Songs like Ooh La La by Normie Rowe & The Playboys
Based on a tempo of (+/- 10%) and a similar genre
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Brooklyn Bridge
Welcome Me Love
104 bpm • C Maj • 02:16 • -12db
25% Popularity • 39% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 39% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Billy J. Kramer
Twilight Time
104 bpm • D Maj • 03:08 • -7.76db
19% Popularity • 71% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 71% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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Normie Rowe & The Playboys
Ooh La La
104 bpm • D Maj • 02:22 • -10db
19% Popularity • 43% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 43% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Mike Curb Congregation
Softly Whispering I Love You
104 bpm • A min • 03:00 • -6.56db
20% Popularity • 28% Danceability • 65% Energy • 54% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 28% Danceability • 65% Energy • 54% Liveness
0% Instrumentalness • 24% Positiveness
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Dave Berry
Memphis Tennessee
104 bpm • A Maj • 02:25 • -6.22db
26% Popularity • 76% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 76% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Daddy Cool
I'll Never Smile Again
105 bpm • G Maj • 04:18 • -9.35db
6% Popularity • 45% Danceability • 50% Energy • 14% Liveness
9% Instrumentalness • 38% Positiveness
6% Popularity • 45% Danceability • 50% Energy • 14% Liveness
9% Instrumentalness • 38% Positiveness
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Freddie & The Dreamers
I Understand - Stereo; 1999 Remaster
105 bpm • E Maj • 02:37 • -11.39db
32% Popularity • 47% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
32% Popularity • 47% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Allison Durbin
Don't Come Any Closer
103 bpm • A# Maj • 03:05 • -10.87db
12% Popularity • 52% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 52% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Normie Rowe & The Playboys
Open Up The Skies
105 bpm • C Maj • 02:54 • -5.79db
0% Popularity • 35% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
0% Popularity • 35% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Billy J. Kramer
Little Children
105 bpm • A# Maj • 02:47 • -9.83db
34% Popularity • 58% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 58% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Tony Orlando & Dawn
Who's In The Strawberry Patch With Sally...
106 bpm • G Maj • 02:25 • -9db
24% Popularity • 69% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
24% Popularity • 69% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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The Delltones
Duke Of Earl
106 bpm • E Maj • 02:33 • -8db
18% Popularity • 55% Danceability • 60% Energy • 85% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 55% Danceability • 60% Energy • 85% Liveness
0% Instrumentalness • 74% Positiveness
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Hank Marvin
Sacha - 1998 Remaster
106 bpm • F# Maj • 03:19 • -7.7db
15% Popularity • 50% Danceability • 60% Energy • 43% Liveness
74% Instrumentalness • 21% Positiveness
15% Popularity • 50% Danceability • 60% Energy • 43% Liveness
74% Instrumentalness • 21% Positiveness
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Brian Cadd
Ginger Man
106 bpm • E Maj • 03:26 • -17.1db
22% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ol' 55
Looking for an Echo
106 bpm • A min • 03:25 • -16.13db
33% Popularity • 63% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 63% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Billy Thorpe & The Aztecs
I Told the Brook
106 bpm • F Maj • 03:12 • -8.7db
21% Popularity • 49% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 49% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Australia's Own Jigsaw
How Do You Do
101 bpm • D Maj • 03:30 • -11.49db
9% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 72% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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The Strangers
Melanie Makes Me Smile
107 bpm • D# Maj • 03:12 • -8db
14% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Sandy Posey
Single Girl
107 bpm • A# Maj • 02:32 • -11db
49% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 66% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Normie Rowe & The Playboys
Ain't Nobody Home
101 bpm • D Maj • 02:24 • -3.74db
0% Popularity • 64% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 64% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Craig Scott
Star Crossed Lovers
107 bpm • F Maj • 03:08 • -10.21db
11% Popularity • 44% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 44% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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The Simple Image
Spinning Spinning Spinning
108 bpm • C Maj • 03:12 • -8.67db
13% Popularity • 57% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 57% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Andy Kim
So Good Together
100 bpm • A Maj • 02:54 • -8db
25% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 62% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Rockin' Berries
He's in Town
108 bpm • D Maj • 02:39 • -8.32db
28% Popularity • 43% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 43% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Loved Ones
The Loved One
100 bpm • E Maj • 02:53 • -11.96db
28% Popularity • 49% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 49% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Normie Rowe & The Playboys
