Songs like only wanna dance by almost monday
Based on a tempo of (+/- 10%) and a similar genre
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Weathers
ALL CAPS
169 bpm • G Maj • 03:04 • -5.85db
47% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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almost monday
only wanna dance
169 bpm • A Maj • 02:24 • -4.95db
54% Popularity • 51% Danceability • 92% Energy • 23% Liveness
1% Instrumentalness • 94% Positiveness
54% Popularity • 51% Danceability • 92% Energy • 23% Liveness
1% Instrumentalness • 94% Positiveness
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Fuller
Never Better
170 bpm • E min • 02:51 • -4db
43% Popularity • 48% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 48% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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flor
Every Night
170 bpm • G Maj • 03:20 • -5.63db
38% Popularity • 46% Danceability • 87% Energy • 9% Liveness
6% Instrumentalness • 84% Positiveness
38% Popularity • 46% Danceability • 87% Energy • 9% Liveness
6% Instrumentalness • 84% Positiveness
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Friday Pilots Club
Hot Mess
168 bpm • F# Maj • 03:10 • -4.96db
54% Popularity • 58% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 58% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Dominic Fike
Think Fast
168 bpm • D Maj • 03:42 • -7.99db
64% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
64% Popularity • 54% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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HARBOUR
Get You High
170 bpm • C Maj • 03:54 • -6.14db
51% Popularity • 46% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 46% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Maeson
Get Happy
168 bpm • A Maj • 03:48 • -6.18db
47% Popularity • 42% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 42% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Peter McPoland
Shit Show
170 bpm • C# Maj • 03:20 • -3.64db
52% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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The Moss
Insomnia
168 bpm • B Maj • 03:12 • -5.78db
57% Popularity • 54% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
57% Popularity • 54% Danceability • 75% Energy • 10% Liveness
1% Instrumentalness • 76% Positiveness
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Aidan Bissett
All That I'm Craving
170 bpm • A Maj • 03:12 • -5db
49% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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DOUBLECAMP
Confetti
168 bpm • D Maj • 03:04 • -4.15db
45% Popularity • 70% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
45% Popularity • 70% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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THE DRIVER ERA
A Kiss
170 bpm • F# Maj • 04:31 • -4.65db
63% Popularity • 70% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
63% Popularity • 70% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Hippo Campus
Yippie Ki Yay
170 bpm • A Maj • 04:26 • -6db
40% Popularity • 51% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 51% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Your Neighbors
Sideways
170 bpm • E Maj • 02:35 • -4db
38% Popularity • 48% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 57% Positiveness
38% Popularity • 48% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 57% Positiveness
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Sub-Radio
Everything I Had
168 bpm • C Maj • 03:12 • -2.74db
31% Popularity • 40% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 40% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Winnetka Bowling League
Come To The Beach
170 bpm • G Maj • 02:58 • -5.21db
41% Popularity • 46% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 46% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Ax and the Hatchetmen
Peach Trees
167 bpm • A Maj • 01:50 • -9.12db
59% Popularity • 50% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 50% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Fuller
Sex
170 bpm • B min • 02:33 • -4.85db
30% Popularity • 36% Danceability • 72% Energy • 77% Liveness
21% Instrumentalness • 45% Positiveness
30% Popularity • 36% Danceability • 72% Energy • 77% Liveness
21% Instrumentalness • 45% Positiveness
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The Beaches
My People
167 bpm • B min • 03:12 • -6.07db
40% Popularity • 58% Danceability • 85% Energy • 10% Liveness
14% Instrumentalness • 42% Positiveness
40% Popularity • 58% Danceability • 85% Energy • 10% Liveness
14% Instrumentalness • 42% Positiveness
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AJR
The Dumb Song
171 bpm • C Maj • 03:45 • -4.22db
58% Popularity • 50% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 50% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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ALEXSUCKS
6 Pack and Cigarettes
167 bpm • A Maj • 02:54 • -5.67db
44% Popularity • 56% Danceability • 74% Energy • 31% Liveness
9% Instrumentalness • 62% Positiveness
44% Popularity • 56% Danceability • 74% Energy • 31% Liveness
9% Instrumentalness • 62% Positiveness
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Moon Taxi
Classics
166 bpm • A Maj • 02:58 • -4.21db
34% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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GROUPLOVE
Francine
166 bpm • B Maj • 04:26 • -6.1db
29% Popularity • 58% Danceability • 82% Energy • 17% Liveness
3% Instrumentalness • 76% Positiveness
29% Popularity • 58% Danceability • 82% Energy • 17% Liveness
3% Instrumentalness • 76% Positiveness
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lovelytheband
nice to know you
172 bpm • C min • 03:15 • -5.26db
65% Popularity • 55% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 55% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Betcha
Swim Naked
172 bpm • A# Maj • 03:31 • -3.92db
41% Popularity • 38% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 38% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Arkells
