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Opportunity
Songs like
Opportunity
by
Pete Murray
Based on a tempo of (+/- 10%) and a similar genre
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Daryl Braithwaite
Rise
127 bpm • G Maj • 03:55 • -12db
33% Popularity • 66% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Augie March
Pennywhistle
127 bpm • A Maj • 04:16 • -7.14db
19% Popularity • 53% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Powderfinger
Burn Your Name
127 bpm • C Maj • 03:51 • -2.92db
49% Popularity • 42% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Killing Heidi
Heavensent
127 bpm • A Maj • 04:31 • -6.1db
25% Popularity • 50% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
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Silverchair
Straight Lines
127 bpm • C# Maj • 04:18 • -6.39db
57% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Cold Chisel
Ita - 2011 Remastered
128 bpm • D Maj • 03:33 • -2.12db
41% Popularity • 63% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
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Ben Lee
Love Me Like The World Is Ending
126 bpm • A Maj • 03:46 • -5.28db
19% Popularity • 68% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 67% Positiveness
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Shannon Noll
Drive
126 bpm • A Maj • 03:58 • -4.08db
39% Popularity • 60% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Evermore
Real Life
128 bpm • D# Maj • 04:36 • -6.3db
17% Popularity • 25% Danceability • 76% Energy • 7% Liveness
3% Instrumentalness • 7% Positiveness
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Pete Murray
Always A Winner
126 bpm • C Maj • 04:12 • -5.19db
37% Popularity • 66% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Greg Johnson
Don't Wait Another Day
126 bpm • G Maj • 03:50 • -12.61db
27% Popularity • 62% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Cold Chisel
My Baby - 2011 Remastered
126 bpm • C Maj • 04:01 • -3db
46% Popularity • 72% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Lee
Into The Dark
126 bpm • G Maj • 02:46 • -7db
26% Popularity • 78% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Exponents
Why Does Love Do This To Me
128 bpm • D Maj • 03:25 • -6db
49% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Evermore
Unbreakable
128 bpm • C# Maj • 03:28 • -5.51db
20% Popularity • 50% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Shannon Noll
What About Me
128 bpm • E Maj • 03:21 • -6.05db
50% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hoodoo Gurus
1000 Miles Away - 2005 Remaster
128 bpm • A Maj • 04:32 • -4.72db
48% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Daddy Cool
Eagle Rock - 2011 Remaster
126 bpm • D Maj • 04:10 • -5.16db
58% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Forrest Johnson
Broken Carousel
125 bpm • A Maj • 04:08 • -9.99db
0% Popularity • 42% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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The Exponents
Victoria - Single Version
125 bpm • B Maj • 03:26 • -9.75db
40% Popularity • 64% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Evermore
Hey Boys and Girls (Truth of the World, ...
128 bpm • E min • 05:48 • -4db
43% Popularity • 65% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Pete Murray
King Tide
129 bpm • C Maj • 03:06 • -12.51db
17% Popularity • 54% Danceability • 32% Energy • 15% Liveness
4% Instrumentalness • 24% Positiveness
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The Panics
Majesty
125 bpm • C# Maj • 04:03 • -8db
20% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
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Skunkhour
Home
129 bpm • F Maj • 03:18 • -4db
29% Popularity • 61% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Gyroscope
Fifty500
125 bpm • A min • 03:32 • -3.71db
18% Popularity • 56% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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DMA'S
Delete
125 bpm • B Maj • 04:31 • -7.71db
50% Popularity • 54% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Lior
Burst Your Bubble
125 bpm • A# Maj • 03:22 • -7.67db
24% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Roachford
Only to Be with You
130 bpm • B min • 03:29 • -8db
30% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Bernard Fanning
