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Hein Cooper
Based on a tempo of (+/- 10%) and a similar genre
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James Vincent McMorrow
Get Low
150 bpm • F Maj • 04:10 • -12.91db
33% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Nick Cunningham
Coming Down
150 bpm • C# Maj • 03:42 • -11.08db
30% Popularity • 50% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Art of Sleeping
Voodoo
150 bpm • A min • 03:34 • -7.31db
22% Popularity • 51% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Ragged
That I Do
150 bpm • G Maj • 04:16 • -11.11db
13% Popularity • 51% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Nathan Hawes
I Wasn't There
152 bpm • F# Maj • 04:57 • -6.95db
22% Popularity • 37% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Hein Cooper
Only
150 bpm • C# Maj • 03:29 • -6.92db
4% Popularity • 36% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Gang of Youths
The Deepest Sighs, the Frankest Shadows
152 bpm • C Maj • 05:51 • -6db
47% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Josh Pyke
Endless Summer - Acoustic
148 bpm • A Maj • 03:36 • -8.35db
32% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Art of Sleeping
Jefferson
150 bpm • G Maj • 02:59 • -6.25db
16% Popularity • 46% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Tyne-James Organ
I’ll Get By
152 bpm • D# min • 03:01 • -5.61db
16% Popularity • 60% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Greta Stanley
Somebodies
148 bpm • A# Maj • 02:20 • -16.27db
44% Popularity • 58% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Methyl Ethel
Cry Me a River - triple j Like A Version
148 bpm • G# min • 05:07 • -7.24db
37% Popularity • 59% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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George Taylor
Give It Up
152 bpm • F# min • 03:44 • -8.9db
27% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Martin Luke Brown
Shadow & Light
147 bpm • C Maj • 03:41 • -8.76db
33% Popularity • 54% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Amy Shark
Weekends
153 bpm • B Maj • 03:10 • -6db
41% Popularity • 28% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Mosa Wild
Smoke
147 bpm • G Maj • 03:47 • -9.66db
37% Popularity • 61% Danceability • 53% Energy • 7% Liveness
38% Instrumentalness • 15% Positiveness
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Greta Stanley
When January Comes
153 bpm • A Maj • 04:37 • -11.68db
19% Popularity • 24% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Didirri
I Can't Get Last Night Out Of My Head
154 bpm • C Maj • 03:15 • -12.28db
35% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Tay Oskee
Black Smoke
147 bpm • F Maj • 03:35 • -8db
34% Popularity • 59% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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James Vincent McMorrow
Rising Water
146 bpm • A# Maj • 04:56 • -10.54db
27% Popularity • 82% Danceability • 62% Energy • 9% Liveness
58% Instrumentalness • 54% Positiveness
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The Dreggs
Keepsake
146 bpm • A Maj • 03:46 • -6.77db
47% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Art of Sleeping
I Could Make You Happy
146 bpm • G# min • 04:20 • -7.87db
26% Popularity • 53% Danceability • 71% Energy • 12% Liveness
38% Instrumentalness • 38% Positiveness
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Luke Morris
Skinny Legs
146 bpm • C Maj • 04:54 • -10.98db
11% Popularity • 65% Danceability • 40% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
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Lewis Bootle
Price Of It All
146 bpm • D Maj • 03:50 • -15db
32% Popularity • 46% Danceability • 37% Energy • 37% Liveness
6% Instrumentalness • 22% Positiveness
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Old Sea Brigade
Once Again
145 bpm • A Maj • 03:44 • -9.04db
33% Popularity • 50% Danceability • 37% Energy • 33% Liveness
1% Instrumentalness • 14% Positiveness
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Winterbourne
Cold
154 bpm • G Maj • 03:47 • -9.51db
24% Popularity • 45% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Jack the Fox
Brother
145 bpm • G# Maj • 04:31 • -18.8db
22% Popularity • 46% Danceability • 27% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
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Kim Churchill
Fighter
145 bpm • F# Maj • 03:17 • -8.53db
29% Popularity • 69% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Josh Cashman
Melbourne Weather
145 bpm • D Maj • 03:50 • -8.01db
14% Popularity • 59% Danceability • 73% Energy • 22% Liveness
1% Instrumentalness • 46% Positiveness
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Tyne-James Organ
In My Arms
145 bpm • E Maj • 03:47 • -6.81db
26% Popularity • 57% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Nick Cunningham
Alibi
155 bpm • C Maj • 04:16 • -9.52db
26% Popularity • 60% Danceability • 40% Energy • 68% Liveness
0% Instrumentalness • 20% Positiveness
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Edward R.
