 66% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 57% Danceability • 66% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Ivy Lab
Afterthought
170 bpm • G Maj • 05:46 • -4.85db
29% Popularity • 58% Danceability • 62% Energy • 6% Liveness
38% Instrumentalness • 13% Positiveness
29% Popularity • 58% Danceability • 62% Energy • 6% Liveness
38% Instrumentalness • 13% Positiveness
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Askel & Elere
Jola Dub
170 bpm • A# min • 03:08 • -5.93db
21% Popularity • 64% Danceability • 55% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
21% Popularity • 64% Danceability • 55% Energy • 11% Liveness
86% Instrumentalness • 31% Positiveness
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BOP
Searching The Truth
170 bpm • B min • 06:04 • -9.44db
3% Popularity • 77% Danceability • 42% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
3% Popularity • 77% Danceability • 42% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
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skantia
Autumn Leaves
170 bpm • C# min • 04:38 • -6db
31% Popularity • 57% Danceability • 86% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
31% Popularity • 57% Danceability • 86% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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MKSTN
Final Render
170 bpm • G# Maj • 02:29 • -7db
35% Popularity • 62% Danceability • 81% Energy • 24% Liveness
83% Instrumentalness • 75% Positiveness
35% Popularity • 62% Danceability • 81% Energy • 24% Liveness
83% Instrumentalness • 75% Positiveness
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Naibu
Gatekeepers
170 bpm • D Maj • 05:43 • -5.04db
18% Popularity • 36% Danceability • 66% Energy • 48% Liveness
90% Instrumentalness • 29% Positiveness
18% Popularity • 36% Danceability • 66% Energy • 48% Liveness
90% Instrumentalness • 29% Positiveness
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Machinedrum
1000 Miles
170 bpm • G# min • 05:41 • -5.31db
37% Popularity • 52% Danceability • 87% Energy • 28% Liveness
85% Instrumentalness • 8% Positiveness
37% Popularity • 52% Danceability • 87% Energy • 28% Liveness
85% Instrumentalness • 8% Positiveness
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Linquei
Feel Me
170 bpm • E min • 05:26 • -7.11db
28% Popularity • 57% Danceability • 72% Energy • 35% Liveness
83% Instrumentalness • 20% Positiveness
28% Popularity • 57% Danceability • 72% Energy • 35% Liveness
83% Instrumentalness • 20% Positiveness
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BOP
Tears Of A Lonely Metaphysician
170 bpm • G Maj • 05:20 • -16.88db
7% Popularity • 71% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
7% Popularity • 71% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Athena
Eunoia
170 bpm • A# min • 04:36 • -6db
28% Popularity • 69% Danceability • 90% Energy • 4% Liveness
92% Instrumentalness • 21% Positiveness
28% Popularity • 69% Danceability • 90% Energy • 4% Liveness
92% Instrumentalness • 21% Positiveness
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HLZ
Dream Source
170 bpm • G# min • 06:10 • -4.17db
12% Popularity • 71% Danceability • 84% Energy • 36% Liveness
86% Instrumentalness • 34% Positiveness
12% Popularity • 71% Danceability • 84% Energy • 36% Liveness
86% Instrumentalness • 34% Positiveness
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Naibu
Corners
170 bpm • B Maj • 06:12 • -5.78db
17% Popularity • 54% Danceability • 74% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
17% Popularity • 54% Danceability • 74% Energy • 12% Liveness
80% Instrumentalness • 6% Positiveness
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Redeyes
We all try - Original Mix
170 bpm • C# Maj • 04:42 • -10.26db
32% Popularity • 52% Danceability • 76% Energy • 6% Liveness
92% Instrumentalness • 22% Positiveness
32% Popularity • 52% Danceability • 76% Energy • 6% Liveness
92% Instrumentalness • 22% Positiveness
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Subwave
Wait For Me
170 bpm • C Maj • 04:55 • -7.14db
27% Popularity • 57% Danceability • 85% Energy • 8% Liveness
65% Instrumentalness • 38% Positiveness
27% Popularity • 57% Danceability • 85% Energy • 8% Liveness
65% Instrumentalness • 38% Positiveness
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BOP
Galactic Glider
170 bpm • A min • 06:07 • -9.45db
4% Popularity • 66% Danceability • 53% Energy • 47% Liveness
84% Instrumentalness • 82% Positiveness
4% Popularity • 66% Danceability • 53% Energy • 47% Liveness
84% Instrumentalness • 82% Positiveness
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Commix
Cherry
170 bpm • F# Maj • 06:02 • -6.98db
22% Popularity • 69% Danceability • 96% Energy • 35% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 69% Danceability • 96% Energy • 35% Liveness
83% Instrumentalness • 4% Positiveness
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Conrad Subs
In Heaven
170 bpm • G Maj • 04:35 • -2.52db
28% Popularity • 71% Danceability • 83% Energy • 5% Liveness
91% Instrumentalness • 62% Positiveness
28% Popularity • 71% Danceability • 83% Energy • 5% Liveness
91% Instrumentalness • 62% Positiveness
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Naibu
Achille
170 bpm • F# min • 05:34 • -4.66db
17% Popularity • 57% Danceability • 65% Energy • 19% Liveness
87% Instrumentalness • 21% Positiveness
17% Popularity • 57% Danceability • 65% Energy • 19% Liveness
87% Instrumentalness • 21% Positiveness
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Mark System
Waiting for a Meaningful Title
170 bpm • A Maj • 06:10 • -6.09db
12% Popularity • 61% Danceability • 80% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
12% Popularity • 61% Danceability • 80% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Redeyes
We Were Kings - Instrumental
170 bpm • C# min • 04:58 • -6.91db
27% Popularity • 70% Danceability • 89% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
27% Popularity • 70% Danceability • 89% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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BOP
One Way To Mars
170 bpm • G# min • 04:33 • -7.27db
13% Popularity • 69% Danceability • 47% Energy • 6% Liveness
87% Instrumentalness • 47% Positiveness
13% Popularity • 69% Danceability • 47% Energy • 6% Liveness
87% Instrumentalness • 47% Positiveness
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Noah B
Remembering Home
170 bpm • G# Maj • 04:31 • -8.93db
19% Popularity • 49% Danceability • 84% Energy • 10% Liveness
64% Instrumentalness • 5% Positiveness
19% Popularity • 49% Danceability • 84% Energy • 10% Liveness
64% Instrumentalness • 5% Positiveness
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Plant43
Slowburn Storms
170 bpm • G# Maj • 07:42 • -13db
23% Popularity • 51% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 52% Positiveness
23% Popularity • 51% Danceability • 45% Energy • 13% Liveness
92% Instrumentalness • 52% Positiveness
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Naibu
Achille
170 bpm • F# min • 05:23 • -4.58db
26% Popularity • 58% Danceability • 64% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
26% Popularity • 58% Danceability • 64% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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Sileni
Twitchy Nerds Concert
170 bpm • C# Maj • 06:14 • -7.33db
0% Popularity • 56% Danceability • 94% Energy • 4% Liveness
34% Instrumentalness • 48% Positiveness
0% Popularity • 56% Danceability • 94% Energy • 4% Liveness
34% Instrumentalness • 48% Positiveness
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Raumskaya
Supermassive - Bop Remix
170 bpm • B min • 04:20 • -6.47db
4% Popularity • 67% Danceability • 74% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
4% Popularity • 67% Danceability • 74% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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BOP
Lost In This World
170 bpm • F Maj • 06:02 • -17.41db
3% Popularity • 78% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
3% Popularity • 78% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
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Redeyes
Shattered Dream
171 bpm • C min • 05:55 • -5.09db
25% Popularity • 51% Danceability • 88% Energy • 16% Liveness
79% Instrumentalness • 24% Positiveness
25% Popularity • 51% Danceability • 88% Energy • 16% Liveness
79% Instrumentalness • 24% Positiveness
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Lurch
A Sadness
171 bpm • F# min • 05:00 • -7.92db
27% Popularity • 69% Danceability • 77% Energy • 6% Liveness
79% Instrumentalness • 38% Positiveness
27% Popularity • 69% Danceability • 77% Energy • 6% Liveness
79% Instrumentalness • 38% Positiveness
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Naibu
Red Hand
170 bpm • C# Maj • 04:39 • -5.68db
29% Popularity • 68% Danceability • 68% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
29% Popularity • 68% Danceability • 68% Energy • 11% Liveness
92% Instrumentalness • 45% Positiveness
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Workforce
Heart Crossed
172 bpm • A Maj • 05:41 • -3.88db
27% Popularity • 43% Danceability • 82% Energy • 6% Liveness
88% Instrumentalness • 23% Positiveness