Past Life
166 bpm • C Maj • 03:31 • -4.72db
43% Popularity • 62% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 62% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 42% Positiveness
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Cold War Kids
Double Life
166 bpm • A Maj • 02:23 • -3.05db
37% Popularity • 60% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 60% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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CARR
Spiral City
166 bpm • B min • 02:29 • -5.49db
46% Popularity • 58% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 58% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Sarah and the Sundays
I'm So Bored
165 bpm • A# Maj • 03:28 • -5db
45% Popularity • 49% Danceability • 75% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
45% Popularity • 49% Danceability • 75% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
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bby
hotline
165 bpm • F Maj • 02:17 • -5.47db
55% Popularity • 57% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 57% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Little Hurt
I Can Do Better Than You
165 bpm • D Maj • 02:26 • -4.42db
24% Popularity • 47% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 47% Danceability • 89% Energy • 23% Liveness
0% Instrumentalness • 71% Positiveness
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Fuller
How To Lose A Guy In 10 Days
165 bpm • D Maj • 02:24 • -4.88db
23% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Claire Rosinkranz
i'm too pretty for this
174 bpm • G Maj • 02:46 • -5.18db
53% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 50% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Coastal Club
honey
165 bpm • A Maj • 04:10 • -3.62db
52% Popularity • 49% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 49% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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The Band CAMINO
Told You So
174 bpm • C# min • 02:51 • -4.26db
50% Popularity • 46% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 46% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Quarters of Change
Blue Copper
174 bpm • G min • 03:11 • -6db
37% Popularity • 32% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 32% Danceability • 76% Energy • 46% Liveness
0% Instrumentalness • 46% Positiveness
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Kevin Walkman
I'm Not Crazy
174 bpm • G# Maj • 02:53 • -5.11db
51% Popularity • 53% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 53% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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JAWNY
adios
164 bpm • F# min • 03:23 • -5db
57% Popularity • 52% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 52% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
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Landon Conrath
lowercase
175 bpm • B Maj • 02:38 • -9.29db
55% Popularity • 74% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 74% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Dayglow
Radio
175 bpm • F# Maj • 03:14 • -3.28db
44% Popularity • 59% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
44% Popularity • 59% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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AJR
I Won't
163 bpm • C Maj • 02:48 • -6.26db
60% Popularity • 31% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 31% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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New Friends
Ricochet
175 bpm • G# min • 02:57 • -3.99db
37% Popularity • 42% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 42% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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DOUBLECAMP
Can't Be Lonely
176 bpm • A# Maj • 03:09 • -8.11db
28% Popularity • 64% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 64% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Aidan Bissett
Dumped
176 bpm • B Maj • 02:43 • -5db
43% Popularity • 56% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 56% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Landon Conrath
Papercuts
176 bpm • A# Maj • 02:52 • -6db
55% Popularity • 62% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 62% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Wallows
I Don't Want to Talk
162 bpm • G Maj • 03:43 • -3.22db
56% Popularity • 46% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 46% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Kid Bloom
LEMONHEAD
177 bpm • A# min • 03:31 • -4.9db
45% Popularity • 56% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 56% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Carter Vail
NAPOLEON
161 bpm • G# Maj • 03:35 • -6.14db
33% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 56% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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almost monday
life goes by
161 bpm • C# Maj • 02:33 • -5.1db
51% Popularity • 55% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 55% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Friday Pilots Club
Bury Me
178 bpm • C min • 02:53 • -9.36db
52% Popularity • 59% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 59% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Bad Suns
Everything Is...
178 bpm • C# Maj • 02:56 • -4.33db
38% Popularity • 44% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 44% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Olen
DOA
160 bpm • D Maj • 02:43 • -5db
42% Popularity • 55% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 55% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Ax and the Hatchetmen
Grace
160 bpm • D# min • 02:30 • -5.27db
49% Popularity • 35% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 35% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Phoneboy
Nevermind
160 bpm • C# Maj • 03:30 • -4.23db
53% Popularity • 61% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
53% Popularity • 61% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Dayglow
Run the World!!!
