Songs like Only in My Dreams by The Marías
Based on a tempo of (+/- 10%) and a similar genre
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Current Joys
A Different Age
144 bpm • D Maj • 06:52 • -10.62db
63% Popularity • 63% Danceability • 37% Energy • 8% Liveness
7% Instrumentalness • 36% Positiveness
63% Popularity • 63% Danceability • 37% Energy • 8% Liveness
7% Instrumentalness • 36% Positiveness
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Michael Seyer
Lucky Love
144 bpm • F Maj • 04:46 • -13.29db
51% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The MarÃas
Only in My Dreams
144 bpm • A# Maj • 02:50 • -11.61db
67% Popularity • 52% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
67% Popularity • 52% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
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Dreamgirl
Pretty Sexual
144 bpm • C# min • 03:22 • -6.59db
38% Popularity • 36% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 36% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Puma Blue
(She's) Just a Phase
143 bpm • C# min • 03:06 • -10.49db
57% Popularity • 42% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
57% Popularity • 42% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Mac DeMarco
Freaking Out The Neighborhood
143 bpm • G# min • 02:53 • -5.74db
55% Popularity • 57% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 83% Positiveness
55% Popularity • 57% Danceability • 82% Energy • 39% Liveness
3% Instrumentalness • 83% Positiveness
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Banes World
When My Life Is Over
143 bpm • A Maj • 02:20 • -20.21db
50% Popularity • 47% Danceability • 15% Energy • 10% Liveness
14% Instrumentalness • 6% Positiveness
50% Popularity • 47% Danceability • 15% Energy • 10% Liveness
14% Instrumentalness • 6% Positiveness
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Alice Phoebe Lou
Open My Door
145 bpm • C Maj • 02:33 • -6.68db
59% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
59% Popularity • 50% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Cigarettes After Sex
Cry
143 bpm • G Maj • 04:16 • -10.45db
84% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
84% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Her's
Dorothy
145 bpm • C# min • 04:06 • -4.15db
55% Popularity • 52% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 91% Positiveness
55% Popularity • 52% Danceability • 90% Energy • 11% Liveness
90% Instrumentalness • 91% Positiveness
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Faye Webster
Kingston
142 bpm • A# min • 03:22 • -9.13db
77% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
77% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Beach House
Myth
142 bpm • D# Maj • 04:18 • -6.24db
45% Popularity • 45% Danceability • 72% Energy • 8% Liveness
5% Instrumentalness • 42% Positiveness
45% Popularity • 45% Danceability • 72% Energy • 8% Liveness
5% Instrumentalness • 42% Positiveness
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Strawberry Guy
Sun Outside My Window
142 bpm • A# Maj • 03:21 • -6db
51% Popularity • 43% Danceability • 63% Energy • 23% Liveness
91% Instrumentalness • 22% Positiveness
51% Popularity • 43% Danceability • 63% Energy • 23% Liveness
91% Instrumentalness • 22% Positiveness
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Kali Uchis
I Wish you Roses
142 bpm • A# min • 03:39 • -8.37db
71% Popularity • 45% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 45% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Joji
worldstar money (interlude)
147 bpm • G Maj • 02:06 • -8.61db
75% Popularity • 58% Danceability • 39% Energy • 21% Liveness
70% Instrumentalness • 46% Positiveness
75% Popularity • 58% Danceability • 39% Energy • 21% Liveness
70% Instrumentalness • 46% Positiveness
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Her's
What Once Was
146 bpm • D# min • 04:15 • -4.37db
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Kid Bloom
Different State of Mind
141 bpm • B Maj • 03:45 • -9.93db
55% Popularity • 66% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
55% Popularity • 66% Danceability • 38% Energy • 18% Liveness
16% Instrumentalness • 74% Positiveness
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Mac DeMarco
One More Love Song
141 bpm • A min • 04:01 • -11.2db
68% Popularity • 71% Danceability • 32% Energy • 9% Liveness
52% Instrumentalness • 50% Positiveness
68% Popularity • 71% Danceability • 32% Energy • 9% Liveness
52% Instrumentalness • 50% Positiveness
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Oscar Lang
fall into u
141 bpm • B min • 03:32 • -12.18db
56% Popularity • 31% Danceability • 19% Energy • 15% Liveness
