Songs like Opium by Christoph De Babalon
Based on a tempo of (+/- 10%) and a similar genre
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James Ferraro
107.7 XM
119 bpm • A# min • 05:00 • -14.5db
13% Popularity • 22% Danceability • 59% Energy • 47% Liveness
78% Instrumentalness • 47% Positiveness
13% Popularity • 22% Danceability • 59% Energy • 47% Liveness
78% Instrumentalness • 47% Positiveness
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Prurient
Pretext
119 bpm • D Maj • 04:45 • -13.53db
10% Popularity • 17% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 32% Positiveness
10% Popularity • 17% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 32% Positiveness
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Seefeel
Air Eyes
119 bpm • C# min • 05:32 • -24.55db
12% Popularity • 36% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 36% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Christoph De Babalon
Opium
119 bpm • C Maj • 15:29 • -21.65db
23% Popularity • 31% Danceability • 32% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
23% Popularity • 31% Danceability • 32% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Jefre Cantu-Ledesma
Loving Love
119 bpm • G Maj • 04:49 • -7.63db
17% Popularity • 17% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 23% Positiveness
17% Popularity • 17% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 23% Positiveness
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Swans
Live Through Me
119 bpm • F Maj • 02:31 • -9.85db
26% Popularity • 32% Danceability • 49% Energy • 56% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 32% Danceability • 49% Energy • 56% Liveness
94% Instrumentalness • 4% Positiveness
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GAS
Pop 4
119 bpm • G# Maj • 09:51 • -15db
35% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
35% Popularity • 48% Danceability • 74% Energy • 16% Liveness
84% Instrumentalness • 71% Positiveness
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Prurient
Cocaine Death
119 bpm • C Maj • 04:51 • -4.86db
14% Popularity • 17% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
14% Popularity • 17% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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µ-Ziq
Catkin And Teasel
120 bpm • B min • 04:36 • -5.53db
25% Popularity • 37% Danceability • 97% Energy • 23% Liveness
89% Instrumentalness • 21% Positiveness
25% Popularity • 37% Danceability • 97% Energy • 23% Liveness
89% Instrumentalness • 21% Positiveness
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Toshimaru Nakamura
NIMB #8
120 bpm • F# Maj • 03:06 • -30.82db
10% Popularity • 68% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
10% Popularity • 68% Danceability • 0% Energy • 10% Liveness
89% Instrumentalness • 17% Positiveness
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Ramleh
Product Of Fear
118 bpm • G# min • 07:06 • -6.76db
19% Popularity • 17% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 39% Positiveness
19% Popularity • 17% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 39% Positiveness
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Coil
It's in My Blood - Remastered
120 bpm • B min • 04:51 • -9db
24% Popularity • 49% Danceability • 32% Energy • 20% Liveness
12% Instrumentalness • 5% Positiveness
24% Popularity • 49% Danceability • 32% Energy • 20% Liveness
12% Instrumentalness • 5% Positiveness
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Nuno Canavarro
O Fundo Escuro De Alsee
118 bpm • A min • 01:57 • -24.61db
11% Popularity • 29% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 29% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Body Sculptures
A Body Turns To Eden
120 bpm • G# min • 04:03 • -13.1db
15% Popularity • 33% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 33% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Seefeel
Fracture
120 bpm • B min • 05:54 • -11db
17% Popularity • 58% Danceability • 95% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
17% Popularity • 58% Danceability • 95% Energy • 11% Liveness
91% Instrumentalness • 55% Positiveness
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Fennesz
Shisheido
120 bpm • A Maj • 02:57 • -12db
26% Popularity • 60% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
26% Popularity • 60% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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Carl Crack
KR-6200
118 bpm • G Maj • 03:09 • -16.39db
8% Popularity • 26% Danceability • 40% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
8% Popularity • 26% Danceability • 40% Energy • 17% Liveness
92% Instrumentalness • 13% Positiveness
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Sd Laika
Don't Know
120 bpm • E Maj • 04:40 • -10.13db
13% Popularity • 83% Danceability • 58% Energy • 34% Liveness
80% Instrumentalness • 70% Positiveness
13% Popularity • 83% Danceability • 58% Energy • 34% Liveness
80% Instrumentalness • 70% Positiveness
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Vatican Shadow
Wherever There Is Money There Is Unforgi...
