Songs like Only on the Weekends by Fishing in Japan
Based on a tempo of (+/- 10%) and a similar genre
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Duncan Fellows
Swallowing Grains
145 bpm • G Maj • 02:53 • -6.56db
25% Popularity • 49% Danceability • 69% Energy • 20% Liveness
37% Instrumentalness • 31% Positiveness
25% Popularity • 49% Danceability • 69% Energy • 20% Liveness
37% Instrumentalness • 31% Positiveness
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The Mellowells
Run from the Sun
145 bpm • G# min • 03:09 • -6.23db
11% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 48% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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The Licks
Bailee
145 bpm • A Maj • 03:16 • -8db
33% Popularity • 68% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
33% Popularity • 68% Danceability • 81% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Fishing in Japan
Only on the Weekends
145 bpm • G Maj • 02:45 • -7db
31% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Cottonwood Firing Squad
witch camp
145 bpm • C# Maj • 01:54 • -10.16db
29% Popularity • 66% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 76% Positiveness
29% Popularity • 66% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 76% Positiveness
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Boy Called Cute
Bloop Bloop
145 bpm • C# min • 03:01 • -11db
15% Popularity • 70% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 70% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Semiset
Space
145 bpm • F# min • 03:31 • -17db
29% Popularity • 54% Danceability • 30% Energy • 17% Liveness
14% Instrumentalness • 32% Positiveness
29% Popularity • 54% Danceability • 30% Energy • 17% Liveness
14% Instrumentalness • 32% Positiveness
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Mickey Darling
Your Looks Can't Save You
145 bpm • C Maj • 03:20 • -8db
38% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 72% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Licks
Bailee
145 bpm • F# min • 03:15 • -9.46db
17% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Fishing in Japan
Bodies in Motion
145 bpm • C Maj • 03:47 • -9.19db
3% Popularity • 75% Danceability • 55% Energy • 7% Liveness
66% Instrumentalness • 32% Positiveness
3% Popularity • 75% Danceability • 55% Energy • 7% Liveness
66% Instrumentalness • 32% Positiveness
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L. Martin
Summer
145 bpm • A Maj • 02:29 • -8db
29% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Peach Pit
Puppy Grin
145 bpm • D min • 02:51 • -7.45db
45% Popularity • 55% Danceability • 82% Energy • 9% Liveness
9% Instrumentalness • 52% Positiveness
45% Popularity • 55% Danceability • 82% Energy • 9% Liveness
9% Instrumentalness • 52% Positiveness
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Bowling Shoes
Thunderbird
145 bpm • C Maj • 02:27 • -4.07db
18% Popularity • 53% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 53% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Rome Hero Foxes
18 Summers
145 bpm • F# Maj • 02:36 • -6.07db
29% Popularity • 36% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 36% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Duncan Fellows
Rosalyn (Whenever You Call)
146 bpm • G Maj • 04:22 • -9.55db
26% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 28% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Blubird
Mischief
146 bpm • E Maj • 03:25 • -11db
29% Popularity • 51% Danceability • 49% Energy • 11% Liveness
51% Instrumentalness • 32% Positiveness
29% Popularity • 51% Danceability • 49% Energy • 11% Liveness
51% Instrumentalness • 32% Positiveness
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Divine Sweater
2x2
146 bpm • D Maj • 04:36 • -7.36db
38% Popularity • 52% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 52% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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The Happy Return
I Don't Need You Anymore
144 bpm • F Maj • 04:50 • -7.1db
12% Popularity • 52% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 52% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Peach Pit
Adidas
144 bpm • C Maj • 04:15 • -8.43db
39% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Geskle
Ruby
146 bpm • F min • 03:21 • -13db
37% Popularity • 42% Danceability • 59% Energy • 17% Liveness
5% Instrumentalness • 24% Positiveness
37% Popularity • 42% Danceability • 59% Energy • 17% Liveness
5% Instrumentalness • 24% Positiveness
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Strawberry Milk Cult
Jaws.