57% Instrumentalness • 9% Positiveness
56% Popularity • 31% Danceability • 19% Energy • 15% Liveness
57% Instrumentalness • 9% Positiveness
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Gorillaz
She's My Collar
140 bpm • B Maj • 03:29 • -5.89db
72% Popularity • 73% Danceability • 82% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
72% Popularity • 73% Danceability • 82% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Lunar Vacation
Unlucky
148 bpm • G# min • 03:38 • -7.51db
48% Popularity • 52% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 52% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Her's
Harvey
142 bpm • A Maj • 03:31 • -6.15db
66% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
66% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
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Childish Gambino
III. Urn
140 bpm • C min • 01:13 • -12.76db
72% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
72% Popularity • 59% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Gus Dapperton
Prune, You Talk Funny
140 bpm • A# min • 03:32 • -7.19db
57% Popularity • 57% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 57% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Dream, Ivory
welcome and goodbye
140 bpm • C min • 02:20 • -5.18db
77% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
77% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
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Banes World
You Say I'm in Love
140 bpm • C# min • 02:56 • -16.69db
57% Popularity • 62% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 62% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Hotel Ugly
I Think I Left the Stove On
140 bpm • C# min • 03:22 • -6.62db
71% Popularity • 77% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
71% Popularity • 77% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Sunbeam Sound Machine
In Your Arms
140 bpm • D# Maj • 04:39 • -4.11db
51% Popularity • 33% Danceability • 79% Energy • 42% Liveness
94% Instrumentalness • 44% Positiveness
51% Popularity • 33% Danceability • 79% Energy • 42% Liveness
94% Instrumentalness • 44% Positiveness
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Dayglow
Hot Rod
140 bpm • G Maj • 03:24 • -7.07db
70% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
70% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Mac DeMarco
Moonlight on the River
140 bpm • A Maj • 07:02 • -8.63db
77% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
77% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
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Cuco
We Had to End It
140 bpm • D Maj • 05:49 • -5.25db
53% Popularity • 26% Danceability • 70% Energy • 13% Liveness
82% Instrumentalness • 27% Positiveness
53% Popularity • 26% Danceability • 70% Energy • 13% Liveness
82% Instrumentalness • 27% Positiveness
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Djo
Mortal Projections
140 bpm • D min • 03:08 • -9db
57% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Beach Fossils
May 1st
140 bpm • D Maj • 02:58 • -7.44db
53% Popularity • 57% Danceability • 62% Energy • 54% Liveness
1% Instrumentalness • 50% Positiveness
53% Popularity • 57% Danceability • 62% Energy • 54% Liveness
1% Instrumentalness • 50% Positiveness
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The MarÃas
To Say Hello
140 bpm • C Maj • 03:22 • -10.92db
46% Popularity • 65% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
46% Popularity • 65% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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late night drive home
Stress Relief
140 bpm • G# Maj • 03:25 • -7.58db
68% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
68% Popularity • 52% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Faye Webster
A Dream With a Baseball Player
140 bpm • C# Maj • 03:41 • -10.36db
64% Popularity • 62% Danceability • 37% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
64% Popularity • 62% Danceability • 37% Energy • 7% Liveness
1% Instrumentalness • 59% Positiveness
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Brad stank
Flirting in Space
140 bpm • C# Maj • 04:17 • -12.49db
49% Popularity • 70% Danceability • 25% Energy • 12% Liveness
49% Instrumentalness • 7% Positiveness
49% Popularity • 70% Danceability • 25% Energy • 12% Liveness
49% Instrumentalness • 7% Positiveness
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Eyedress
Let's Skip to the Wedding
148 bpm • A min • 01:38 • -7db
63% Popularity • 45% Danceability • 97% Energy • 6% Liveness
3% Instrumentalness • 64% Positiveness
63% Popularity • 45% Danceability • 97% Energy • 6% Liveness
3% Instrumentalness • 64% Positiveness