Wolves and the Water
145 bpm • C Maj • 03:06 • -5.57db
35% Popularity • 61% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Azure Ryder
Oh What A Relief
155 bpm • A min • 03:21 • -7.82db
32% Popularity • 63% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Letters to Lions
Following
144 bpm • D Maj • 03:28 • -7db
30% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Didirri
Bird Sounds
156 bpm • D min • 03:26 • -11.45db
34% Popularity • 43% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Winterbourne
Leaves
145 bpm • G# Maj • 05:35 • -10.75db
19% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
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Nick Cunningham
Small Body
155 bpm • A Maj • 04:11 • -22.34db
22% Popularity • 30% Danceability • 14% Energy • 11% Liveness
15% Instrumentalness • 12% Positiveness
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Death by Denim
Ocean Lines
156 bpm • C Maj • 04:15 • -8db
15% Popularity • 48% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Japanese Wallpaper
Forces
156 bpm • E Maj • 04:09 • -7db
33% Popularity • 59% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Josh Cashman
Patience
144 bpm • A min • 03:02 • -8db
15% Popularity • 53% Danceability • 64% Energy • 21% Liveness
1% Instrumentalness • 27% Positiveness
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Alexander Biggs
Car Ride
157 bpm • G Maj • 03:36 • -12.33db
16% Popularity • 43% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 29% Positiveness
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Greta Stanley
Tickets
143 bpm • A# min • 03:21 • -17.39db
19% Popularity • 63% Danceability • 37% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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The Dreggs
Simple Question
158 bpm • C min • 04:32 • -10.76db
37% Popularity • 57% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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nomad
I Won't Stop
158 bpm • D# Maj • 03:24 • -6.68db
22% Popularity • 61% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Tyne-James Organ
Graceful
142 bpm • F Maj • 03:46 • -7db
29% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Pyke
The Lighthouse Song
142 bpm • C Maj • 03:44 • -8.64db
37% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Alexander Biggs
Out in the Dark
143 bpm • D min • 02:43 • -11.64db
23% Popularity • 41% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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LA WOMEN
Hurricane Love
142 bpm • F Maj • 03:11 • -7.13db
27% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Art of Sleeping
The Cage
142 bpm • A min • 04:13 • -8.02db
17% Popularity • 57% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Vanns
Hey, Ma - triple j Like A Version
142 bpm • C Maj • 04:16 • -9.44db
43% Popularity • 31% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Ball Park Music
Exactly How You Are
141 bpm • A Maj • 03:36 • -5.66db
45% Popularity • 44% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Winterbourne
Better
141 bpm • A min • 04:17 • -7.79db
20% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Alexander Biggs
Figure It Out
144 bpm • D Maj • 02:52 • -9.54db
17% Popularity • 66% Danceability • 58% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Jack Garratt
Weathered
141 bpm • C Maj • 04:34 • -7db
44% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Art of Sleeping
I’m Not The One
160 bpm • B min • 04:13 • -9.95db
20% Popularity • 38% Danceability • 55% Energy • 9% Liveness
5% Instrumentalness • 10% Positiveness
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Eliott
Over & Over
160 bpm • G Maj • 04:12 • -10.2db
22% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Greta Stanley
Lakes
160 bpm • D# Maj • 03:42 • -11.32db
34% Popularity • 34% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Cousin Tony's Brand New Firebird
Melbourne Bitter
140 bpm • G Maj • 03:53 • -7.26db
32% Popularity • 53% Danceability • 84% Energy • 32% Liveness
82% Instrumentalness • 62% Positiveness
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Josh Cashman
Listening
140 bpm • A Maj • 03:23 • -7.7db
10% Popularity • 53% Danceability • 77% Energy • 10% Liveness
4% Instrumentalness • 34% Positiveness
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Winterbourne
Shape
140 bpm • B min • 03:40 • -3.39db
16% Popularity • 49% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Jack Botts
Beauty Below
140 bpm • F# Maj • 03:08 • -9.49db
29% Popularity • 69% Danceability • 60% Energy • 33% Liveness
1% Instrumentalness • 23% Positiveness
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Robbie Miller
Catch Me
140 bpm • D Maj • 02:57 • -10.85db
28% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Hein Cooper
Invincible
139 bpm • G# Maj • 03:38 • -8.04db
23% Popularity • 40% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Holy Holy
True Lovers
139 bpm • B min • 04:19 • -5.09db
50% Popularity • 43% Danceability • 75% Energy • 9% Liveness
5% Instrumentalness • 38% Positiveness
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Jacob Fitzgerald
Adore Ya
139 bpm • G Maj • 03:49 • -7.13db
30% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Thelma Plum
Father Said
162 bpm • B min • 01:48 • -13db
34% Popularity • 45% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 40% Positiveness
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Kita Alexander