You Got Style
107 bpm • A Maj • 02:22 • -7.8db
0% Popularity • 46% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 46% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Val Doonican
Heaven Is My Woman's Love
100 bpm • A# Maj • 03:04 • -13.23db
14% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Young & Kompany
Step Back
100 bpm • F# min • 01:51 • -10db
17% Popularity • 57% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 57% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Paul Jones
Sons & Lovers
99 bpm • F Maj • 03:02 • -10db
10% Popularity • 40% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 40% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Liv Maessen
Snowbird
109 bpm • F Maj • 02:06 • -13.2db
14% Popularity • 52% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 52% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Mike Berry & The Outlaws
Don't You Think it's Time
109 bpm • G Maj • 01:41 • -10.13db
12% Popularity • 63% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 63% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Normie Rowe & The Playboys
You Can't Stop Loving Me
100 bpm • A# Maj • 02:03 • -4.53db
0% Popularity • 50% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 50% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Ray Stevens
Everything Is Beautiful
109 bpm • F Maj • 03:32 • -15.21db
39% Popularity • 39% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 39% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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The Dave Clark Five
Everybody Knows (2019 - Remaster)
99 bpm • D# Maj • 02:19 • -9.83db
31% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Bobby Vee
Run To Him
99 bpm • G Maj • 02:10 • -12db
39% Popularity • 32% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 32% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jody Miller
Home Of The Brave
109 bpm • C Maj • 02:49 • -5.74db
13% Popularity • 44% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 44% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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The Casuals
Jesamine
99 bpm • C Maj • 03:06 • -9db
27% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 46% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Tony Orlando & Dawn
The Love In Your Eyes
109 bpm • D Maj • 03:16 • -9.92db
11% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 75% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Russell Morris
Rachel
110 bpm • F Maj • 04:20 • -14db
25% Popularity • 30% Danceability • 43% Energy • 42% Liveness
18% Instrumentalness • 39% Positiveness
25% Popularity • 30% Danceability • 43% Energy • 42% Liveness
18% Instrumentalness • 39% Positiveness
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Doug Parkinson
The Sun Ain't Gonna Shine Anymore
110 bpm • D Maj • 03:54 • -11.4db
19% Popularity • 50% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 50% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Glenn Yarbrough
Baby the Rain Must Fall
110 bpm • E Maj • 02:19 • -10.11db
29% Popularity • 56% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 56% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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John Paul Young
Keep on Smilin' (2021 - Remaster)
110 bpm • B min • 03:01 • -5.49db
24% Popularity • 69% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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The Delltones
Hullo Mary Lou
98 bpm • A Maj • 03:03 • -9.23db
15% Popularity • 59% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 59% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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The Dave Clark Five
Everybody Get Together (2019 - Remaster)
98 bpm • D Maj • 03:19 • -8.97db
18% Popularity • 38% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 38% Danceability • 70% Energy • 67% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Vee
Sharing You
110 bpm • G# Maj • 02:02 • -10.6db
30% Popularity • 49% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 49% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Sandie Shaw
Message Understood
110 bpm • E Maj • 03:00 • -10db
20% Popularity • 78% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 78% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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The Ivy League
Funny How Love Can Be
98 bpm • D Maj • 02:07 • -9.51db
30% Popularity • 56% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 56% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Ray Columbus
Till We Kissed
98 bpm • A Maj • 03:25 • -5.91db
19% Popularity • 34% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 34% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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John Hanlon
Damn the Dam
98 bpm • G Maj • 02:57 • -7.98db
18% Popularity • 46% Danceability • 55% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
18% Popularity • 46% Danceability • 55% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Peter Shelley
Gee Baby
98 bpm • E min • 02:55 • -8.66db
28% Popularity • 40% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 40% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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The Master's Apprentices
Living in a Child's Dream - Bonus Track
111 bpm • A Maj • 02:40 • -4.24db
17% Popularity • 56% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 56% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Little Pattie
He's My Blonde Headed Stompie Wompie Rea...
