Songs like Only One to Blame by Samm Henshaw
Based on a tempo of (+/- 10%) and a similar genre
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PJ Morton
How Deep Is Your Love
88 bpm • G# min • 03:17 • -7.72db
60% Popularity • 80% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
60% Popularity • 80% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Stan Taylor
I Love You
88 bpm • C Maj • 03:12 • -4.99db
21% Popularity • 62% Danceability • 64% Energy • 67% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 62% Danceability • 64% Energy • 67% Liveness
0% Instrumentalness • 67% Positiveness
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Otis Kane
Lost
88 bpm • D# min • 02:59 • -10.58db
40% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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LOONY
Warm Weather
88 bpm • C min • 03:33 • -7db
19% Popularity • 74% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 74% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 27% Positiveness
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edbl
Hard To Tell
88 bpm • A min • 03:50 • -5.22db
24% Popularity • 80% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 80% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jordan Mackampa
Over & Out
88 bpm • D Maj • 03:05 • -6.78db
42% Popularity • 68% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 68% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Bren Joy
Henny in the Hamptons
88 bpm • C# min • 03:17 • -6.79db
46% Popularity • 63% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 63% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Hunnah
Think About It
88 bpm • A Maj • 03:44 • -7.94db
29% Popularity • 57% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 57% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Big State
Pure Imagination
88 bpm • C# Maj • 02:57 • -8.15db
20% Popularity • 46% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 46% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 10% Positiveness
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Samm Henshaw
Only One to Blame
88 bpm • A# min • 04:48 • -4.54db
37% Popularity • 61% Danceability • 55% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 61% Danceability • 55% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Godfather of Harlem
My People Are Free
87 bpm • B min • 04:35 • -9.37db
20% Popularity • 25% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 25% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Amber Mark
Mixer - Acoustic
89 bpm • F# Maj • 03:42 • -8.99db
24% Popularity • 55% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 55% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Madelyn Grant
Purpose
89 bpm • F Maj • 03:28 • -11.51db
30% Popularity • 71% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 71% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Shadowboxers
How Many Ways
87 bpm • A min • 03:40 • -8.22db
17% Popularity • 72% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 72% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Hablot Brown
SAID & DONE
89 bpm • B min • 02:39 • -9db
24% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Leon Bridges
Inside Friend
89 bpm • C# Maj • 02:55 • -7.92db
56% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 69% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Lazarus Lynch
In My World
87 bpm • F min • 04:30 • -14.7db
15% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tom Misch
I Wish
87 bpm • F# min • 03:48 • -12db
51% Popularity • 79% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
51% Popularity • 79% Danceability • 33% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
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PJ Morton
KID AGAIN
87 bpm • F# Maj • 02:32 • -7.53db
39% Popularity • 67% Danceability • 56% Energy • 47% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 67% Danceability • 56% Energy • 47% Liveness
0% Instrumentalness • 61% Positiveness
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Kero One
4ever After
87 bpm • F min • 03:04 • -6db
24% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Hablot Brown
SOLDIER
87 bpm • G# Maj • 02:46 • -7.89db
16% Popularity • 76% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 76% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Alec Bailey
Roseanne
87 bpm • F# min • 02:44 • -6.65db
24% Popularity • 63% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 63% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Isaac Waddington
Mornings in Africa
87 bpm • G Maj • 03:31 • -17.46db
9% Popularity • 70% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 70% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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DeAndre'
Tell It Like It Is
87 bpm • C# min • 03:35 • -6.94db
19% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 55% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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rum.gold
Where There's Smoke
90 bpm • F# min • 04:34 • -9.48db
27% Popularity • 56% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 56% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Samm Henshaw
Joy
90 bpm • G# Maj • 03:27 • -11db
31% Popularity • 39% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 39% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Hablot Brown
Peace Of Mind
89 bpm • F min • 03:57 • -8db
29% Popularity • 75% Danceability • 35% Energy • 10% Liveness
12% Instrumentalness • 41% Positiveness
29% Popularity • 75% Danceability • 35% Energy • 10% Liveness
12% Instrumentalness • 41% Positiveness
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Sipprell
From Afar
90 bpm • C# Maj • 04:10 • -8.66db
14% Popularity • 53% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 53% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Jacob Collier
It Don’t Matter
90 bpm • F min • 04:21 • -11.39db
38% Popularity • 71% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 71% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Otis Kane
Don't Try
90 bpm • B Maj • 02:33 • -7.19db
14% Popularity • 66% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
14% Popularity • 66% Danceability • 74% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Lackhoney
All in Time
90 bpm • F min • 01:57 • -8db
15% Popularity • 85% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 85% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Jamie Cullum
Ex Factor / Nice For What
86 bpm • F min • 04:56 • -11db
36% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Hablot Brown
She Said
87 bpm • A# min • 02:59 • -6.46db
37% Popularity • 81% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 81% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Samm Henshaw
Chicken Wings
90 bpm • G# min • 02:48 • -8db
39% Popularity • 67% Danceability • 62% Energy • 91% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 67% Danceability • 62% Energy • 91% Liveness
0% Instrumentalness • 66% Positiveness
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Kaiit
OG Luv Kush pt.2
90 bpm • F# Maj • 02:39 • -12.44db
53% Popularity • 77% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
53% Popularity • 77% Danceability • 37% Energy • 11% Liveness
4% Instrumentalness • 26% Positiveness
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Landon Sears
Next Time We're Flying
90 bpm • B min • 03:49 • -7db
