Songs like Ophelia by Kirill Richter
Based on a tempo of (+/- 10%) and a similar genre
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Kirill Richter
Ophelia
67 bpm • B min • 03:23 • -24.49db
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Valentin Hadjadj
Brotherhood
67 bpm • G min • 03:35 • -27.6db
26% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
26% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Søndag Søndag
Søndag pm
67 bpm • C Maj • 02:20 • -20.47db
10% Popularity • 15% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
10% Popularity • 15% Danceability • 10% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Bryce Dessner
They Took Esther
67 bpm • F Maj • 02:06 • -21.6db
10% Popularity • 16% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Laurent Dury
Tears of Joy
67 bpm • G Maj • 01:57 • -9.77db
19% Popularity • 13% Danceability • 36% Energy • 19% Liveness
21% Instrumentalness • 18% Positiveness
19% Popularity • 13% Danceability • 36% Energy • 19% Liveness
21% Instrumentalness • 18% Positiveness
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Clint Mansell
Blossoming Chestnut Trees
67 bpm • D min • 04:54 • -16.81db
20% Popularity • 7% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Alexey Kosenko
Melancholy
67 bpm • G min • 03:36 • -14.23db
33% Popularity • 38% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
33% Popularity • 38% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Evgueni Galperine
The Nicest Days
68 bpm • A# min • 05:12 • -17.82db
19% Popularity • 14% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
19% Popularity • 14% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Johannes Lehniger
Mothers Voice
68 bpm • A# min • 00:59 • -21.91db
31% Popularity • 16% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Christopher Ferreira
The Dancer
66 bpm • A# min • 02:13 • -29.48db
46% Popularity • 47% Danceability • 1% Energy • 16% Liveness
90% Instrumentalness • 9% Positiveness
46% Popularity • 47% Danceability • 1% Energy • 16% Liveness
90% Instrumentalness • 9% Positiveness
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Will Bates
Palimpsest
68 bpm • G# Maj • 01:55 • -30db
36% Popularity • 39% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
36% Popularity • 39% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Javier Navarrete
Liebestraume
66 bpm • D# Maj • 01:21 • -19.32db
33% Popularity • 22% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
33% Popularity • 22% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Martin Phipps
Fairytale
68 bpm • F Maj • 04:47 • -15.32db
40% Popularity • 17% Danceability • 10% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
40% Popularity • 17% Danceability • 10% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
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Evgueni Galperine
Les Adieux
66 bpm • C min • 02:16 • -25.56db
14% Popularity • 24% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Roque Baños
Camilla's Theme (Roque Baños Plays)
66 bpm • C# min • 01:59 • -26.16db
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Ólafur Arnalds
1995 - Island Songs II
66 bpm • F# min • 04:02 • -19db
33% Popularity • 23% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 23% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Jeff Russo
Main Titles - Why Are We Here
69 bpm • C Maj • 04:56 • -17.55db
18% Popularity • 18% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
18% Popularity • 18% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Ezio Bosso
Before 6
69 bpm • F# min • 02:54 • -33.01db
18% Popularity • 48% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 48% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Craig Armstrong
Sleep
69 bpm • D min • 02:39 • -17.73db
21% Popularity • 44% Danceability • 8% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 44% Danceability • 8% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Isabella Summers
Me
69 bpm • C Maj • 00:52 • -25.4db
15% Popularity • 22% Danceability • 9% Energy • 15% Liveness
99% Instrumentalness • 3% Positiveness
15% Popularity • 22% Danceability • 9% Energy • 15% Liveness
99% Instrumentalness • 3% Positiveness
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Martin Phipps
Philip
65 bpm • A min • 03:03 • -21.73db
37% Popularity • 6% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
37% Popularity • 6% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Kirill Richter
Alone
69 bpm • C min • 01:51 • -24.51db
7% Popularity • 21% Danceability • 13% Energy • 12% Liveness
34% Instrumentalness • 12% Positiveness
7% Popularity • 21% Danceability • 13% Energy • 12% Liveness
34% Instrumentalness • 12% Positiveness
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Sylvain Chauveau
Des Plumes Dans La Tête
65 bpm • A min • 01:20 • -10db
45% Popularity • 14% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 14% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ezio Bosso
Tree's Sacrifice
69 bpm • F min • 06:42 • -14db
15% Popularity • 16% Danceability • 16% Energy • 9% Liveness
61% Instrumentalness • 17% Positiveness
15% Popularity • 16% Danceability • 16% Energy • 9% Liveness
61% Instrumentalness • 17% Positiveness
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Nico Cartosio
Adagio For Strings And Storm
69 bpm • E min • 03:51 • -15.55db
27% Popularity • 6% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 6% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Kjartan Sveinsson
Volcano - Original Score
70 bpm • D# min • 04:05 • -15.94db
16% Popularity • 15% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Martin Phipps
Nikolai
64 bpm • G# min • 02:09 • -30.08db
31% Popularity • 16% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 1% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Kirill Richter
Emergency
70 bpm • G Maj • 01:30 • -16.32db
10% Popularity • 22% Danceability • 18% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Ilya Beshevli
God Stop the War
70 bpm • A# min • 02:59 • -15.47db
14% Popularity • 27% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 27% Danceability • 10% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Kepa Lehtinen
Fall
70 bpm • F# min • 02:31 • -20.5db
24% Popularity • 49% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
24% Popularity • 49% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Ezio Bosso
Music for Weather Elements: Snow, A noct...
