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Orange Juice & Water
Songs like
Orange Juice & Water
by
Tomo Fujita
Based on a tempo of (+/- 10%) and a similar genre
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Why Groove?
Why Groove?! #3
107 bpm • G# Maj • 01:04 • -7.98db
29% Popularity • 83% Danceability • 65% Energy • 10% Liveness
87% Instrumentalness • 97% Positiveness
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John Scofield
The Red One
107 bpm • E min • 04:19 • -10.02db
41% Popularity • 52% Danceability • 49% Energy • 7% Liveness
90% Instrumentalness • 68% Positiveness
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Giacomo Turra
24K Magic
107 bpm • F min • 01:49 • -6db
40% Popularity • 59% Danceability • 79% Energy • 46% Liveness
92% Instrumentalness • 92% Positiveness
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Vital Techtones
Subzero
107 bpm • G# Maj • 07:06 • -7.56db
13% Popularity • 60% Danceability • 82% Energy • 14% Liveness
84% Instrumentalness • 35% Positiveness
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Randall Hunt
Lay Down
107 bpm • F# min • 02:41 • -12.17db
21% Popularity • 61% Danceability • 79% Energy • 10% Liveness
87% Instrumentalness • 86% Positiveness
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Tomo Fujita
Orange Juice & Water
107 bpm • D min • 05:36 • -12.53db
8% Popularity • 69% Danceability • 44% Energy • 13% Liveness
91% Instrumentalness • 52% Positiveness
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Guthrie Trapp
Mambo Cheeks
106 bpm • G Maj • 06:30 • -12.54db
13% Popularity • 45% Danceability • 33% Energy • 8% Liveness
87% Instrumentalness • 43% Positiveness
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Camdyn Sandoval
Living in Dream
106 bpm • F# Maj • 03:21 • -9.29db
29% Popularity • 59% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Scary Goldings
The Shakes
106 bpm • D Maj • 03:46 • -5.58db
25% Popularity • 66% Danceability • 90% Energy • 20% Liveness
80% Instrumentalness • 75% Positiveness
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Cissy Street
Les pions se révoltent
108 bpm • C Maj • 03:55 • -8.08db
38% Popularity • 74% Danceability • 87% Energy • 12% Liveness
89% Instrumentalness • 96% Positiveness
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Frank Gambale
Legends
106 bpm • C min • 09:11 • -10.49db
22% Popularity • 66% Danceability • 76% Energy • 6% Liveness
11% Instrumentalness • 91% Positiveness
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Alain Caron
Freedom Jazz Dance
106 bpm • G# Maj • 03:38 • -7db
23% Popularity • 56% Danceability • 93% Energy • 34% Liveness
68% Instrumentalness • 91% Positiveness
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Anika Nilles
Up and Down
106 bpm • C Maj • 04:02 • -9.7db
36% Popularity • 68% Danceability • 55% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
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Tal Wilkenfeld
Cosmic Joke
106 bpm • G Maj • 06:25 • -5.81db
31% Popularity • 47% Danceability • 87% Energy • 18% Liveness
85% Instrumentalness • 80% Positiveness
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Scary Goldings
Save It for the First Time
106 bpm • G min • 02:27 • -5.94db
28% Popularity • 87% Danceability • 71% Energy • 55% Liveness
13% Instrumentalness • 57% Positiveness
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Jan Cyrka
Carefree Summer
108 bpm • F min • 01:39 • -6.6db
35% Popularity • 60% Danceability • 81% Energy • 22% Liveness
22% Instrumentalness • 57% Positiveness
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Steve Smith
Bad Intent
106 bpm • G Maj • 07:04 • -8.33db
15% Popularity • 53% Danceability • 87% Energy • 8% Liveness
84% Instrumentalness • 47% Positiveness
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The Fearless Flyers
Nate Smith Is the Ace of Aces
106 bpm • B Maj • 02:17 • -10.53db
45% Popularity • 60% Danceability • 82% Energy • 55% Liveness
89% Instrumentalness • 87% Positiveness
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Matteo Mancuso
Blues For John
106 bpm • A# Maj • 03:31 • -9.94db
34% Popularity • 53% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 63% Positiveness
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Jeff Berlin