97 bpm • G# Maj • 01:42 • -6.37db
17% Popularity • 51% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 51% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Normie Rowe & The Playboys
I Keep Forgetting
111 bpm • D Maj • 02:50 • -9.43db
0% Popularity • 82% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 82% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Partridge Family
It's One of Those Nights (Yes Love)
97 bpm • G# Maj • 03:35 • -5.96db
28% Popularity • 42% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 42% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Des O'Connor
One, Two, Three O'Leary
111 bpm • G Maj • 02:29 • -12db
17% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 47% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Donny & Marie Osmond
Make The World Go Away
111 bpm • B Maj • 02:50 • -3.37db
29% Popularity • 49% Danceability • 82% Energy • 41% Liveness
1% Instrumentalness • 70% Positiveness
29% Popularity • 49% Danceability • 82% Energy • 41% Liveness
1% Instrumentalness • 70% Positiveness
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Brian Hyland
So Long, Marianne
97 bpm • D Maj • 02:55 • -10db
12% Popularity • 58% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 58% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Mr Lee Grant
Thanks To You
111 bpm • G# min • 02:28 • -13.18db
8% Popularity • 30% Danceability • 44% Energy • 64% Liveness
1% Instrumentalness • 53% Positiveness
8% Popularity • 30% Danceability • 44% Energy • 64% Liveness
1% Instrumentalness • 53% Positiveness
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Normie Rowe & The Playboys
I Want You Back Again
97 bpm • G min • 02:13 • -8.95db
0% Popularity • 42% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 42% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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The Grass Roots
Bella Linda
111 bpm • C# Maj • 03:06 • -8.63db
28% Popularity • 49% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 49% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Scott English
Brandy - Rerecorded 1972
97 bpm • A# Maj • 02:58 • -13db
30% Popularity • 56% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 56% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
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Donny & Marie Osmond
Morning Side Of The Mountain
111 bpm • A# Maj • 03:03 • -4.83db
36% Popularity • 43% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 43% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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B.J. Thomas
Most Of All
111 bpm • A Maj • 02:55 • -8.56db
27% Popularity • 47% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
27% Popularity • 47% Danceability • 43% Energy • 13% Liveness
1% Instrumentalness • 54% Positiveness
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Jonathan King
It's Good News Week
112 bpm • E Maj • 02:06 • -11db
27% Popularity • 51% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 51% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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The Partridge Family
I'll Meet You Halfway
112 bpm • C Maj • 03:49 • -9.69db
29% Popularity • 54% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 54% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Ronnie Burns
Age Of Consent
112 bpm • C Maj • 02:34 • -5.96db
14% Popularity • 39% Danceability • 51% Energy • 15% Liveness
2% Instrumentalness • 73% Positiveness
14% Popularity • 39% Danceability • 51% Energy • 15% Liveness
2% Instrumentalness • 73% Positiveness
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Marcia Hines
I Just Don't Know What To Do With Myself
97 bpm • C Maj • 03:09 • -8.42db
24% Popularity • 36% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 36% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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The Dave Clark Five
I'll Be Yours My Love (2019 - Remaster)
97 bpm • D Maj • 02:42 • -7.69db
29% Popularity • 39% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 39% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Thorpe & The Aztecs
Twilight Time
96 bpm • B Maj • 03:33 • -7.47db
16% Popularity • 32% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 32% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Daryl Braithwaite
You're My World - 2017 Remastered
96 bpm • A# Maj • 03:09 • -5db
19% Popularity • 47% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 47% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Marty Rhone
Denim & Lace
112 bpm • E Maj • 02:49 • -6.51db
26% Popularity • 68% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 68% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Normie Rowe & The Playboys
Breakout
112 bpm • G# Maj • 02:48 • -5.24db
0% Popularity • 48% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 48% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 39% Positiveness
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Shane
Saint Paul
96 bpm • D Maj • 04:09 • -10.6db
11% Popularity • 44% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 44% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Kamahl
Sounds of Goodbye
113 bpm • C# Maj • 02:28 • -13.1db
18% Popularity • 48% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 48% Danceability • 48% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Maria Dallas
Pinocchio
113 bpm • G Maj • 01:50 • -8.48db
21% Popularity • 74% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 74% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Dave Clark Five
Put a Little Love in Your Heart (2019 - ...