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Slow Pulp
High
140 bpm • A# Maj • 02:32 • -8db
60% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
60% Popularity • 55% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Mac DeMarco
Another (Demo) One #2
140 bpm • F Maj • 02:46 • -8.44db
62% Popularity • 77% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 77% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Whatever, Dad
Death of the Phone Call
149 bpm • A Maj • 01:35 • -17.46db
64% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
64% Popularity • 36% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Puma Blue
Moon Undah Water
149 bpm • C# min • 05:32 • -10.17db
52% Popularity • 51% Danceability • 35% Energy • 7% Liveness
11% Instrumentalness • 22% Positiveness
52% Popularity • 51% Danceability • 35% Energy • 7% Liveness
11% Instrumentalness • 22% Positiveness
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Sweet Trip
Milk - 2021 Remaster
149 bpm • A Maj • 04:25 • -12.49db
55% Popularity • 33% Danceability • 28% Energy • 17% Liveness
33% Instrumentalness • 27% Positiveness
55% Popularity • 33% Danceability • 28% Energy • 17% Liveness
33% Instrumentalness • 27% Positiveness
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Mazzy Star
Blue Light
139 bpm • E Maj • 05:10 • -15.51db
62% Popularity • 45% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
62% Popularity • 45% Danceability • 22% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
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Men I Trust
Numb
139 bpm • E Maj • 03:39 • -14.39db
68% Popularity • 78% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
68% Popularity • 78% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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Mac DeMarco
Watching Him Fade Away
139 bpm • D# Maj • 02:23 • -17.98db
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Tame Impala
Feels Like We Only Go Backwards
150 bpm • D min • 03:12 • -2.35db
76% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
76% Popularity • 30% Danceability • 90% Energy • 11% Liveness
64% Instrumentalness • 49% Positiveness
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Good Morning
You
150 bpm • G# Maj • 03:10 • -8.05db
47% Popularity • 34% Danceability • 64% Energy • 13% Liveness
72% Instrumentalness • 37% Positiveness
47% Popularity • 34% Danceability • 64% Energy • 13% Liveness
72% Instrumentalness • 37% Positiveness
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Hotel Ugly
Shut up My Moms Calling
138 bpm • A min • 02:44 • -10.71db
88% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
88% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Still Woozy
Goodie Bag
138 bpm • G min • 02:26 • -12.3db
77% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
77% Popularity • 74% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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CASTLEBEAT
Change Your Mind
150 bpm • B Maj • 04:57 • -9.62db
48% Popularity • 38% Danceability • 58% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
48% Popularity • 38% Danceability • 58% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Mac DeMarco
Heart To Heart
150 bpm • G# min • 03:31 • -16.13db
83% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
83% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
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Dream, Ivory
Blue
150 bpm • E Maj • 02:30 • -2.65db
53% Popularity • 55% Danceability • 94% Energy • 15% Liveness
71% Instrumentalness • 50% Positiveness
53% Popularity • 55% Danceability • 94% Energy • 15% Liveness
71% Instrumentalness • 50% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Alexandra Savior
Crying All the Time
150 bpm • C# min • 03:30 • -5.73db
50% Popularity • 16% Danceability • 80% Energy • 12% Liveness
78% Instrumentalness • 46% Positiveness
50% Popularity • 16% Danceability • 80% Energy • 12% Liveness
78% Instrumentalness • 46% Positiveness
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Good Morning
Warned You
138 bpm • F# Maj • 02:16 • -16.4db
60% Popularity • 54% Danceability • 21% Energy • 13% Liveness
14% Instrumentalness • 52% Positiveness
60% Popularity • 54% Danceability • 21% Energy • 13% Liveness
14% Instrumentalness • 52% Positiveness
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No Vacation
Yam Yam
138 bpm • G min • 03:36 • -9db
64% Popularity • 44% Danceability • 59% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
64% Popularity • 44% Danceability • 59% Energy • 11% Liveness
77% Instrumentalness • 8% Positiveness
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The Symposium
The Physical Attractions
138 bpm • F min • 04:44 • -10.1db