Joe Frazier (Part II)
109 bpm • A Maj • 06:10 • -12db
15% Popularity • 51% Danceability • 89% Energy • 7% Liveness
74% Instrumentalness • 67% Positiveness
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Mezzoforte
EG.Blues
109 bpm • F min • 09:26 • -8.77db
11% Popularity • 61% Danceability • 81% Energy • 69% Liveness
83% Instrumentalness • 77% Positiveness
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TOKYO GROOVE JYOSHI
Small Hours
109 bpm • G min • 04:46 • -10.31db
15% Popularity • 63% Danceability • 51% Energy • 18% Liveness
48% Instrumentalness • 54% Positiveness
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Lari Basilio
California Waves
105 bpm • G min • 03:53 • -8.22db
30% Popularity • 64% Danceability • 76% Energy • 10% Liveness
87% Instrumentalness • 73% Positiveness
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The Fearless Flyers
Ace of Aces
106 bpm • F# min • 02:04 • -9.67db
54% Popularity • 72% Danceability • 85% Energy • 15% Liveness
95% Instrumentalness • 90% Positiveness
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Greg Koch
Welchz Grape
109 bpm • D Maj • 07:04 • -4.64db
14% Popularity • 49% Danceability • 76% Energy • 13% Liveness
19% Instrumentalness • 64% Positiveness
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Alain Caron
Slick Shift
105 bpm • F min • 05:50 • -15db
20% Popularity • 70% Danceability • 53% Energy • 4% Liveness
63% Instrumentalness • 83% Positiveness
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Cristiano Parato
Ostinato Bass
105 bpm • B min • 07:21 • -4.91db
15% Popularity • 70% Danceability • 90% Energy • 11% Liveness
85% Instrumentalness • 62% Positiveness
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Steve Smith
Eight Five
105 bpm • B Maj • 05:52 • -10.73db
9% Popularity • 69% Danceability • 72% Energy • 10% Liveness
86% Instrumentalness • 78% Positiveness
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Gerald Gradwohl
Squier '78
105 bpm • E min • 08:42 • -10.87db
8% Popularity • 80% Danceability • 53% Energy • 9% Liveness
39% Instrumentalness • 76% Positiveness
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Vail Johnson
Kick Off
105 bpm • G Maj • 04:15 • -10db
12% Popularity • 74% Danceability • 54% Energy • 6% Liveness
74% Instrumentalness • 48% Positiveness
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Stefano Bassi
Confusion in My Mind
105 bpm • G Maj • 04:57 • -6.01db
16% Popularity • 63% Danceability • 87% Energy • 33% Liveness
96% Instrumentalness • 62% Positiveness
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Doug Johns
A Tall Order
105 bpm • F min • 04:16 • -5.77db
9% Popularity • 70% Danceability • 72% Energy • 7% Liveness
81% Instrumentalness • 74% Positiveness
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Devine King
Wired Telemetry
105 bpm • C# Maj • 04:59 • -7.58db
10% Popularity • 70% Danceability • 85% Energy • 25% Liveness
52% Instrumentalness • 78% Positiveness
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Matteo Mancuso
Falcon Flight
105 bpm • G# min • 03:02 • -7.81db
36% Popularity • 36% Danceability • 76% Energy • 12% Liveness
92% Instrumentalness • 76% Positiveness
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Alain Caron
P.A.C. Man
105 bpm • C Maj • 04:21 • -13db
28% Popularity • 82% Danceability • 61% Energy • 8% Liveness
91% Instrumentalness • 82% Positiveness
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Funky Times
Funky Times 1.0
109 bpm • C Maj • 01:12 • -8db
49% Popularity • 79% Danceability • 70% Energy • 16% Liveness
93% Instrumentalness • 96% Positiveness
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Larnell Lewis
Rejoice
105 bpm • F# Maj • 05:31 • -5.93db
27% Popularity • 36% Danceability • 83% Energy • 28% Liveness
86% Instrumentalness • 61% Positiveness
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Doug Johns
Chump Suey
109 bpm • A Maj • 04:25 • -9db
28% Popularity • 79% Danceability • 74% Energy • 31% Liveness
88% Instrumentalness • 75% Positiveness
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Cissy Street
A 3
105 bpm • G Maj • 04:20 • -6.85db
23% Popularity • 76% Danceability • 64% Energy • 21% Liveness
75% Instrumentalness • 62% Positiveness