113 bpm • D# Maj • 02:55 • -9.95db
21% Popularity • 67% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 67% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Brian Poole & The Tremeloes
Someone, Someone
113 bpm • D Maj • 02:56 • -14.48db
28% Popularity • 70% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 70% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Long John Baldry
You've Lost That Lovin' Feelin' - 2006 D...
96 bpm • C Maj • 03:24 • -8.77db
19% Popularity • 40% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 40% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Little Pattie
Stompin' At Maroubra
96 bpm • F Maj • 01:50 • -8.78db
11% Popularity • 66% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 66% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Johnny Young & Kompany
All My Lovin
95 bpm • C Maj • 02:59 • -12.98db
17% Popularity • 18% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 18% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sandie Shaw
You've Not Changed
95 bpm • F Maj • 02:19 • -8.52db
12% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 63% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmy Little
Royal Telephone
95 bpm • F Maj • 02:13 • -8.45db
23% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
23% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Lonnie Lee
Starlight, Starbright - Live
113 bpm • C Maj • 03:45 • -6.19db
11% Popularity • 41% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 41% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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The New Seekers
Circles
114 bpm • A Maj • 04:27 • -13.06db
19% Popularity • 46% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 46% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Freddie & The Dreamers
A Windmill in Old Amsterdam
95 bpm • A# Maj • 02:08 • -9db
14% Popularity • 70% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 70% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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B.J. Thomas
Mama
95 bpm • D Maj • 02:51 • -5db
25% Popularity • 49% Danceability • 62% Energy • 12% Liveness
6% Instrumentalness • 46% Positiveness
25% Popularity • 49% Danceability • 62% Energy • 12% Liveness
6% Instrumentalness • 46% Positiveness
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Bay City Rollers
Angel Baby
114 bpm • A Maj • 03:52 • -12.92db
17% Popularity • 68% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 68% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Normie Rowe & The Playboys
It Ain't Necessarily So
114 bpm • D min • 03:16 • -9.28db
17% Popularity • 59% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 59% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Ted Mulry Gang
Falling in Love Again
114 bpm • G Maj • 03:48 • -6.01db
25% Popularity • 50% Danceability • 63% Energy • 34% Liveness
4% Instrumentalness • 63% Positiveness
25% Popularity • 50% Danceability • 63% Energy • 34% Liveness
4% Instrumentalness • 63% Positiveness
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The Grass Roots
Where Were You When I Needed You - 1966 ...
114 bpm • D Maj • 03:01 • -6.63db
34% Popularity • 55% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 55% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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The New Seekers
Come Softly To Me
114 bpm • F Maj • 02:10 • -12.66db
31% Popularity • 64% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 64% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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The Delltones
Concrete And Clay
95 bpm • C min • 02:45 • -8.32db
17% Popularity • 64% Danceability • 87% Energy • 95% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 64% Danceability • 87% Energy • 95% Liveness
0% Instrumentalness • 82% Positiveness
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Sandy Posey
Born A Woman
115 bpm • C Maj • 02:00 • -12.21db
34% Popularity • 76% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 76% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Bobby Sherman
Little Woman
94 bpm • D Maj • 02:26 • -22.26db
25% Popularity • 58% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 95% Positiveness
25% Popularity • 58% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 95% Positiveness
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Billy Thorpe & The Aztecs
Stand by Me
115 bpm • E Maj • 03:31 • -6.01db
9% Popularity • 67% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 67% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Brian Cadd
Theme from "Alvin Purple"
115 bpm • D Maj • 02:25 • -11.04db
16% Popularity • 66% Danceability • 77% Energy • 19% Liveness
1% Instrumentalness • 93% Positiveness
16% Popularity • 66% Danceability • 77% Energy • 19% Liveness
1% Instrumentalness • 93% Positiveness
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Bobby & Laurie
Carroll Country Accident
94 bpm • G Maj • 02:46 • -11.18db
13% Popularity • 73% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 73% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Jackie Trent
The Two of Us
94 bpm • C Maj • 03:10 • -7.35db
18% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
18% Popularity • 67% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