29% Popularity • 72% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 72% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Arin Ray
The Get Down
90 bpm • G Maj • 03:29 • -9.32db
20% Popularity • 64% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
20% Popularity • 64% Danceability • 54% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
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PJ Morton
READY
90 bpm • A# min • 02:40 • -8.51db
33% Popularity • 75% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 75% Danceability • 58% Energy • 55% Liveness
0% Instrumentalness • 39% Positiveness
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Hablot Brown
Reason
90 bpm • F min • 03:20 • -8.46db
41% Popularity • 80% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 80% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Samm Henshaw
Broke
90 bpm • C# Maj • 03:27 • -4.33db
56% Popularity • 75% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 75% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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lophiile
No Bus
90 bpm • F# Maj • 03:04 • -5.92db
42% Popularity • 74% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 74% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Hope Tala
Jealous
90 bpm • G# Maj • 03:36 • -8db
35% Popularity • 78% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 78% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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VSDN
Why Slow Down
90 bpm • D# min • 03:32 • -5.91db
8% Popularity • 76% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 76% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Raveena
No Better
90 bpm • D Maj • 04:02 • -10.48db
41% Popularity • 79% Danceability • 45% Energy • 15% Liveness
48% Instrumentalness • 39% Positiveness
41% Popularity • 79% Danceability • 45% Energy • 15% Liveness
48% Instrumentalness • 39% Positiveness
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Shy Girls
Lay And Be Lonely
90 bpm • C Maj • 03:01 • -10.38db
20% Popularity • 74% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 74% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Monica Martin
Cruel - Peter CottonTale Remix
90 bpm • A# Maj • 02:52 • -3.78db
26% Popularity • 72% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Berhana
Wildin'
90 bpm • C# min • 02:19 • -9db
49% Popularity • 76% Danceability • 48% Energy • 72% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 76% Danceability • 48% Energy • 72% Liveness
0% Instrumentalness • 88% Positiveness
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Cole King
Not the One
90 bpm • D Maj • 04:07 • -10.76db
15% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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PJ Morton
Son of a Preacherman
90 bpm • A# min • 03:57 • -9.17db
14% Popularity • 70% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 70% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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HONNE
Shrink ◐
90 bpm • A Maj • 04:03 • -8db
40% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Mcamp
Speed Dial No. 1
86 bpm • D Maj • 04:03 • -13db
26% Popularity • 52% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 52% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Maya Delilah
Breakup Season
86 bpm • C Maj • 03:12 • -8db
50% Popularity • 70% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 70% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Mathilda Homer
Ready When You Are
90 bpm • G# Maj • 02:58 • -8db
34% Popularity • 79% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 79% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Parker Louis
Rise - A COLORS SHOW
90 bpm • F# min • 02:50 • -12db
23% Popularity • 60% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 55% Positiveness
23% Popularity • 60% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 55% Positiveness
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Bren Joy
Upper East Side
90 bpm • B Maj • 04:56 • -5.95db
28% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Shadowboxers
Honeymoon
86 bpm • F# Maj • 03:55 • -6db
38% Popularity • 62% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 62% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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CalledOut Music
Walk with Me
86 bpm • C# Maj • 03:15 • -7db
38% Popularity • 76% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 76% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Hablot Brown
Pressure
86 bpm • B min • 03:32 • -8.51db
32% Popularity • 86% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 86% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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PJ Morton
They Gon' Wanna Come
90 bpm • C# Maj • 03:25 • -12db
33% Popularity • 67% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 67% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Parker Louis
No Love, Lately
86 bpm • E min • 04:18 • -12.78db
21% Popularity • 70% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 70% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Thirdstory
G Train
86 bpm • F# min • 04:11 • -8db
26% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
26% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Adi Oasis
Serena - Samm Henshaw
90 bpm • A min • 03:46 • -5.54db
48% Popularity • 52% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
48% Popularity • 52% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
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Stan Taylor
Brand New
86 bpm • F min • 02:59 • -6.91db
21% Popularity • 51% Danceability • 64% Energy • 19% Liveness
3% Instrumentalness • 65% Positiveness
21% Popularity • 51% Danceability • 64% Energy • 19% Liveness
3% Instrumentalness • 65% Positiveness
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CLAY
Orange
85 bpm • C Maj • 03:32 • -6.56db
44% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Honey Butter
Pages
90 bpm • G Maj • 03:57 • -9db
25% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Elijah Blake
Towers Of Tokyo
85 bpm • F Maj • 04:11 • -5.83db
28% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 58% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Thirdstory
G Train
86 bpm • F# min • 03:35 • -7.42db
34% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 56% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Otis Kane
Sweet Sensation
85 bpm • G Maj • 02:43 • -7.35db
25% Popularity • 66% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 66% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
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Subeck
Can We Be Friends
91 bpm • G min • 05:08 • -8.94db
10% Popularity • 78% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 78% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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The Main Squeeze
This World
85 bpm • E min • 03:51 • -9db
20% Popularity • 40% Danceability • 48% Energy • 7% Liveness
7% Instrumentalness • 17% Positiveness
20% Popularity • 40% Danceability • 48% Energy • 7% Liveness
7% Instrumentalness • 17% Positiveness
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Kaiit
Natural Woman
91 bpm • F Maj • 03:35 • -6.81db
36% Popularity • 66% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 66% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Common
My Fancy Free Future Love - Tom Misch Re...