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Jeff Kollman
Intimate Portrait
105 bpm • C min • 01:04 • -18.68db
32% Popularity • 47% Danceability • 20% Energy • 13% Liveness
88% Instrumentalness • 56% Positiveness
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Adam Nitti
Distraction
110 bpm • D Maj • 06:40 • -7db
13% Popularity • 65% Danceability • 64% Energy • 40% Liveness
85% Instrumentalness • 79% Positiveness
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Alain Caron
Enhanced
110 bpm • C Maj • 05:20 • -11db
10% Popularity • 68% Danceability • 70% Energy • 10% Liveness
65% Instrumentalness • 79% Positiveness
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Luca Mantovanelli
Pulse
110 bpm • A# min • 00:46 • -4.82db
28% Popularity • 79% Danceability • 92% Energy • 7% Liveness
86% Instrumentalness • 74% Positiveness
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瀬川千鶴
Morning
110 bpm • G Maj • 05:38 • -6.86db
8% Popularity • 58% Danceability • 75% Energy • 18% Liveness
64% Instrumentalness • 46% Positiveness
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Matteo Mancuso
Polifemo
110 bpm • C min • 04:59 • -11.44db
34% Popularity • 58% Danceability • 57% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Robson Albuquerque
My Own Voice
110 bpm • C# Maj • 03:39 • -12.7db
9% Popularity • 66% Danceability • 68% Energy • 10% Liveness
94% Instrumentalness • 85% Positiveness
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Benny Greb
Tricky
110 bpm • A# min • 02:08 • -7.27db
25% Popularity • 74% Danceability • 63% Energy • 8% Liveness
85% Instrumentalness • 48% Positiveness
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Alain Caron
The Lost Foot
110 bpm • G Maj • 06:24 • -15db
31% Popularity • 59% Danceability • 71% Energy • 10% Liveness
64% Instrumentalness • 85% Positiveness
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Doug Johns
Stairway To Heaven
110 bpm • E min • 01:26 • -10.46db
34% Popularity • 72% Danceability • 78% Energy • 16% Liveness
89% Instrumentalness • 58% Positiveness
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Dennis Chambers
Aircraft
110 bpm • A# min • 05:25 • -8.48db
31% Popularity • 71% Danceability • 90% Energy • 13% Liveness
91% Instrumentalness • 66% Positiveness
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Derek Frank
Culdesac
110 bpm • A# min • 07:04 • -9.95db
12% Popularity • 78% Danceability • 76% Energy • 9% Liveness
90% Instrumentalness • 41% Positiveness
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Fernando Nanao
203b
110 bpm • C Maj • 02:56 • -11.66db
14% Popularity • 80% Danceability • 78% Energy • 4% Liveness
75% Instrumentalness • 97% Positiveness
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Ariel Acosta 5tet
Matices
110 bpm • G Maj • 04:28 • -7.34db
12% Popularity • 74% Danceability • 76% Energy • 9% Liveness
34% Instrumentalness • 63% Positiveness
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Alain Caron
1-4-U
110 bpm • G# Maj • 06:57 • -9.04db
17% Popularity • 70% Danceability • 82% Energy • 24% Liveness
66% Instrumentalness • 96% Positiveness
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Tribal Tech
Canine
104 bpm • F# min • 06:23 • -11db
23% Popularity • 67% Danceability • 76% Energy • 48% Liveness
32% Instrumentalness • 73% Positiveness
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Gary McKay
Crazy Diamonds, Pt. 1
110 bpm • C Maj • 02:09 • -5.9db
20% Popularity • 83% Danceability • 62% Energy • 8% Liveness
87% Instrumentalness • 68% Positiveness
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Funky Times
Got Ya Movin'
110 bpm • A Maj • 03:26 • -8db
39% Popularity • 61% Danceability • 73% Energy • 12% Liveness
82% Instrumentalness • 76% Positiveness
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Scary Goldings
Professor Vicarious
104 bpm • B min • 03:05 • -7.56db
24% Popularity • 67% Danceability • 83% Energy • 23% Liveness
87% Instrumentalness • 73% Positiveness
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The Fearless Flyers
Adrienne and Adrianne
104 bpm • C Maj • 03:27 • -10.64db
28% Popularity • 76% Danceability • 61% Energy • 12% Liveness
85% Instrumentalness • 81% Positiveness
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Guthrie Trapp
Saint Tommy B