120 bpm • G# min • 03:23 • -7.74db
11% Popularity • 49% Danceability • 100% Energy • 9% Liveness
65% Instrumentalness • 30% Positiveness
11% Popularity • 49% Danceability • 100% Energy • 9% Liveness
65% Instrumentalness • 30% Positiveness
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Ryoji Ikeda
data.flex
120 bpm • B min • 02:28 • -26.67db
21% Popularity • 65% Danceability • 26% Energy • 23% Liveness
92% Instrumentalness • 46% Positiveness
21% Popularity • 65% Danceability • 26% Energy • 23% Liveness
92% Instrumentalness • 46% Positiveness
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Christoph De Babalon
I, Like Him (A Dream)
118 bpm • C# Maj • 03:31 • -13.35db
6% Popularity • 44% Danceability • 53% Energy • 29% Liveness
91% Instrumentalness • 4% Positiveness
6% Popularity • 44% Danceability • 53% Energy • 29% Liveness
91% Instrumentalness • 4% Positiveness
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William Basinski
dlp 1.1.2
118 bpm • F Maj • 05:30 • -27.46db
29% Popularity • 21% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Croatian Amor
Generations
118 bpm • A min • 04:42 • -6.84db
13% Popularity • 23% Danceability • 53% Energy • 48% Liveness
83% Instrumentalness • 3% Positiveness
13% Popularity • 23% Danceability • 53% Energy • 48% Liveness
83% Instrumentalness • 3% Positiveness
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Earth
Mirage
120 bpm • G Maj • 01:45 • -40.82db
34% Popularity • 44% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 44% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Oneohtrix Point Never
Zones Without People
120 bpm • C# min • 03:59 • -7.07db
25% Popularity • 78% Danceability • 96% Energy • 86% Liveness
92% Instrumentalness • 98% Positiveness
25% Popularity • 78% Danceability • 96% Energy • 86% Liveness
92% Instrumentalness • 98% Positiveness
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Nuno Canavarro
Wolfie
117 bpm • B min • 02:13 • -22.5db
8% Popularity • 48% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 36% Positiveness
8% Popularity • 48% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 36% Positiveness
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Susumu Yokota
I Imagine
117 bpm • C Maj • 02:34 • -20.59db
37% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
37% Popularity • 35% Danceability • 10% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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William Basinski
dlp 2.1
117 bpm • F min • 10:50 • -24.31db
27% Popularity • 22% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 17% Positiveness
27% Popularity • 22% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 17% Positiveness
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Seefeel
Climactic Phase No.3
121 bpm • E min • 08:24 • -11.62db
19% Popularity • 40% Danceability • 83% Energy • 32% Liveness
95% Instrumentalness • 57% Positiveness
19% Popularity • 40% Danceability • 83% Energy • 32% Liveness
95% Instrumentalness • 57% Positiveness
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Huerco S.
Cubist Camouflage
121 bpm • F# Maj • 02:40 • -17.93db
32% Popularity • 44% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
32% Popularity • 44% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
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Deux Filles
Oakwood Green - Remastered
122 bpm • D Maj • 02:04 • -19.51db
26% Popularity • 22% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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GAS
Königsforst 1
122 bpm • C Maj • 09:38 • -18db
26% Popularity • 40% Danceability • 51% Energy • 18% Liveness
97% Instrumentalness • 18% Positiveness
26% Popularity • 40% Danceability • 51% Energy • 18% Liveness
97% Instrumentalness • 18% Positiveness
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Christoph De Babalon
Nightlife
116 bpm • C# Maj • 02:17 • -8.93db
14% Popularity • 53% Danceability • 88% Energy • 6% Liveness
90% Instrumentalness • 26% Positiveness
14% Popularity • 53% Danceability • 88% Energy • 6% Liveness
90% Instrumentalness • 26% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
27% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Ssaliva
Hidden
115 bpm • C Maj • 02:25 • -20.15db
21% Popularity • 26% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Xiu Xiu
20,000 Deaths for Eidelyn Gonzales, 20,0...