91 bpm • C Maj • 04:54 • -9.1db
29% Popularity • 55% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 55% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Samm Henshaw
Loved By You
91 bpm • D Maj • 03:11 • -8.4db
36% Popularity • 65% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 65% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Floyd Fuji
Level
91 bpm • A min • 03:33 • -7.04db
19% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 76% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Two Another
One Night
91 bpm • C Maj • 03:42 • -8.29db
18% Popularity • 73% Danceability • 49% Energy • 12% Liveness
6% Instrumentalness • 36% Positiveness
18% Popularity • 73% Danceability • 49% Energy • 12% Liveness
6% Instrumentalness • 36% Positiveness
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RC & The Gritz
My Conscience
91 bpm • F# min • 04:39 • -11db
22% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Audrey Mika
Y U Gotta B Like That
91 bpm • F# min • 02:49 • -6.84db
35% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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C.S. Armstrong
CITY IN RUINS
85 bpm • B Maj • 02:29 • -7.52db
12% Popularity • 71% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 71% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Samm Henshaw
How Does It Feel? - Banx & Ranx Remix
91 bpm • G Maj • 03:15 • -6.1db
15% Popularity • 59% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 59% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Joe Hertz
One Sided
91 bpm • C min • 03:52 • -8.77db
28% Popularity • 64% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 64% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Les Cooles de Ville
Eve
85 bpm • C Maj • 03:10 • -10db
22% Popularity • 67% Danceability • 56% Energy • 12% Liveness
9% Instrumentalness • 69% Positiveness
22% Popularity • 67% Danceability • 56% Energy • 12% Liveness
9% Instrumentalness • 69% Positiveness
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Mayer Hawthorne
Only You
85 bpm • F Maj • 03:14 • -2.6db
38% Popularity • 70% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 70% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Snoh Aalegra
Find Someone Like You
85 bpm • F# min • 03:26 • -9.72db
59% Popularity • 53% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 53% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Leon Bridges
Lions
85 bpm • B min • 03:02 • -6.72db
38% Popularity • 72% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 72% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Samm Henshaw
Grow
85 bpm • A Maj • 03:00 • -8db
45% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Isaac Waddington
Other Way
85 bpm • A Maj • 03:03 • -9db
32% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jack Page
Sunrise
91 bpm • C min • 03:31 • -9.7db
45% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Molly with Charles
Playing with the Moon
85 bpm • D Maj • 04:05 • -13.3db
23% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 56% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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FKJ
Better Give U Up
92 bpm • B min • 04:16 • -6.92db
61% Popularity • 52% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
61% Popularity • 52% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Zaniah
Coffee Bean
84 bpm • C# min • 02:39 • -8.27db
41% Popularity • 78% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 78% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Phony Ppl
Why iii Love The Moon.
92 bpm • C# Maj • 05:31 • -7.93db
57% Popularity • 71% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 71% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Samm Henshaw
Thoughts and Prayers
92 bpm • A# Maj • 03:45 • -7.48db
33% Popularity • 54% Danceability • 55% Energy • 57% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 54% Danceability • 55% Energy • 57% Liveness
0% Instrumentalness • 42% Positiveness
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Amber Mark
Put You On
92 bpm • B Maj • 03:44 • -4.49db
41% Popularity • 68% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 68% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Myles Cameron
Prettysoon
92 bpm • C Maj • 02:07 • -6.71db
26% Popularity • 81% Danceability • 42% Energy • 16% Liveness
2% Instrumentalness • 52% Positiveness
26% Popularity • 81% Danceability • 42% Energy • 16% Liveness
2% Instrumentalness • 52% Positiveness
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Joe Hertz
Cross My Mind
92 bpm • B min • 03:46 • -5db
38% Popularity • 72% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 72% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Marcus Atom
Son Of A Bad Man
92 bpm • D Maj • 03:41 • -5.8db
4% Popularity • 80% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
4% Popularity • 80% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Barney Artist
Lullaby
92 bpm • G# Maj • 04:00 • -12db
36% Popularity • 75% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
36% Popularity • 75% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Emotional Oranges
Built That Way
92 bpm • C# min • 03:19 • -7db
44% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness