Songs like Only Virgin - DJ Mola Remix by D.J. Miller
Based on a tempo of (+/- 10%) and a similar genre
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Demetri Thomas
Time To Decide
131 bpm • C Maj • 03:40 • -7.09db
8% Popularity • 60% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 60% Danceability • 71% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Jansen Blake
Find Someone Tonight
131 bpm • A Maj • 03:50 • -5.81db
8% Popularity • 65% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 65% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Nate Venturelli
Hardhat
131 bpm • G Maj • 03:47 • -11.25db
10% Popularity • 49% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 49% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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D.J. Miller
Only Virgin - DJ Mola Remix
131 bpm • F min • 03:40 • -6.67db
0% Popularity • 67% Danceability • 84% Energy • 8% Liveness
83% Instrumentalness • 77% Positiveness
0% Popularity • 67% Danceability • 84% Energy • 8% Liveness
83% Instrumentalness • 77% Positiveness
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Cale Moon
Only The Weak Walk Away
131 bpm • C# Maj • 03:23 • -4.8db
22% Popularity • 59% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 59% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Ward & Lord
Hold the Pain
132 bpm • G Maj • 04:54 • -10.66db
13% Popularity • 57% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 57% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Botkin
Last Day Here
132 bpm • E Maj • 03:39 • -14.2db
8% Popularity • 68% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 68% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Quicker
Bullet Through My Brain
130 bpm • G Maj • 02:42 • -9.14db
10% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Wade Bowen
Rainin On Me
132 bpm • C Maj • 04:12 • -5.75db
39% Popularity • 60% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 60% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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D.J. Miller
Shining - Club Mix
131 bpm • A# min • 05:23 • -7.32db
0% Popularity • 60% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 60% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Luke Deuce
Small Town View
130 bpm • F# Maj • 03:06 • -7.84db
13% Popularity • 54% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 54% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Joe's Mule Barn
I'm in Love, She's in Texas
132 bpm • D# Maj • 03:38 • -6.28db
11% Popularity • 58% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 58% Danceability • 73% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Kennon
Throwback Town
130 bpm • G Maj • 03:24 • -3.6db
8% Popularity • 56% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 56% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Ray Neyens
Drink Drank Drunk
132 bpm • F# min • 03:32 • -6.9db
8% Popularity • 71% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 71% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Wade Hayes
Can't Break the Habit
130 bpm • A Maj • 03:15 • -6.15db
7% Popularity • 73% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
7% Popularity • 73% Danceability • 71% Energy • 18% Liveness
1% Instrumentalness • 64% Positiveness
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Glen Templeton
All American Honky
132 bpm • G Maj • 02:58 • -6.28db
8% Popularity • 58% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 58% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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D.J. Miller
Shining - Bruckmann Club Dub
130 bpm • F min • 07:17 • -8.62db
0% Popularity • 81% Danceability • 73% Energy • 67% Liveness
2% Instrumentalness • 96% Positiveness
0% Popularity • 81% Danceability • 73% Energy • 67% Liveness
2% Instrumentalness • 96% Positiveness
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Mike Kuster
Frog Eye Mud Bog
132 bpm • G Maj • 02:25 • -4.18db
16% Popularity • 64% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 64% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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William Wallace Band
Next Ex-Wife
130 bpm • C Maj • 03:26 • -12.04db
12% Popularity • 65% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 65% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Howard County
Tiny Town
132 bpm • C# Maj • 02:42 • -3.49db
28% Popularity • 66% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 66% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Gary Pratt
When It's Our Love That's Lost
130 bpm • C# Maj • 04:29 • -3.27db
12% Popularity • 45% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 45% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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John Michael Ferrari
Who's That Girl
132 bpm • A Maj • 02:54 • -6.06db
16% Popularity • 65% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 65% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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D.J. Miller
Shining - Dred Trendhouse Mix
130 bpm • A# min • 04:32 • -8.16db
0% Popularity • 72% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 72% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Jeramie Crawford
Wherever You Are
130 bpm • G Maj • 04:24 • -10.15db
24% Popularity • 54% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 54% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Gerry Hyde
In 100 Years
130 bpm • D Maj • 04:10 • -6.14db
8% Popularity • 64% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 64% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Hunter Lott
Look Down on Me
132 bpm • B Maj • 04:35 • -8.28db
25% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 51% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Zac Dunlap
Santa Rosa
130 bpm • G Maj • 03:44 • -4.04db
28% Popularity • 58% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 58% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Due West
Lessons
130 bpm • C Maj • 03:06 • -8.41db
8% Popularity • 38% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 38% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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D.J. Miller
Shining - MBER Electrovocaldub Mix
130 bpm • C# Maj • 06:24 • -9.4db
0% Popularity • 78% Danceability • 82% Energy • 13% Liveness
24% Instrumentalness • 53% Positiveness
0% Popularity • 78% Danceability • 82% Energy • 13% Liveness
24% Instrumentalness • 53% Positiveness
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Phil Hurley
Failling Heart
130 bpm • A Maj • 03:12 • -5.51db
9% Popularity • 56% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 56% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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CC Clevenger
Gonna Have a Good Time
132 bpm • G# Maj • 02:52 • -3.92db
16% Popularity • 64% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 64% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Kyle Rainer
Cowboy Up
129 bpm • D Maj • 03:50 • -4.81db
14% Popularity • 58% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 58% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Cody Robbins
Circles Around You
133 bpm • A# Maj • 03:09 • -6.28db
12% Popularity • 70% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 70% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Tracy Inman
If This Is Heaven
133 bpm • G Maj • 02:26 • -6.32db
3% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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D.J. Miller
Shining - Original Club Mix
130 bpm • F Maj • 07:45 • -7.07db
0% Popularity • 67% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 67% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Matt Tucker
Honky Tonkin' All Night
133 bpm • F min • 03:00 • -6.71db
8% Popularity • 67% Danceability • 86% Energy • 45% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 67% Danceability • 86% Energy • 45% Liveness
0% Instrumentalness • 88% Positiveness
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Buck Ford
Talking to Hank
129 bpm • E Maj • 02:48 • -5.52db
25% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Sawyer Brown
The One I've Got
133 bpm • C# Maj • 03:07 • -4.53db
29% Popularity • 56% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 56% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Tom Hambridge
I Keep Things
128 bpm • D Maj • 02:50 • -5.77db
12% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 52% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Punch Douglas
A Girl Like That
134 bpm • G Maj • 03:38 • -5.84db
13% Popularity • 52% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 52% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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D.J. Miller
Shining - Starriders Independence Remix
130 bpm • A# min • 06:05 • -10.16db
0% Popularity • 60% Danceability • 81% Energy • 14% Liveness
29% Instrumentalness • 20% Positiveness
0% Popularity • 60% Danceability • 81% Energy • 14% Liveness
29% Instrumentalness • 20% Positiveness
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Tracy Inman
On Facebook
128 bpm • G Maj • 03:40 • -7.89db
4% Popularity • 76% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
4% Popularity • 76% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Steve Okwor
Let's Clap
128 bpm • G Maj • 04:21 • -6db
11% Popularity • 75% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 75% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Cale Moon
Take Me Back To The Wallowas
135 bpm • A# Maj • 03:30 • -8.07db
12% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
12% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Jake Clayton
Make Believe
135 bpm • E Maj • 04:25 • -4.45db
9% Popularity • 61% Danceability • 81% Energy • 34% Liveness
1% Instrumentalness • 58% Positiveness
9% Popularity • 61% Danceability • 81% Energy • 34% Liveness
1% Instrumentalness • 58% Positiveness
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Brandon Maddox
If You're Talking Behind My Back...
127 bpm • G min • 03:07 • -4.88db
29% Popularity • 59% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 59% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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D.J. Miller
Shining - Radio Edit
130 bpm • F min • 03:24 • -7.88db
0% Popularity • 61% Danceability • 86% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 61% Danceability • 86% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
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Robert Deitch
Three Church Two Tavern Town (Official)
127 bpm • F Maj • 03:28 • -8.52db
7% Popularity • 57% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 57% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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The Sean Taylor Band
Rolling Stone
127 bpm • G Maj • 02:59 • -4.65db
12% Popularity • 72% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 72% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 95% Positiveness
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Glen Templeton
Killin' Me Girl
127 bpm • F# Maj • 02:53 • -5.13db
10% Popularity • 63% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 63% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Jon Hope and The Jackwagons
Horse of a Different Color
127 bpm • E Maj • 03:12 • -11.79db
14% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 55% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Caren Otto
Nothing Wrong
136 bpm • F# Maj • 02:21 • -7.14db
13% Popularity • 59% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 59% Danceability • 83% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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D.J. Miller
Shining - Peat Jr. & Fernando Elec-Traxx...
130 bpm • C Maj • 05:15 • -7.06db
0% Popularity • 73% Danceability • 84% Energy • 2% Liveness
1% Instrumentalness • 78% Positiveness
0% Popularity • 73% Danceability • 84% Energy • 2% Liveness
1% Instrumentalness • 78% Positiveness
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Rudy Gunn
Queen of the Bar Stool Rodeo
136 bpm • D Maj • 03:18 • -2.85db
13% Popularity • 49% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 49% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Saddle Brown
The Three-Fifths Compromise (Three-Fifth...
136 bpm • B min • 02:52 • -3.76db
15% Popularity • 67% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 67% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Shane Thompson
Crazy As Me
136 bpm • A Maj • 03:20 • -5.18db
18% Popularity • 59% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 59% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Midnight South
Best Bar In Town
136 bpm • G Maj • 03:10 • -2.87db
7% Popularity • 73% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 73% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Truck Pierce
I'd Know Her Anywhere
136 bpm • D Maj • 04:12 • -8.42db
16% Popularity • 60% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 18% Positiveness
16% Popularity • 60% Danceability • 52% Energy • 17% Liveness
1% Instrumentalness • 18% Positiveness
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D.J. Miller
Droppin - Original mix
129 bpm • C Maj • 05:49 • -4.82db
0% Popularity • 79% Danceability • 68% Energy • 52% Liveness
46% Instrumentalness • 36% Positiveness
0% Popularity • 79% Danceability • 68% Energy • 52% Liveness
46% Instrumentalness • 36% Positiveness
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Roy Golden
One Last Ride
136 bpm • C# Maj • 04:38 • -8.75db
14% Popularity • 42% Danceability • 70% Energy • 24% Liveness
25% Instrumentalness • 41% Positiveness
14% Popularity • 42% Danceability • 70% Energy • 24% Liveness
25% Instrumentalness • 41% Positiveness
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William Michael Morgan
The Sun Don’t Shine Anymore In Acapulc...
126 bpm • F Maj • 03:43 • -5.36db
27% Popularity • 68% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 68% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Marshall
Tailspin
126 bpm • G Maj • 02:46 • -4.79db
11% Popularity • 61% Danceability • 82% Energy • 29% Liveness
17% Instrumentalness • 74% Positiveness
11% Popularity • 61% Danceability • 82% Energy • 29% Liveness
17% Instrumentalness • 74% Positiveness
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Raleigh Keegan
Bigger Rug
126 bpm • F min • 03:03 • -5.05db
22% Popularity • 60% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 60% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Hurricane Highway
Road Trip
137 bpm • G Maj • 03:10 • -6.34db
1% Popularity • 60% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
1% Popularity • 60% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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D.J. Miller
Shining - DJ Smiths vs. Markanera Latin ...