115 bpm • A min • 03:16 • -7db
32% Popularity • 59% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
32% Popularity • 59% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Pan Daijing
Clean
123 bpm • G Maj • 03:08 • -16.12db
15% Popularity • 39% Danceability • 44% Energy • 26% Liveness
88% Instrumentalness • 20% Positiveness
15% Popularity • 39% Danceability • 44% Energy • 26% Liveness
88% Instrumentalness • 20% Positiveness
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GAS
Zauberberg 1
122 bpm • D Maj • 11:42 • -17.17db
24% Popularity • 18% Danceability • 34% Energy • 25% Liveness
92% Instrumentalness • 6% Positiveness
24% Popularity • 18% Danceability • 34% Energy • 25% Liveness
92% Instrumentalness • 6% Positiveness
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Deepchord Presents: Echospace
Summer Haze
123 bpm • A# min • 07:33 • -9.86db
20% Popularity • 52% Danceability • 91% Energy • 13% Liveness
11% Instrumentalness • 30% Positiveness
20% Popularity • 52% Danceability • 91% Energy • 13% Liveness
11% Instrumentalness • 30% Positiveness
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Fennesz
A Year In A Minute
115 bpm • D# min • 06:03 • -9.28db
17% Popularity • 22% Danceability • 64% Energy • 17% Liveness
83% Instrumentalness • 26% Positiveness
17% Popularity • 22% Danceability • 64% Energy • 17% Liveness
83% Instrumentalness • 26% Positiveness
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Puce Mary
Slow Agony of a Dying Orgasm
123 bpm • F Maj • 06:29 • -6.95db
8% Popularity • 21% Danceability • 87% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 87% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Ilkae
Sweet Tooth Subway
115 bpm • A Maj • 01:48 • -10.57db
28% Popularity • 87% Danceability • 59% Energy • 8% Liveness
83% Instrumentalness • 80% Positiveness
28% Popularity • 87% Danceability • 59% Energy • 8% Liveness
83% Instrumentalness • 80% Positiveness
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Rainforest Spiritual Enslavement
Rains Coming Down
123 bpm • G# Maj • 10:12 • -19.96db
8% Popularity • 22% Danceability • 39% Energy • 58% Liveness
81% Instrumentalness • 11% Positiveness
8% Popularity • 22% Danceability • 39% Energy • 58% Liveness
81% Instrumentalness • 11% Positiveness
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GAS
Zauberberg 4
122 bpm • C# Maj • 05:53 • -19.58db
22% Popularity • 42% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
22% Popularity • 42% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 25% Positiveness
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Aaron Dilloway
Born in a Maze
123 bpm • A Maj • 04:46 • -9.09db
11% Popularity • 31% Danceability • 59% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
11% Popularity • 31% Danceability • 59% Energy • 15% Liveness
83% Instrumentalness • 20% Positiveness
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Carl Crack
If You Mess With Me
124 bpm • C# Maj • 04:15 • -12.08db
8% Popularity • 32% Danceability • 92% Energy • 52% Liveness
92% Instrumentalness • 11% Positiveness
8% Popularity • 32% Danceability • 92% Energy • 52% Liveness
92% Instrumentalness • 11% Positiveness
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Ramleh
Hole In The Heart
115 bpm • G min • 03:51 • -4.56db
12% Popularity • 16% Danceability • 78% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 78% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Oneohtrix Point Never
Parallel Minds
114 bpm • D# min • 03:20 • -11.41db
18% Popularity • 28% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 34% Positiveness
18% Popularity • 28% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 34% Positiveness
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Tim Hecker
The Piano Drop
114 bpm • C# min • 02:53 • -12db
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
36% Popularity • 58% Danceability • 85% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
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Christoph De Babalon
Demon Glue
114 bpm • F Maj • 08:37 • -12.29db
5% Popularity • 26% Danceability • 46% Energy • 19% Liveness
87% Instrumentalness • 3% Positiveness
5% Popularity • 26% Danceability • 46% Energy • 19% Liveness
87% Instrumentalness • 3% Positiveness
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Fennesz
Circassian
114 bpm • E min • 05:49 • -7db