27% Popularity • 43% Danceability • 82% Energy • 6% Liveness
88% Instrumentalness • 23% Positiveness
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Submorphics
Long Been Gone
172 bpm • G min • 04:09 • -5.69db
39% Popularity • 49% Danceability • 81% Energy • 6% Liveness
62% Instrumentalness • 27% Positiveness
39% Popularity • 49% Danceability • 81% Energy • 6% Liveness
62% Instrumentalness • 27% Positiveness
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BOP
Higgs Boson
170 bpm • G# min • 05:18 • -14.1db
3% Popularity • 62% Danceability • 38% Energy • 7% Liveness
89% Instrumentalness • 40% Positiveness
3% Popularity • 62% Danceability • 38% Energy • 7% Liveness
89% Instrumentalness • 40% Positiveness
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Electrosoul System
Timetraveller
172 bpm • D Maj • 06:01 • -7.27db
21% Popularity • 58% Danceability • 70% Energy • 24% Liveness
89% Instrumentalness • 18% Positiveness
21% Popularity • 58% Danceability • 70% Energy • 24% Liveness
89% Instrumentalness • 18% Positiveness
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Random Movement
Somewhere Back There
172 bpm • G# Maj • 06:08 • -4.76db
33% Popularity • 56% Danceability • 91% Energy • 59% Liveness
84% Instrumentalness • 32% Positiveness
33% Popularity • 56% Danceability • 91% Energy • 59% Liveness
84% Instrumentalness • 32% Positiveness
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Naibu
Just Let It
170 bpm • G Maj • 04:08 • -4.81db
20% Popularity • 69% Danceability • 63% Energy • 8% Liveness
72% Instrumentalness • 60% Positiveness
20% Popularity • 69% Danceability • 63% Energy • 8% Liveness
72% Instrumentalness • 60% Positiveness
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Javano
For Me
172 bpm • B min • 06:00 • -6.05db
22% Popularity • 71% Danceability • 66% Energy • 8% Liveness
91% Instrumentalness • 30% Positiveness
22% Popularity • 71% Danceability • 66% Energy • 8% Liveness
91% Instrumentalness • 30% Positiveness
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Zar
Sugar
172 bpm • F min • 04:53 • -5.17db
37% Popularity • 53% Danceability • 78% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
37% Popularity • 53% Danceability • 78% Energy • 11% Liveness
46% Instrumentalness • 28% Positiveness
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BOP
Skeptikos - Original Mix
170 bpm • C# Maj • 06:09 • -8.26db
2% Popularity • 61% Danceability • 45% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
2% Popularity • 61% Danceability • 45% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Submorphics
Summer Soul
172 bpm • A# min • 04:30 • -3.66db
28% Popularity • 46% Danceability • 93% Energy • 16% Liveness
92% Instrumentalness • 33% Positiveness
28% Popularity • 46% Danceability • 93% Energy • 16% Liveness
92% Instrumentalness • 33% Positiveness
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Askel & Elere
Taking Forever
172 bpm • A# min • 05:07 • -4.75db
20% Popularity • 50% Danceability • 65% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 50% Danceability • 65% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Wingz
Struggle
172 bpm • C# Maj • 04:34 • -4.93db
33% Popularity • 48% Danceability • 90% Energy • 43% Liveness
74% Instrumentalness • 4% Positiveness
33% Popularity • 48% Danceability • 90% Energy • 43% Liveness
74% Instrumentalness • 4% Positiveness
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Intelligent Manners
The Morning After Love
172 bpm • B Maj • 04:29 • -5.43db
15% Popularity • 55% Danceability • 91% Energy • 6% Liveness
57% Instrumentalness • 12% Positiveness
15% Popularity • 55% Danceability • 91% Energy • 6% Liveness
57% Instrumentalness • 12% Positiveness
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pyxis
Traverse
172 bpm • A# Maj • 04:35 • -5db
21% Popularity • 57% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
21% Popularity • 57% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 18% Positiveness
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BOP
Summer Pleasures
170 bpm • F min • 05:19 • -9.37db
5% Popularity • 66% Danceability • 50% Energy • 14% Liveness
67% Instrumentalness • 63% Positiveness
5% Popularity • 66% Danceability • 50% Energy • 14% Liveness
67% Instrumentalness • 63% Positiveness
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Gerra & Stone
Recollection
172 bpm • C# min • 04:33 • -6.85db
34% Popularity • 58% Danceability • 88% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
34% Popularity • 58% Danceability • 88% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Anile
False Tense
172 bpm • F# min • 04:13 • -6.06db