52% Popularity • 36% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 53% Positiveness
52% Popularity • 36% Danceability • 50% Energy • 12% Liveness
52% Instrumentalness • 53% Positiveness
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Bedroom
In My Head
151 bpm • A Maj • 05:54 • -13.54db
71% Popularity • 58% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
71% Popularity • 58% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Liana Flores
rises the moon
137 bpm • F min • 02:41 • -20.15db
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
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Steve Lacy
Ryd
137 bpm • A min • 02:20 • -7.33db
68% Popularity • 79% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
68% Popularity • 79% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
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Omar Apollo
Hey Boy
152 bpm • C min • 01:42 • -10.48db
58% Popularity • 75% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
58% Popularity • 75% Danceability • 51% Energy • 8% Liveness
1% Instrumentalness • 65% Positiveness
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Michael Seyer
Pretty Girls
137 bpm • A Maj • 03:46 • -13.43db
43% Popularity • 58% Danceability • 40% Energy • 11% Liveness
23% Instrumentalness • 18% Positiveness
43% Popularity • 58% Danceability • 40% Energy • 11% Liveness
23% Instrumentalness • 18% Positiveness
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Tame Impala
New Person, Same Old Mistakes
152 bpm • G# Maj • 06:03 • -6.74db
78% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
78% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
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Alexandra Savior
Cupid
136 bpm • D Maj • 02:57 • -7.96db
48% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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TV Girl
Blue Hair
136 bpm • E Maj • 03:37 • -6.38db
84% Popularity • 75% Danceability • 72% Energy • 26% Liveness
5% Instrumentalness • 88% Positiveness
84% Popularity • 75% Danceability • 72% Energy • 26% Liveness
5% Instrumentalness • 88% Positiveness
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The MarÃas
ABQ
137 bpm • E min • 05:11 • -16.19db
51% Popularity • 54% Danceability • 31% Energy • 11% Liveness
59% Instrumentalness • 18% Positiveness
51% Popularity • 54% Danceability • 31% Energy • 11% Liveness
59% Instrumentalness • 18% Positiveness
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Clairo
Heaven
135 bpm • C Maj • 03:53 • -13.77db
61% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 73% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Matt Maltese
Krystal
154 bpm • D# Maj • 03:40 • -8.06db
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Hotel Ugly
Mice City
135 bpm • F# Maj • 04:30 • -7.6db
54% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Her's
Under Wraps
135 bpm • A# Maj • 05:03 • -5.22db
47% Popularity • 59% Danceability • 67% Energy • 13% Liveness
21% Instrumentalness • 39% Positiveness
47% Popularity • 59% Danceability • 67% Energy • 13% Liveness
21% Instrumentalness • 39% Positiveness
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Still Woozy
Wolfcat
135 bpm • D Maj • 02:54 • -12.58db
54% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Djo
Chateau (Feel Alright)
135 bpm • G Maj • 04:32 • -12db
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Eyedress
Cocaine Sunday
154 bpm • E Maj • 02:48 • -6.49db
71% Popularity • 54% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 43% Positiveness
71% Popularity • 54% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 43% Positiveness
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Michael Seyer
I Feel Best When I'm Alone
134 bpm • E Maj • 03:10 • -16.06db
45% Popularity • 68% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
45% Popularity • 68% Danceability • 19% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
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Mac DeMarco
20191009 I Like Her
134 bpm • D Maj • 02:16 • -13.88db
74% Popularity • 87% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
74% Popularity • 87% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 60% Positiveness
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Peach Pit
Tommy's Party
134 bpm • G Maj • 06:01 • -8.72db
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
62% Popularity • 56% Danceability • 44% Energy • 11% Liveness
5% Instrumentalness • 21% Positiveness
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The Neighbourhood
Pretty Boy
155 bpm • F# Maj • 03:54 • -11.46db
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
75% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