18% Popularity • 17% Danceability • 51% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
18% Popularity • 17% Danceability • 51% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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GAS
Zauberberg 5
124 bpm • G# Maj • 07:56 • -20.85db
15% Popularity • 50% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
15% Popularity • 50% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
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Genocide Organ
Klaus Barbie
114 bpm • A# min • 04:02 • -6.88db
16% Popularity • 61% Danceability • 49% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
16% Popularity • 61% Danceability • 49% Energy • 24% Liveness
93% Instrumentalness • 9% Positiveness
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Ilkae
Sushifruit
125 bpm • F Maj • 01:01 • -16.56db
35% Popularity • 74% Danceability • 11% Energy • 10% Liveness
13% Instrumentalness • 35% Positiveness
35% Popularity • 74% Danceability • 11% Energy • 10% Liveness
13% Instrumentalness • 35% Positiveness
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Croatian Amor
LA Hills Burn At The Peak Of Winter
125 bpm • A min • 07:28 • -17.64db
33% Popularity • 20% Danceability • 22% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
33% Popularity • 20% Danceability • 22% Energy • 14% Liveness
85% Instrumentalness • 16% Positiveness
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Christoph De Babalon
Frost
114 bpm • F min • 01:56 • -21.42db
2% Popularity • 18% Danceability • 37% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
2% Popularity • 18% Danceability • 37% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Boards of Canada
Bocuma
126 bpm • D min • 01:35 • -24.08db
43% Popularity • 27% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 32% Positiveness
43% Popularity • 27% Danceability • 10% Energy • 21% Liveness
93% Instrumentalness • 32% Positiveness
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GAS
Königsforst 7
124 bpm • F# min • 06:18 • -17.03db
22% Popularity • 48% Danceability • 60% Energy • 31% Liveness
68% Instrumentalness • 25% Positiveness
22% Popularity • 48% Danceability • 60% Energy • 31% Liveness
68% Instrumentalness • 25% Positiveness
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Felicia Atkinson
Shirley to Shirley
113 bpm • A min • 04:14 • -19.17db
15% Popularity • 30% Danceability • 26% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
15% Popularity • 30% Danceability • 26% Energy • 9% Liveness
83% Instrumentalness • 12% Positiveness
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Belong
The Door Opens the Other Way
113 bpm • C Maj • 07:12 • -7.7db
15% Popularity • 16% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Kali Malone
Arched In Hysteria
112 bpm • F# min • 06:22 • -16.13db
12% Popularity • 36% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
12% Popularity • 36% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Tim Hecker
Acephale
112 bpm • E min • 04:57 • -8.65db
17% Popularity • 17% Danceability • 95% Energy • 96% Liveness
96% Instrumentalness • 6% Positiveness
17% Popularity • 17% Danceability • 95% Energy • 96% Liveness
96% Instrumentalness • 6% Positiveness
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Boards of Canada
The Smallest Weird Number
126 bpm • F Maj • 01:17 • -20.69db
39% Popularity • 19% Danceability • 18% Energy • 30% Liveness
78% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 18% Energy • 30% Liveness
78% Instrumentalness • 4% Positiveness
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Boris
My Machine
112 bpm • G# Maj • 01:59 • -27db
28% Popularity • 28% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 28% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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GAS
Königsforst 8
124 bpm • D# min • 07:11 • -19.8db
16% Popularity • 50% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
16% Popularity • 50% Danceability • 35% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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7038634357
Back Yard
126 bpm • C min • 03:56 • -7.28db
17% Popularity • 62% Danceability • 51% Energy • 25% Liveness
17% Instrumentalness • 8% Positiveness
17% Popularity • 62% Danceability • 51% Energy • 25% Liveness
17% Instrumentalness • 8% Positiveness
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Roy Montgomery
In Another Time
112 bpm • F Maj • 02:25 • -16.76db
22% Popularity • 32% Danceability • 20% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
22% Popularity • 32% Danceability • 20% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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µ-Ziq
Blainville
112 bpm • G# min • 03:41 • -7.77db
28% Popularity • 68% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
28% Popularity • 68% Danceability • 80% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
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The Third Eye Foundation
An Even Harder Shade Of Dark
112 bpm • A# min • 08:35 • -9.99db
7% Popularity • 59% Danceability • 67% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
7% Popularity • 59% Danceability • 67% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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Jefre Cantu-Ledesma
Stained Glass Body
127 bpm • C Maj • 05:28 • -9.43db
20% Popularity • 16% Danceability • 47% Energy • 35% Liveness
77% Instrumentalness • 24% Positiveness
20% Popularity • 16% Danceability • 47% Energy • 35% Liveness
77% Instrumentalness • 24% Positiveness
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GAS
Pop 2
113 bpm • G# Maj • 08:33 • -20db
34% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
34% Popularity • 16% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 14% Positiveness
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Ssaliva
The Stars up Above
127 bpm • A Maj • 02:53 • -8.41db
16% Popularity • 20% Danceability • 58% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
16% Popularity • 20% Danceability • 58% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Croatian Amor
With Eyes Unclouded By Longing
127 bpm • E Maj • 02:45 • -12.88db
20% Popularity • 51% Danceability • 42% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
20% Popularity • 51% Danceability • 42% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Coil
Fire of the Mind - Remastered
111 bpm • D min • 05:13 • -9.68db
32% Popularity • 23% Danceability • 40% Energy • 8% Liveness
30% Instrumentalness • 11% Positiveness
32% Popularity • 23% Danceability • 40% Energy • 8% Liveness
30% Instrumentalness • 11% Positiveness
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Puce Mary
Fragments Of A Lily
127 bpm • D Maj • 04:21 • -10.09db
14% Popularity • 21% Danceability • 12% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 12% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Yellow Swans
New Life
111 bpm • D Maj • 05:17 • -15db
15% Popularity • 16% Danceability • 28% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
15% Popularity • 16% Danceability • 28% Energy • 14% Liveness
95% Instrumentalness • 7% Positiveness
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Ramleh
Spear Flower
127 bpm • A# Maj • 07:22 • -2.53db
12% Popularity • 16% Danceability • 72% Energy • 19% Liveness
69% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 72% Energy • 19% Liveness
69% Instrumentalness • 4% Positiveness
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Aphex Twin
The Waxen Pith
128 bpm • C Maj • 04:49 • -15.21db
36% Popularity • 54% Danceability • 42% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
36% Popularity • 54% Danceability • 42% Energy • 12% Liveness
90% Instrumentalness • 37% Positiveness
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Christoph De Babalon
Far Below
128 bpm • G Maj • 05:39 • -12.58db
5% Popularity • 56% Danceability • 72% Energy • 27% Liveness
83% Instrumentalness • 32% Positiveness
5% Popularity • 56% Danceability • 72% Energy • 27% Liveness
83% Instrumentalness • 32% Positiveness
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Genocide Organ
Ave Satani
111 bpm • F Maj • 01:06 • -10db
22% Popularity • 30% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
22% Popularity • 30% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
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Pan Daijing
The Goat
129 bpm • C min • 03:46 • -22.36db
12% Popularity • 25% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Yellow Swans
Limited Space
128 bpm • C min • 06:53 • -10.72db
19% Popularity • 31% Danceability • 92% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
19% Popularity • 31% Danceability • 92% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Sd Laika
Remote Heaven
128 bpm • F# min • 03:08 • -8.59db