70 bpm • C# min • 04:25 • -27db
19% Popularity • 21% Danceability • 2% Energy • 20% Liveness
80% Instrumentalness • 3% Positiveness
19% Popularity • 21% Danceability • 2% Energy • 20% Liveness
80% Instrumentalness • 3% Positiveness
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Sylvain Chauveau
Pour Les Oiseaux
70 bpm • C min • 01:16 • -20db
57% Popularity • 39% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
57% Popularity • 39% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Spearfisher
Tombeau de Vivaldi
70 bpm • G min • 03:57 • -11db
17% Popularity • 20% Danceability • 31% Energy • 8% Liveness
57% Instrumentalness • 12% Positiveness
17% Popularity • 20% Danceability • 31% Energy • 8% Liveness
57% Instrumentalness • 12% Positiveness
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Tatiana Lisovskaya
Van Gogh Theme (Just Piano) III
70 bpm • D min • 07:29 • -26.09db
21% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
21% Popularity • 27% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Nicholas Britell
The Middle of the World
64 bpm • G min • 02:02 • -14.76db
50% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
50% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Jon Opstad
Blue Sky, White Clouds
71 bpm • C# min • 04:10 • -13.61db
25% Popularity • 12% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 12% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Ezio Bosso
The Things That Remain
64 bpm • G min • 09:19 • -16.45db
12% Popularity • 16% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Jacob Shea
The Arctic Suite: I. Frozen World
63 bpm • C Maj • 06:06 • -17.33db
22% Popularity • 15% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Vladimir Martynov
Come In!: IV. Movement
63 bpm • A Maj • 05:34 • -17.22db
19% Popularity • 9% Danceability • 23% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
19% Popularity • 9% Danceability • 23% Energy • 12% Liveness
40% Instrumentalness • 4% Positiveness
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Sebastian Plano
Misneach
63 bpm • D Maj • 02:18 • -14.64db
39% Popularity • 24% Danceability • 34% Energy • 11% Liveness
66% Instrumentalness • 12% Positiveness
39% Popularity • 24% Danceability • 34% Energy • 11% Liveness
66% Instrumentalness • 12% Positiveness
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Martin Phipps
War
71 bpm • D min • 02:55 • -18.21db
32% Popularity • 17% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 19% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Luca D'Alberto
Screaming Silence
71 bpm • E min • 04:10 • -29.09db
18% Popularity • 19% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
18% Popularity • 19% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Zbigniew Preisner
Aslak's Dream
72 bpm • A min • 01:16 • -44.76db
24% Popularity • 19% Danceability • 0% Energy • 5% Liveness
83% Instrumentalness • 7% Positiveness
24% Popularity • 19% Danceability • 0% Energy • 5% Liveness
83% Instrumentalness • 7% Positiveness
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Philippe Paquet
Justification
72 bpm • A min • 05:04 • -16.19db
8% Popularity • 14% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Mark Bradshaw
The Burning
73 bpm • F Maj • 01:38 • -28.68db
33% Popularity • 14% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 6% Liveness
83% Instrumentalness • 4% Positiveness
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Hania Rani
Now, Run
73 bpm • C min • 06:31 • -22.13db
44% Popularity • 17% Danceability • 17% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
44% Popularity • 17% Danceability • 17% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Carolina Eyck
Les Berceaux, Op. 23 No. 1 (Arr. for The...