Wasting Time
130 bpm • A Maj • 03:15 • -5db
39% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Eskimo Joe
From The Sea
130 bpm • A# min • 03:22 • -7db
53% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Little Birdy
Summarize
124 bpm • E Maj • 03:18 • -5.09db
17% Popularity • 62% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Cold Chisel
Forever Now - 2011 Remastered
130 bpm • E Maj • 04:28 • -3.15db
52% Popularity • 62% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Pete Murray
Sold
130 bpm • A Maj • 03:28 • -5.33db
31% Popularity • 60% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Roachford
Only to Be with You
130 bpm • B min • 04:21 • -11db
44% Popularity • 64% Danceability • 65% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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The Living End
Keep On Running
130 bpm • C# Maj • 04:07 • -6.23db
30% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Lior
Gypsy Girl
124 bpm • C Maj • 03:09 • -8.06db
28% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Screaming Jets
Eve Of Destruction
130 bpm • D# Maj • 03:28 • -4db
31% Popularity • 52% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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GANGgajang
Sounds Of Then (This Is Australia)
130 bpm • B min • 03:51 • -11.31db
58% Popularity • 70% Danceability • 70% Energy • 28% Liveness
4% Instrumentalness • 92% Positiveness
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Cold Chisel
Cheap Wine - 2011 Remastered
124 bpm • C Maj • 03:25 • -3.58db
58% Popularity • 68% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Little Birdy
Tonight's The Night
124 bpm • F Maj • 03:44 • -3.64db
21% Popularity • 46% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Goanna
Razor's Edge - Remastered Version
123 bpm • D Maj • 05:11 • -8db
45% Popularity • 69% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Bob Evans
Comin' Around
131 bpm • D Maj • 03:14 • -5.43db
8% Popularity • 45% Danceability • 82% Energy • 47% Liveness
0% Instrumentalness • 62% Positiveness
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Richard Clapton
Girls on the Avenue
123 bpm • C min • 04:02 • -13.94db
50% Popularity • 64% Danceability • 53% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
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Forrest Johnson
Disaster Piece
123 bpm • C Maj • 03:28 • -8.53db
0% Popularity • 55% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Busby Marou
Get You out of Here
123 bpm • G Maj • 03:51 • -7.86db
20% Popularity • 61% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Pierce Brothers
Genevieve
123 bpm • B min • 04:00 • -9db
27% Popularity • 58% Danceability • 82% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Dragon
Are You Old Enough
123 bpm • D Maj • 04:08 • -14.39db
50% Popularity • 69% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Evans
Nowhere Without You
123 bpm • A min • 04:19 • -7db
27% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Australian Crawl
Downhearted - Remastered
123 bpm • D min • 03:09 • -7db
50% Popularity • 64% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Greg Johnson
Liberty
131 bpm • G Maj • 03:28 • -9.69db
17% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Jet
Seventeen
132 bpm • D Maj • 03:41 • -3.25db
39% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Bernard Fanning
Wish You Well
123 bpm • D Maj • 02:31 • -3.98db
60% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Pete Murray
Tattoo Stained
132 bpm • C min • 03:29 • -6.42db
10% Popularity • 58% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Choirboys
Run To Paradise
132 bpm • G# Maj • 04:50 • -8db
40% Popularity • 67% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Forrest Johnson
Waiting for Autumn
132 bpm • D Maj • 04:03 • -7.81db
1% Popularity • 67% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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You Am I
Damage
132 bpm • C min • 03:27 • -6.32db
25% Popularity • 50% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Hoodoo Gurus
Bittersweet - 2005 Remaster
122 bpm • G Maj • 03:50 • -4.59db
51% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Busby Marou
Getaway Car
122 bpm • B Maj • 03:05 • -5.91db
26% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Pete Murray
H.O.L.L.A.N.D.