160 bpm • C Maj • 02:56 • -7.71db
59% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 71% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Maeson
Cut Deep
160 bpm • E min • 02:56 • -3.91db
52% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
52% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Night Cap
Eileen
160 bpm • C Maj • 02:46 • -4.81db
41% Popularity • 44% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 44% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Oceanic
When You Fall
160 bpm • D Maj • 02:50 • -7.7db
31% Popularity • 54% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 54% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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The Band CAMINO
Last Man in the World
160 bpm • G# Maj • 02:42 • -5.53db
46% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 47% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Saint Blonde
Ugly Elvis
160 bpm • A# min • 03:17 • -3.82db
31% Popularity • 52% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 52% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Glass Animals
Creatures in Heaven
160 bpm • D Maj • 03:41 • -6.59db
70% Popularity • 51% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
70% Popularity • 51% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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The Happy Fits
Too Late
160 bpm • G Maj • 03:21 • -10.48db
59% Popularity • 69% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
59% Popularity • 69% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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HUNNY
big star
160 bpm • D Maj • 02:44 • -6.36db
30% Popularity • 55% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 55% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Hippo Campus
Bad Dream Baby
160 bpm • E Maj • 02:58 • -6.56db
53% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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HARBOUR
Waiting on the Weekend
160 bpm • D Maj • 03:14 • -6.16db
35% Popularity • 42% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 42% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Marko
HIDE
160 bpm • D Maj • 02:47 • -4.42db
47% Popularity • 80% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 80% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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JAWNY
lalala
159 bpm • A Maj • 02:47 • -6db
43% Popularity • 69% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 69% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Happy Fits
Do Your Worst
160 bpm • G min • 03:29 • -4.93db
43% Popularity • 46% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 46% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Stephen Dawes
It Could Be Me
179 bpm • E Maj • 02:07 • -9.05db
47% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Good Kid
No Time to Explain
180 bpm • C Maj • 02:36 • -5.33db
62% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
62% Popularity • 43% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Michigander
Misery
180 bpm • C Maj • 03:00 • -5.19db
54% Popularity • 34% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 34% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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The Wldlfe
All My Friends
180 bpm • A# min • 02:24 • -5.78db
44% Popularity • 60% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
44% Popularity • 60% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Phoneboy
Ferrari
158 bpm • D Maj • 02:42 • -5db
42% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Kevin Walkman
its alright :)
158 bpm • D# Maj • 03:22 • -6db
59% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
59% Popularity • 60% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Colony House
Cannonballers
158 bpm • F min • 02:52 • -4db
46% Popularity • 55% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
46% Popularity • 55% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Thehiz
Payday
158 bpm • A# Maj • 02:43 • -5.47db
39% Popularity • 63% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 63% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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The Revivalists
Kid
158 bpm • C# min • 03:28 • -4.31db
50% Popularity • 33% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 33% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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again&again
daydreams
157 bpm • A Maj • 02:14 • -4.05db
50% Popularity • 62% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 62% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Peter McPoland
Tonight
157 bpm • G Maj • 03:30 • -3.05db
39% Popularity • 48% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 48% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Run River North
29
157 bpm • G min • 03:27 • -5db
51% Popularity • 44% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
51% Popularity • 44% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Hippo Campus
Moonshine
157 bpm • E Maj • 04:00 • -6db
46% Popularity • 51% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
46% Popularity • 51% Danceability • 93% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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Claire Rosinkranz
Sad in Hawaii
157 bpm • D Maj • 02:31 • -4.69db
42% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Moss
The Place That Makes Me Happy
156 bpm • G# Maj • 03:01 • -6.01db
50% Popularity • 57% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
50% Popularity • 57% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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The Band CAMINO
Novocaine
156 bpm • D Maj • 02:54 • -5.55db
51% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 62% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Happy Fits
Hold Me Down
156 bpm • D Maj • 03:43 • -4.73db
50% Popularity • 50% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 50% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Rec Hall
She Doesn't Get It
156 bpm • E Maj • 03:31 • -5.15db
55% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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The Beaches
Blame Brett
156 bpm • C# min • 02:57 • -3.16db
70% Popularity • 47% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
70% Popularity • 47% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Jack Kays
Caffeine
156 bpm • A# min • 03:04 • -6.72db
59% Popularity • 60% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
59% Popularity • 60% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Jukebox The Ghost
Brass Band
156 bpm • B min • 03:06 • -7.75db
35% Popularity • 68% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
35% Popularity • 68% Danceability • 65% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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COIN
Crash My Car
184 bpm • F Maj • 03:08 • -5.86db
63% Popularity • 24% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
63% Popularity • 24% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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The Happy Fits
Around and Around
156 bpm • G Maj • 02:34 • -5db
42% Popularity • 49% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
42% Popularity • 49% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Hippo Campus
Ride or Die
184 bpm • A Maj • 03:30 • -6.18db
45% Popularity • 54% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 54% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Friday Pilots Club
I Don't Care
184 bpm • G# Maj • 03:53 • -5.42db
42% Popularity • 58% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 58% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 78% Positiveness
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half•alive
Never Been Better
155 bpm • G# min • 03:08 • -6.58db
44% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 63% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Fuller
Friday Night Lies
155 bpm • F# min • 02:47 • -3.1db
24% Popularity • 53% Danceability • 99% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
24% Popularity • 53% Danceability • 99% Energy • 59% Liveness
0% Instrumentalness • 45% Positiveness
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Saint Blonde
Coil
155 bpm • A# min • 03:17 • -4db
34% Popularity • 59% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 59% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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BABY GRAVY
Goodness Gracious
155 bpm • B min • 02:24 • -3.8db
59% Popularity • 74% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
59% Popularity • 74% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