128 bpm • A# min • 05:09 • -8.83db
0% Popularity • 67% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 67% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Aaron Pritchett
John Roland Wood
137 bpm • G Maj • 03:23 • -6.26db
9% Popularity • 51% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 51% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Southbound 75
That Summer
125 bpm • A# Maj • 03:31 • -5.37db
17% Popularity • 63% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 63% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Patrick Carpenter
Met Expectations
125 bpm • D Maj • 04:04 • -6.5db
9% Popularity • 61% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 61% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Nick Cain
Boat Song
125 bpm • G Maj • 03:27 • -5.72db
9% Popularity • 74% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 74% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Tanner Burch
I Reckon
125 bpm • G Maj • 03:22 • -2.67db
9% Popularity • 58% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 58% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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D.J. Miller
Shining - Flamemakers Remix
128 bpm • G# Maj • 06:25 • -7.92db
0% Popularity • 70% Danceability • 70% Energy • 36% Liveness
29% Instrumentalness • 68% Positiveness
0% Popularity • 70% Danceability • 70% Energy • 36% Liveness
29% Instrumentalness • 68% Positiveness
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Gibson/Miller Band
Red, White and Blue Collar
125 bpm • G Maj • 03:17 • -8.97db
14% Popularity • 67% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 67% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Dominic Villalva
I Trust You With My Heart
125 bpm • D# Maj • 03:04 • -9db
21% Popularity • 58% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 26% Positiveness
21% Popularity • 58% Danceability • 50% Energy • 17% Liveness
1% Instrumentalness • 26% Positiveness
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Jason Michael Todd
Footlights
138 bpm • A# Maj • 04:09 • -11.07db
10% Popularity • 46% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 46% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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The Sean Taylor Band
Someplace Better Than Here
138 bpm • A Maj • 03:32 • -5.67db
13% Popularity • 70% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 70% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Johnathan Len
Country Girl
138 bpm • G Maj • 03:47 • -3.37db
17% Popularity • 47% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 47% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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D.J. Miller
She's as Crazy as Me
126 bpm • D min • 03:06 • -12.65db
0% Popularity • 61% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 61% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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IROCK
West Montana
138 bpm • E Maj • 03:57 • -28.14db
10% Popularity • 64% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 64% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ryder Grimes
Too Country
138 bpm • E Maj • 03:45 • -4.5db
8% Popularity • 56% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 56% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 59% Positiveness
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Mud County
A Moment
138 bpm • G Maj • 03:46 • -3.4db
22% Popularity • 73% Danceability • 96% Energy • 46% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 73% Danceability • 96% Energy • 46% Liveness
0% Instrumentalness • 74% Positiveness
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Wes Brown
Money on a Good Time
138 bpm • A# Maj • 02:34 • -4.19db
16% Popularity • 69% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 69% Danceability • 86% Energy • 51% Liveness
0% Instrumentalness • 95% Positiveness
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The Sworms
Soul 4 Music
124 bpm • G Maj • 03:40 • -4db
20% Popularity • 46% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 46% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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D.J. Miller
Shining - Collins & Behnam Remix
126 bpm • F min • 07:12 • -13.5db
0% Popularity • 75% Danceability • 85% Energy • 5% Liveness
54% Instrumentalness • 25% Positiveness
0% Popularity • 75% Danceability • 85% Energy • 5% Liveness
54% Instrumentalness • 25% Positiveness
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Truck Pierce
Jessie
138 bpm • D Maj • 04:00 • -8.97db
16% Popularity • 61% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 61% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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The Beer Hunters
Drinking to Be Drinking
138 bpm • F Maj • 03:29 • -11.95db
13% Popularity • 71% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 71% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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The Martin Boys
Miracle Cure
124 bpm • F Maj • 02:25 • -6.76db
16% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Tracy Inman
TTYL
124 bpm • F Maj • 02:10 • -5.86db
0% Popularity • 67% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 67% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Scotty Kipfer
The Bod
124 bpm • C Maj • 03:12 • -6.39db
13% Popularity • 70% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 70% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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D.J. Miller
A Little Naughty Is Nice
138 bpm • F Maj • 03:20 • -5.09db
0% Popularity • 58% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 58% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Shane Gamble
Headlights Through the Smoke
124 bpm • C Maj • 03:13 • -5.69db
11% Popularity • 58% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 58% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Kenny Mehler
Gin and Juice
138 bpm • C# Maj • 05:13 • -4.14db
7% Popularity • 49% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 49% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Joel Kellar
All I Can Say
124 bpm • B Maj • 03:59 • -8.07db
10% Popularity • 57% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 57% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Truck Pierce
She Use to Give Me Everything
124 bpm • B min • 04:08 • -7db
16% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Pete Cullen
Chase The Dream
124 bpm • G Maj • 03:22 • -2.81db
11% Popularity • 60% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 60% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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The Bradley Brothers
Beer Run
124 bpm • G Maj • 02:58 • -9.17db
14% Popularity • 82% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 82% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Johnathan Len
Truth
124 bpm • G# Maj • 02:40 • -3.93db
26% Popularity • 50% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 50% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Roy Golden
Leave It to You
124 bpm • C# Maj • 05:12 • -10.68db
11% Popularity • 52% Danceability • 57% Energy • 11% Liveness
26% Instrumentalness • 31% Positiveness
11% Popularity • 52% Danceability • 57% Energy • 11% Liveness
26% Instrumentalness • 31% Positiveness
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Hayden Woollen
What The Hell - Radio Edit
124 bpm • A# Maj • 02:50 • -4.58db
43% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 60% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