146 bpm • E min • 03:19 • -12db
26% Popularity • 52% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 52% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Greer
Way Out
144 bpm • C# min • 02:50 • -6db
30% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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DOGBRETH
When U Call My Name
146 bpm • E Maj • 02:33 • -5db
21% Popularity • 38% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 38% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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The Drives
Tell Me
143 bpm • A Maj • 03:19 • -4.71db
31% Popularity • 52% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 52% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Faze Wave
4 in the Morning
147 bpm • F# min • 03:02 • -6.28db
20% Popularity • 51% Danceability • 87% Energy • 2% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 51% Danceability • 87% Energy • 2% Liveness
0% Instrumentalness • 64% Positiveness
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Grey Dugan
I Want U 2 Stay
143 bpm • B Maj • 03:41 • -7.73db
23% Popularity • 54% Danceability • 76% Energy • 8% Liveness
13% Instrumentalness • 72% Positiveness
23% Popularity • 54% Danceability • 76% Energy • 8% Liveness
13% Instrumentalness • 72% Positiveness
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Vacations
Actors
148 bpm • B Maj • 03:42 • -5.26db
41% Popularity • 46% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 46% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Geskle
Vivid
147 bpm • F# Maj • 01:38 • -12.7db
28% Popularity • 46% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
28% Popularity • 46% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 80% Positiveness
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Strawberry Milk Cult
Michael Cera
148 bpm • F# Maj • 02:02 • -18.38db
26% Popularity • 62% Danceability • 24% Energy • 13% Liveness
49% Instrumentalness • 61% Positiveness
26% Popularity • 62% Danceability • 24% Energy • 13% Liveness
49% Instrumentalness • 61% Positiveness
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dad sports
MANY FACES
148 bpm • B Maj • 02:33 • -6.95db
26% Popularity • 53% Danceability • 91% Energy • 38% Liveness
3% Instrumentalness • 82% Positiveness
26% Popularity • 53% Danceability • 91% Energy • 38% Liveness
3% Instrumentalness • 82% Positiveness
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Faze Wave
Chemistry
148 bpm • B Maj • 03:39 • -7.79db
23% Popularity • 35% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 35% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Boy Called Cute
Starlet
148 bpm • G Maj • 04:34 • -8.69db
23% Popularity • 52% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 52% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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The Hails
Sugar
142 bpm • C Maj • 03:47 • -4.84db
33% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 60% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Wabie
Darcy
142 bpm • E Maj • 03:24 • -8.51db
43% Popularity • 67% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 67% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Beach Fuzz
I Think I'm Falling for Her
148 bpm • D Maj • 04:14 • -10.75db
34% Popularity • 66% Danceability • 56% Energy • 10% Liveness
19% Instrumentalness • 90% Positiveness
34% Popularity • 66% Danceability • 56% Energy • 10% Liveness
19% Instrumentalness • 90% Positiveness
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benches
Common Sense
142 bpm • D# Maj • 02:56 • -5db
42% Popularity • 45% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 45% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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sad brad
whine & pout
142 bpm • B Maj • 02:13 • -13.45db
34% Popularity • 70% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 70% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Faze Wave
Foreign Films
142 bpm • C Maj • 04:04 • -8.1db
18% Popularity • 58% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 58% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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The Mellowells
Coming of Age
142 bpm • G Maj • 04:10 • -8.93db
12% Popularity • 49% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 49% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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The Grinns
Joy
141 bpm • B min • 05:17 • -8.8db
19% Popularity • 64% Danceability • 75% Energy • 9% Liveness
15% Instrumentalness • 50% Positiveness
19% Popularity • 64% Danceability • 75% Energy • 9% Liveness
15% Instrumentalness • 50% Positiveness
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The Rare Occasions
The Shallows
141 bpm • G# Maj • 01:55 • -6.77db
35% Popularity • 47% Danceability • 84% Energy • 11% Liveness
34% Instrumentalness • 9% Positiveness
35% Popularity • 47% Danceability • 84% Energy • 11% Liveness
34% Instrumentalness • 9% Positiveness
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The Polar Boys
Barbados
149 bpm • F Maj • 03:52 • -6.1db
35% Popularity • 49% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 49% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Daphne's Couch
Strawberries
141 bpm • C Maj • 02:49 • -5.47db
34% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 50% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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The Happy Return
Sweaters
141 bpm • C Maj • 02:57 • -4.68db
26% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Eli Smart
Hope I Don't Fall in Love
141 bpm • D Maj • 04:39 • -9.14db
30% Popularity • 68% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 68% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
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The Grinns
Float Away
149 bpm • E min • 02:38 • -3.36db
31% Popularity • 48% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 48% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Max Diaz
Bummer Lover
141 bpm • A Maj • 02:32 • -7db
19% Popularity • 55% Danceability • 85% Energy • 21% Liveness
27% Instrumentalness • 89% Positiveness
19% Popularity • 55% Danceability • 85% Energy • 21% Liveness
27% Instrumentalness • 89% Positiveness
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Petite League
Raspberry Vines
150 bpm • A Maj • 02:56 • -3.12db
25% Popularity • 33% Danceability • 84% Energy • 5% Liveness
2% Instrumentalness • 40% Positiveness
25% Popularity • 33% Danceability • 84% Energy • 5% Liveness
2% Instrumentalness • 40% Positiveness
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The Polar Boys
Life's a Dream
150 bpm • E Maj • 02:58 • -5.71db
39% Popularity • 38% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 38% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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The Happy Return
Salsa on the Setlist
141 bpm • A Maj • 02:54 • -11.17db
14% Popularity • 59% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 59% Danceability • 75% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Strawberry Milk Cult
The Marvelous Misadventures of Super Tri...
140 bpm • B Maj • 03:05 • -9.97db
25% Popularity • 69% Danceability • 51% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
25% Popularity • 69% Danceability • 51% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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Nico Days
Break Your Heart Twice
150 bpm • F Maj • 04:03 • -10.54db
14% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 56% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Boy Called Cute
Lobster
150 bpm • G# min • 04:08 • -4db
46% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Arlie
wait a minute
140 bpm • E Maj • 03:23 • -4db
29% Popularity • 36% Danceability • 87% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 36% Danceability • 87% Energy • 71% Liveness
0% Instrumentalness • 58% Positiveness
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Hot Flash Heat Wave
Raindrop
150 bpm • A Maj • 03:33 • -5db
30% Popularity • 35% Danceability • 59% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
30% Popularity • 35% Danceability • 59% Energy • 14% Liveness
3% Instrumentalness • 44% Positiveness
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Spendtime Palace
Twin Bed
150 bpm • F# min • 03:04 • -9.75db
19% Popularity • 52% Danceability • 67% Energy • 19% Liveness
2% Instrumentalness • 63% Positiveness
19% Popularity • 52% Danceability • 67% Energy • 19% Liveness
2% Instrumentalness • 63% Positiveness
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Vanillaroma
Norman Bates
140 bpm • A Maj • 04:29 • -5db
28% Popularity • 59% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 59% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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The Mellowells
Exes
150 bpm • D Maj • 04:05 • -7.47db
17% Popularity • 46% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 46% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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The Vernes
1994
150 bpm • E Maj • 04:33 • -7db
30% Popularity • 38% Danceability • 56% Energy • 24% Liveness
78% Instrumentalness • 14% Positiveness
30% Popularity • 38% Danceability • 56% Energy • 24% Liveness
78% Instrumentalness • 14% Positiveness
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Hala
Found A Way
140 bpm • C Maj • 03:23 • -3.03db
27% Popularity • 75% Danceability • 68% Energy • 16% Liveness
9% Instrumentalness • 98% Positiveness
27% Popularity • 75% Danceability • 68% Energy • 16% Liveness
9% Instrumentalness • 98% Positiveness
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Fishing in Japan
Home
140 bpm • C# Maj • 06:13 • -11.22db
4% Popularity • 83% Danceability • 36% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
4% Popularity • 83% Danceability • 36% Energy • 11% Liveness
83% Instrumentalness • 24% Positiveness
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HUNNY
Saturday Night
140 bpm • A min • 02:33 • -3db
38% Popularity • 56% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 56% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Phoneboy
Fomo
150 bpm • A# min • 03:17 • -8.25db
39% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Polar Boys
After Breakfast
140 bpm • A Maj • 02:48 • -4.82db
26% Popularity • 42% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 42% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Mickey Darling
I'm Just a Buzzkill
140 bpm • C Maj • 03:36 • -11.28db
43% Popularity • 54% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 54% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Laundry
Drive
140 bpm • A Maj • 03:39 • -8db
21% Popularity • 39% Danceability • 55% Energy • 14% Liveness
3% Instrumentalness • 25% Positiveness
21% Popularity • 39% Danceability • 55% Energy • 14% Liveness
3% Instrumentalness • 25% Positiveness
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Greer
Bittersweet
150 bpm • F Maj • 03:55 • -7.84db
41% Popularity • 29% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 29% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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The Happy Return
Lemonade
140 bpm • B Maj • 03:28 • -5.94db
26% Popularity • 51% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 51% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Moxie
Living in a Bubble
140 bpm • C# min • 02:38 • -6.87db
18% Popularity • 71% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
18% Popularity • 71% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 68% Positiveness
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Deal Casino
Color TV
139 bpm • F# Maj • 04:35 • -7.92db
33% Popularity • 28% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
33% Popularity • 28% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Beach Fuzz
Casual Encounters
151 bpm • E Maj • 05:04 • -7.79db
37% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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The Hails
Denial
139 bpm • F# min • 04:14 • -9db
28% Popularity • 74% Danceability • 57% Energy • 28% Liveness
1% Instrumentalness • 92% Positiveness
28% Popularity • 74% Danceability • 57% Energy • 28% Liveness
1% Instrumentalness • 92% Positiveness
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The Moss
Secretariat
139 bpm • A Maj • 02:41 • -9db
38% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
38% Popularity • 70% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Phoneboy
1987
152 bpm • C# min • 02:42 • -12.8db
49% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
49% Popularity • 70% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Insomnia Beach Club
Staring at the Sun
152 bpm • G Maj • 02:46 • -8.37db
30% Popularity • 70% Danceability • 74% Energy • 12% Liveness
63% Instrumentalness • 66% Positiveness
30% Popularity • 70% Danceability • 74% Energy • 12% Liveness
63% Instrumentalness • 66% Positiveness
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Denver Pike
A Dream
152 bpm • G min • 04:11 • -10.52db
33% Popularity • 48% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 48% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Mickey Darling
Wallows Song
152 bpm • B min • 03:55 • -4.44db
36% Popularity • 58% Danceability • 92% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 58% Danceability • 92% Energy • 53% Liveness
0% Instrumentalness • 67% Positiveness
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Peach Pit
Second Life with Emily
152 bpm • G# Maj • 03:39 • -7.26db
40% Popularity • 46% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 46% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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JAWNY
For Abby
138 bpm • C# Maj • 03:22 • -4.15db
33% Popularity • 57% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 57% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Courier Club
Foreign Ground
138 bpm • B min • 03:11 • -5.09db
29% Popularity • 52% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 52% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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HUNNY
Change Ur Mind
138 bpm • D# min • 02:51 • -4db
35% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 68% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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benches
Red Handed
138 bpm • D Maj • 02:58 • -3.93db
40% Popularity • 40% Danceability • 96% Energy • 5% Liveness
18% Instrumentalness • 42% Positiveness
40% Popularity • 40% Danceability • 96% Energy • 5% Liveness
18% Instrumentalness • 42% Positiveness
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Cannibal Kids
Save Me the Time
153 bpm • G min • 03:53 • -6.64db
30% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Peach Pit
Pepsi on the House
138 bpm • A Maj • 03:01 • -4.49db
47% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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The Doozers
Goons
153 bpm • E min • 03:28 • -3db
22% Popularity • 55% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 55% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Rebounder
Meet Me At The Bar
137 bpm • C# Maj • 03:15 • -6.67db
33% Popularity • 66% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
33% Popularity • 66% Danceability • 66% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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Petite League
Yung Bubblegum
154 bpm • G Maj • 04:13 • -9.36db
35% Popularity • 47% Danceability • 69% Energy • 60% Liveness
24% Instrumentalness • 53% Positiveness
35% Popularity • 47% Danceability • 69% Energy • 60% Liveness
24% Instrumentalness • 53% Positiveness
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benches
LA Friends
153 bpm • D min • 04:21 • -4.38db
33% Popularity • 43% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 43% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Ax and the Hatchetmen
Existential Crisis, Pt. 1
154 bpm • C# min • 04:15 • -4.15db
32% Popularity • 38% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 38% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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MyKey
Mazda5
154 bpm • G# Maj • 02:12 • -5db
37% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 44% Danceability • 85% Energy • 65% Liveness
0% Instrumentalness • 57% Positiveness
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Greer
Bye Bye Baby
154 bpm • D Maj • 03:07 • -5.8db
32% Popularity • 46% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 46% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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The Grinns
Love Is Not an Enterprise
136 bpm • C Maj • 03:25 • -8.73db
26% Popularity • 44% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 44% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Hot Flash Heat Wave
Blue
136 bpm • B min • 04:16 • -6.4db
23% Popularity • 34% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 34% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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eisenach
Google Earth
136 bpm • A Maj • 02:29 • -7.91db
24% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sisyfuss
Allergies
136 bpm • D Maj • 03:46 • -4.83db
35% Popularity • 56% Danceability • 71% Energy • 8% Liveness
20% Instrumentalness • 26% Positiveness
35% Popularity • 56% Danceability • 71% Energy • 8% Liveness
20% Instrumentalness • 26% Positiveness
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Del Water Gap
Let's Pretend
136 bpm • F Maj • 03:56 • -3.93db
39% Popularity • 52% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 52% Danceability • 76% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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mmmonika
see me on the outside!
136 bpm • F# min • 02:32 • -6.39db
39% Popularity • 70% Danceability • 59% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
39% Popularity • 70% Danceability • 59% Energy • 50% Liveness
0% Instrumentalness • 86% Positiveness
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The Happy Return
Lunch Break
136 bpm • C# Maj • 02:49 • -7.25db
21% Popularity • 76% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 76% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