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Faye Webster
I Know You
155 bpm • A# Maj • 04:11 • -13db
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Current Joys
You Broke My Heart
155 bpm • E Maj • 07:08 • -19.59db
56% Popularity • 60% Danceability • 37% Energy • 12% Liveness
86% Instrumentalness • 57% Positiveness
56% Popularity • 60% Danceability • 37% Energy • 12% Liveness
86% Instrumentalness • 57% Positiveness
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Eyedress
Something About You
133 bpm • A min • 02:33 • -8.74db
83% Popularity • 65% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 82% Positiveness
83% Popularity • 65% Danceability • 78% Energy • 30% Liveness
1% Instrumentalness • 82% Positiveness
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Plums
Parking Lots
156 bpm • C# min • 03:26 • -5.33db
61% Popularity • 49% Danceability • 76% Energy • 34% Liveness
37% Instrumentalness • 72% Positiveness
61% Popularity • 49% Danceability • 76% Energy • 34% Liveness
37% Instrumentalness • 72% Positiveness
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Good Morning
Don't Come Home Today
156 bpm • F# Maj • 03:11 • -7.73db
48% Popularity • 38% Danceability • 74% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
48% Popularity • 38% Danceability • 74% Energy • 14% Liveness
96% Instrumentalness • 46% Positiveness
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The MarÃas
Little by Little
133 bpm • A min • 02:58 • -8.77db
57% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 84% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Strawberry Guy
Mrs Magic
133 bpm • G# Maj • 03:28 • -7.41db
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
80% Popularity • 47% Danceability • 63% Energy • 37% Liveness
36% Instrumentalness • 37% Positiveness
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Lana Del Rey
Let The Light In
132 bpm • A Maj • 04:38 • -9.73db
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
82% Popularity • 33% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Joji
Like You Do
133 bpm • A# Maj • 04:00 • -10.03db
71% Popularity • 56% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 8% Positiveness
71% Popularity • 56% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 8% Positiveness
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Luna Li
Afterglow
132 bpm • F Maj • 03:18 • -8.62db
51% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Current Joys
Become the Warm Jets
132 bpm • G Maj • 05:34 • -15.49db
68% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
68% Popularity • 44% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Bedroom
Nostalgic Feel
157 bpm • E Maj • 05:49 • -9.95db
45% Popularity • 57% Danceability • 66% Energy • 7% Liveness
43% Instrumentalness • 69% Positiveness
45% Popularity • 57% Danceability • 66% Energy • 7% Liveness
43% Instrumentalness • 69% Positiveness
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Matt Maltese
madhouse
157 bpm • A# Maj • 03:31 • -8db
58% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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SALES
Off and On
132 bpm • G# min • 04:10 • -13.45db
46% Popularity • 81% Danceability • 47% Energy • 10% Liveness
41% Instrumentalness • 82% Positiveness
46% Popularity • 81% Danceability • 47% Energy • 10% Liveness
41% Instrumentalness • 82% Positiveness
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Her's
She Needs Him
157 bpm • C# Maj • 05:14 • -5.92db
63% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
63% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
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Mazzy Star
Fade Into You
157 bpm • A Maj • 04:55 • -13.93db
81% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
81% Popularity • 42% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Mitski
I Want You
132 bpm • D# Maj • 03:03 • -11.29db
75% Popularity • 34% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
75% Popularity • 34% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Weyes Blood
Andromeda
131 bpm • C# min • 04:40 • -7.94db
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
67% Popularity • 47% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Matt Maltese
Curl up & Die
132 bpm • B Maj • 03:22 • -8.47db
64% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
64% Popularity • 62% Danceability • 28% Energy • 11% Liveness
54% Instrumentalness • 23% Positiveness
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Mac DeMarco
Chamber Of Reflection
131 bpm • B Maj • 03:51 • -8.67db
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
58% Popularity • 54% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 51% Positiveness
