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Only God Knows Why
Songs like
Only God Knows Why
by
Kid Rock
Based on a tempo of (+/- 10%) and a similar genre
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Hinder
Lips Of An Angel
129 bpm • D Maj • 04:21 • -5.38db
73% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Hank Williams, Jr.
Outlaw Women
129 bpm • D Maj • 03:02 • -20db
57% Popularity • 72% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Buckcherry
Lit Up
129 bpm • F min • 03:35 • -3.14db
60% Popularity • 65% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Kid Rock
Only God Knows Why
129 bpm • E Maj • 05:27 • -5.18db
59% Popularity • 63% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Trace Adkins
Every Light In The House
129 bpm • F Maj • 02:59 • -7.3db
65% Popularity • 64% Danceability • 47% Energy • 45% Liveness
0% Instrumentalness • 35% Positiveness
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Alabama
I'm in a Hurry (And Don't Know Why)
129 bpm • A Maj • 02:48 • -8db
65% Popularity • 75% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Jamey Johnson
In Color
130 bpm • D# Maj • 04:50 • -8.75db
69% Popularity • 54% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Gary Allan
Her Man
128 bpm • F# Maj • 02:44 • -11db
56% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Tracy Lawrence
Paint Me a Birmingham
130 bpm • F# Maj • 03:51 • -4.55db
51% Popularity • 52% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Kid Rock
Jackson, Mississippi
129 bpm • G Maj • 04:30 • -4.86db
44% Popularity • 54% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Whiskey Myers
Bury My Bones
128 bpm • G Maj • 04:19 • -5.04db
66% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Nu Breed
Welcome to My House
128 bpm • G# min • 07:41 • -10.41db
53% Popularity • 72% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Buckcherry
Everything
128 bpm • E Maj • 04:25 • -3.75db
41% Popularity • 54% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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John Michael Montgomery
Letters from Home
128 bpm • C Maj • 04:27 • -7db
55% Popularity • 64% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Saving Abel
18 Days
130 bpm • C Maj • 03:51 • -4.5db
49% Popularity • 46% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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Kid Rock
FOAD - Bonus Track Version
128 bpm • G# Maj • 04:53 • -5.48db
42% Popularity • 76% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Jawga Boyz
Chillin in the Backwoods
130 bpm • G Maj • 06:12 • -8.11db
51% Popularity • 69% Danceability • 61% Energy • 13% Liveness
65% Instrumentalness • 74% Positiveness
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Nu Breed
Welcome to My House
128 bpm • E Maj • 06:45 • -7.12db
61% Popularity • 73% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Whiskey Myers
Virginia
130 bpm • A min • 04:20 • -6.47db
60% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Colt Ford
Dirt Road Anthem
130 bpm • D Maj • 03:42 • -6.44db
46% Popularity • 79% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Chris Young
I'm Comin' Over
128 bpm • A# Maj • 03:17 • -3.84db
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Blake Shelton
Came Here to Forget
130 bpm • C# min • 03:40 • -6.87db
61% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Taylor Ray Holbrook
Southern Land
130 bpm • C# Maj • 03:42 • -6.2db
62% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Kid Rock
Blue Jeans and a Rosary
130 bpm • C Maj • 04:35 • -5.54db
50% Popularity • 67% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Sawyer Brown
The Walk
128 bpm • D Maj • 03:44 • -11.59db
46% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Whiskey Myers
Lonely East Texas Nights
130 bpm • E min • 04:20 • -5.26db
66% Popularity • 53% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Drake White
Makin’ Me Look Good Again
128 bpm • A# Maj • 03:58 • -6.14db
54% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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George Strait
Give It All We Got Tonight
130 bpm • G Maj • 04:11 • -7.03db
60% Popularity • 58% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Collective Soul
Where The River Flows
128 bpm • C Maj • 03:35 • -7db
58% Popularity • 73% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Brooks & Dunn
Boot Scootin' Boogie
130 bpm • B min • 03:18 • -4.3db
71% Popularity • 66% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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38 Special
Hold On Loosely
127 bpm • A Maj • 04:40 • -10.18db
67% Popularity • 57% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Kid Rock
Born Free
127 bpm • A Maj • 04:24 • -1db
46% Popularity • 59% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Buckcherry
Sorry
131 bpm • D Maj • 03:48 • -3.63db
55% Popularity • 54% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Hank Williams, Jr.