104 bpm • C Maj • 03:18 • -11.35db
15% Popularity • 56% Danceability • 58% Energy • 14% Liveness
80% Instrumentalness • 87% Positiveness
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Tomo Fujita
The Good Life
111 bpm • F# min • 04:00 • -9.53db
13% Popularity • 78% Danceability • 66% Energy • 8% Liveness
70% Instrumentalness • 89% Positiveness
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Doug Johns
Chew On A Dog
111 bpm • C# Maj • 05:04 • -11db
11% Popularity • 75% Danceability • 63% Energy • 36% Liveness
83% Instrumentalness • 48% Positiveness
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Nathan East
Sir Duke
111 bpm • B Maj • 04:05 • -7.05db
25% Popularity • 70% Danceability • 66% Energy • 13% Liveness
71% Instrumentalness • 77% Positiveness
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David Garfield
Hunting Heads
111 bpm • B min • 07:02 • -10.9db
10% Popularity • 70% Danceability • 69% Energy • 8% Liveness
87% Instrumentalness • 83% Positiveness
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Redtenbacher's Funkestra
Kerria Lacca
103 bpm • F min • 04:59 • -8.88db
25% Popularity • 80% Danceability • 68% Energy • 6% Liveness
38% Instrumentalness • 78% Positiveness
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Guthrie Trapp
Zim Zam Zoom
103 bpm • G min • 05:27 • -11.94db
10% Popularity • 63% Danceability • 54% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
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Dennis Chambers
Elroy
103 bpm • C min • 06:05 • -5.31db
18% Popularity • 65% Danceability • 79% Energy • 12% Liveness
70% Instrumentalness • 73% Positiveness
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Doug Johns
Frog On My Face
112 bpm • C# Maj • 05:50 • -10db
10% Popularity • 76% Danceability • 58% Energy • 7% Liveness
84% Instrumentalness • 20% Positiveness
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The Funky Knuckles
Knuckaround
103 bpm • C Maj • 01:09 • -8.02db
43% Popularity • 66% Danceability • 75% Energy • 30% Liveness
15% Instrumentalness • 83% Positiveness
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Tal Wilkenfeld
Oatmeal Bandage
112 bpm • D Maj • 07:53 • -6db
24% Popularity • 44% Danceability • 88% Energy • 9% Liveness
86% Instrumentalness • 78% Positiveness
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Jan Cyrka
Andalucian Sunset
112 bpm • C min • 03:08 • -11db
32% Popularity • 67% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
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Hiram Bullock
Window Shoppin'
102 bpm • G Maj • 05:22 • -7db
21% Popularity • 63% Danceability • 87% Energy • 17% Liveness
53% Instrumentalness • 70% Positiveness
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Felix Magnus Grossmann
Flying Home
112 bpm • A min • 02:45 • -5.85db
24% Popularity • 72% Danceability • 83% Energy • 35% Liveness
84% Instrumentalness • 74% Positiveness
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Doug Johns
Pocket Fulla Nasty
112 bpm • A# Maj • 03:08 • -10db
20% Popularity • 77% Danceability • 80% Energy • 9% Liveness
86% Instrumentalness • 76% Positiveness
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Anika Nilles
Questions
102 bpm • G# Maj • 04:08 • -8.96db
27% Popularity • 55% Danceability • 78% Energy • 12% Liveness
81% Instrumentalness • 38% Positiveness
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The Fearless Flyers
Flyers Funk
102 bpm • C# min • 02:30 • -6.67db
38% Popularity • 75% Danceability • 94% Energy • 16% Liveness
89% Instrumentalness • 86% Positiveness
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Béla Fleck and the Flecktones
Sex in a Pan
102 bpm • C Maj • 03:34 • -14db
34% Popularity • 72% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
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Ben Jones
Fuse Box
102 bpm • D Maj • 05:27 • -10.32db
16% Popularity • 68% Danceability • 62% Energy • 38% Liveness
76% Instrumentalness • 34% Positiveness
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Dave Weckl Band
The Zone
102 bpm • D Maj • 06:08 • -12db
28% Popularity • 65% Danceability • 71% Energy • 9% Liveness
88% Instrumentalness • 88% Positiveness
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Wayne Krantz
My Skin is My Sin