29% Popularity • 48% Danceability • 81% Energy • 16% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 48% Danceability • 81% Energy • 16% Liveness
93% Instrumentalness • 8% Positiveness
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Above & Beyond
Homecoming - LTJ Bukem Remix
172 bpm • F# min • 04:58 • -3.15db
38% Popularity • 45% Danceability • 88% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
38% Popularity • 45% Danceability • 88% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Grey Code
Lone
172 bpm • D# min • 03:11 • -4.9db
29% Popularity • 43% Danceability • 93% Energy • 37% Liveness
94% Instrumentalness • 7% Positiveness
29% Popularity • 43% Danceability • 93% Energy • 37% Liveness
94% Instrumentalness • 7% Positiveness
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Hugh Hardie
Camera Obscura
172 bpm • C min • 05:59 • -8.2db
12% Popularity • 47% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
12% Popularity • 47% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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BOP
Enjoy The Moment
170 bpm • E min • 05:29 • -16.68db
10% Popularity • 66% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 28% Positiveness
10% Popularity • 66% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 28% Positiveness
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Silence Groove
Striker
172 bpm • G# min • 04:33 • -5db
21% Popularity • 70% Danceability • 97% Energy • 7% Liveness
88% Instrumentalness • 69% Positiveness
21% Popularity • 70% Danceability • 97% Energy • 7% Liveness
88% Instrumentalness • 69% Positiveness
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Anile
View Catcher
172 bpm • B min • 06:03 • -5.92db
23% Popularity • 63% Danceability • 70% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 63% Danceability • 70% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Workforce
Fragments
172 bpm • E min • 05:42 • -4db
32% Popularity • 42% Danceability • 90% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 42% Danceability • 90% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
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Subwave
Zaichik
172 bpm • D Maj • 03:54 • -6.78db
30% Popularity • 59% Danceability • 86% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
30% Popularity • 59% Danceability • 86% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Alpha Rhythm
One Day at a Time - Bop Remix
172 bpm • A# min • 06:07 • -4.92db
20% Popularity • 54% Danceability • 82% Energy • 7% Liveness
79% Instrumentalness • 40% Positiveness
20% Popularity • 54% Danceability • 82% Energy • 7% Liveness
79% Instrumentalness • 40% Positiveness
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BOP
Weird Thing
170 bpm • G min • 04:54 • -12.21db
2% Popularity • 74% Danceability • 45% Energy • 7% Liveness
88% Instrumentalness • 65% Positiveness
2% Popularity • 74% Danceability • 45% Energy • 7% Liveness
88% Instrumentalness • 65% Positiveness
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Submorphics
Luminosity
172 bpm • A# min • 04:39 • -6.38db
29% Popularity • 55% Danceability • 77% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
29% Popularity • 55% Danceability • 77% Energy • 9% Liveness
65% Instrumentalness • 6% Positiveness
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Anile
Lyssakses
172 bpm • A# min • 05:24 • -3.53db
21% Popularity • 60% Danceability • 85% Energy • 7% Liveness
82% Instrumentalness • 19% Positiveness
21% Popularity • 60% Danceability • 85% Energy • 7% Liveness
82% Instrumentalness • 19% Positiveness
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Loxy
New Age
172 bpm • E Maj • 06:46 • -3.8db
27% Popularity • 57% Danceability • 95% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
27% Popularity • 57% Danceability • 95% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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Ivy Lab
Missing Persons
172 bpm • D# min • 06:11 • -4.86db
12% Popularity • 54% Danceability • 78% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
12% Popularity • 54% Danceability • 78% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
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Smote
Seasons
172 bpm • F Maj • 04:22 • -4.88db
16% Popularity • 70% Danceability • 72% Energy • 7% Liveness
83% Instrumentalness • 72% Positiveness
16% Popularity • 70% Danceability • 72% Energy • 7% Liveness
83% Instrumentalness • 72% Positiveness
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BOP
Untitled Pattern 63
170 bpm • G min • 05:21 • -5.58db
15% Popularity • 44% Danceability • 72% Energy • 12% Liveness
94% Instrumentalness • 19% Positiveness