132 bpm • G Maj • 04:34 • -6.9db
19% Popularity • 57% Danceability • 69% Energy • 10% Liveness
29% Instrumentalness • 44% Positiveness
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Dave Dobbyn
Slice of Heaven
122 bpm • G Maj • 04:37 • -9.55db
59% Popularity • 82% Danceability • 65% Energy • 62% Liveness
0% Instrumentalness • 97% Positiveness
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Faker
This Heart Attack
122 bpm • C# min • 03:47 • -4db
48% Popularity • 62% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Killing Heidi
Black Sheep
122 bpm • C Maj • 02:17 • -7.51db
16% Popularity • 70% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Sarah Blasko
Always On This Line
122 bpm • F min • 04:11 • -8.49db
26% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jebediah
Leaving Home
122 bpm • F# Maj • 03:01 • -6.61db
47% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Pete Murray
Happy Ground
132 bpm • C Maj • 03:50 • -11.49db
31% Popularity • 60% Danceability • 41% Energy • 67% Liveness
0% Instrumentalness • 47% Positiveness
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Cold Chisel
All For You
121 bpm • A Maj • 04:55 • -3.89db
33% Popularity • 59% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Dragon
April Sun in Cuba
121 bpm • D Maj • 03:27 • -13.89db
58% Popularity • 79% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Seeker Lover Keeper
Even Though I'm A Woman
121 bpm • F Maj • 04:08 • -10.31db
36% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Paul Dempsey
Fast Friends
133 bpm • A Maj • 04:16 • -6.21db
26% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Bob Evans
Hand Me Downs
121 bpm • G Maj • 03:32 • -6db
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Amy Shark
Be Alright - triple j Like A Version
121 bpm • B Maj • 03:33 • -9db
40% Popularity • 50% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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The Screaming Jets
Helping Hand
133 bpm • G# min • 04:50 • -10.46db
46% Popularity • 50% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Ian Moss
Tucker's Daughter
133 bpm • A# min • 04:34 • -11.31db
53% Popularity • 64% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Jonathan Routh
Car Park Attendant
121 bpm • D Maj • 05:10 • -10.14db
0% Popularity • 72% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Pete Murray
Tonic
134 bpm • B min • 03:00 • -9.48db
23% Popularity • 68% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 77% Positiveness
► Preview
Hunters & Collectors
Where Do You Go?
121 bpm • G Maj • 03:58 • -3.52db
40% Popularity • 66% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 68% Positiveness
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The Whitlams
Thankyou (For Loving Me At My Worst)
134 bpm • F Maj • 04:12 • -5.65db
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Killing Heidi
Mascara
134 bpm • D Maj • 04:50 • -4.49db
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Evermore
Are You Satisfied???
134 bpm • C# Maj • 04:19 • -6.38db
15% Popularity • 55% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Cold Chisel
Flame Trees - 2011 Remastered
120 bpm • E Maj • 04:24 • -4.27db
51% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Jonathan Routh
Psst!
134 bpm • E min • 04:05 • -10.5db
0% Popularity • 64% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Pete Murray
Never Let The End Begin
134 bpm • C min • 03:01 • -11.03db
13% Popularity • 64% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Bob Evans
Sadness & Whiskey
120 bpm • C Maj • 03:12 • -7.44db
15% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Powderfinger
Lost And Running
120 bpm • F Maj • 03:42 • -7.05db
49% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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Missy Higgins
Steer
120 bpm • E Maj • 03:51 • -7db
46% Popularity • 57% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Evermore
Morning Star
120 bpm • C Maj • 03:15 • -12.21db
13% Popularity • 49% Danceability • 24% Energy • 9% Liveness
60% Instrumentalness • 9% Positiveness
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The Badloves
Barefoot Bride
120 bpm • A min • 04:13 • -9.36db
23% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
52% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Bob Evans
Friend
120 bpm • E Maj • 03:29 • -6.56db
13% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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The Screaming Jets
Shivers
135 bpm • F# Maj • 04:26 • -11.96db
39% Popularity • 41% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Dave Dobbyn
Language
120 bpm • A Maj • 03:27 • -11db
22% Popularity • 61% Danceability • 54% Energy • 7% Liveness
20% Instrumentalness • 61% Positiveness
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Kasey Chambers
Not Pretty Enough
120 bpm • B Maj • 03:19 • -5.43db
45% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Forrest Johnson
Then By Nightfall...
135 bpm • A min • 04:28 • -7.78db
0% Popularity • 41% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Killing Heidi
Live Without It
135 bpm • G Maj • 03:11 • -5.67db
32% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Bluejuice
Act Yr Age
135 bpm • D Maj • 03:20 • -3.71db
46% Popularity • 66% Danceability • 88% Energy • 24% Liveness
3% Instrumentalness • 97% Positiveness
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The Screaming Jets
Sad Song
120 bpm • B Maj • 02:55 • -5db
29% Popularity • 56% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Busby Marou
Biding My Time
135 bpm • E Maj • 04:03 • -6.59db
44% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Sarah Blasko
Always Worth It
135 bpm • C# min • 03:47 • -5.98db
24% Popularity • 46% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Illy
It Can Wait
135 bpm • G# Maj • 03:37 • -3.53db
40% Popularity • 75% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Opportunity