102 bpm • F# min • 05:05 • -13db
22% Popularity • 45% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 35% Positiveness
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Tomo Fujita
Coral Sky
102 bpm • C Maj • 05:14 • -8.54db
12% Popularity • 75% Danceability • 53% Energy • 35% Liveness
32% Instrumentalness • 45% Positiveness
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Federation Of The Groove
Carnival of the Night
102 bpm • D Maj • 07:36 • -13.13db
18% Popularity • 60% Danceability • 68% Energy • 11% Liveness
88% Instrumentalness • 68% Positiveness
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Guthrie Govan
T&C
113 bpm • C Maj • 02:25 • -5.31db
43% Popularity • 41% Danceability • 71% Energy • 8% Liveness
67% Instrumentalness • 46% Positiveness
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Redtenbacher's Funkestra
Monster Funk
113 bpm • C# Maj • 03:52 • -10.07db
37% Popularity • 79% Danceability • 67% Energy • 9% Liveness
88% Instrumentalness • 91% Positiveness
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Anika Nilles
Neon
113 bpm • F min • 04:19 • -8.45db
30% Popularity • 64% Danceability • 86% Energy • 7% Liveness
80% Instrumentalness • 53% Positiveness
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Wayne Krantz
One Of Two
113 bpm • E min • 04:17 • -21db
36% Popularity • 76% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Spyro Gyra
Down the Wire
113 bpm • B min • 05:57 • -7db
25% Popularity • 75% Danceability • 76% Energy • 14% Liveness
83% Instrumentalness • 83% Positiveness
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Tomo Fujita
Don't Wake Me
113 bpm • C min • 05:44 • -15.74db
8% Popularity • 54% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 17% Positiveness
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Guthrie Govan
Jelly Bean
113 bpm • D Maj • 02:19 • -6.03db
46% Popularity • 57% Danceability • 60% Energy • 10% Liveness
65% Instrumentalness • 47% Positiveness
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Dave Weckl Band
Watch Your Step
113 bpm • G# Maj • 05:29 • -8db
33% Popularity • 70% Danceability • 89% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
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Cristiano Parato
Inside My Memory
101 bpm • A min • 04:13 • -6db
35% Popularity • 74% Danceability • 70% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
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Shaun Martin
Soundcheck and Whatnots
113 bpm • G# Maj • 01:09 • -14db
47% Popularity • 72% Danceability • 42% Energy • 9% Liveness
80% Instrumentalness • 94% Positiveness
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Doug Johns
Funk Bomb
101 bpm • E Maj • 03:52 • -9.17db
11% Popularity • 68% Danceability • 78% Energy • 16% Liveness
83% Instrumentalness • 79% Positiveness
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Tomo Fujita
Burbank Street
101 bpm • E min • 05:31 • -13.08db
11% Popularity • 58% Danceability • 52% Energy • 66% Liveness
77% Instrumentalness • 62% Positiveness
► Preview
Anika Nilles
Smooth7 - Bonus Track
113 bpm • G min • 03:55 • -8.36db
18% Popularity • 43% Danceability • 65% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
► Preview
Senri Kawaguchi
Who Would've Known
114 bpm • C min • 04:56 • -8.95db
9% Popularity • 83% Danceability • 59% Energy • 35% Liveness
18% Instrumentalness • 81% Positiveness
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Funky Times
Sweet Disco Times
114 bpm • F# min • 03:34 • -5db
39% Popularity • 80% Danceability • 73% Energy • 7% Liveness
78% Instrumentalness • 79% Positiveness
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Avi Yifrah
Funk Market
114 bpm • D Maj • 04:48 • -10.55db
8% Popularity • 66% Danceability • 88% Energy • 33% Liveness
89% Instrumentalness • 79% Positiveness
► Preview
Cosmosquad
Slowburn
114 bpm • D min • 05:57 • -14db
17% Popularity • 48% Danceability • 29% Energy • 9% Liveness
71% Instrumentalness • 35% Positiveness
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Tomo Fujita
Take Heart
101 bpm • B min • 05:19 • -6.91db
14% Popularity • 68% Danceability • 83% Energy • 7% Liveness
61% Instrumentalness • 74% Positiveness
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Orange Juice & Water