My Own Way
138 bpm • G Maj • 03:31 • -6.92db
31% Popularity • 81% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Nick Cunningham
Morning Eyes
138 bpm • F Maj • 03:41 • -12.24db
17% Popularity • 53% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Hein Cooper
Lost - Acoustic
162 bpm • D Maj • 04:10 • -10.42db
4% Popularity • 32% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Art of Sleeping
One Hundred Thousand
138 bpm • A min • 03:52 • -6.37db
10% Popularity • 49% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Banfi
She Comes Home
138 bpm • B min • 02:55 • -5.97db
25% Popularity • 68% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Lakyn
Sweet Days - Acoustic
138 bpm • G Maj • 03:26 • -10.13db
9% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Luke Morris
I Was Somewhere Else
137 bpm • A min • 05:04 • -10.34db
14% Popularity • 45% Danceability • 46% Energy • 7% Liveness
62% Instrumentalness • 14% Positiveness
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Nick Cunningham
Pictures
164 bpm • D Maj • 03:06 • -14.72db
28% Popularity • 53% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Holy Holy
Elevator
137 bpm • D Maj • 03:47 • -4.54db
37% Popularity • 46% Danceability • 91% Energy • 15% Liveness
5% Instrumentalness • 48% Positiveness
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Hein Cooper
Curse My Life
136 bpm • B Maj • 03:07 • -9.92db
16% Popularity • 43% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gretta Ray
Radio Silence
136 bpm • A Maj • 04:18 • -10.12db
32% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Lakyn
(I Just) Died In Your Arms
164 bpm • B min • 04:18 • -9.68db
7% Popularity • 26% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Joe Mungovan
My Jumper
137 bpm • E Maj • 03:36 • -8.74db
17% Popularity • 43% Danceability • 81% Energy • 15% Liveness
14% Instrumentalness • 19% Positiveness
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The Dreggs
Postcards
136 bpm • G Maj • 03:53 • -11.68db
47% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Eves Karydas
Further Than The Planes Fly
166 bpm • C Maj • 03:10 • -7db
40% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tay Oskee
We Were Young
136 bpm • A Maj • 04:53 • -9.63db
35% Popularity • 31% Danceability • 56% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
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Nick Cunningham
Lucy
135 bpm • C# Maj • 03:34 • -20.66db
28% Popularity • 44% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Robbie Miller
The Come Down
135 bpm • E min • 03:21 • -10db
35% Popularity • 69% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Dan Sultan
Reaction
135 bpm • C Maj • 04:38 • -5.25db
28% Popularity • 55% Danceability • 93% Energy • 33% Liveness
5% Instrumentalness • 41% Positiveness
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George Taylor
Stay Warm
135 bpm • C Maj • 04:32 • -11db
32% Popularity • 75% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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BANFF
Stand in Line
135 bpm • G# Maj • 04:26 • -10.73db
25% Popularity • 45% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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The Rubens
Freakout
135 bpm • C Maj • 03:22 • -6.99db
27% Popularity • 58% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Jinja Safari
Jacksonville
134 bpm • E Maj • 04:00 • -10.17db
14% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Kim Churchill
The Summer
134 bpm • E min • 02:46 • -6.51db
21% Popularity • 73% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Hein Cooper
Over Again
133 bpm • B min • 03:20 • -8db
29% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Caravãna Sun
Days Like These
134 bpm • G Maj • 03:58 • -10.14db
12% Popularity • 66% Danceability • 54% Energy • 8% Liveness
12% Instrumentalness • 44% Positiveness
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Holy Holy
Sentimental and Monday
133 bpm • F min • 04:15 • -8db
41% Popularity • 36% Danceability • 69% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
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Patrick James
California Song
133 bpm • D Maj • 04:02 • -5.65db
22% Popularity • 60% Danceability • 84% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
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Timberwolf
Talk is Cheap - triple j Like a Version
132 bpm • E Maj • 04:28 • -12.97db
19% Popularity • 45% Danceability • 24% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
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#1 Dads
Freedom Fighter
170 bpm • F# Maj • 04:30 • -7.2db
43% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Hein Cooper
Water
170 bpm • C# Maj • 05:12 • -9.15db
5% Popularity • 35% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Kingswood
Big City
170 bpm • G min • 03:47 • -9.37db
37% Popularity • 57% Danceability • 47% Energy • 26% Liveness
1% Instrumentalness • 47% Positiveness
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Joel Leggett
Bright Blue
132 bpm • G# Maj • 03:32 • -6.66db
28% Popularity • 73% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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FIELDS
22:22
132 bpm • C# min • 04:16 • -10.98db
17% Popularity • 77% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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