All My Rowdy Friends (Have Settled Down)
127 bpm • C Maj • 04:00 • -10.32db
55% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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John Anderson
Seminole Wind
127 bpm • D Maj • 03:58 • -11.1db
57% Popularity • 62% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Brooks & Dunn
Brand New Man
128 bpm • G Maj • 02:59 • -4.36db
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Creed
One Last Breath
127 bpm • D Maj • 03:58 • -5.83db
77% Popularity • 39% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 20% Positiveness
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Great White
Once Bitten Twice Shy
132 bpm • C Maj • 05:22 • -14.03db
58% Popularity • 72% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Buckcherry
Sorry
131 bpm • D Maj • 04:04 • -3.35db
40% Popularity • 52% Danceability • 82% Energy • 76% Liveness
0% Instrumentalness • 14% Positiveness
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Hank Williams, Jr.
Family Tradition
126 bpm • E Maj • 04:02 • -12.07db
68% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Tracy Lawrence
Paint Me A Birmingham
132 bpm • F# Maj • 03:48 • -9db
61% Popularity • 55% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Kid Rock
First Kiss
132 bpm • E Maj • 04:40 • -2.54db
53% Popularity • 62% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Brantley Gilbert
Welcome To Hazeville
132 bpm • F# min • 03:01 • -6.7db
53% Popularity • 63% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Puddle Of Mudd
Psycho
126 bpm • C# Maj • 03:30 • -3.55db
66% Popularity • 57% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Dwight Yoakam
Fast as You
126 bpm • E Maj • 04:45 • -7.93db
64% Popularity • 63% Danceability • 80% Energy • 40% Liveness
9% Instrumentalness • 84% Positiveness
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Brooks & Dunn
My Maria
126 bpm • D# Maj • 03:28 • -4.63db
68% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Kid Rock
When It Rains
126 bpm • A Maj • 04:45 • -3.88db
31% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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John Mellencamp
Hurts So Good
125 bpm • A Maj • 03:38 • -5.31db
71% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Montgomery Gentry
Lucky Man
133 bpm • E Maj • 03:16 • -7db
54% Popularity • 58% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Billy Currington
Let Me Down Easy
125 bpm • C# Maj • 03:48 • -5db
59% Popularity • 61% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Shinedown
I'll Follow You
125 bpm • A# Maj • 03:58 • -4.16db
60% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Kenny Chesney
How Forever Feels
125 bpm • G Maj • 03:08 • -7.43db
61% Popularity • 72% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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Kid Rock
Run Off to LA
125 bpm • D Maj • 05:06 • -6.26db
37% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Lynyrd Skynyrd
Gimme Three Steps
133 bpm • A Maj • 04:27 • -7.71db
69% Popularity • 55% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Toby Keith
Should've Been A Cowboy
133 bpm • G Maj • 03:31 • -8db
76% Popularity • 62% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Shooter Jennings
The Gunslinger
134 bpm • C Maj • 06:30 • -7.17db
39% Popularity • 31% Danceability • 67% Energy • 16% Liveness
11% Instrumentalness • 57% Positiveness
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Moonshine Bandits
Dead Man's Hand
124 bpm • G Maj • 03:19 • -5.06db
52% Popularity • 76% Danceability • 76% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
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Tesla
What You Give
134 bpm • C Maj • 07:15 • -8.6db
50% Popularity • 43% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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John Mellencamp
Small Town
123 bpm • B Maj • 03:41 • -2.66db
66% Popularity • 66% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 63% Positiveness
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Brooks Jefferson
The Dance
135 bpm • G Maj • 03:39 • -7.43db
52% Popularity • 54% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Lynyrd Skynyrd
What's Your Name
135 bpm • G Maj • 03:33 • -9.35db
57% Popularity • 65% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Toby Keith
Whiskey Girl
123 bpm • F# Maj • 03:59 • -5.27db
61% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Brothers Osborne
It Ain't My Fault
123 bpm • A Maj • 03:36 • -5.9db
65% Popularity • 74% Danceability • 83% Energy • 29% Liveness
22% Instrumentalness • 76% Positiveness
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Deana Carter
Strawberry Wine
123 bpm • C# Maj • 04:51 • -6.57db
67% Popularity • 57% Danceability • 45% Energy • 3% Liveness
0% Instrumentalness • 21% Positiveness
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Kenny Chesney
There Goes My Life
136 bpm • E Maj • 05:02 • -8.14db
58% Popularity • 58% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Hinder
Without You
136 bpm • D# Maj • 03:52 • -4db
57% Popularity • 42% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Them Dirty Roses
Cocaine and Whiskey
136 bpm • G# Maj • 03:26 • -5db
66% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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George Strait
Troubadour
136 bpm • B Maj • 02:56 • -6.4db
64% Popularity • 57% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Cole Swindell
You Should Be Here
136 bpm • G Maj • 03:10 • -4.46db
63% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Kenny Chesney
You and Tequila
136 bpm • F# Maj • 04:02 • -9.13db
62% Popularity • 69% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Brooks & Dunn
Red Dirt Road
136 bpm • F Maj • 04:20 • -3.8db
66% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Collective Soul
December
122 bpm • C Maj • 04:45 • -5.71db
63% Popularity • 68% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Uncle Lucius
Keep The Wolves Away
122 bpm • C# min • 04:35 • -10.28db
71% Popularity • 68% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kid Rock
Drinking Beer with Dad
122 bpm • A Maj • 04:38 • -4.14db
42% Popularity • 65% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Willie Nelson
Last Stand In Open Country
137 bpm • E Maj • 04:46 • -7.18db
22% Popularity • 55% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
66% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Tracy Byrd
Watermelon Crawl
137 bpm • C Maj • 03:01 • -9.32db
68% Popularity • 76% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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The Cadillac Three
White Lightning
137 bpm • G Maj • 02:58 • -4.3db
48% Popularity • 42% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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George Thorogood & The Destroyers
One Bourbon, One Scotch, One Beer
137 bpm • A Maj • 08:26 • -14.52db
59% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Blake Shelton
Sure Be Cool If You Did
137 bpm • B Maj • 03:35 • -4.63db
55% Popularity • 58% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Clint Black
Killin' Time
121 bpm • G Maj • 02:47 • -10.32db
62% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Sister Hazel
All For You
137 bpm • G# Maj • 03:38 • -6.5db
65% Popularity • 63% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Whiskey Myers
Stone
138 bpm • C Maj • 05:35 • -7.65db
68% Popularity • 44% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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BlackHawk
Goodbye Says It All
138 bpm • G# Maj • 03:24 • -9.82db
53% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Rodney Atkins
Watching You
138 bpm • D Maj • 03:55 • -4.01db
66% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Cole Swindell
Chillin' It
138 bpm • A Maj • 03:16 • -3.06db
64% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Justin Moore
The Ones That Didn’t Make It Back Home
138 bpm • D# Maj • 03:11 • -4.87db
61% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Saving Abel
Addicted
138 bpm • G Maj • 03:42 • -4.15db
71% Popularity • 51% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kid Rock
Rock N Roll Jesus
138 bpm • E Maj • 04:29 • -2.52db
42% Popularity • 62% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Lynyrd Skynyrd
Simple Man
120 bpm • F# Maj • 05:56 • -8.68db
75% Popularity • 42% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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George Strait
Carrying Your Love With Me
138 bpm • A# Maj • 03:52 • -10.61db
70% Popularity • 63% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Joe Nichols
Sunny and 75
120 bpm • C Maj • 03:26 • -4.42db
57% Popularity • 53% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Hank Williams, Jr.
The 'F' Word
120 bpm • A Maj • 03:21 • -5.36db
24% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Dierks Bentley
Free And Easy (Down The Road I Go)
120 bpm • F# Maj • 03:19 • -5db
59% Popularity • 58% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Godsmack
Voodoo
120 bpm • A# min • 04:42 • -9.9db
65% Popularity • 78% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Only God Knows Why