15% Popularity • 44% Danceability • 72% Energy • 12% Liveness
94% Instrumentalness • 19% Positiveness
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FD
Bottles
172 bpm • F min • 05:44 • -6db
33% Popularity • 66% Danceability • 62% Energy • 7% Liveness
87% Instrumentalness • 32% Positiveness
33% Popularity • 66% Danceability • 62% Energy • 7% Liveness
87% Instrumentalness • 32% Positiveness
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Commix
Painted Smile
172 bpm • B min • 06:26 • -4.61db
24% Popularity • 52% Danceability • 94% Energy • 44% Liveness
90% Instrumentalness • 7% Positiveness
24% Popularity • 52% Danceability • 94% Energy • 44% Liveness
90% Instrumentalness • 7% Positiveness
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Emperor
Still
172 bpm • C# Maj • 04:10 • -6db
42% Popularity • 61% Danceability • 93% Energy • 25% Liveness
89% Instrumentalness • 38% Positiveness
42% Popularity • 61% Danceability • 93% Energy • 25% Liveness
89% Instrumentalness • 38% Positiveness
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Submorphics
Shadow Red
172 bpm • F min • 04:24 • -4db
30% Popularity • 56% Danceability • 79% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
30% Popularity • 56% Danceability • 79% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Command Strange
Early in the Morning
172 bpm • E min • 04:33 • -5.81db
34% Popularity • 60% Danceability • 91% Energy • 4% Liveness
81% Instrumentalness • 16% Positiveness
34% Popularity • 60% Danceability • 91% Energy • 4% Liveness
81% Instrumentalness • 16% Positiveness
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BOP
The Backbone Flute
170 bpm • F# min • 05:31 • -7.86db
3% Popularity • 75% Danceability • 46% Energy • 13% Liveness
80% Instrumentalness • 26% Positiveness
3% Popularity • 75% Danceability • 46% Energy • 13% Liveness
80% Instrumentalness • 26% Positiveness
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Blu Mar Ten
Empire State
172 bpm • C Maj • 05:04 • -8db
17% Popularity • 57% Danceability • 75% Energy • 14% Liveness
85% Instrumentalness • 19% Positiveness
17% Popularity • 57% Danceability • 75% Energy • 14% Liveness
85% Instrumentalness • 19% Positiveness
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Telomic
Onism
172 bpm • G# Maj • 05:17 • -7.71db
14% Popularity • 63% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
14% Popularity • 63% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Buunshin
Forget About Me
172 bpm • G Maj • 03:06 • -8.71db
18% Popularity • 68% Danceability • 64% Energy • 40% Liveness
21% Instrumentalness • 24% Positiveness
18% Popularity • 68% Danceability • 64% Energy • 40% Liveness
21% Instrumentalness • 24% Positiveness
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Submorphics
Arcata
172 bpm • C Maj • 04:56 • -6db
29% Popularity • 47% Danceability • 64% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 47% Danceability • 64% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Redeyes
Yesterdays
172 bpm • F min • 04:22 • -5.12db
34% Popularity • 67% Danceability • 84% Energy • 12% Liveness
86% Instrumentalness • 66% Positiveness
34% Popularity • 67% Danceability • 84% Energy • 12% Liveness
86% Instrumentalness • 66% Positiveness
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BOP
Forms, Ideas And Chips
170 bpm • E min • 04:55 • -14.5db
6% Popularity • 52% Danceability • 31% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
6% Popularity • 52% Danceability • 31% Energy • 6% Liveness
91% Instrumentalness • 20% Positiveness
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Rueben
Memories
172 bpm • D# min • 03:26 • -4db
33% Popularity • 62% Danceability • 92% Energy • 10% Liveness
47% Instrumentalness • 18% Positiveness
33% Popularity • 62% Danceability • 92% Energy • 10% Liveness
47% Instrumentalness • 18% Positiveness
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Kimyan Law
Sol
172 bpm • G# min • 04:07 • -6.62db
14% Popularity • 71% Danceability • 72% Energy • 7% Liveness
70% Instrumentalness • 60% Positiveness
14% Popularity • 71% Danceability • 72% Energy • 7% Liveness
70% Instrumentalness • 60% Positiveness
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Command Strange
Love & Faith
172 bpm • C# min • 05:18 • -5.18db
24% Popularity • 59% Danceability • 83% Energy • 2% Liveness
69% Instrumentalness • 20% Positiveness
24% Popularity • 59% Danceability • 83% Energy • 2% Liveness
69% Instrumentalness • 20% Positiveness
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Sustance
Be Forgiven
172 bpm • A# min • 04:32 • -4db
35% Popularity • 70% Danceability • 74% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