73 bpm • A# min • 02:31 • -21.64db
14% Popularity • 9% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
14% Popularity • 9% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Stefan Will
Change The World
73 bpm • A Maj • 01:42 • -20.47db
26% Popularity • 6% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
26% Popularity • 6% Danceability • 10% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Saycet
Donatien
73 bpm • A min • 02:45 • -15.17db
20% Popularity • 7% Danceability • 30% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
20% Popularity • 7% Danceability • 30% Energy • 10% Liveness
83% Instrumentalness • 12% Positiveness
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Kjartan Sveinsson
Teil I
61 bpm • C min • 08:03 • -12.71db
37% Popularity • 6% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 6% Danceability • 28% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Emile Mosseri
Calico
74 bpm • D# Maj • 02:18 • -14db
29% Popularity • 36% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 36% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Andrea Farri
L'étoile
74 bpm • B min • 02:18 • -24.59db
24% Popularity • 11% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Haythem Mahbouli
Catching the first moment
74 bpm • D Maj • 05:22 • -15db
8% Popularity • 17% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Hania Rani
Malasana
74 bpm • A# min • 05:21 • -25.63db
46% Popularity • 24% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
46% Popularity • 24% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Saycet
Toccata & Fugue in D Minor, BWV 565 - S ...
73 bpm • D min • 01:37 • -16.01db
36% Popularity • 32% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
36% Popularity • 32% Danceability • 32% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Evgueni Galperine
Marie
74 bpm • E min • 02:29 • -20db
21% Popularity • 20% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Kirill Richter
In Memoriam
61 bpm • F min • 03:32 • -14.74db
37% Popularity • 13% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Britell
Rondo in F Minor for Piano and Orchestra...
74 bpm • C# Maj • 01:27 • -15db
49% Popularity • 53% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
49% Popularity • 53% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Alex Baranowski
Musica Universalis
74 bpm • A Maj • 02:33 • -24.59db
33% Popularity • 19% Danceability • 5% Energy • 14% Liveness
3% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 5% Energy • 14% Liveness
3% Instrumentalness • 6% Positiveness
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Grzegorz Ciechowski
OdchodzÄ…c
60 bpm • A min • 07:11 • -23.34db
38% Popularity • 13% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
38% Popularity • 13% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Valentin Hadjadj
Remi’s Concert
75 bpm • E min • 04:12 • -20.49db
27% Popularity • 16% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 11% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Valgeir Sigurðsson
Low Tatras
75 bpm • A min • 01:01 • -26.11db
39% Popularity • 14% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Kirill Richter
The Jump
60 bpm • D Maj • 01:32 • -15.07db
11% Popularity • 25% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 25% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Eric Christian
Limbo
75 bpm • F min • 04:05 • -16.32db
17% Popularity • 57% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
17% Popularity • 57% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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Luca D'Alberto
My Way
60 bpm • C min • 05:57 • -15.34db
23% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 11% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Peace Of God
75 bpm • A min • 02:17 • -21.32db
18% Popularity • 35% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
18% Popularity • 35% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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Dobrawa Czocher
Timelines
75 bpm • D min • 03:47 • -16.84db
15% Popularity • 8% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
15% Popularity • 8% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Oskar Schuster
Eleonoras Träume
75 bpm • A min • 03:01 • -22.53db
39% Popularity • 50% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
39% Popularity • 50% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Kerry Muzzey
The Heart Needs
76 bpm • A# min • 04:37 • -13.87db
30% Popularity • 15% Danceability • 15% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 15% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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Isabella Summers
The Rain
76 bpm • F Maj • 01:56 • -17db
24% Popularity • 17% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 18% Energy • 12% Liveness
82% Instrumentalness • 3% Positiveness
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Howard Shore
Yvette
76 bpm • F Maj • 02:19 • -25.75db
11% Popularity • 8% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Bær
75 bpm • E min • 03:17 • -20db
36% Popularity • 15% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 7% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Amie Doherty
The Life You Were Living
76 bpm • A# min • 01:19 • -17.1db
32% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Jim Perkins
As Light Moves
76 bpm • B min • 04:48 • -18.77db
16% Popularity • 7% Danceability • 11% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 11% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Angus MacRae