12% Popularity • 73% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
12% Popularity • 73% Danceability • 81% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Muslimgauze
Farsi
129 bpm • E min • 06:33 • -17.99db
16% Popularity • 55% Danceability • 85% Energy • 4% Liveness
66% Instrumentalness • 11% Positiveness
16% Popularity • 55% Danceability • 85% Energy • 4% Liveness
66% Instrumentalness • 11% Positiveness
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Christoph De Babalon
Realistic Riot Ritual Routine
110 bpm • G# Maj • 03:07 • -5.44db
1% Popularity • 24% Danceability • 99% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
1% Popularity • 24% Danceability • 99% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
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Delroy Edwards
Safe Places, Pt. 2
129 bpm • C Maj • 01:38 • -16.76db
11% Popularity • 33% Danceability • 60% Energy • 14% Liveness
97% Instrumentalness • 12% Positiveness
11% Popularity • 33% Danceability • 60% Energy • 14% Liveness
97% Instrumentalness • 12% Positiveness
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GAS
Pop 5
129 bpm • A# Maj • 10:46 • -22.49db
29% Popularity • 16% Danceability • 3% Energy • 10% Liveness
100% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 3% Energy • 10% Liveness
100% Instrumentalness • 3% Positiveness
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Body Sculptures
Breath Of Wind Sows The Seed
109 bpm • F# Maj • 03:05 • -13.02db
9% Popularity • 16% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Oval
Line Extension
109 bpm • C# min • 03:05 • -18.25db
20% Popularity • 37% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
20% Popularity • 37% Danceability • 39% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Aaron Dilloway
Ghost
130 bpm • C min • 04:49 • -9.02db
13% Popularity • 42% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
13% Popularity • 42% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Hieroglyphic Being
The Shrine Of The Serpent Goddess
109 bpm • F min • 01:06 • -6.9db
33% Popularity • 51% Danceability • 84% Energy • 12% Liveness
9% Instrumentalness • 36% Positiveness
33% Popularity • 51% Danceability • 84% Energy • 12% Liveness
9% Instrumentalness • 36% Positiveness
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Christoph De Babalon
What You Call a Life
130 bpm • B Maj • 05:00 • -9.55db
21% Popularity • 52% Danceability • 87% Energy • 15% Liveness
92% Instrumentalness • 64% Positiveness
21% Popularity • 52% Danceability • 87% Energy • 15% Liveness
92% Instrumentalness • 64% Positiveness
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Fennesz
Got To Move On
109 bpm • A# min • 03:50 • -8.07db
15% Popularity • 36% Danceability • 58% Energy • 12% Liveness
88% Instrumentalness • 61% Positiveness
15% Popularity • 36% Danceability • 58% Energy • 12% Liveness
88% Instrumentalness • 61% Positiveness
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Tim Hecker
I'm Transmitting Tonight
130 bpm • C min • 05:16 • -20db
33% Popularity • 19% Danceability • 39% Energy • 67% Liveness
91% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 39% Energy • 67% Liveness
91% Instrumentalness • 6% Positiveness
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Jefre Cantu-Ledesma
In Summer
109 bpm • D Maj • 04:08 • -16.49db
12% Popularity • 31% Danceability • 36% Energy • 17% Liveness
84% Instrumentalness • 8% Positiveness
12% Popularity • 31% Danceability • 36% Energy • 17% Liveness
84% Instrumentalness • 8% Positiveness
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Internazionale
Bells of Addiction (Recalled)
130 bpm • C Maj • 02:51 • -14.24db
15% Popularity • 23% Danceability • 38% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
15% Popularity • 23% Danceability • 38% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Oneohtrix Point Never
Betrayed in the Octagon
109 bpm • A# min • 03:32 • -10.63db
25% Popularity • 66% Danceability • 90% Energy • 17% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 66% Danceability • 90% Energy • 17% Liveness
88% Instrumentalness • 7% Positiveness
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William Basinski
Melancholia X
131 bpm • G min • 01:07 • -32.18db
30% Popularity • 22% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
30% Popularity • 22% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