35% Popularity • 70% Danceability • 74% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Villem
The Maker
172 bpm • A# min • 05:43 • -3.1db
17% Popularity • 55% Danceability • 86% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
17% Popularity • 55% Danceability • 86% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
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BOP
Dancing Nerds
170 bpm • C# Maj • 03:45 • -8.46db
3% Popularity • 68% Danceability • 43% Energy • 4% Liveness
57% Instrumentalness • 23% Positiveness
3% Popularity • 68% Danceability • 43% Energy • 4% Liveness
57% Instrumentalness • 23% Positiveness
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Electrosoul System
Past-Time Cruiser
172 bpm • C Maj • 05:11 • -6.45db
18% Popularity • 54% Danceability • 91% Energy • 78% Liveness
77% Instrumentalness • 61% Positiveness
18% Popularity • 54% Danceability • 91% Energy • 78% Liveness
77% Instrumentalness • 61% Positiveness
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Submorphics
Don't Be So Cold
172 bpm • A Maj • 04:28 • -6db
32% Popularity • 49% Danceability • 80% Energy • 23% Liveness
78% Instrumentalness • 4% Positiveness
32% Popularity • 49% Danceability • 80% Energy • 23% Liveness
78% Instrumentalness • 4% Positiveness
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Winslow
To Walk A Mile
172 bpm • D# Maj • 05:02 • -4.62db
21% Popularity • 66% Danceability • 71% Energy • 24% Liveness
76% Instrumentalness • 13% Positiveness
21% Popularity • 66% Danceability • 71% Energy • 24% Liveness
76% Instrumentalness • 13% Positiveness
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Emperor
Saved Me
172 bpm • C Maj • 04:55 • -3.05db
25% Popularity • 65% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
25% Popularity • 65% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Klute
Flesh Eaters - Original
172 bpm • F min • 04:58 • -4db
18% Popularity • 42% Danceability • 87% Energy • 15% Liveness
90% Instrumentalness • 33% Positiveness
18% Popularity • 42% Danceability • 87% Energy • 15% Liveness
90% Instrumentalness • 33% Positiveness
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BOP
Deep Space
170 bpm • D min • 04:13 • -13.6db
4% Popularity • 45% Danceability • 65% Energy • 11% Liveness
91% Instrumentalness • 51% Positiveness
4% Popularity • 45% Danceability • 65% Energy • 11% Liveness
91% Instrumentalness • 51% Positiveness
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Kimyan Law
Taproot
172 bpm • C# Maj • 04:08 • -7.21db
10% Popularity • 70% Danceability • 46% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
10% Popularity • 70% Danceability • 46% Energy • 9% Liveness
90% Instrumentalness • 27% Positiveness
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Nana Adjoa
Cardboard Castle - Kev Sheridan Remix
172 bpm • E Maj • 03:48 • -7.96db
21% Popularity • 58% Danceability • 79% Energy • 9% Liveness
71% Instrumentalness • 43% Positiveness
21% Popularity • 58% Danceability • 79% Energy • 9% Liveness
71% Instrumentalness • 43% Positiveness
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Winslow
Mumbles of Grace
172 bpm • A min • 05:37 • -6db
27% Popularity • 69% Danceability • 68% Energy • 8% Liveness
88% Instrumentalness • 66% Positiveness
27% Popularity • 69% Danceability • 68% Energy • 8% Liveness
88% Instrumentalness • 66% Positiveness
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Intelligent Manners
Best Place Ever - Original Mix
172 bpm • C Maj • 04:29 • -2.98db
17% Popularity • 52% Danceability • 95% Energy • 4% Liveness
84% Instrumentalness • 54% Positiveness
17% Popularity • 52% Danceability • 95% Energy • 4% Liveness
84% Instrumentalness • 54% Positiveness
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Dreazz
Tempting
172 bpm • G# Maj • 04:35 • -4.26db
15% Popularity • 65% Danceability • 88% Energy • 28% Liveness
22% Instrumentalness • 11% Positiveness
15% Popularity • 65% Danceability • 88% Energy • 28% Liveness
22% Instrumentalness • 11% Positiveness
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BOP
So Unloved
170 bpm • D Maj • 04:36 • -10.2db
15% Popularity • 79% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 48% Positiveness
15% Popularity • 79% Danceability • 50% Energy • 10% Liveness
84% Instrumentalness • 48% Positiveness
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Malaky
Sceptical
172 bpm • C Maj • 05:02 • -6db
25% Popularity • 51% Danceability • 90% Energy • 32% Liveness
11% Instrumentalness • 12% Positiveness
25% Popularity • 51% Danceability • 90% Energy • 32% Liveness
11% Instrumentalness • 12% Positiveness