Plyve Kacha
77 bpm • D# Maj • 04:56 • -18.67db
18% Popularity • 7% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 16% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Nicholas Britell
Andante in C Minor - Solo Piano
77 bpm • C min • 01:45 • -20.11db
45% Popularity • 37% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
45% Popularity • 37% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Sebastian Plano
Fortanach
77 bpm • D min • 02:05 • -13.35db
47% Popularity • 26% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
47% Popularity • 26% Danceability • 32% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Dobrawa Czocher
Prayers
77 bpm • G min • 05:07 • -21.51db
22% Popularity • 21% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
22% Popularity • 21% Danceability • 11% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Bartosz Szpak
Lately
77 bpm • D min • 04:42 • -16.94db
13% Popularity • 7% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 21% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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GabrÃel Ólafs
The Croak
77 bpm • A min • 02:33 • -23.45db
26% Popularity • 18% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 18% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Autonomy
Black Dog
78 bpm • E Maj • 02:07 • -13.24db
34% Popularity • 41% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
34% Popularity • 41% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Rob Simonsen
Argenté
77 bpm • C# Maj • 04:37 • -26.45db
18% Popularity • 19% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
18% Popularity • 19% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 8% Positiveness
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Sebastian Plano
Never Learned
77 bpm • E min • 05:31 • -15.81db
17% Popularity • 7% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 23% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Felix Rösch
Humming Bird Rework
78 bpm • F min • 03:21 • -17.59db
34% Popularity • 14% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 3% Positiveness
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Kirill Richter
Mechanisms
78 bpm • G Maj • 03:24 • -14.78db
32% Popularity • 60% Danceability • 32% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
32% Popularity • 60% Danceability • 32% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Luke Howard
The Great Longing of an Unquiet Heart
78 bpm • D min • 03:04 • -15.83db
34% Popularity • 20% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
34% Popularity • 20% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Daniel Hart
Whatever Hour You Woke
78 bpm • A min • 02:25 • -12.99db
23% Popularity • 12% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
23% Popularity • 12% Danceability • 23% Energy • 15% Liveness
88% Instrumentalness • 6% Positiveness
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Valentin Hadjadj
The Rupture
78 bpm • G min • 02:26 • -27.93db
30% Popularity • 17% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
30% Popularity • 17% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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J. Ralph
Is It or Isn't It Happening?
78 bpm • G# Maj • 01:31 • -15.78db
34% Popularity • 38% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
34% Popularity • 38% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 13% Positiveness
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Adrián Berenguer
Stream
79 bpm • A min • 02:28 • -16.58db
33% Popularity • 28% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
33% Popularity • 28% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Kirill Richter
Mechanisms
78 bpm • B min • 03:26 • -16.79db
9% Popularity • 46% Danceability • 29% Energy • 8% Liveness
86% Instrumentalness • 39% Positiveness
9% Popularity • 46% Danceability • 29% Energy • 8% Liveness
86% Instrumentalness • 39% Positiveness
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Martin Phipps
Black Widow
57 bpm • D min • 02:01 • -26.77db
40% Popularity • 7% Danceability • 9% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
40% Popularity • 7% Danceability • 9% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Strokur
79 bpm • D min • 07:30 • -19db
26% Popularity • 15% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Vincenzo Lamagna
Akram Khan's Giselle (After A. Adam): Ce...
79 bpm • G Maj • 09:13 • -18.08db
15% Popularity • 53% Danceability • 25% Energy • 26% Liveness
56% Instrumentalness • 16% Positiveness
15% Popularity • 53% Danceability • 25% Energy • 26% Liveness
56% Instrumentalness • 16% Positiveness
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Carlos Rafael Rivera
Kentucky State Championship 1963
79 bpm • A min • 01:12 • -21.53db
54% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
54% Popularity • 38% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 27% Positiveness
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Gustave Rudman
Avion
80 bpm • A min • 02:33 • -25.3db
34% Popularity • 7% Danceability • 10% Energy • 24% Liveness
88% Instrumentalness • 13% Positiveness
34% Popularity • 7% Danceability • 10% Energy • 24% Liveness
88% Instrumentalness • 13% Positiveness
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Martin Kohlstedt
SENIMB
80 bpm • G Maj • 05:07 • -17.27db
10% Popularity • 11% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Martin Phipps
Je Suis Vivant
79 bpm • A# min • 04:00 • -27.42db
16% Popularity • 15% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
